ModaBiblio.com
740 résultats
192018450AB1920. Vienna ca.1920 36 : 30 cm - 15 : 12 cm 21 acuarelas en parte elevados en blanco sobre cartón gris. Preciosos y muy detalladas diseños de trajes para el teatro y la opera en differentes colores blanco negro rojo verde amarillo lila. Los diseños muestran sobre todo mujeres tal vez para la opera de Bizet 'Carmen'. Dos láminas muestran actor y actriz bailando con mascaras. unknown
195618448AB1956. Vienna 1956-1958. 47 : 32 cm. 64 dibujos en lapiz en papel especial. Vestido de mujeres de los años 1950 tambien diseños para sombreros zapatos etc. Hechos por una alumna de la prestigiosa escuela de moda 'Hetzendorf' en las afueras de Viena la cual fue fundada en 1846 en un castillo que fue construida en 1694 y que ahora esta famoso en todo el mundo. Transmite una buena ojeada sobre la moda de los años 1950. unknown
195018447AB1950. Vienna ca. 1950. 31 : 23 cm. Muchos diseños en 97 paginas con muestras de textil montados. Diseños para vestidos de mujeres abridos pantalones etc. 1 página con diseños para ropa de niños 8 páginas con muestras de textil in color montados. Algunos señalados con 'Dior falte' algunos con 'Dior Rock' Dior falda algunos señalados modela verano modelo Margit etc. Una página con aplicaciónes en diferentes colores. unknown
1930D4922likely America c. 1930s. Fine. Group of 10 original costume studies on heavy cardstock mounts ranging in size from about 9.5-by-10.5 inches to 13-by-18 inches in pen-and-ink or grey wash heightened in white. Circa 1930s America. Presumably created by S. C. Cavanagh Ltd. with the firm's name in pencil along the bottom edge of many of the studies. Expertly carried out illustrations of elegant women in long coats or evening jackets pinky fingers held delicately aloft. All cards a little rubbed and smudged along the edges but overall nice and bright suitable for display. A wonderful collection for the classic or vintage stylist. <br/><br/> unknown
194033730Suzuka Japan et al. 1940. Very Good . Suzuka Japan: n.d. ca. 1940-1960. Nineteen original hand-stenciled designs ca 48x35cm; thirteen examples with rubber-stamp from two different craft shops the remaining six unattributed. Light wear and soil else a Very Good to Near Fine collection.<br /> <br /> Colorful multi-decade sampling of designs for the Japanese casual summertime cotton kimono known as yukata. The designs were almost certainly designed for children's outfits decorated as they are with baby birds puppies ducklings circus elephants bunnies musical instruments and teddy bears. The ten earliest examples all hail from the same shop and all use the same color scheme of navy blue slate blue and orange-brown. Later examples expand the color palate to much more vibrant and neon colors. One design in particular of a small child in a red bunny costume anticipates both the manga and the Hello Kitty aesthetic that became a global phenomenon beginning in the 1970s and 1980s. unknown
D21035Near Fine. A unique and visually interesting archive of 125 original womens fashion illustrations produced by several celebrated New York designers and illustrators active during the mid-twentieth century. Together the works capture an innovative and forward thinking American fashion industry post WWII. <br /> <br />The collection is highlighted by original couture evening wear and cocktail dress designs by John Paul Bozett and Frank Perullo both internationally accomplished New York fashion designers and illustrators working in New York City during the 1940s1960s. Additional contributors include De Zine Studio Henry Antonio and others illegible but presumably associated with the citys fashion community during this period. Ephemera includes a Womens Wear Daily typed letter signed TLS a press release and a TLS employment contract for David Hart Incorporated New York. <br /> <br />Rendered in graphite and colored pencil many sophisticated and detailed. Several sheets present multiple perspectives of a single design and retain original job numbers e.g. B-14 annotations regarding color styling and techniques and a few with fabric attached. Approx. 50 with ink signatures on the recto and some with studio stamps name address and telephone on the verso. Sizes vary but approximately 8 x 11 inches. Executed primarily on tissue paper with some examples taped or mounted to heavier stock. Undated but presumably date to the c. 1950s; a few might be a bit later. <br/><br/> unknown
192014632AB1920. Vienna n.d. ca.1920 36 : 30 cm - 15 : 12 cm 21 water-colours partly heightened in white on grey cardboard. Beautiful very detailled elaborated custome designs in different colours white black blue red green yellow pink. The designs show mainly woman maybe designs for Bizet's 'Carmen' Two plates show actors and actress dancing with masks. unknown
195014631AB1950. Vienna ca. 1950. 42 : 30 cm. 27 plates with many designs partly in colour. Shows also designs for smaller tallor and dicker woman. 2 plates with many designs for evening dresses. unknown
195614629AB1956. Vienna 1956-1958. 47 : 32 cm. 64 pencil drawings of special paper. Womans dresses from the 1950-ties also designs for hats shoes etc. From a pupil of the prestigious Viennese fashion-school housed in the castle of Hetzendorf a suburb of Vienna which was founded in 1846 in an 1694 build castle and which is now famous worldwide. Gives a good inside of the designs and fashion the in the late 1950-ties. unknown
