[Fashion]Biblio.com
740 résultats
1536Folded; light creasing toning and foxing; unevenly trimmed along previously bound edge. Very good. <p>Hand-Colored Folding Plate Depicting Contemporary Lady's Fashions. Godey's Lady's Book Nov. 1865. Philadelphia: L. A. Godey & Co. 1865. <br /> Measures approximately 9.25.5 x 11.5 inches. Blank to verso. </p> . unknown
1543Folded; light creasing toning and foxing; unevenly trimmed along previously bound edge. Very good. <p>Hand-Colored Folding Plate Depicting Contemporary Paris Fashions Les Modes Perisienne's. Peterson's Magazine June 1873. Philadelphia: C. J. Peterson 1873.<br /> Measures approximately 9.5 x 11.5 inches. Blank to verso.</p> . unknown
1544Folded; light creasing toning and foxing; unevenly trimmed along previously bound edge. Very good. <p>Hand-Colored Folding Plate Depicting Contemporary Paris Fashions Les Modes Perisienne's. Peterson's Magazine August 1873. Philadelphia: C. J. Peterson 1873.<br /> Measures approximately 9.5 x 11.5 inches. Blank to verso.</p> . unknown
1546Folded; light creasing toning foxing and staining; unevenly trimmed along previously bound edge. Very good. <p>Hand-Colored Folding Plate Depicting Contemporary Paris Fashions Les Modes Perisienne's. Peterson's Magazine September 1873. Philadelphia: C. J. Peterson 1873.<br /> Measures approximately 9.5 x 11.5 inches. Blank to verso.</p> . unknown
1545Folded; light creasing toning and foxing; unevenly trimmed along previously bound edge. Very good. <p>Hand-Colored Folding Plate Depicting Contemporary Paris Fashions Les Modes Perisienne's. Peterson's Magazine November 1873. Philadelphia: C. J. Peterson 1873.<br /> Measures approximately 9.5 x 11.5 inches. Blank to verso.</p> . unknown
1567Folded; light creasing toning and foxing; unevenly trimmed along previously bound edge. Very good. <p>Hand-Colored Folding Plate Depicting Contemporary Lady's Fashions. Godey's Lady's Book February 1865. Philadelphia: L. A. Godey & Co. 1865.</p> <br /> <p>Measures approximately 9.25.5 x 11.5 inches. Blank to verso.</p> . unknown
195061496Chicago IL: Hart Schaffner & Marx ca. 1950. Two large colour lithograph advertising posters sized 38.25 x 51 in. and 28.75 x 38.5 in. respectively both bearing the Golden Trumpeter logo as rendered by noted artist Robert Reinhardt von Liski minor dustsoiling creasing faint dampstain to very lower right fore-edge of larger poster minor closed tears neatly repaired light age toning still both bright VG- copies now mounted and shrink wrapped on archival foam core. The Hart Schaffner & Marx logo for men’s fashion was first created by Edward Penfield in 1914 with the trumpeter bearing an upright lance but the next year had turned into a trumpet and would continue on HSM suits until the late 1980’s. Hart Schaffner & Marx was founded in 1887 by Harry and Max Hart Marcus Marx and Joseph Schaffner. By the early 20th century they owned dozens of small garment factories around Chicago and was one of the first tailoring/garment manufacturing firms to become unionized. They continued to grow through the 20th century and by the end of the 1960s had 38 factories and 250 retail stores around the country. The Company continues to operate under the Hartmarx label and is one of the leading men’s clothing wholesalers to this day. Von Liski 1908-1991 was a noted self-taught artist and commercial artist who worked for various studios and was a partner in a Chicago advertising agency. No copies located in Worldcat; See: Leif Peng & Nan Hall Tom Hall Today’s Inspiration Celebrating Illustrations Design Cartoon and Comic Art of the Mid-20th century 2016; Hart Schaffner & Marx Encyclopedia of Chicago 2005. Hart Schaffner & Marx, hardcover
192013507AB1920. No place o.J.ca. 1920. 20 : 15 cm. Original-Pappband. Leporellowith 5 plates with 66 coloured mounted samples each. Original-Pappband. Shows 330 different sewing threads cotton for tailoring. unknown
197262697Montreal PQ: Angelina De Bello. Very Good in Very Good dust jacket. 1972. First Edition. Hardcover. Two volumes in French. Tight bright unmarked books in clean green cloth; in dust jacket pink over green and yellow over green with touches of shelfwear. ; 407 pages . Angelina De Bello hardcover
197267116Montreal Quebec: Angelina De Bello. Near Fine in Very Good dust jacket. 1972. First Edition. Hardcover. Two volumes in French. Tight bright unmarked books in clean green cloth; in dust jackets pink over green and yellow over green with touches of shelfwear. ; 407 pages . Angelina De Bello hardcover
192695055Toronto:: Ryerson Press. Very Good. 1926. Hardcover. B001ULE7FW . First ediion. Tipped-in black and white photograph frontispiece. Foxing to endpages gift inscription on half-title page else very good in blue cloth. No dust jacket. ; 46 pages . Ryerson Press, hardcover
