Peter G ModeBiblio.com
740 résultats
133369623X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0484516000.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
198850508Paris: Laffont 1988. First French language edition. Softcover. near fine. Quarto. Unpaginated. Stiffened color photo wraps white spine lettered in black. Illustrated with 46 color plates and a black & white portrait of Issey Miyake all by Irving Penn. Exposition Paris Musée des Arts Décoratifs 5 oct. au 31 déc. 1988. Text in French. Laffont unknown
2013119416London: Chris Beetles Ltd. 2013. 28 pages illustrations some colour; 21 cm. Firm binding clean inside copy. 1st. Paperback. Fine. 8vo. Chris Beetles Ltd. Paperback
aly2481Paris: Societe vouvelle Adam Biro 2001. Published in Conjunction with an Exhibition of the Same Name. 4to. pp. 334. Numerous illus. most colour. text in French. wrs Paris: Societe vouvelle Adam Biro, 2001 unknown
19764573z1976. Soft Cover. Good. PB/pub.1976/Gd. condition/160 pages - How yarn colors interact on the loom: a complete course. TA94573z paperback
1981121501-ENew York: Schirmer 1981. Book. Illus. by Van Vechten. Very Fine. Hardcover. 1st.ed. 1981 Hardcover with dust jacket in a clear mylar cover212 pages. Illustrated with black and white photos. A rear Van Vechten book on dance this copy also has the tipped in note the title page should carry the credit "A Dance Horizons Book".Condition VF./ VG. Size: 9"-12" Tall. Schirmer Hardcover
0428844839.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
198682845Jerusalem: Arab Press. Good. 1986. Hardcover. Text in English and Arabic. First and last pages and title page lightly foxed. Contents wavy. ; Small 4to 9" - 11" tall; 143 pages; Extra postage required for priority and international shipping. . Arab Press hardcover
193747916Praha Prague: C. Wolfrum 1937. First edition. Paperback. Very good. Vlasta Novakova. Very slim quarto 30.5 cm Original beige handmade paper wraps bound with a stringtie binding and three punch holes and with the Wolfrum gold monogram on the front cover. Eighteen leaves with color lithograph fashion illustrations on every leaf. Light dust soiling on the wraps; some occasional thumbing in the margins of the pages; minor markings and notations in pencil here and there. A first edition of this scarce original trade catalogue issued by the C. Wolfrum textile firm in Czechoslovakia and featuring the "Chic Parisien" line created by Vlasta an in-house designer. The designs in this catalogue highlight the growing influence of militaristic styles such as square-edged shoulder pads plate hats and an emphasis on tight waists and long skirts. C. Wolfrum paperback
6358099586MacMillan pp. 266 . Papeback. New. MacMillan unknown
ria9780333720226_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; The scope of this study ranging from poetry and cinema to street violence and prostitution provides a detailed account of two writers engaged in the process of self-definition. It presents portraits of figures with whom Auden and Ishe hardcover
6358793958MacMillan pp. 240 . Hardback. New. MacMillan hardcover
19832090502113716613Not Available 1983. Soft Cover. Fine. The book is in fine condition. Not Available paperback
1879055136Lynchburg VA.: J. B. Bell & Co. 1879. 1st Edition . Hardcover. Good. 12mo - over 6¾ - 7¾" tall. 12mo. 274 pages indexed. Hardcover bound in original brown publisher's cloth with spine titles in gilt and with a gilt design of an iron on the front cover. The binding is rubbed and bumped and there is a pale spot of rubbing on the front cover as if someone tried to clean a spot. Lacks the front and rear flyleaves but the inner hinges are secure and the text block is sound. Some foxing to the outside edges of the text block. The text is mostly clean but there are a few spots or stains in the text. This is not a fully illustrated work but there are just a few designs showing partial outlines of shirts simple outlines no images showing shirt styles. A sound copy of a scarce title. <br/> <br/> J. B. Bell & Co. hardcover
19300009035Prague: Gesellschaft deutscher Bucherfreunde in Bohmen 1930. First Limited edition. Hardcover. Very Good. 12mo red half morocco paste-paper boards spine scuffed. <br/><br/>Copy no. 251 of only 300 copies. A new edition of DER PRAGER KAUFRUF 1829. With 36 engravings hand-colored by Gertrud Krammer-Zappe and 12 more engravings of costumes in black-and-white. Nettl was a musicologist. Gesellschaft deutscher Bucherfreunde in Bohmen hardcover
2001230066Oslo : Astrup Fearnley Museum of Modern Art 2001. First Edition. Hardcover. Fine cloth copy in a near fine very slightly edge-nicked and dust-dulled dust wrapper now mylar-sleeved. Remains particularly and surprisingly well-preserved; tight bright clean and sharp-cornered. Physical description; 88 p. some folded : ill. chiefly col. ports. ; 26 cm. Notes; Biog. Cat. no. 32. Catalogue of an exhibition held at Astrup Fearnley Museet for Moderne Kunst Oslo 14 Jan. - 18 Mar. 2001; Louisiana Museum of Modern Art Humlebaek 31 Mar. - 29 July 2001. Includes bibliographical references. Text by Jutta Nestegard Jon-Ove Steihaug and Poul Erik Tøjner. Subjects; Polke Sigmar 1941-2010. Sigmar Polke 1941-2010. Genre; Illustrated. Oslo : Astrup Fearnley Museum of Modern Art hardcover
