[Fashion] [Art Deco]Biblio.com
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192278454Paris: Dorbon-Ainé 1922. Hardcover. The second volume only. Collection of beautifully colored pochoir plates depicting elite fashion published originally in La Gazette du Bon Ton between 1920 and 1922. Includes work by Barbier Benito Bonfils Brissaud and many others. Royal octavo: 2 pp. with 100 color plates one two-panel. The red marbled paper-covered boards have been expertly rebacked with the original spine strip laid down. Small indentation to the fore-edge of about a quarter of the plates not affecting the images. Some general edgewear to the boards. Dorbon-Ainé hardcover
1989159713San Francisco: Club Oasis 1989. Original "Majestically Modern" poster announcing an "XQ" fashion show and performance art by "Christi On's Hot Foote Dancers" Thursday August 17 1989 hosted by Live 105 KITS disc jockey "Big" Rick Stewart with DJ Mark Hamilton also a disc jockey with Live 105 KITS.<br /> <br /> The popular San Francisco LGBTQ nightclub Club Oasis first opened in 1982. Following its decline in the early 2000s the club was bought by actor writer musician director producer and choreographer D'Archy Drollinger who reopened the club as an internationally acclaimed drag show nightclub/cabaret in 2015. D'Arcy was appointed as the San Francisco Drag Laureate in 2023 the first Drag Laureate ever in the world.<br /> <br /> 11 x 17 inches on pink paper. Near Fine with some light edgewear. Club Oasis unknown
196228400<p>New York: Revlon Inc 1962. Very Good. New York: Revlon Inc. 1962. First Edition. Quarto. Bifolium. Seventeen hair color samples mounted to interior. Light edgewear; punctures from hair mounts to rear; general surface scratching overall Very Good. <br /><br />This trade catalog includes Revlon's "Predict-A-Mat" chart to interior indicating how stylists and patrons can change their natural Light Blonde hair to say Light Gold or Sunburst. Rear cover includes an additional chart showing how the competitors have no direct comparable shades to the Ultra-Ash series. A glimpse into the world of early 1960s advertising and fashion. No copies in retail and not located in OCLC.</p> Revlon, Inc
200693226New York: The Vendome Press 2006. First Edition. Hardcover. Very Good. New York The Vendome Press 2006. Folio unpaginated hundreds of pages of colour illustrations. Papered boards; an excellent copy. The Vendome Press hardcover
TBF32Paris Janvier-Juillet 1832.<br /><br />4 volumes large 8vo 217 x 130 mm gathering <u>76 plates in total</u>: I/ 320 pp. 21 plates in color: 20 plates numbered from 201 to 220 and 1 not announced wrappers bound in; II/ 344 pages 20 plates numbered from 182 to 200 plate 260 last leaves on yellow paper upper wrapper bound in; III/ 320 pp. 17 plates numbered 221 to 237 wrappers bound in; IV/ 332 pp. quire 11 is missing hence there is a gap within the numbering from p. 253 to 276 17 plates numbered 242 to 256 without plates 238 and 254 tear touching the text p. 23 wrappers bound in.<br />A few waterstains. Brown sheepskin blind-stamped border on the covers flat spines with green morocco lettering pieces yellow edges speckled with blue. <i>Contemporary binding.</i><br /><br /><b>Fourth year of this important magazine founded by Emile de Girardin who is proud to represent the Parisian spirit and fashionable life.</b><br /><br />We find there Doctor Véron whose presence soon attracts Alphonse Karr Alexandre Dumas Eugène Sue Georges Sand as well as Balzac.<br /><br />In 1830 passing under the control of the legitimists with Viscount Walsh La Mode will stand against the July Monarchy.<br /><br /><b>The superb illustration is composed of 76 plates in color.</b><br /><br /><b>Beautiful copy preserved in its contemporary homogeneous bindings.</b><br /><br /><br /><br /><b><u>Français</u></b><br /><br />Paris Janvier-Juillet 1832.<br /><br />4 volumes grand in-8 regroupant <u>76 planches au total</u> : I/ 320 pp. 21 planches en couleur : 20 planches numérotées de 201 à 220 et 1 non annoncée couvertures conservées ; II/ 344 pages 20 planches numérotées 182 à 200 planche 260 derniers feuillets sur papier jaune couverture supérieure conservée ; III/ 320 pp. 17 planches numérotées 221 à 237 couvertures conservées ; IV/ 332 pp. manque le cahier 11 d'où un saut dans la numérotation de la p. 253 à 276 17 planches numérotées 242 à 256 planches 238 et 254 manquantes déchirure atteignant le texte p. 23 couvertures conservées.