740 résultats
19824324Milano: Electa Editrice 1982. 1982. Fine. - Quarto off-white cloth titled in black in a dust wrapper housed in a natural cardboard case. The case is lightly rubbed with a small stain to the bottom edge. 207 pages plus colophon. Profusely illustrated in black & white & color. Fine in a very good slipcase. <p>A study of costume design in Italian opera from the premier of "Rigoletto" in Venice in 1851 to the creation of "Tosca" in Rome in 1900. (Milano): Electa Editrice, (1982). hardcover
20002090502113716453Not Available 2000. Soft Cover. Fine. The book is in fine condition. Not Available paperback
2000Q-1891280082CMJ Marian Publishers 2000-06-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! CMJ Marian Publishers paperback
mon0000223964Books Nippan. hardcover. Good. 0.9055 12.1260 9.1339. Hardcover in dust jacket. This book was puchased from a prominent local Graphic Design studio when it liquidated its library. The book inside the case features the studio's name neatly stamped on the edges of the text block and a library card pocket on front free endpaper. Spine is lightly and evenly sunfaded. A good and useful reading copy. Dust jacket has some light edgewear. Good Books Nippan hardcover
ANAIS-4938586142Books Nippan. hardcover. Good. 1.8x09x2.1. Buy with confidence. Excellent Customer Service & Return policy. Books Nippan hardcover
4938586142.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
C--17992Brand New. Brand New! Fast Delivery US Edition and ship within 24-48 hours. Deliver by FedEx UPS & USPS and we do not accept APO and PO BOX Addresses. Order can be delivered worldwide within 7-12 days and we do have flat rate for up to 2LB. Extra shipping charges will be requested if the Book weight is more than 5 LB. This Item May be shipped from India. unknown
Gundtoft, DorotheaIn Pristine Condition. unknown
38855London. Printed by Horace Cox. no printed title page. Hardcover. folio 43.5x 28cm 17" x 11"0 pp207-712107 = 617 pages plus the plates. WITH. 11 COLOUR FASHION PLATES & 11 COLOUR TEXTILE PLATES the textile plates are chromo litho's. double page engraved frontis numerous engraved illustrations through out many full page spine cap wanting both worn boards are loose text block is clean and soundno foxing rare ds1. Great colour plates. [London. Printed by Horace Cox]. (no printed title page) hardcover
19742090502113705410Not Available 1974. Soft Cover. Fine. The book is in fine condition. Not Available paperback
0884010813New. paperback. New. Satisfaction Guaranteed or your money back. paperback
1996Q-0884010813Fine Arts Museums of San Francisco 1996-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! Fine Arts Museums of San Francisco paperback
1987D7M220910009Fashion institute of technology new york 1987-01-01. Paperback. Like New. 11x9x0. A very beautiful copy. Text in mint/unmarked condition. Cover has minor shelf rubbings. Binding is tight. Your Satisfaction Guaranteed. We ship daily. Fashion institute of technology new york paperback
19861001170088Fashion Inst. of Technology 1986. Paperback. Very Good. Nice looking book has minor edge wear. Fashion Inst. of Technology paperback
19692091502133700842Kakusado Publishing Co. Ltd. 1969. Soft Cover. Fine. The book is in fine condition. Kakusado Publishing Co., Ltd. paperback
1920199741920. Vernacular fashion illustration archive circa 1920s-1950s documents the evolution of women's dress and stylistic ideals across early and mid-twentieth-century design with emphasis on silhouette material and aspirational presentation. The drawings capture shifts from the elongated androgynous forms associated with 1920s and 1930s fashion to the structured tailoring and fitted garments of the postwar period. Elements such as exaggerated shoulders cinched waists and coordinated ensembles situate the works within broader developments in women's fashion including the influence of tailored suits and formal eveningwear. The illustrations also record accessory culture including gloves hats and jewelry positioning dress within a larger system of social signaling and presentation tied to class gender norms and modern consumer identity.<br /> <br /> United States and possibly Europe circa 1920s-1950s. Archive of six original gouache and pencil fashion illustrations on hard mat boards and one on thick watercolor paper each measuring approximately 10 x 7 to 10 x 15 inches. Several works bear artist signatures or initials including examples signed "Virginia" and "G. Wichner." Two dated compositions from April 11 1954 depict coordinated ensembles including a rose-toned set with a pencil skirt and structured blazer rendered with detailed attention to tailoring and fabric accents. Other illustrations include multi-figure studies of women in draped garments with belted waists a single-figure composition in a long gown with fur coat and elongated cigarette holder and portrait studies featuring headpieces veils and bold cosmetic styling. Use of shading color variation and line work emphasizes fabric texture garment movement and body form.<br /> <br /> Produced during a period of significant transformation in women's fashion these illustrations align with the development of modern fashion media including editorial illustration design sketching and commercial garment production. The visual emphasis on proportion tailoring and accessorization reflects the increasing codification of fashion as both industry and cultural expression in the twentieth century. As original works the drawings provide insight into the processes of design visualization and stylistic interpretation supporting research into fashion history gender presentation and visual culture. Light handling wear to mounts and sheets; overall very good condition. unknown