200831265AB2008. Offenbach DLM 2008 4° 160 S. mit zahlr. Farb- und s/w-Abb. illustr. original Kartonage Paperback im Buch leider stellenw. einige Text-Unterstreichungen sonst aber gut und angesichts der Seltenheit problemlos verkraftbar. Abholung im Ladengeschäft in Frankfurt am Main Nordend ggü. Musterschule möglich. Das spart die Portokosten. Pickup at the store in Frankfurt am Main Nordend close to Musterschule is possible. It saves the shipping costs. paperback
1986136028Paris: Union des Arts Decoratifs 1986. Softcover. VG- Ex-library with spine label slight soiling on white portions of cover page edges tanning otherwise quite nice. White & illus. wraps French flaps 232 pp. many BW and some color illus. Text is in French. Issued in conjunction with a retrospective exhibition held in Paris in 1987 featuring photos and drawings of the fashions of designer Christian Dior 1905-1957. A terrific representation of the styles of the day. Union des Arts Decoratifs paperback
BN329385Paris Musées. Softcover. Au paradis des dames- Nouveautés modes et confections. 1810-1870. <br/><br/>Au paradis des dames- Nouveautés modes et confections. 1810-1870. Musée de la mode et du costume Paris Musées paperback
BN330760Paris Musées. Hardcover. Givenchy : 40 ans de création <br/><br/>Givenchy : 40 ans de création Musée de la Mode et du Costume Paris Catherine Join-Dieterle et Hubert De Givenchy Paris Musées hardcover
2733501070.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
003881London: Ward Lock & Co Original Price 8/6 net Yellow cloth in a Yellow based Dustwrapper on the back cover of which is advertised top to bottom " Arithmetic can be fun " " Safety can be Fun" " Manners can be Fun " And " Grammar can be Fun " A NEAR FINE Book in a VERY GOOD not price clipped or torn dustwrapper with a couple of minor marks on it . A truly LOVELY copy . E-mail for further details. 48pp. Signed "with Love from Clare's Grannie Christmas . This Edition is NOT Dated est 1955. Yellow Cloth. Near Fine/Very Good Not Price Clipped. Illus. by Red and Black Illustrations. 4to - over 9¾" - 12". Hard Back. Ward Lock & Co Hardcover
1950211751950. Archive of fashion photography documenting African American women's participation in commercial and editorial modeling from the 1950s through the 1980s a period in which the American fashion and advertising industries remained overwhelmingly centered on white beauty standards and limited Black representation in print media. Working in Cultural / Representational Mode the material illustrates changing presentations of Black femininity glamour and natural beauty across several decades of American fashion culture. The photographs provide visual evidence of evolving aesthetic conventions surrounding race cosmetics hairstyles leisure and commercial image-making during the postwar and Civil Rights eras. Particularly notable are several 1970s images depicting Black models with natural hairstyles and minimal cosmetic styling reflecting broader cultural shifts associated with Black pride movements and changing representations of African American identity in fashion and advertising imagery.<br /> Collection comprises 23 silver gelatin photographs and one color photograph produced by several professional photographers between the 1950s and 1980s. Images include editorial fashion shoots casting and publicity photographs scanned negatives and studio portraiture featuring predominantly Black women alongside several white models photographed by the same studios. Two 1970s editorial images depict a lean Black model with closely cropped natural hair posed in a leopard-print wrap. Four photographs focus specifically on Black women including close-up portraits emphasizing natural presentation and informal styling. One younger woman appears without visible makeup wearing a bandana and t-shirt while another is photographed in a straw hat with hoop earrings and patterned sash. Additional photographs include a Black model posed in a bikini atop the rim of a classical fountain featuring Aphrodite imagery. Four professional photographs and one casting card depict singer and actress Sylvia Vanderbeilt in commercial studio poses. Several scanned negatives portray a Black female model in multiple outfits and poses characteristic of 1970s fashion photography including one sequence featuring both the model and a young Black girl during apparent test shoots. The latest material consists of scanned negative strips from an apparent 1980s fashion session featuring a Black model with a sleek bob hairstyle modeling padded blazers and contemporary commercial attire. Other photographs depict white women in evening gowns fur wraps and casual mid-century fashions including two images by photographer Lee Brian showing the same model posed in mid-length evening gowns amid neoclassical architectural settings one with an elaborate mink shawl. Several photographs bear photographer or studio stamps on the verso including L.W. Ward of Cedar Rapids Iowa and Lee Brian of Palm Beach Florida.