<br />Qq. mouillures. Basane brune dentelle à froid sur les plats dos lisses avec pièces de titre et de tomaison en maroquin vert tranches jaunes mouchetées de bleu. <i>Reliure de l'époque. </i><br /><br />217 x 130 mm. <br /><br /><b>Quatrième année de cette importante revue fondée par Emile de Girardin qui se flatte de représenter l'esprit et la vie parisienne de bon ton. </b><br /><br />On y retrouve le docteur Véron dont la présence attire bientôt Alphonse Karr Alexandre Dumas Eugène sue Georges Sand ainsi que Balzac.<br /><br />En 1830 passant sous le contrôle des légitimistes avec le vicomte Walsh La Mode se dressera contre la monarchie de Juillet.<br /><br /><b>L'illustration superbe se compose de 76 planches en couleurs.</b><br /><br /><b>Bel exemplaire conservé dans ses reliures uniformes de l'époque.</b><br /> hardcover
19781003704Westport Connecticut: Here & There 1978. September 1978 issue of Here & There Francine Horn's groundbreaking fashion trend report focusing on haute couture Japanese fashion and resort wear: "The posh stuff is back in line for Fall '78." Forecasting a year in advance the pages reveal trendsetting European designs for Fall 1979 alongside their American counterparts with lively editorial commentary. The opening chapters celebrate the return of haute couture and its translation to ready-to-wear led by St. Laurent and Givenchy and inspired by Hollywood glamour Chesterfield overcoats and vintage cocktail looks. The coverage of American resort wear highlights the role of the fashion illustrator in forecasting. Because those collections were presented in private showrooms that prohibited photography Here & There charged their "much overworked illustrator Mr. Frank Spina with the prodigious task of capturing with his 'rapacious rapidograph' the highlights of these resort collections" which included designs by Bill Blass Norma Kamali Perry Ellis and Willie Smith. Both a major trade publication and a savvy ad for Francine Horn's fashion trend consultancy Here & There was an industry must-read a success due in part to her husband David Charles Horn's candid photography and provocative editorials. Like most fashion forecasting reports from the 1970s this number of Here & There is scarce in commerce and in institutional holdings. A very good example featuring original patterns and twenty original mounted textile swatches. Single volume measuring 14 x 8 inches: 123 1. Original coil-bound stiff black wrappers lettered in white. First leaf printed on magenta paper; black-and-white photographs and line drawings throughout text; twenty tipped-in fabric swatches. Light shelfwear corners bumped lower wrapper creased. Here & There unknown
19781003703Westport Connecticut: Here & There 1978. June 1978 issue of Here & There Francine Horn's groundbreaking fashion trend report advising American retailers on the upcoming European fall collections. The only photo story in the issue "The London Collections Fall '78" is also the largest. A statistical analysis of the new styles purchased by three hundred French retail stores at the Port de Versailles exhibition breaks down the data by clothing item number of interested stores and percentage of retailers' projected budgets an unusual feature in forecasting reports. The "Retail Details" section highlights oversized silhouettes by Agnes B. and Thierry Mugler in Paris early Laura Ashley and Elle coordinates in London and separates by Max Mara and Kenzo in Milan. Both a major trade publication and a savvy ad for Francine Horn's fashion trend consultancy Here & There was an industry must-read a success due in part to her husband David Charles Horn's candid photography and provocative editorials. Like most fashion forecasting reports from the 1970s this number of Here & There is scarce in commerce and in institutional holdings. A very good example. Single volume measuring 14 x 8 inches: 94. Original coil-bound stiff black wrappers lettered in white. First leaf printed on orange paper black-and-white photographs and line drawings throughout text. Light shelfwear top right corner of upper wrapper clipped. Here & There unknown