194214634AB1942. Vienna 1942. 46 : 30 cm. Many designs some in colour on 17 plates. All signed and dated. The designs show different woman's cloth dresses coats skirts etc. some with water-colours all on paper of different colours. All signed Ruth Brose and dated 1942. - with light middle fold. hardcover
195014633AB1950. Vienna ca. 1950. 31 : 23 cm. Many designs on 97 pages some with mounted textile samples. Desgins for woman clothes coats pants etc. on plate with children's cloth 8 plates in colour with mounted textile samples. A few marked with 'Dior falte' Dior pleat some 'Dior Rock' Dior scirt some marked model summer model Margit etc. one plate with applications in different colours. hardcover
195358213Seattle WA: Nancy Paine ca. 1953-54. Twenty-one original fashion design watercolour paintings all oblong folio 9 sized 15 x 12 in.; 12 sized 18 x 15 in. 1 is painted title only many of them signed by Nancy down in lower corner 1 graded and reviewed by teacher several with neat cursive annotations some curling minor edgewear to corners some toning still VG set with the 2nd set retaining the original portfolio cover sheet. These original watercolour fashion designs reflect the 1950’s emphasis on full circle skirts swing skirts pencil skirts tea length dresses and fitted tight waist blouses reflecting the influence of Christian Dior towards increased femininity in the post-World War II era. For the College Coed portfolio our young artist has included designs for Capri pants lingerie fitted wool dresses flowing “poodle†skirts bathing suits tennis outfit ice skating clothing riding outfits and evening wear. The second portfolio incorporates diamond pattern one-piece bathing suits terrycloth robes different evening weather and nighttime negligee. Although young Miss Paine would not go onto becoming a commercial artist she did work as office manager for many years for the Simpson Lumber Company. Nancy Paine, hardcover
1528412168.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
19764573z1976. Soft Cover. Good. PB/pub.1976/Gd. condition/160 pages - How yarn colors interact on the loom: a complete course. TA94573z paperback
1984197351984. Photographic archive 1984 documenting African American participation in fashion runway culture during a period of expanding visibility for Black models within commercial and public-facing fashion events. The images center on runway presentation styling and performance with emphasis on clothing posture and audience reception. The material supports research into Black representation in fashion the aesthetics of 1980s design and the intersection of race visibility and consumer culture within the fashion industry.<br /> Archive of 20 original color photographs dated July 1984. Prints measure approximately 4 x 4.5 inches to 5 x 6 inches. The photographs depict multiple runway scenes featuring Black models in varied outfits including bright casual wear dresses athletic ensembles and business-influenced styles. Specific images include a model wearing a pink lace floral dress with ribbon detailing and white heels figures in coordinated athletic-inspired outfits with bold color accents and a model in a white dress trimmed with pink ruffles and pearl-like ornamentation. One image shows a male model in white flared overalls and sandals. Additional photographs capture audience members of mixed racial identities seated along the runway as well as backstage moments in which models pose against a wall displaying portraits of other figures associated with the production or company. Several prints bear date stamps reading "7/84" on the verso.<br /> Produced during a decade marked by gradual shifts in fashion industry representation these photographs provide visual evidence of Black models occupying central roles in runway presentation while engaging with broader stylistic trends of the period. The inclusion of both runway and backstage scenes allows for study of performance preparation and audience interaction within fashion environments. Light handling wear and minor surface marks; overall very good condition. A cohesive visual record of 1980s runway culture with emphasis on African American representation. unknown
192447496Dayton OH: The Comer Manufacturing Co. 1924. Tall 8vo. 5.5 x 10.5 in. 36 pp. Numerous illustrations 4 colour plates 4 sepia-tinted plates 64 wool wool blend canvas linen leather cotton and patterned fabrics some treated w/ coating tipped-in occasional offsetting from samples either surrounding the sample or on facing leaves. Dark red printed softcovers decoration & lettering in orange & blue minor soiling some creasing still a VG- copy. First edition of this scarce salesman sample catalogue for men and women’s Jazz Age raincoats and overcoats in the mid-1920s. The company was founded before World War I by Charles E. Comer b. 1887 who quickly established the company as one of the largest manufacturers in Ohio of raincoats. The colour fashion plates are quite striking for the period and offer invaluable historical reference for the styles and weight of raincoats sold during the Flapper Era. Comer produced rubber-lined coats offered deals if you ordered two coats at once and also offered Mackinaws General Purpose coats Rubber rain slickers reversible coats and even waterproof aprons for housewives. This catalogue notes that they had just completed their new 40000 square foot and even offered waterproof luggage and garment bags. They were well known for advertising in labor magazines trade magazines and professional magazines constantly promoting their product and recruiting new salesmen. Worldcat locates only 1 copy Vol. 166. The Comer Manufacturing Co., paperback
