Mode, Peter GBiblio.com
740 résultats
102566874X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1025672437.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2638869-6Used - Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. unknown
1017566860.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
192695055Toronto:: Ryerson Press. Very Good. 1926. Hardcover. B001ULE7FW . First ediion. Tipped-in black and white photograph frontispiece. Foxing to endpages gift inscription on half-title page else very good in blue cloth. No dust jacket. ; 46 pages . Ryerson Press, hardcover
1011939797.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
22557André Dupuis. Librairie Gründ Paris 1951. 435 S. mit mehr als 1200 Textabb. u. 7 colourierten Tafeln Ln. Quart. unknown
3751bBraun & Schneider München 1880. 125 doppelseitige Holzschnitttafeln mit über 500 Abb. Hln. Quart Band 1 gering fl. -Sonderbände aus "Müchner Bilderbögen"; sehr guter Zustand-. unknown
Bech, VibenIn Pristine Condition. unknown
Ingeborg Cock-ClausenIn Pristine Condition. unknown
Kopisto, SirkkaIn Pristine Condition. unknown
20092927Illustrated cloth binding issued in slipcase. In fine condition clean and unmarked. Inscribed. TF Editores & Interactiva S.L. U hardcover
20182-141972648XHarry N Abrams Inc 2018. Hardcover. New. 251 pages. 12.00x10.00x0.50 inches. Harry N Abrams Inc hardcover
2018__141972648XHarry N Abrams Inc 2018. Hardcover. New. 251 pages. 12.00x10.00x0.50 inches. Harry N Abrams Inc hardcover
Kjellberg, AnneIn Pristine Condition. unknown
1996403084California 1996. Hardcover. Near Fine. A Collection of 100 used concert tickets featuring punk new wave and heavy metal bands performing in California from 1983 through 1996. The tickets vary in size from 3†x 2†to 5.25†x 2.5â€. All items are near fine with light soiling and a modest amount of creasing except for three torn tickets and 4 tickets stubs from use. The L.A. and Bay Area rock scene started in the late 1970s until new wave and heavy metal bands became the central focus of the 1980s. Some of the bands include: Mötley Crüe Iron Maiden Guns N’ Roses Depeche Mode Fatal Attraction Porno for Pyros Billy Idol Culture Club and others. The tickets span from Los Angeles to San Francisco and cities in between from 26 different venues some of which include The Troubadour Coconut Teaszer The Stone Trocadero Transfer The Metro Cow Palace The Palomino and Filthy McNasty Station. Many of the tickets are bright colors with printed pictures and stamped band logos showing the typographic designs of the time frame.<br /> <br /> Many bands kicked off their careers in California during this time. Mötley Crüe a popular heavy metal band formed in Los Angeles in 1981 is featured here playing at Oakland stadium on October 10 1987. The band is well known for their heavy make-up shocking clothing high-heeled boots and their abuse of drugs and alcohol. In 1985 the band transitioned to a more glam metal style influencing the heavy metal signature look. Guns N' Roses formed in 1985 in Los Angeles and is featured here playing at the Warfield Theatre on February 5 1988. They are a hard rock band that quickly gained popularity after the release of their debut album “Appetite for Destruction†which has sold over 28 million copies worldwide. The band has been labeled as the "the most dangerous band in the world" due to their rebelliousness and were credited to the rekindling of rock music during a time of dance music and glam metal. 1n 1992 Porno for Pyros formed in Los Angeles as an alternative rock group formed out of Jane’s Addiction. They are featured here playing at the Trocadero Transfer on June 19 1996. Their shows featured props extras and pyrotechnics. The band lasted through the mid-1990s and mixed the sounds of grunge and rock together.<br /> <br /> In the 1980s California became the melting pot of music genres mixing in punk rock new wave and metal. Certain venues became synonymous with the music genres and bands of that time. The Stone opened in the 1980s and was linked to the Keystone Berkeley and Keystone Palo Alto. It was large enough for a capacity of 700 sold only hard liquor at the bar and attracted an audience with bigger hair bigger shoes and makeup. It featured many local and big name artists in its day and was an important part of the Bay Area rock scene in the 1980s. The Coconut Teaszer operated from the 1980s through the mid-2000s. It hosted bands from all genres and featured a downstairs acoustic bar named “8121â€. Sawdust on the dance floor and giant goblets for draft beer were some of the popular trademarks of the venue. One of the notable and peculiar policies of the venue was “no open toe shoes†which was painted on the front door. The Troubadour which is still functioning today opened in 1957. New wave and punk was the main feature for The Troubadour in the late 1970s and early 1980s. Through the 1980’s the venue became synonymous with the heavy metal genre and glam bands during that time. Today The Troubadour is revered as one of Hollywood’s most respected places to see live music.<br /> <br /> <br /> An attractive collection of brightly colored concert tickets featuring popular heavy metal and punk bands from the 1980s through the mid-1990s displaying over a decade of music in California. hardcover