27817London: The Last Resort. 1982. A rare fanzine published by the skinhead hangout and clothing store 'The Last Resort' in East Aldgate London. Stapled photocopied paper. 20 pages. Illustrated throughout with photos by Derek Ridgers. A good entirely original example the pages a little nicked with short tears creases and some toning at the edges. The upper cover with an inscription in ink. One of only five issues of Skins magazine the present example featured an interview with Peter and the Test Tube Babies by John G. Byrne skinhead poetry by Mick Turpin Ann Brodie and Lil O'Connor an article on tattooing and photographs letters and ads throughout. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers. London: The Last Resort. 1982 hardcover
27819London: The Last Resort. c.1982. Original catalogue for 'The Last Resort' clothing store in London. Eight pages. Photocopied paper stapled to the upper left corner. A very good copy a little rubbed toned and creased to the extremities and a couple of short closed tears to the upper edge. The contents are otherwise clean and without inscriptions or stamps. Initially a punk clothing shop then in 1978 owners Micky and Margaret French changed theme seeing an opportunity to become the Malcolm McLaren and Vivienne Westwood of the skinhead revival. The shop located in Goulston Street in London's East End became a popular hangout for young skins who has few other places to go. The business acquired a poor reputation due to the quality of its clothes terrible service mail orders were rarely filled after payment and much of the clientele. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers. London: The Last Resort. c.1982 hardcover
19741003720Paris and New York: International Wool Fashion Office; The Wool Bureau 1974. Ephemeral 1974 trend report on Parisian knitwear for American designers and showrooms issued by the International Wool Fashion Office in Paris and The Wool Bureau in New York. Editor Skippy Stone declares: "Fall 1974. . . Total from top to toe. Paris is everything that is at once avant romantic feminine and grand . . . blending the classic and peasant into a new season of big new clothes." Top runway models of the day among them Jerry Hall pose in voluminous layered knits designed by the likes of Kenzo Issey Miyake Sonia Rykiel and Karl Lagerfeld for Chloë. The International Wool Secretariat IWS the entity behind the IWFO and The Wool Bureau was the natural fiber mills' response to DuPont's introduction of nylon in the 1930s a major disruptor in the fashion industry. The IWS shaped global fashion trends for decades through forecasting reports like this one and the International Woolmark Prize which launched the careers of young designers Yves Saint Laurent and Karl Lagerfeld. In 1997 the IWS would rebrand as The Woolmark Company keeping their iconic logo the stylized skein of yarn sprinkled throughout this report. Text in English and French. An uncommon survival. Side-stapled volume measuring 12 x 9 inches: 80. Original photographic wrappers black-and-white photographs throughout text. Light foxing and edgewear; evidence of label removal to upper wrapper. International Wool Fashion Office; The Wool Bureau unknown
196262609Tokyo: Japan Travel Bureau 1962. 12mo. xvi 17-142 pp. plus 6 pp. publisher’s ads. With colour frontisp. 123 text photo illustrations. Tan publisher’s cloth black lettering w/ d.j. cover art illust. of young woman in kimono and wearing elaborate headdress and wisteria blossoms chipping head of spine tidemark to back fore-edge of spine edgewear still VG/G copy w/ w/ Japan Publication Trading Co. label on rear flyleaf. First edition stated of No. 26 in the Japan Travel Bureau’s Tourist Library Series and one of the scarcest titles detailing the necessary accessories for Japanese dress including the Obi Obijime Han-eri Braided Cords Katakake Tebukuro Kanzashi purses head coverings footwear and more. Japan Travel Bureau, hardcover
