740 résultats
192099548<p>New York 1920. 1920. Very good. - Octavo 7-3/4 inches high by 5-3/4 inches wide. Softcover bound in printed cream wraps. The covers are soiled with a chip to the bottom corner of the front cover and top edges. There is a short tear along the spine and the booklet is vertically folded down the center. 21 & 1 pages with numerous textual illustrations and patterns. Very good.</p><p>"This is the first number of the New Edition of The Tailor Mechanic. The old edition was discontinued before this country entered the World War". Quoted from page 6. Numbered Volume 1 Number 1 on the title page.</p><p>Of particular interest is an article by Felix J. Koch on "Making Clothes for Jugo-Slovakian: Strange and Interesting Manners and Customs That Attach to the Fashioning of the Garments of the New Nation" illustrated with photographs presumably by Koch. Felix John Koch 1882-1933 was an author and freelance photographer. He traveled to the Balkan Peninsula in 1904. Koch traveled throughout the world from Labrador and Newfoundland to Panama and throughout Europe documenting in words and pictures the customs people and sights of the many regions through which he traveled. He was the official War Department photographer for the Cincinnati area documenting local war efforts.</p><p>RARE.</p> New York, 1920. paperback
19203396<p>A small portfolio of women's fashion designs broken into four folders of loose plates 20 plates per folder for a total of 80 plates. This copy missing plate 20 from the third series 1720-1775. Beautifully hand colored pochoir plates illustrating the fashions of the time each card measuring 7 1/2 inches by 5 1/2 inches the year shown at the bottom of each card. Each wrapper also illustrated with a color illustration. Charming original folding case with patterned papers and silk ties. Case is worn but intact with short silk ties remaining. Former owners name in ink on several plates in the first series some of the signatures across the bottom of the images.</p> (Editions Nilsson)
19253398<p>A small portfolio of women's fashion designs broken into four folders of loose plates 20 plates per folder for a total of 80 plates. This copy missing two plates from the second series 1820-1845. Beautifully hand colored pochoir plates illustrating the fashions of the time each card measuring 7 1/2 inches by 5 1/2 inches. The year shown at the bottom of each card. Each wrapper also illustrated with a color illustration. Charming original folding case with patterned papers and silk ties. Case is worn on the spine but complete with four paste on labels intact and patterned covers bright. Ties present.</p> No Publisher
1921100820<p>New York: Abercrombie & Fitch Co. 1921. 1921. Very good. - Tall narrow octavo 9-1/8 inches high by 4 inches wide. Softcover bound in pictorial light gray stapled wraps with color illustrations of Blue Birds among pussy willows on the covers. The covers are slightly soiled and the bottom corners creased. The wraps are splitting along the head & tail of the spine. 36 pages with profuse black & white illustrations of women's sporting fashion including clothing for camping and hiking riding golf tennis and polo with accessories. Very good.</p> New York: Abercrombie & Fitch Co., (1921). paperback
193773769Chicago: Ferris Woolen Company 1937. Original hinged sample case with drop front 27 3/4 x 11 x7 1/2 inches. Containing 174 thick cards printed in black and red; each with a mounted woolen worsted wool imported wool sample. Original sample display case w/ green textured cloth over boards divided into Three compartments nickel plate slider hinges printed advertising on inner lid and drop front reinforced corners a remarkable display case from the John the Tailor Shop Suits and Overcoats made to order. Wonderful graphic label on interior of lid featuring dapper dressers and period automobiles.Spectacular tailoring sample counter display for men’s suits and overcoats in the Fall & Winter of 1937-1938. Ferris Woolen Company a subsidiary of Wawak Woolens was originally founded in 1922 in Chicago along with Detmer Woolen Co. Bruner Woolen Co. Mason & Hanson Inc. and Salter & Wolf to supply woolens and trimmings to tailors and department stores across the United States. The companies were known for their high-quality wools at a reasonable price and often incorporated imported wool wool silk blends gabardines and tweeds especially from Scotland Wales France and Great Britain. In 1933 the Wawak Co./Ferris Woolen Co. purchased the exclusive right to all the Detmer Bruner Co. customers West of the Mississippi. They quickly began commissioning and producing display cases reflecting the change and proved very successful with the Ferris Woolen Co. catering to the trade into the 1960s. These sample cases were very expensive to produce and so were most often found in department stores mercantiles and men’s stores which would have these display on the sales floor for two seasons or more often adding or subtracting fabrics as they became available. The samples included with this case offer invaluable textile reference for the colors and fabrics during the era of fashion influenced by the elegance and glamor of Hollywood films and film noir at the time. The styles depicted on the inside of the lid and the drop-down front are reminiscent of the very popular Thin Man fashions worn by William Powell and Myrna Loy at the time. Ferris Woolen Company hardcover
