5 365 résultats
LV96955Espasa.Colección:Historia universal de la pintura 3. Nuevo. 1997tapa dura con sobrecubiertaprecintado original.32X25.SINOPSIS:La pintura renacentista se caracteriza por el uso del color para crear profundidad y perspectiva y por la perfección en la representación de escenas. Se desarrolló en Europa Occidental entre los siglos XV y XVI. Espasa.Colección:Historia universal de la pintura 3 hardcover
LV96953Espasa.Colección:Historia universal de la pintura 2. Nuevo. 1997tapa dura con sobrecubiertaprecintado original.32X25.SINOPSIS:El arte románico y gótico se diferencian en sus arcos estructuras y en el ambiente que transmiten. Espasa.Colección:Historia universal de la pintura 2 hardcover
1986RO40177386Pontificia Universitas Lateranensis, Roma. 1986. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Plaquette de 56 pages. Etiquette de code sur le 1er plat. Tampons et annotation de bibliothèque sur le 1er plat et en page de titre.. . . . Classification Dewey : 460-Langues espagnole et portugaise
8432142069.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2017x-3319675818Springer-Verlag New York Inc 2017. Paperback. New. 460 pages. 9.25x6.10x0.91 inches. Springer-Verlag New York Inc paperback
6207074505.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2020x-3030490750Springer-Nature New York Inc 2020. Paperback. New. 356 pages. 9.25x6.10x0.81 inches. Springer-Nature New York Inc paperback
Book is in excellent condition, in green cloth covers, large graphic in black on front cover, gilt lettering at spine. Many b&w illustrations on heavy cream colored paper, top page ends colored. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Dust jacket shows the slightest signs of shelf wear only, is price clipped, no tears. Previous owner's name or sticker in front section of the book. From the flyleaf "Irked by the derogatory reaction of British critics who doubted that such books as Typee and Omoo could have been written by a common American sailor, Melville created Mardi -- on the surface, the record of an odyssey through imagined South Sea world. For the first time, Moore unravels the puzzle Melville created in Mardi, designed to dupe his elitist British readers, by exploring Melville's knowledge of astronomy, nautical navigation, astrology, and game theories. Hennig Cohen's foreword defends the traditional approach to reading Mardi and argues that Moore's heretical interpretation is interesting but narrow in scope. Moore then invites the reader to 'play Mardi'--to engage in games of wit, elaborate metaphor, and arcane learning-- to reveal the full meaning of the novel. The game may be plated most successfully by using the astronomy and astrology of Melville's time, but a knowledge of the Tarot and Ganjifa cards and of the usual Western decks of playing cards will add depth to your understanding. Mardi fulfills Melville's calim to originality and stands unique as a masterpiece of synthesis. Moore demonstrates a circular pattern in which metaphors intertwine and shows how Melville's use of The American Alamanac and his metaphor of time provides unity. She theorizes that Melville was a highly concious artist, capable of manipulating intricate strands of imagery, metaphor, and symbol through a detailed and precise method. Moreover, an elaborate system of puns gives his work an unsuspected economy even where it seems excessively and unnecessarily wordy. Though Mardi fails, perhaps from tediousness and overmanipulation, Melville followed through with the artistic implications in his later and greater books. Moore feels he had a highly developed concept of the errant or deceitful narrator and hoped to force his readers into an intense riddle-solving approach to Mardi."
193720150Partitions sur la Marine et bateaux Daverdain 1937 approx.
*XS033976.- Murcia. 2004. Nausícaä. 22x15 cm. 1 tomo. 554 pgs. Con fotografías. rúst. Buen estado. . . ISBN 10: 8496114317. ISBN 13: 9788496114319. unknown
1799730662.GaudioCD. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
3846575976.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
SLIVCN-9782080482457Flammarion (11/2025)
SLIVCN-9782080236937Flammarion (10/2021)
SLIVCN-9782080496348Flammarion (11/2025)
2080421980.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
45737880like new. unknown
2080203673.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2080206982.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
67101Lille, L. Lefort, Imprimeur-Libraire, 1852. "12 x 18, 204 pp., 1 illustration, reliure d'édition carton décoré, état moyen (reliure abîmée; quelques rousseurs)."
*XS038430.- Navarra. 2009. Univesidad de Murcia. 20x18 cm. 1 tomo. 503 pgs. Ilustrado. Tela con sobrecubiertas. Buen estado. . . ISBN 13: 9788447033348. hardcover
192349803Couverture souple. Broché. 306 pages. Papier légèrement bruni.
1936513752Imp. Barnoud Laval 1936 752 pages in8. 1936. Broché. 752 pages. Couverture légèrement usagée mais bien protégée par un plastic intérieur très bon