192453221New York: The Charles William Stores Inc. 1924-1925. Two vols. 4to. 548 8; 518 8 pp. With numerous colour plates colour-tinted text illustrations over 1000 black & white text illustrations diagrams. Colour-illustrated softcovers minor soiling wear slight sunning front cover of vol. 1 creasing to spine; minor creasing shelfwear vol. 2 light uniform interior toning as usual still VG- set. First edition of the complete year of Jazz Age catalogues from the Charles William Stores which offered a treasure trove of everyday fashions work clothes and household and consumer goods during the Roaring 20s offering the glamour and style of New York to the rest of the country. Their fashions were intended for the average American with emphasis on the more “endowed†woman and “stout†man during the Jazz Age emphasizing chic styles and well-woven fabrics. These catalogues detail the high grade work pants riding breeches denim jeans corduroy work pants along with triple-sewed work denim overalls and coats which could be purchased as well as those made out of Wabash Stripe Stifel denim cloth noted for its durability. No copies located in Worldcat of Spring & Summer 1925; 3 copies located of Fall & Winter 1925 Henry Ford Harvard American Textile History Museum. The Charles William Stores, Inc., paperback
22497Autumn 1912 'SERIES XXXVIII.'. 'Copyright by Liberty & Co Ltd Regent Street London & Boulevard des Capucines Paris.'. A scarce item and considering its perforation fortunately found in its complete state. No copy on OCLC WorldCat which does however have entries for copies of similar Liberty's 1910 'SERIES XXXIII' and 1913 catalogues the latter at the Museum of Fine Arts Boston. 64pp 8vo. Stitched into oat-coloured cloth soft covers with decorative border and title printed on front cover. In fair internal condition: on lightly aged and spotted paper. In worn and stained wraps. The five pages of text and fifty-nine full-page illustrations are printed in brown on cream paper. The second page carries 'Notes' on 'ordering' 'prices quoted' 'mourning or half-mourning colours' the making up of dresses 'to any design desired' 'Models made up in the world-famed Liberty fabrics' and 'the appropriate use and application of embroidery' 'one of the features associated with Liberty Costumes'. Each of the thirty-two leaves is perforated and the notes explain that 'In Ordering - The page upon which the dress selected is illustrated should be torn out and posted without the remainder of the book; and when two or more materials are quoted for choice the mark of a cross X should be placed against the material approved.' Pages 4 to 18 carry fifteen 'Costumes never out of fashion' and pages 20 to 63 carry forty-four 'Novelties for the season'. Each illustration is captioned with detail and price as for example in the first section: 'ITALIAN XIV. CENTURY. Philippa. Rest Gown in Nirvana crape with revers and under-sleeves in shade to tone and oxydized embroidery: 11 guineas'; and in the second section: 'Patricia Coat in Orion satin handsomely embroidered lined with satin. Fringe ornaments and tassels to tone: 18 guineas'. Autumn 1912 ('SERIES XXXVIII.'). 'Copyright by Liberty & Co Ltd Regent Street, London & Boulevard des Capucines, Paris.' paperback
1913D7495Paris 1913-1918. Hardcover. Very Good. Morocco backed original cloth; oblong 380 x 305 mm; contains over 100 drawings of dresses hats jackets and more done primarily in pen and ink and colored in pencil or gouache; and highlighted by 5 mounted photographs of a woman modeling different gowns. From the Parisian fashion house Detrois et Cie. Women's garments shown from the front and back and professionally presented -- drawings are polished and nicely detailed and colored. Scuffing along spine and edges of boards; binding a bit shaken. <br/><br/> hardcover