1913218820London: Sampson Low Marston & Company Ldt 1913. First edition. 155 colored plates several in black and white which are printed on both sides. 1 vols. 4to. Green morocco-backed boards. Very good. First edition. 155 colored plates several in black and white which are printed on both sides. 1 vols. 4to. An excellent survey of French and English mode of dress between 1786 and 1912. Colas 2426; Hiler & Hiller p. 722 placing date as 1912 Sampson Low, Marston & Company Ldt unknown
193225922Paris: Au Printemps 1932. 1 vols. Image 11-1/2 x 8 inches matted to 17-1/2 x 14 inches. 1 vols. Image 11-1/2 x 8 inches matted to 17-1/2 x 14 inches. Reynaldo Luza 1893-1978 pre-eminent fashion artist was born in Lima Peru. He began training as an architect at the University of Louvain Belgium but returned to Peru at the outbreak of World War I where he changed his studies from architecture to art. In 1918 he came to the United States where he earned his living by contributing drawings to several fashion publications principally VOGUE HARPERS BAZAAR and VANITY FAIR. In 1921 he joined HARPERS BAZAAR as the principal fashion artist a position he was to hold for 27 years. He divided his time between New York Paris and London working closely with all of the leading fashion designers of the times--Poiret Patou Lelong Paquin Douillet Doucet Cheruit Worth Drecoll Callot Soeurs Redfern Martial et Amand Premet Reboux Chanel Vionnet Molyneaux Schiaparelli Hartnell Steibel and Balenciaga among others.<br /> <br /> In 1940 Luza made New York his principal base where over the next few years he continued his activities at Harpers as well as creating fabric and furniture designs and the costumes for the movie "The Bridge of San Luis Rey". Among other distinctions he received several honorary appointments from the government of Peru including that of Artistic Director of the Paris Exposition of 1938 and the New York World's Fair of 1939-40; he also did the interior design of the new Lima airport.<br /> <br /> In 1950 Luza returned to Peru where he began a second career as a portrait painter exhibiting his work over the next few years in Paris New York and Washington D.C. Au Printemps unknown
19202413Paris Editions Nilsson. c.1920. Four little volumes containing 80 pochoir color cards 20 in each volume of women's fashions from 1900-1920. Small 16mo. 9.4 x 7.25cm. Each volume In original hand colored printed wrappers with women in costume on the front of each volume. Housed in the original patterned paper covered card slipcase with rose design on inside covers with printed paper spine label. Box is shaken. Interior volumes are fine. Ties are perfect. Editions Nilsson
19042923New York: The Jno. J. Mitchell Co 1904. First Edition First Printing. Hardcover. Very Good. 10 1/4 X 13 1/4 Inches. 255 PP. Scarce original early 20th century guide to tailoring by J.O. Madison the son of American tailor Otis Madison. Signed by J.O. Madison under his frontis portrait. A profusely illustrated guide to the tailoring of men's clothing. Binding a bit shaken but a solid copy overall. The Jno. J. Mitchell Co hardcover
195025923n.p. 1950. Sold individually. Please inquire for images of each. Image approximately 12 x 10 inches plus margins. Sold individually. Please inquire for images of each. Image approximately 12 x 10 inches plus margins. Reynaldo Luza 1893-1978 pre-eminent fashion artist was born in Lima Peru. He began training as an architect at the University of Louvain Belgium but returned to Peru at the outbreak of World War I where he changed his studies from architecture to art. In 1918 he came to the United States where he earned his living by contributing drawings to several fashion publications principally VOGUE HARPERS BAZAAR and VANITY FAIR. In 1921 he joined HARPERS BAZAAR as the principal fashion artist a position he was to hold for 27 years. He divided his time between New York Paris and London working closely with all of the leading fashion designers of the times--Poiret Patou Lelong Paquin Douillet Doucet Cheruit Worth Drecoll Callot Soeurs Redfern Martial et Amand Premet Reboux Chanel Vionnet Molyneaux Schiaparelli Hartnell Steibel and Balenciaga among others.<br /> <br /> In 1940 Luza made New York his principal base where over the next few years he continued his activities at Harpers as well as creating fabric and furniture designs and the costumes for the movie "The Bridge of San Luis Rey". Among other distinctions he received several honorary appointments from the government of Peru including that of Artistic Director of the Paris Exposition of 1938 and the New York World's Fair of 1939-40; he also did the interior design of the new Lima airport.<br /> <br /> In 1950 Luza returned to Peru where he began a second career as a portrait painter exhibiting his work over the next few years in Paris New York and Washington D.C. unknown