<br /> The archive traces substantial shifts in fashion photography and racial representation across three decades of American commercial imagery from heavily stylized mid-century glamour photography to the more natural aesthetics associated with 1970s fashion editorials and Black cultural self-presentation. The inclusion of both editorial and test photography offers insight into the production practices of commercial modeling studios as well as the visual conventions used in presenting Black women to advertising and fashion audiences during a period of gradual but uneven industry integration. Minor wear and light handling marks throughout; photographs otherwise remain in very good condition overall. A visually strong grouping documenting African American representation within postwar American fashion photography and commercial image culture. unknown
1996403084California 1996. Hardcover. Near Fine. A Collection of 100 used concert tickets featuring punk new wave and heavy metal bands performing in California from 1983 through 1996. The tickets vary in size from 3†x 2†to 5.25†x 2.5â€. All items are near fine with light soiling and a modest amount of creasing except for three torn tickets and 4 tickets stubs from use. The L.A. and Bay Area rock scene started in the late 1970s until new wave and heavy metal bands became the central focus of the 1980s. Some of the bands include: Mötley Crüe Iron Maiden Guns N’ Roses Depeche Mode Fatal Attraction Porno for Pyros Billy Idol Culture Club and others. The tickets span from Los Angeles to San Francisco and cities in between from 26 different venues some of which include The Troubadour Coconut Teaszer The Stone Trocadero Transfer The Metro Cow Palace The Palomino and Filthy McNasty Station. Many of the tickets are bright colors with printed pictures and stamped band logos showing the typographic designs of the time frame.<br /> <br /> Many bands kicked off their careers in California during this time. Mötley Crüe a popular heavy metal band formed in Los Angeles in 1981 is featured here playing at Oakland stadium on October 10 1987. The band is well known for their heavy make-up shocking clothing high-heeled boots and their abuse of drugs and alcohol. In 1985 the band transitioned to a more glam metal style influencing the heavy metal signature look. Guns N' Roses formed in 1985 in Los Angeles and is featured here playing at the Warfield Theatre on February 5 1988. They are a hard rock band that quickly gained popularity after the release of their debut album “Appetite for Destruction†which has sold over 28 million copies worldwide. The band has been labeled as the "the most dangerous band in the world" due to their rebelliousness and were credited to the rekindling of rock music during a time of dance music and glam metal. 1n 1992 Porno for Pyros formed in Los Angeles as an alternative rock group formed out of Jane’s Addiction. They are featured here playing at the Trocadero Transfer on June 19 1996. Their shows featured props extras and pyrotechnics. The band lasted through the mid-1990s and mixed the sounds of grunge and rock together.<br /> <br /> In the 1980s California became the melting pot of music genres mixing in punk rock new wave and metal. Certain venues became synonymous with the music genres and bands of that time. The Stone opened in the 1980s and was linked to the Keystone Berkeley and Keystone Palo Alto. It was large enough for a capacity of 700 sold only hard liquor at the bar and attracted an audience with bigger hair bigger shoes and makeup. It featured many local and big name artists in its day and was an important part of the Bay Area rock scene in the 1980s. The Coconut Teaszer operated from the 1980s through the mid-2000s. It hosted bands from all genres and featured a downstairs acoustic bar named “8121â€. Sawdust on the dance floor and giant goblets for draft beer were some of the popular trademarks of the venue. One of the notable and peculiar policies of the venue was “no open toe shoes†which was painted on the front door. The Troubadour which is still functioning today opened in 1957. New wave and punk was the main feature for The Troubadour in the late 1970s and early 1980s. Through the 1980’s the venue became synonymous with the heavy metal genre and glam bands during that time. Today The Troubadour is revered as one of Hollywood’s most respected places to see live music.<br /> <br /> <br /> An attractive collection of brightly colored concert tickets featuring popular heavy metal and punk bands from the 1980s through the mid-1990s displaying over a decade of music in California. hardcover