1945D3115Holland 1945. Cloth-backed paper over boards 10.25 by 13.75 inches; approx. pp. 200 handwritten and illustrated in black and red ink. Contains more than 50 patterns for women's clothing as well as few for little girls -- including dresses blouses skirts coats and underwear. Boards a bit worn and warped but contents are nice and fresh. Very little text -- all of it in Dutch -- but the patterns are universally applicable. Presumably created by a student the patterns are painstakingly neat and exact and accompanied by drawings of the finished apparel as well as wonderfully adept drawings of ladies modeling them offering complete looks from hat to shoe. Also includes cut-outs of patterns many of them still holding pins laid-in here and there. Lovely legible and careful throughout you can see that they were first drawn in pencil then traced over in ink and the student's ruler and blotting paper are laid-in at the back. Unique and accomplished. A gem. <br/><br/> hardcover
1943D10931probably New York 1943-1944. Paperback. Very Good. Wraps cloth backstrip "Public Schools of Highland Park Composition Book No. 60" printed on front cover; 172 x 210 mm; approx. pp. 100 lined paper it contains 19 pencil drawings of women in dresses most of them initialed "R.W." and dated. Some of the drawings are incomplete -- a bit ghostly -- but all are nicely accomlished offering a collection of sophisticated fashions of the period. The models are perhaps based on film stars. Rear cover detached. <br/><br/> paperback
192550606New York: A. Koenigsberg 648 Broadway ca. 1925. 8vo. 12 pp. Photo illustrated throughout colour-tinted centerfold. Colour-illustrated softcovers model wearing a stylish hat printed in red & black stapled as issued sewn through punch hole at head of spine w/ gold silk braid slight shelfwear 1 very small closed tear at fore-edge front cover still VG copy. First edition of this very scarce and beautiful catalogue of hat frames and hat bases for millinery shops during the 1920s. The company could supply for hat designers Zibeline hatters plush hats Lyons Velvet Brims Satins Velours Ribbon bound fur and felt hats as well as millinery supplies and hat boxes. Koenigsberg b. 1889 emigrated from England in 1889 to New York where he worked as a furrier for many years with his father Wolf before setting up his own successful millinery supply shop and 4200 square foot factory which successfully operated until the Great Depression. After his shop closed Koenigsberg moved into selling pin ball machines. No copies located in Worldcat; See: New York State Industrial Bulletin of the Department of Labor 1921 Vol. 1 p. 171. A. Koenigsberg, 648 Broadway, paperback
197042056Maryland 1970. Small men's 70s denim jacket from a female biker gang or motorcycle club. We find no information or reference to the "Metronettes" but as they were driving Honda's most likely Gold Wings they were probably on the more wholesome - rather than outlaw - end of the spectrum. Blue Wrangler "No Fault" denim jacket size 36. With name "Chan" and zodiac sign - "Pisces" embroidered in yellow above each breast pocket. "Metronettes" and "Md." enbroided in matching color to back of the jacket above and below a period Honda motorcycle patch. Generally fine condition. unknown
191560859New York & San Francisco CA: Singer Sewing Machine Manufacturing Co. 1915. Oblong 12mo. 5.4 x 4 in. 13 3 pp. printed in sepia. With numerous illustrations. Colour-printed softcovers in green illust. of seamstress sewing on a Singer on verso of front cover and illustration of the Singer Pavilion on verso of back cover minor dustsoiling slight shelfwear still VG bright copy from the library of Prof. Marvin Nathan. First edition of this very scarce Singer Sewing Machine company exhibit catalogue for the Panama-Pacific International Exposition display which included an entire series of paintings recreated with sewing machine embroidery “Costumes of All Nations†featuring national dress on dress mannequin’s along with cases displaying sewing samples created as part of the instructional book system at Singer Sewing Centers. The illustrations depict those items which could be created by the homemaker on their own Singer. Worldcat locates 2 copies Cal State Library Sutro. Singer Sewing Machine Manufacturing Co., paperback
