740 résultats
B9781164754084New. unknown
B9781164638469New. unknown
1164754084.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1436839580.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1528234111.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0243499531.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
20141-345102263XVerlag Herder GmbH 2014. Paperback. New. 168 pages. German language. 8.58x5.35x0.55 inches. Verlag Herder GmbH paperback
193225922Paris: Au Printemps 1932. 1 vols. Image 11-1/2 x 8 inches matted to 17-1/2 x 14 inches. 1 vols. Image 11-1/2 x 8 inches matted to 17-1/2 x 14 inches. Reynaldo Luza 1893-1978 pre-eminent fashion artist was born in Lima Peru. He began training as an architect at the University of Louvain Belgium but returned to Peru at the outbreak of World War I where he changed his studies from architecture to art. In 1918 he came to the United States where he earned his living by contributing drawings to several fashion publications principally VOGUE HARPERS BAZAAR and VANITY FAIR. In 1921 he joined HARPERS BAZAAR as the principal fashion artist a position he was to hold for 27 years. He divided his time between New York Paris and London working closely with all of the leading fashion designers of the times--Poiret Patou Lelong Paquin Douillet Doucet Cheruit Worth Drecoll Callot Soeurs Redfern Martial et Amand Premet Reboux Chanel Vionnet Molyneaux Schiaparelli Hartnell Steibel and Balenciaga among others.<br /> <br /> In 1940 Luza made New York his principal base where over the next few years he continued his activities at Harpers as well as creating fabric and furniture designs and the costumes for the movie "The Bridge of San Luis Rey". Among other distinctions he received several honorary appointments from the government of Peru including that of Artistic Director of the Paris Exposition of 1938 and the New York World's Fair of 1939-40; he also did the interior design of the new Lima airport.<br /> <br /> In 1950 Luza returned to Peru where he began a second career as a portrait painter exhibiting his work over the next few years in Paris New York and Washington D.C. Au Printemps unknown
1973035738Germany: Gestalung Gert Wunderlich 1973. Hardcover. Near Fine/Near Fine. Quarto. Shipped from the Calico Cat Bookshop a brick and mortar bookshop established in 1975. <br/> <br/> Gestalung Gert Wunderlich hardcover
1987BN9137Kohlhammer 1987. 1987. Hardcover. Fabeltiere und Dämonen in der Kunst. Sonderausgabe. Die fantastische Welt der Mischwesen Gebundene Ausgabe Heinz Mode Autor <br/><br/>Fabeltiere und Dämonen in der Kunst. Sonderausgabe. Die fantastische Welt der Mischwesen Gebundene Ausgabe Heinz Mode Autor Kohlhammer hardcover
1974331287London: Phaidon Press 1974. First Edition; First Printing. Hardcover. Good in a Good dust jacket. Ex-library marks on pastedowns rear end page text block edges spine and copyright page. Small closed tear on spine crown. Light stains from paperclips throughout. Adhesive residue on boards.; 4to 11" - 13" tall. Phaidon Press hardcover
ANAIS-0714816426distributed by Praeger. hardcover. Good. 1.8x09x2.1. Buy with confidence. Excellent Customer Service & Return policy. distributed by Praeger hardcover
0714816426.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
SONG0714816426distributed by Praeger 0000-00-00. First Edition. hardcover. Used: Good. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. distributed by Praeger hardcover
ria9781609015350_inpHardback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; The eighth edition of this industry standard for textile terminology is fully revised and expanded featuring approximately 100 new entries and over 14000 definitions of fibers fabrics laws and regulations affecting textile materials hardcover
193963709Aussig Usti Nad Labem Czechoslovakia & Vienna: C. Wolfrum ca. 1939. Folio. 50 leaves. 1 leaf with type-written explanation of all the fashions illustrated in the catalogue. 44 hand-coloured pochoir fashion designs on translucent paper each with item number printed below 5 leaves with printed designs showing the backs of all the fashions some pencil shading and details added. Original textured beige softcovers embossed WMI Wolfrum Manufacturing on front cover metal spiral bound as issued some dustsoiling & wear to fore-edges of covers very slight bumping to couple corners still a VG copy w/ beautifully illustrated fashion designs. First edition of this exceedingly scarce original trade catalogue issued by the C. Wolfrum textile firm in Czechoslovakia for its Vienna Austria market around the time of the forced annexation of the Sudetenland by Nazi Germany in 1939. The firm was famed for its woolen & silk textiles for women’s fashions and their catalogues were very desired. This catalogue includes fashions for silk rayon & wool women’s dress suits leisure suits formal evening dresses & winter coats all evoking the fashion trends of the period. The designs in the catalogue reflect the rising influence of militaristic styles and fascism with square-edged shoulder pads the plate hats as well as the emphasis on tight waists and long skirts. There are a couple designs with distinctive chocolate brown for leisure wear reflecting the heavy Nazi-influenced fashion design of the period. In addition the slim lines were enhanced by cutting clothes across the fabric avoiding bunches of gathers at the waist for full skirts allowing material to flow. In addition the evening wear dresses emphasized low or no backs and hair was to be grown long and worn swept up. This catalogue also includes a few evening formal dress designs clearly inspired by the dresses worn by Vivien Leigh in the 1939 Gone With the Wind Movie with the puffed sleeves polk-a-dot patterns and fabrics. No copies in Worldcat. C. Wolfrum, paperback
