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19305155EBOelsnitz im Vogtland, Koch & te Kock, 1930. Quer-Groß-4°. 25,5 x 36,5 cm. 34 Blatt. Original-Ganzlederband mit Kordelbindung. Vorderdeckel vollflächig mit Teppichmuster mit eingewebtem Firmenlogo und Jahreszahlen.
1945ABE-17403280030626 PAGES-43 CM X 60 CM-P1: APRES LA CONFERENCE DE LONDRES PARIS SERA LE CENTRE INTELLECTUEL POUR LES NATIONS UNIES-POUR UN MEILLEUR ENSEIGNEMENT DU TISSAGE, PAR RENEE MOUTARD ULDRY, PHOTO-INNOVATIONS A L'ECOLE DES BEAUX ARTS, LES JEUNES SCULPTEURS DECORENT L'EGLISE DE NEUILLY, PHOTO, SUITE P2-LA POLYPHONIE MEDIEVALE, PAR GUILLAUME DE VAN, SUITE P5-TOULOUSE LAUTREC ET LES ANIMAUX, ILL (COUVERTURE POUR LES JOUETS DE PARIS), SUITE P3-LES FRANCAIS A INNSBRUCK LE MAUSOLEE DE MAXIMILIEN Ier, PAR BORIS LOSSKY, DESSIN DE YVES BRAYER (A INNSBRUCK, LE 11 NOVEMBRE 1945)-LA PREMIERE EXPOSITION DE LA RECONSTRUCTION-P2: LES EXPOSITIONS, EMMANUEL GONDOUIN, ASSELIN, VALENTINE PRAX, PHOTO (LA FEMME AU BAS ROUGE), JANE PECHEUR,.-P3: LA TOURAINE DE PICART LEDOUX, PHOTO-DANSE: CUIQUE SUUM, JANINE CHARRAT, PAUL COLIN-THEATRE: AU PALACE, LA CELESTINE, MARCELLE GENIAT-A L'ALHAMBRA EDITH PIAF D'AUJOURD'HUI-P6: LE SOUVENIR DE FAGUS, PAR PH. CHABANEIX-LES TENDANCES NOUVELLES DE LA LITTERATURE AMERICAINE
19481257401948 Synergie - 1948 - In-4 broché, couverture illustrée rempliée, sous chemise - Brochure tirée à 3000 exemplaires sur pur fil Johannot, celle-ci porte le numéro 837 - Eau-forte de Johannys Drevet manquante
1940WIRT0436Wuppertal-Elberfeld, Vereinigte Glanzstoff-Fabriken A.G. o. J. (um 1940). gr.-8°, 84 S., mit zahlr. Abb. von Maschinen u. Webstühlen, OKart., geringe Gebrauchsspuren. Aus dem Inhalt: Was man von Kusntseide wissen muß. Das Lagern der Kunstseide. Die Winderei. Die Schußspulerei. Das Schären und Bäumen. Anfertigung konischer Kreuzspueln. Das Schlichten von Kunstseidenketten. Die Weberei. Glanzstoff-Kunstseide als Schuß. Die Automaten-Weberei. Glanzstoff-Kunstseidenkrepp. Glanzstoff-Effektzwirne.