198581353San Francisco: Last Gasp 1985. First Edition. Quarto. 26cm. Publisher's glossy card illustrated wraps. 92pp. Clean and bright very light wear a near fine copy. Internally clean. A very clean and pretty copy of a half-serious half-tongue in cheek run down of San Francisco subcultures of the early 1980's their peculiarities history and linguistic peculiarities. From Shboom to Miss Thing via Cholo slang and mockery of the Mallbeat. A snowglobe of the SF youth culture of days gone. 81353. Last Gasp unknown
1999159683San Francisco: Zip Zap Hair Salon Circa 19990. Original hand colored and annotated flyer advertising Zip Zap hair salon San Francisco circa 1990.<br /> <br /> San Francisco's Zip Zap Hair Salon opened on 245 Fillmore Street in 1986 and is still in operation today.<br /> <br /> 8.5 x 11 inches Xerographic duplication colored and annotated with oil pastel. Very Good plus with several small pinholes. Zip Zap Hair Salon unknown
9783Undated. On eight pieces of 8vo paper one of which has ha d a 3 cm horizontal strip cut away at the foot not affecting the image. On a variety of different paper types all wove. Good on aged paper. Attractive images ranging in height from 7 to 9 cm of four women and four men all clearly belonging to the eighteenth-century middle-classes. Executed in black ink using both pen and brush. Not full silhouettes: in some cases the hair is picked out in white. One of the images of a young woman with curls and a bow treated twice in slightly different styles. This and other factors would tend to suggest that these are modern copies. See Image. [Undated.] unknown
19408804Buenos Aires: Lopez and Co 1940. Fifth edtition. 4to 5 333 v 1pp. Text in Spanish with index at rear illustrations diagrams cut-out patterns throughout one folding. Publisher's shell patterned blue cloth stamped in gilt. First 40 or so pages lightly damp stained around edges and with rippling. Spine gilt worn away corners bumped still a very good sound and complete copy. <br /> <br /> Very uncommon technical treatise on dress making by F. Marti de Gili who is described on the title page as the Founder and Director of the Barcelona Women's Technical Institute and contributor to European and American fashion magazines. The book is copiously illustrated with over 1300 drawings and patterns all new and original. <br /> <br /> OCLC listings seem to indicate this book was published under various titles and likely heavily revised each time to keep up with the fashion between 1935 and 1962. There are perhaps 10-12 holdings in total for the various titles and we find no holdings for this 1940 edition. Lopez and Co unknown
196446801New York: Doric Publishing Co. 1964-1965. Two vols. Folio. 106; 108 pp. 100s of colour and black & white illustrations some tipped-in plates over 100 tipped-in fabric samples including nylons worsted wools cotton blends stretch fabrics mohair rayon lace and more. Colour-illustrated softcovers minor shelfwear rubbing still VG bright copies. First editions of these issues of William Segal’s famed American Fabrics magazine that was considered the bible of the fashion industry at the time. All of the issues included sophisticated layout special inserts varied textures fashion design fashion art and promoted fabrics and textiles of the period. These issues include extensive sections with fabric samples of the new and coming fabrics and fabric designs for the 1960s. Doric Publishing Co., paperback
195046798New York: Reporter Publications 1950-1951. Two vols. Folio. 123 1 16 pp unpaginated insert; 134 2 pp. 100s of colour and black & white illustrations some tipped-in plates over 100 tipped-in fabric samples including nylons worsted wools cotton blends taffeta ribbons quilted fabrics and more. Colour-illustrated softcovers first with Steinberg cover art 2nd w/ classical image of spinning wool minor shelfwear slight creasing VG set. First editions of these two issues of William Segal’s famed American Fabrics magazine that was considered the bible of the fashion industry at the time. All of the issues included sophisticated layout special inserts varied textures fashion design fashion art and promoted fabrics and textiles of the period. The section on Renaissance Florence influences on textiles and patterns is quite nice and the ads are beautiful with many different fashion designs and samples. Reporter Publications, paperback