1950211751950. Archive of fashion photography documenting African American women's participation in commercial and editorial modeling from the 1950s through the 1980s a period in which the American fashion and advertising industries remained overwhelmingly centered on white beauty standards and limited Black representation in print media. Working in Cultural / Representational Mode the material illustrates changing presentations of Black femininity glamour and natural beauty across several decades of American fashion culture. The photographs provide visual evidence of evolving aesthetic conventions surrounding race cosmetics hairstyles leisure and commercial image-making during the postwar and Civil Rights eras. Particularly notable are several 1970s images depicting Black models with natural hairstyles and minimal cosmetic styling reflecting broader cultural shifts associated with Black pride movements and changing representations of African American identity in fashion and advertising imagery.<br /> Collection comprises 23 silver gelatin photographs and one color photograph produced by several professional photographers between the 1950s and 1980s. Images include editorial fashion shoots casting and publicity photographs scanned negatives and studio portraiture featuring predominantly Black women alongside several white models photographed by the same studios. Two 1970s editorial images depict a lean Black model with closely cropped natural hair posed in a leopard-print wrap. Four photographs focus specifically on Black women including close-up portraits emphasizing natural presentation and informal styling. One younger woman appears without visible makeup wearing a bandana and t-shirt while another is photographed in a straw hat with hoop earrings and patterned sash. Additional photographs include a Black model posed in a bikini atop the rim of a classical fountain featuring Aphrodite imagery. Four professional photographs and one casting card depict singer and actress Sylvia Vanderbeilt in commercial studio poses. Several scanned negatives portray a Black female model in multiple outfits and poses characteristic of 1970s fashion photography including one sequence featuring both the model and a young Black girl during apparent test shoots. The latest material consists of scanned negative strips from an apparent 1980s fashion session featuring a Black model with a sleek bob hairstyle modeling padded blazers and contemporary commercial attire. Other photographs depict white women in evening gowns fur wraps and casual mid-century fashions including two images by photographer Lee Brian showing the same model posed in mid-length evening gowns amid neoclassical architectural settings one with an elaborate mink shawl. Several photographs bear photographer or studio stamps on the verso including L.W. Ward of Cedar Rapids Iowa and Lee Brian of Palm Beach Florida.<br /> The archive traces substantial shifts in fashion photography and racial representation across three decades of American commercial imagery from heavily stylized mid-century glamour photography to the more natural aesthetics associated with 1970s fashion editorials and Black cultural self-presentation. The inclusion of both editorial and test photography offers insight into the production practices of commercial modeling studios as well as the visual conventions used in presenting Black women to advertising and fashion audiences during a period of gradual but uneven industry integration. Minor wear and light handling marks throughout; photographs otherwise remain in very good condition overall. A visually strong grouping documenting African American representation within postwar American fashion photography and commercial image culture. unknown
003881London: Ward Lock & Co Original Price 8/6 net Yellow cloth in a Yellow based Dustwrapper on the back cover of which is advertised top to bottom " Arithmetic can be fun " " Safety can be Fun" " Manners can be Fun " And " Grammar can be Fun " A NEAR FINE Book in a VERY GOOD not price clipped or torn dustwrapper with a couple of minor marks on it . A truly LOVELY copy . E-mail for further details. 48pp. Signed "with Love from Clare's Grannie Christmas . This Edition is NOT Dated est 1955. Yellow Cloth. Near Fine/Very Good Not Price Clipped. Illus. by Red and Black Illustrations. 4to - over 9¾" - 12". Hard Back. Ward Lock & Co Hardcover
2733501070.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
BN329385Paris Musées. Softcover. Au paradis des dames- Nouveautés modes et confections. 1810-1870. <br/><br/>Au paradis des dames- Nouveautés modes et confections. 1810-1870. Musée de la mode et du costume Paris Musées paperback
BN330760Paris Musées. Hardcover. Givenchy : 40 ans de création <br/><br/>Givenchy : 40 ans de création Musée de la Mode et du Costume Paris Catherine Join-Dieterle et Hubert De Givenchy Paris Musées hardcover
1986136028Paris: Union des Arts Decoratifs 1986. Softcover. VG- Ex-library with spine label slight soiling on white portions of cover page edges tanning otherwise quite nice. White & illus. wraps French flaps 232 pp. many BW and some color illus. Text is in French. Issued in conjunction with a retrospective exhibition held in Paris in 1987 featuring photos and drawings of the fashions of designer Christian Dior 1905-1957. A terrific representation of the styles of the day. Union des Arts Decoratifs paperback
200831265AB2008. Offenbach DLM 2008 4° 160 S. mit zahlr. Farb- und s/w-Abb. illustr. original Kartonage Paperback im Buch leider stellenw. einige Text-Unterstreichungen sonst aber gut und angesichts der Seltenheit problemlos verkraftbar. Abholung im Ladengeschäft in Frankfurt am Main Nordend ggü. Musterschule möglich. Das spart die Portokosten. Pickup at the store in Frankfurt am Main Nordend close to Musterschule is possible. It saves the shipping costs. paperback
2001230066Oslo : Astrup Fearnley Museum of Modern Art 2001. First Edition. Hardcover. Fine cloth copy in a near fine very slightly edge-nicked and dust-dulled dust wrapper now mylar-sleeved. Remains particularly and surprisingly well-preserved; tight bright clean and sharp-cornered. Physical description; 88 p. some folded : ill. chiefly col. ports. ; 26 cm. Notes; Biog. Cat. no. 32. Catalogue of an exhibition held at Astrup Fearnley Museet for Moderne Kunst Oslo 14 Jan. - 18 Mar. 2001; Louisiana Museum of Modern Art Humlebaek 31 Mar. - 29 July 2001. Includes bibliographical references. Text by Jutta Nestegard Jon-Ove Steihaug and Poul Erik Tøjner. Subjects; Polke Sigmar 1941-2010. Sigmar Polke 1941-2010. Genre; Illustrated. Oslo : Astrup Fearnley Museum of Modern Art hardcover
19300009035Prague: Gesellschaft deutscher Bucherfreunde in Bohmen 1930. First Limited edition. Hardcover. Very Good. 12mo red half morocco paste-paper boards spine scuffed. <br/><br/>Copy no. 251 of only 300 copies. A new edition of DER PRAGER KAUFRUF 1829. With 36 engravings hand-colored by Gertrud Krammer-Zappe and 12 more engravings of costumes in black-and-white. Nettl was a musicologist. Gesellschaft deutscher Bucherfreunde in Bohmen hardcover