1973ABE-977563895112 PAGES FORMAT 50X36-LA BRETAGNE DEFIGUREE,PAR YVES MARIE RUDEL-L'INVENTAIRE DE SERGE KERVAL DEVANT LES CAMERAS,PHOTO-ON TISSE ENCORE LA LAINE DU MORBIHAN,MEGE-JEAN FRANCOIS COATMEUR,PHOTO-THEATRE,QUELQUES INSTANTS AVEC JEAN MOING,PHOTO-LE GRAND PRIX DU SALON DES FEMMES PEINTRES ET SCULPTEURS A MME FAVRE,DE SAINTE MARINE,PHOTO-UN PROMOTEUR INCARCERE A BREST,FRANCOIS JEROME NEDELEC-EN DERNIERE PAGE: CARNET D'UN BRETONNANT, UNE HISTOIRE D'ECUREUIL,PAR PIERRE JAKEZ HELIAS,TEXTES FRANCAIS ET BRETON
1961109641961 Athens, National Organization of Hellenic Handicrafts, 1961; in-folio, plein cartonnage éditeur crème illustré en couleurs au 1er plat, titre en noire et rouge, dos muet; 3 ff . de texte en anglais ( 1f volant Traduction française) et 20 planches de tissus en couleurs
192554342Philadelphia PA: Otto F. Schumann Philadelphia Textile School ca. 1925. Small 4to. 8.25 x 9.2 in. 75 leaves unnumbered including 32 leaves with detailed colour charts on weave formations producing various kinds of cloth 3 tipped-in textile samples together w/ weaving instructions in manuscript. Original limp leather 3-ring binder gilt lettering stamped on front cover ink lettering & association of Otto F. Schumann on front cover some soiling dustsoiling edgewear still VG exemplar. This Jazz Age weaving manuscript notebook complete with weave formation design plates fabric samples and instructions offer a remarkable and invaluable artifact of how a young American textile designer and weaver received training at the famed Philadelphia Textile School now Philadelphia University during the 1920s. These course books were judged on completeness and the aspiring weaver’s skill in presenting the details about the instruction as well as their abilities in running the machinery required to produce the cloth. This manuscript notebook includes Schumann’s detailed plates and notes on producing color effect on the plain weave creating Broken Twills Crowfoot Satins Checked & Figured Broken Twills Entwining Twills Basket Weaves and Broken Satins. The extensive manuscript notes detail the loom instructions how many lines are required composition and more in producing the assorted effects. Because of the poor quality of United States textiles exhibited at the Centennial Exhibition in 1876 the Philadelphia Textile Manufacturers pushed for a formalized vocational school to train weavers designers and textile workers. In 1884 it became part of the Pennsylvania Museum and School of Industrial Art with 81 students enrolled by 1885 and by 1894 the School of Textiles added a Department of Wool Carding & Spinning and a Department of Cloth Finishing and Design. By the 1920s the Philadelphia Textile School was offering extensive three-year textile courses chemistry and dyeing courses as well as design courses in cottons woolens worsteds silks Jacquard design and more. Schumann 1906-1967 was the son of Hugo Schumann founder and owner of the Maid Hosiery Mills in Reading PA through the opening decades of the 20th century for whom he worked with until after World War II as designer and sales executive. Otto F. Schumann, Philadelphia Textile School, hardcover
1976875061976 Lyon, Fédérop, 1976, in 12 broché, paginations multiples (environ 150 pages).
1949LFA-126734989Une revue de 148 pages, format 165 x 230 mm, illustrée, brochée couverture couleurs, bon état
192019646angers Editions de l'Ouest 1920 in-8 broché un volume, broché (paperback) grand in-octavo, dos et couverture imprimés en noir, 1ère de couverture rempliée ornée d'une illustration en couleur (vert, rouge, argent et or) représentant les Armoiries des Cordiers et celles des Tisserands d'Angers par R. Jussaramo, toutes tranches non rognées (all no-smooth edges), orné de 52 photographies in et hors-texte en noir + 10 portraits hors-texte en noir + 11 plans hors-texte en noir dont 4 dépliants (plentifully illustrated), 311 pages, 1920 à Angers Editions de l'Ouest Editeur, Gründ Editeur,
195859253New York: The Macmillan Co. 1958. 8vo. xii 225 1 pp. With over 350 text illustrations weaving diagrams sketches and photographs. Black publisher’s cloth white & blue lettering & decoration minor rubbing shelfwear w/ d.j. cover art by The Strimbans using handwoven textile by Virginia D. Aldridge minor shelfwear minor chipping head & foot of spine slight scuffing still VG/VG copy from library of Agnes Parsons w/ the original advance order form folded and laid-in. First edition of one of the scarcest and most significant manuals for handweaving in the Mid-20th Century. Following World War II and with increasing interest in designing and weaving textiles the author demonstrated the basic principles of cloth construction by focusing on harness-controlled patterns and four-harness fabrics. Frey 1893-1972 began as an occupational therapist in woodworking at the U.S. Army’s Walter Reed Hospital and began learning and teaching handweaving as well as training her students to construct weaving looms. After moving to New York she worked in the textile industry and later opened her own design studio taught weaving and by 1940 was one of the co-founders of the New York Guild of Handweavers whose first year’s weaving programs focused on studying Native American Weaving of the Cherokee Tribe. See: Diane Kirschner History of the NY Handweavers Guild 2022; The Macmillan Co., hardcover