195025924n.p. 1950. Sold individually. Please inquire for images of each. Approximately 11 x 10 inches. Sold individually. Please inquire for images of each. Approximately 11 x 10 inches. Reynaldo Luza 1893-1978 pre-eminent fashion artist was born in Lima Peru. He began training as an architect at the University of Louvain Belgium but returned to Peru at the outbreak of World War I where he changed his studies from architecture to art. In 1918 he came to the United States where he earned his living by contributing drawings to several fashion publications principally VOGUE HARPERS BAZAAR and VANITY FAIR. In 1921 he joined HARPERS BAZAAR as the principal fashion artist a position he was to hold for 27 years. He divided his time between New York Paris and London working closely with all of the leading fashion designers of the times--Poiret Patou Lelong Paquin Douillet Doucet Cheruit Worth Drecoll Callot Soeurs Redfern Martial et Amand Premet Reboux Chanel Vionnet Molyneaux Schiaparelli Hartnell Steibel and Balenciaga among others.<br /> <br /> In 1940 Luza made New York his principal base where over the next few years he continued his activities at Harpers as well as creating fabric and furniture designs and the costumes for the movie "The Bridge of San Luis Rey". Among other distinctions he received several honorary appointments from the government of Peru including that of Artistic Director of the Paris Exposition of 1938 and the New York World's Fair of 1939-40; he also did the interior design of the new Lima airport.<br /> <br /> In 1950 Luza returned to Peru where he began a second career as a portrait painter exhibiting his work over the next few years in Paris New York and Washington D.C. unknown
20106893Naples FL: The naples Art Association at The Von Liebig Art Center 2010. First Edition. Hardcover. Near Fine. 11 1/4 X 8 1/4 Inches. 50 PP. Original glossy hardcover Exhibition catalog with two used admission tickets laid-in. Introduction by Nigel Arch Director of Kensington Palace. Full-page photographs and ownership information of 20 of the late Princess Diana's iconic dresses. Many were sold at the famed Sotheby's auction but others in the exhibition were simply loaned by owners who have secured one of these amazing pieces via the secondary market. A rare exhibition catalog. OCLC locates "0" copies. NOTE: While not stated this piece from the personal collection of Myra Janco Daniels.<br /> <br /> Myra Janco Daniels 1925-2022 founder and CEO of the Naples Philharmonic Center for the Arts. Myra was also 1965 Advertising Woman of the Year and wife of Draper Daniels the adman who created "The Marlboro Man" and the basis for "Don Draper" on AMC's Madmen TV show. At the age of 25 Myra started her own advertising business in Terre Haute Indiana which was later purchased by Draper Daniels. She was a longtime collaborator of Draper's and together the couple achieved amazing success in the world of advertising in the mid-20th Century. In retirement Myra founded the Naples Philharmonic Center and created a world class art museum which she led for over 20 years. Giving a slight nod to Charles Lindbergh the Pulitzer Prize-Winning author A. Scott Berg once dubbed Myra "The Spirit of Naples.". The naples Art Association at The Von Liebig Art Center hardcover
20126966London: HM Queen Elizabeth II / Royal Collection Trust 2012. Revised Edition. Hardcover. Near Fine/Near Fine. 10 1/4 X 12 3/4 Inches. 320 PP. Scarce catalog of the Queen's diamonds. Official licensed printing from the Royal Collection Trust. Profusely illustrated. HM Queen Elizabeth II / Royal Collection Trust hardcover