188546789Auburn NY: L. Marshall ca. 1885. Tall 8vo. One colour chromolithograph card 6.75 x 11.75 in. very slight toning to fore-edges very slight bumping to couple corners still a VG bright copy. First edition thus of this advertising card for L. Marshall who were a very successful and popular Victorian clothing and furnishing store in Auburn New York. They were particularly well known for their beautiful colour advertising cards sent out as promotions and were at their height of popularity at the end of the 19th century. L. Marshall, hardcover
2003__9058095665Aa Balkema 2003. Hardcover. New. 1st edition. 460 pages. 9.75x7.25x1.25 inches. Aa Balkema hardcover
19920008528Hull Que. : Canadian Museum Of Civilization 1992. First edition. Paperback. Good . 8vo 277 pages green wrappers scuffed. Quite Scarce. Note: will require higher shipping fee due to weight. <br/><br/>This study of caribou skin clothing made by Inuit seamstresses in Coppermine Bathurst Inlet Cambridge Bay and Arviat Northwest Territories includes information collected from seamstresses as the author constructed skin clothing under their direction and a comparison of garments made by Copper and Caribou Inuit as well as by Paallirmiut and Ahiarmiut groups. The text includes numerous clothing patterns for parkas mittens stockings pants anboots a list of Inuit clothing terminology an extensive bibliography and a map. Canadian Museum Of Civilization paperback
1934FASHION004963J.H. Ltd no place. 1934. First edition. Folio. A fashion illustration portfolio with twenty nine colour lithographic plates each measuring approx 37 x 31cm showing women's dresses in various fabrics from silk to tweed. The covers are unusual: full gilt textured cloth with titles in art deco style on front.Some spotting. Very good indeed. J.H. Ltd, no place. hardcover
1020222697.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
198959338Trefoil London 1989. First English Language Edition. Hardcover. Very Good Condition/Very Good. Size: 4to 9 3/4 - 12". 193 pp. Internally clean. Binding firm spine cocked. Dust jacket has faded spine. Top edge foxed. Profusely illustrated. Quantity Available: 1. Shipped Weight: 1-2 kilos. Category: Fashion Fabrics & Style; Russia; 1920s; History. ISBN: 086294175X. ISBN/EAN: 9780862941758. Pictures of this item not already displayed here available upon request. Inventory No: 59338. . 9780862941758 Trefoil hardcover
136445Croquis Couture - Serie Robes et Ensembles - Creations été 1951 - Cartelletta morbida contenente 30 tavole a colori illustrate da vari modelli - Lingua francese. - Condizioni delle tavole molto buone. Cartelleta con qualche strappo e segno del tempo come da foto. unknown
195556299Vienna: Wiener Modellgesellschaft M.B.H. Editions de Mode Fashion Publications 1955. Folio. 9 x 13 in. 23 colour plates in pochoir-inspired hand-coloured style. Printed beige softcovers minor creasing head of spine minor dustsoiling still VG bright copy. First edition thus of this beautifully rendered collection of haute couture summer dress designs issued by the Viennese fashion cooperative in the 1950s. These designs show the decided shift towards elegance and perfectly matched accessories for women during the 1950s with nipped-in waists full-skirted dresses as well as tailored fitted clothes with a hint of playfulness and exuberance inspired by the designs of Cristobal Balenciaga and Hubert de Givenchy as well as the feminine silhouette of Christian Dior. No copies in Worldcat of this issue. Wiener Modellgesellschaft, M.B.H., Editions de Mode, Fashion Publications], paperback
199827481<p>New York:: Metropolitan Museum of Art 1998. First Printing of the First US Edition. A Fine copy in a Fine dust jacket. Cubism and Fashion demonstrates how the fundamental traits of Cubist art were translated into fashion during the critical years from 1908 into the early 1920s and how Cubism has continued to influence designers even to the present. This volume by juxtaposing art and fashion shows how many of the most glittering and elegant dresses of the teens and twenties benefited from Cubist concepts. Significantly this book does not extol rudimentary drawings for apparel by Cubist artists but rather presents a critical study of the most accomplished creations by Poiret Vionnet Chanel and other premier designers who assimilated Cubist principles. Here their work is shown next to art works by Georges Braque Robert Delaunay Juan Gris Fernand Leger Pablo Picasso and other seminal artists of the early twentieth century. Martin argues that the influence of Cubism has been at least as powerful for fashion as it has been for bringing about a new way of seeing in the fine arts. During the teens fashion made its transformation from a full rounded static and exaggerated shell built on the human body to a soft dynamic cylinder revealing the body and reveling in flatness. Includes 147 illustrations of which 132 are in color.</p> Metropolitan Museum of Art, hardcover