1994013663NY: Fashion Group International 1994. First edition. Quarto. 58 pp; profuse color & b/w illustrations. Tan paperback. Near Fine a clean unmarked copy; covers unmarked numbered ticket laid in. The 11th annual Night of Stars held by Fashion Group International honored Bernadine Morris the chief fashion reporter for the New York Times. The evening featured a live fashion show by nine Paris haute couturiers : Oscar de la Renta for Balmain Karl Lagerfeld for Chanel Gianfranco Ferre for Christian Dior Maurizio Galante Hubert de Givenchy Christian Lacroix Emanuel Ungaro Philippe Venet and Gianni Versace. It features a 4-pp tribute to Bernadine Morris by Bill Cunningham tributes by the nine Paris haute couturiers and others. First Edition. Soft Cover. Near Fine. Fashion Group International Paperback
1976AM003Los Angeles: Fashion Group of Los Angeles 1976. Stapled Wraps. Very Good. 46p. Toned wrap edges lightly worn and spine fold scraped. Program for fashion show honoring California women fashion designers presented by the Fashion Group of Los Angeles the first California chapter of the Fashion Group International FGI. The FGI was established in 1928 as a nonprofit organization of executives in the fashion business including apparel accessories and beauty. This booklet offers brief biographies of such designers as Mary Ann DeWeese Rose Marie Reid Bonnie Cashin Irene and Helen Rose along with contemporary advertisements. B&w illustrations and photographs. 8-1/2"x14" <br/><br/> Fashion Group of Los Angeles paperback
0823904822.Gloose_leaf. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
19601008090028R. Rosen Press 1960. Hardcover. Very Good. Nice looking book has minor edge wear. R. Rosen Press hardcover
8427209851.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
DADAX1250133882Imprint 2018-09-25. hardcover. New. 7.25x0.50x9.25. Buy with confidence. Excellent Customer Service & Return policy. Imprint hardcover
199652857E-120: Fashion Dossier Inc. Very Good. 1996. Hardcover. Plastic comb trade PB. 4to. Fashion Dossier Inc. 1996. 176 pgs. Illustrated with Color Plates & fabric swatches examples of patterns etc. Wrappers lightly worn with some light shelf-wear to the extremities present. Thick stout quarto that is lightly splayed due to the contents. Book is free of ownership marks. Text is clean and free of marks. Binding tight and solid. Fashion forecasting is a global career that focuses on upcoming trends. A fashion forecaster predicts the colors fabrics textures materials prints graphics beauty/grooming accessories footwear street style and other styles that will be presented on the runway and in the stores for the upcoming seasons. The concept applies to not one but all levels of the fashion industry including haute couture ready-to-wear mass market and street wear. Trend forecasting is an overall process that focuses on other industries such as automobiles medicine food and beverages literature and home furnishings. Fashion forecasters are responsible for attracting consumers and helping retail businesses and designers sell their brands. Today fashion industry workers rely on the Internet to retrieve information on new looks hot colors celebrity wardrobes and designer collections. E-25; 4to 11" - 13" tall; 176 pages . Fashion Dossier, Inc. hardcover
195014633AB1950. Vienna ca. 1950. 31 : 23 cm. Many designs on 97 pages some with mounted textile samples. Desgins for woman clothes coats pants etc. on plate with children's cloth 8 plates in colour with mounted textile samples. A few marked with 'Dior falte' Dior pleat some 'Dior Rock' Dior scirt some marked model summer model Margit etc. one plate with applications in different colours. hardcover
193019806AB1930. n.p. 1930ties 48 : 36 cm. Four sheets with coloured aquatints partly hightened in gold Six designs for Ladies evening dresses. One plate signed Boris. While men's style changed little women's looks changed significantly over the course of the 1930s. The previous Roaring Twenties were still characterized by a new very androgynous image of women and the so-called Flapper Girl was a symbol of the independent modern woman. But in the 30s this trend changed to the complete opposite: the elegant lady was popular again. This was reflected above all in the rediscovery of the female figure. Reason for this: The woman as a caring mother and housewife was THE ideal of the time. This conservative image was also accompanied by a hyperfeminization of women. This value attitude was particularly evident in the emphasis on the high waist. unknown