193747916Praha Prague: C. Wolfrum 1937. First edition. Paperback. Very good. Vlasta Novakova. Very slim quarto 30.5 cm Original beige handmade paper wraps bound with a stringtie binding and three punch holes and with the Wolfrum gold monogram on the front cover. Eighteen leaves with color lithograph fashion illustrations on every leaf. Light dust soiling on the wraps; some occasional thumbing in the margins of the pages; minor markings and notations in pencil here and there. A first edition of this scarce original trade catalogue issued by the C. Wolfrum textile firm in Czechoslovakia and featuring the "Chic Parisien" line created by Vlasta an in-house designer. The designs in this catalogue highlight the growing influence of militaristic styles such as square-edged shoulder pads plate hats and an emphasis on tight waists and long skirts. C. Wolfrum paperback
19354885New York: 1935 1935. Promotional prospectus for the Fashion Academy at 16 East 52nd Street New York. 192x125mm. pp. 48. Illustrated throughout with art deco colour fashion plates and one pochoir pastedown image. Decorated art deco style cover and endpapers. Some rubbing and wear but overall a very nice copy and internally very good. the Fashion Academy was operated under the direction of Emil Avil Hartman and ran a series of courses on fashion and costume design. This fascinating little book published as an annual prospectus and so is quite uncommon provides outlines of the courses and gives information about how to live in New York. New York: 1935 unknown
19384886New York: 1938 1938. Promotional prospectus for the Fashion Academy at 16 East 52nd Street New York. 198x130mm. pp. 44. Illustrated throughout with colour fashion plates and one pochoir pastedown image. Decorated covers with an embossed gilded label pasted on upper cover. Illustrated endpapers with gold fashion silhouettes. The fashion plates are mostly of historic designs. Some rubbing and wear and internally there is some marking and slight staining but overall a nice copy. The Fashion Academy was operated under the direction of Emil Avil Hartman and ran a series of courses on fashion and costume design. This fascinating little book published as an annual prospectus and so is quite uncommon provides outlines of the courses and gives information about how to live in New York. New York: 1938 unknown
ria9781501362996_inpPaperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Fashion Business Cases: A Student Guide to Learning with Case Studies allows students to apply what they are learning in the classroom to real-life situations in the global fashion industry. Adapted from the Bloomsbury Fashion Business paperback
2001001424London: B. T. Batsford. 2001. paperback. 96 pp Very Good one corner bumped publishers sticker on rear. "Modelling on the stand is an essential technique for today's fashiondesigners and dressmakers. With step-by-step instructions and clearillustrations Dawn Cloake removes the mystique and shows that once the basicskills of modelling classic blocks are acquired even beginners can progressquickly to interesting and challenging garment designs." B. T. Batsford paperback
201032511AB2010. Erstausgabe / first edition Berkeley Gingko Press 2010 4° 232 S. mit zahlr. teilw. ganzs. Farb-ABb. von Modeläden. Popup- und Concept Stores etc. Test: englisch illustr. original Pappband winzige Schabstelle auf dem hinteren Einbanddeckel sonst ein tadelloses sauberes Exemplar ohne nennenswerte Mängel Abholung im Ladengeschäft in Frankfurt am Main Nordend ggü. Musterschule möglich. Das spart die Portokosten. Pickup at the store in Frankfurt am Main Nordend close to Musterschule is possible. It saves the shipping costs. unknown
20052080502106510238Seishun shubbansha 2005. Soft Cover. Fine. Volume: 1 Seishun shubbansha paperback
ria9781501374364_inpPaperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Unlock the Secrets of Tomorrow''s Style Today!In the ever-evolving world of fashion staying ahead of the curve is essential. Fashion Forward: A Guide to Fashion Forecasting returns in its highly anticipated third edition to guide you t paperback
1920199741920. Vernacular fashion illustration archive circa 1920s-1950s documents the evolution of women's dress and stylistic ideals across early and mid-twentieth-century design with emphasis on silhouette material and aspirational presentation. The drawings capture shifts from the elongated androgynous forms associated with 1920s and 1930s fashion to the structured tailoring and fitted garments of the postwar period. Elements such as exaggerated shoulders cinched waists and coordinated ensembles situate the works within broader developments in women's fashion including the influence of tailored suits and formal eveningwear. The illustrations also record accessory culture including gloves hats and jewelry positioning dress within a larger system of social signaling and presentation tied to class gender norms and modern consumer identity.<br /> <br /> United States and possibly Europe circa 1920s-1950s. Archive of six original gouache and pencil fashion illustrations on hard mat boards and one on thick watercolor paper each measuring approximately 10 x 7 to 10 x 15 inches. Several works bear artist signatures or initials including examples signed "Virginia" and "G. Wichner." Two dated compositions from April 11 1954 depict coordinated ensembles including a rose-toned set with a pencil skirt and structured blazer rendered with detailed attention to tailoring and fabric accents. Other illustrations include multi-figure studies of women in draped garments with belted waists a single-figure composition in a long gown with fur coat and elongated cigarette holder and portrait studies featuring headpieces veils and bold cosmetic styling. Use of shading color variation and line work emphasizes fabric texture garment movement and body form.<br /> <br /> Produced during a period of significant transformation in women's fashion these illustrations align with the development of modern fashion media including editorial illustration design sketching and commercial garment production. The visual emphasis on proportion tailoring and accessorization reflects the increasing codification of fashion as both industry and cultural expression in the twentieth century. As original works the drawings provide insight into the processes of design visualization and stylistic interpretation supporting research into fashion history gender presentation and visual culture. Light handling wear to mounts and sheets; overall very good condition. unknown