192757304Fall River MA: Dover Press 1927. 8vo. 160 pp. w/ errata slip bound-in before the ffep. With 83 weaving patterns 128 tipped-in fabric & weaving samples in assorted fabrics numerous illustrated ads for textile mills and textile mill weaving machinery. Gray-blue cloth black lettering on front cover & spine thumbing & soiling to covers darkening to spine ex-lib markings on endpapers still VG copy. First edition of this well-written and illustrated work intended to aid aspiring weavers and textile manufacturers on designing and weaving of cotton fabrics. This volume carefully outlines how to use graph paper to chart out certain weaving patterns what steps have to be taken to produce certain weight cotton fabrics continually referring to the included samples as they compare to the text diagrams. The supplied fabric swatches range from Tobacco cloth to Brassiere and Lingerie as well as Umbrella Muslin Sheeting Gingham Duck Oxford Denim Sateen Seersucker and many other cloths. Nichols 1872-1945 was the longtime principal and trustee for the Bradford Durfee Textile School in Fall River MA and Broomhead 1861-1956 primary weaving instructor. Dover Press, hardcover
195959254Goteborg Sweden: Wezata Forlag 1959. Tall 8vo. 128 pp. Colour plates weaving patterns & designs photo illustrations text diagrams throughout. Quarter-beige cloth over colour-illustrated boards black lettering on spine minor shelfwear slight rubbing to lower fore-edges still NF copy signed by author on ffep. First edition in English signed of this exceptional and influential Mid-20th-Century work on Swedish handweaving and design. Selander heavily influenced American weavers not only with her Weaving patterns 1956 and the present title but her extended workshop and lecture tour in 1960 through 28 cities. Not only did she introduce techniques of colour blending of strands to enrich the colour pallet but also advised on how to design their own cloth patterns. See: Marion Marzolf The Swedish Presence in 20th-Century American Weaving Textile Society of American Symposium Proceedings 314 2006. Wezata Forlag, hardcover
1983812681983 Québec, Editions Leméac, 1983, in 8° broché, 256 pages ; couvtrure illustrée.
198360317New York; Watson-Guptill Publications 1983. Thick 4to. 527 1 pp. 400 illusts 4 colour plates 170 photos. Brown boards gilt lettering on spine slightly cocked w/ d.j. cover art of woven rugs slight shelfwear rubbing NF/NF copy from the library of Ruth Emerson Zilk 1924-1998 noted Portland weaver and daughter to Lynn Emerson d. 1985 renowned vocational educator of Cornell University. Eighth printing of this informative and well-illustrated work on woven textiles. Please note that cover art on later printings differs from 1969 original. Watson-Guptill Publications, hardcover
190162585Paris: Imp. Garjeanne 21 Boulevard du Temple 1901. 8vo. 62 pp. plus 2 pp. publisher’s advertisements for the “L’Independent†loom. With 50 text illustrations and diagrams. Green-tinted softcovers cover art of young woman seated weaving a tapestry on an “Independent†loom minor chipping to corners some age toning to the paper still a VG- copy. First edition of this fin-de-siecle manual targeting weaving and decorative arts work by young women on how to assemble prepare for weaving and then weave Gobelins style tapestries and Savonnerie style knotted pile carpets. Loisel has included instructions on loom structure knotting loom patterns colours and more. Worldcat locates 1 copy Bibliotheque Nationale. [Imp. Garjeanne, 21, Boulevard du Temple], paperback
197563899CBDüsseldorf und Berlin, Kunstmuseum Düsseldorf/Bauhaus-Archiv, 1975. Quer-8°. 20 x 21 cm. 47 (3) Seiten. Original-Broschur.
192012cb16in8 agrafé, non paginé, couverture muette. Il s'agit d'un cahier de cours. Le texte est sur le papier ligné et les dessins, à la plume et à la gouache, sont remarquablement réalisés en 1920 par Antoine BEAURENAUD
19513000056631951 20 pages 1951. 20 pages.
1981TAPISSERIE89560324Paris, Dessain et Tolra, "Précis techniques" 7, 1981, 21 x 15, 168 pages cousues sous couverture souple imprimée.Iconographie noir & blanc.
197424312London, Raymond Benardout, 1974. No. 61 of a limited edition. 39 S. u. 24 Taf. mit 59 S/w Illustr. Gr.-8°, OPb.
197724189London, Raymond Benardout, 1977. 18 Bl., zahlr. Ill. Gr.-8°, OKldr.
1950128337Couverture souple. Brochure de 24 pages. 15 x 23 cm.
2000Q-1841721034Ryland Peters & Small 2000-09-14. Hardcover. New. In shrink wrap. Looks like an interesting title! Ryland Peters & Small hardcover
1950148775Couverture rigide. Cartonné. Manque à la jaquette. 25 x 34 cm. 16 pages + 44 planches couleurs. Tache sur la tranche.