1950245213n.p. 1950. 1 vols. Image approximately 6 x 4-1/2 inches matted to 12 x 10-1/2 inches. Creased across upper left corner light spotting. 1 vols. Image approximately 6 x 4-1/2 inches matted to 12 x 10-1/2 inches. Reynaldo Luza 1893-1978 pre-eminent fashion artist was born in Lima Peru. He began training as an architect at the University of Louvain Belgium but returned to Peru at the outbreak of World War I where he changed his studies from architecture to art. In 1918 he came to the United States where he earned his living by contributing drawings to several fashion publications principally VOGUE HARPERS BAZAAR and VANITY FAIR. In 1921 he joined HARPERS BAZAAR as the principal fashion artist a position he was to hold for 27 years. He divided his time between New York Paris and London working closely with all of the leading fashion designers of the times--Poiret Patou Lelong Paquin Douillet Doucet Cheruit Worth Drecoll Callot Soeurs Redfern Martial et Amand Premet Reboux Chanel Vionnet Molyneaux Schiaparelli Hartnell Steibel and Balenciaga among others. In 1940 Luza made New York his principal base where over the next few years he continued his activities at Harpers as well as creating fabric and furniture designs and the costumes for the movie "The Bridge of San Luis Rey". Among other distinctions he received several honorary appointments from the government of Peru including that of Artistic Director of the Paris Exposition of 1938 and the New York World's Fair of 1939-40; he also did the interior design of the new Lima airport. In 1950 Luza returned to Peru where he began a second career as a portrait painter exhibiting his work over the next few years in Paris New York and Washington D.C. unknown
a67628Paris 1951. Issue for Juillet-Aout 1951. 4to. 124pp. photo illustrations advertisements original illustrated wraps. Good plus light wear small bump along top edge of some leaves light wear. . paperback
a67632Paris 1949. Issue for Octobre 1948. 4to. 208pp. photo illustrations advertisements original illustrated wraps. Fullpge color cover illustration by Jean-Baptiste Caumont. VG cover and spine ends lightly worn. . paperback
178842077London: Fores 1788. Framed and glazed. Fores unknown
a105953Paris 1947. Nos. 303/304. High fashion magazine. Suits by Lucile Manguin Jacques Heim Fath Piguet Worth Mendel Christian Dior Lanvin Rochas others. Much more. Text in French with English summary. Small folio photo illustrations advertisements original illustrated wraps. Near VG spine worn and lightly chipped; inchlong closed tear on page edge of initial 7 pages. no loss of text. . paperback
a94358Paris 1957. Fashion Magazine in French. Lg.4to. 108pp. monochrome and color photo illustrations original illustrated wraps. Featuring designs by Christian Dior Givenchy Jean Patou Manguin Pierre Balmain and many others. binding secure; light cover wear. VG. . paperback
a80032Paris 1950. Nos. 339/340. High fashion magazine. Suits by O'Rossen Sagardoy Knize Balmain Paquin Patou; bathing suits including two-piece; gowns by Balenciaga and Fath much more. Text in French with English summary. Small folio photo illustrations advertisements original illustrated wraps. VG spine worn and lightly chipped. . paperback
a105956Paris 1947. first edition. French high Fashion magazine. Lg.4to. 116pp. color and monochrome photo illustrations original illustrated wraps. Fashions by Carven Creed Jacques Griffe Charles Montaigne Mendel others. Jewelry and hats as well. near VG backstrip chipped; binding secure; text clean. . paperback
192673817Paris: Editions Nilsson 1926. First editions. There was a large and small edtion published; these are all the small size 3 1/8 x 3 3/4 inches. La Mode Feminine is complete is three volumes. Each volume in four parts and each part with 20 color card depicting French fashion of that date and each part in a printed paper portfolio. Each volume i.e. four parts housed in a floral slipcase with a printed paper spine label Slipcase for the third volume with some tape repair but overall a very clean and charming set of all 240 color plates.Together with a companion volume also published by Nilsson: Les Costumes du Pays de France. This volume only has three parts of 20 cards each complete and have paper portfolios and slipcases as in the above. Complete with 60 color cards. A very good set. For a total of 300 cards bearing charming color illustrations of French fashion through the ages all in their proper printed paper portfolios and slipcases. Editions Nilsson unknown
183050206London: John Bell 1830. 8vo 288 pp. 50 fashion plates and 5 portraits - 49 of the former hand coloured slightly later inscription to front blank with a further sequence of owners below. Contemporary marbled boards with calf corners recently rebacked in morocco. (London: John Bell) unknown
a76598Paris 1957. Fashion Magazine in French. Lg.4to. 108pp. monochrome and color photo illustrations original illustrated wraps. Photographers include: Prigent Routledge Sabine Weiss William Klein Guy Arsac. Good plus spine chipped light wear on cover. . paperback
a80225Paris. 1949. In French. Fur Coats. Fashion by Schiaparelli Desses Lafaurie Carpentier Rochas etc. Photography by Robert Randall including a 5 page spread on Les Banlieue de Paris by Robert Doisneau. Small folio 100pp. photo illustrations advertisements original illustrated wraps. Near VG some fraying of spine. . paperback