192757311Graz Austria: Richard Neurath Kaiserfeldgasse 19 und 21 1927. Two vols. 1st - Folio. 11 x 13.75 in. 45 1 pp. on thick boards. With 246 tipped-in fabric samples of wools wool blends 27 fashion plate illustrations 2 for women’s coats w/ price list and letter to salesmen dated August 1927. Original quarter-black cloth over embossed & decorated boards flaps at fore-edges w/ handle and clasp raised gilt lettering on front cover minor shelfwear rubbing clasp guard repaired & reinforced still VG complete exemplar retaining the original button clasp; together with 4to. 8.25 x 11.25 in. 4 pp unpaginated. w/ 16 additional wool and wool-blend samples tipped-in self-printed covers rounded corners. First edition of this unusually rare fashion salesman sample catalogue for men’s suits and sporting wear during the Roaring 20’s with many of the suits sporting vests while also featured are shooting & hiking suits sportswear and a rich array of fabrics drawing upon English fashion designs. Following World War I there was a concerted move away from starched collars and formal three-piece suits towards soft collars one- or two-button suit jackets and even often worn without a waistcoat. Also featured in this catalogue are many examples of the plus-fours developed out of ordinary knickers these short-legged pants were a baggier version of their predecessors and proved popular for hikers golfers and other outdoors activities. Also featured are winter coat fabrics and designs for women in velour and thick felt twill. The laid-in additional catalogue promoted the latest Loden Merino wool fabrics and thick camel hair woolens. Neurath 1882-1948 operated a successful mail-order tailoring business until the 1938 Anschluss when the Nazi’s annexed Austria and forced the April 10 plebiscite. He survived the War and later died in Tel Aviv Israel in 1948. The building which housed his offices and tailoring facilities in Graz is now the home of the popular Cafe Kaiserfeld. No copies in Worldcat. Richard Neurath, Kaiserfeldgasse 19 und 21, hardcover
19781003704Westport Connecticut: Here & There 1978. September 1978 issue of Here & There Francine Horn's groundbreaking fashion trend report focusing on haute couture Japanese fashion and resort wear: "The posh stuff is back in line for Fall '78." Forecasting a year in advance the pages reveal trendsetting European designs for Fall 1979 alongside their American counterparts with lively editorial commentary. The opening chapters celebrate the return of haute couture and its translation to ready-to-wear led by St. Laurent and Givenchy and inspired by Hollywood glamour Chesterfield overcoats and vintage cocktail looks. The coverage of American resort wear highlights the role of the fashion illustrator in forecasting. Because those collections were presented in private showrooms that prohibited photography Here & There charged their "much overworked illustrator Mr. Frank Spina with the prodigious task of capturing with his 'rapacious rapidograph' the highlights of these resort collections" which included designs by Bill Blass Norma Kamali Perry Ellis and Willie Smith. Both a major trade publication and a savvy ad for Francine Horn's fashion trend consultancy Here & There was an industry must-read a success due in part to her husband David Charles Horn's candid photography and provocative editorials. Like most fashion forecasting reports from the 1970s this number of Here & There is scarce in commerce and in institutional holdings. A very good example featuring original patterns and twenty original mounted textile swatches. Single volume measuring 14 x 8 inches: 123 1. Original coil-bound stiff black wrappers lettered in white. First leaf printed on magenta paper; black-and-white photographs and line drawings throughout text; twenty tipped-in fabric swatches. Light shelfwear corners bumped lower wrapper creased. Here & There unknown
19781003703Westport Connecticut: Here & There 1978. June 1978 issue of Here & There Francine Horn's groundbreaking fashion trend report advising American retailers on the upcoming European fall collections. The only photo story in the issue "The London Collections Fall '78" is also the largest. A statistical analysis of the new styles purchased by three hundred French retail stores at the Port de Versailles exhibition breaks down the data by clothing item number of interested stores and percentage of retailers' projected budgets an unusual feature in forecasting reports. The "Retail Details" section highlights oversized silhouettes by Agnes B. and Thierry Mugler in Paris early Laura Ashley and Elle coordinates in London and separates by Max Mara and Kenzo in Milan. Both a major trade publication and a savvy ad for Francine Horn's fashion trend consultancy Here & There was an industry must-read a success due in part to her husband David Charles Horn's candid photography and provocative editorials. Like most fashion forecasting reports from the 1970s this number of Here & There is scarce in commerce and in institutional holdings. A very good example. Single volume measuring 14 x 8 inches: 94. Original coil-bound stiff black wrappers lettered in white. First leaf printed on orange paper black-and-white photographs and line drawings throughout text. Light shelfwear top right corner of upper wrapper clipped. Here & There unknown
192017641<p>n.p. France: n.d. ca. 1920s architecture styles of historical periods in various geographical regions to the fashion styles of those periods. Styles illustrated include those of Greece Rome Egypt and Persia; late medieval Europe; the reign of Louis XIV; traditional Japanese attire; and fashionable 1920s dress. The background illustrations include a Roman archway seventeenth-century furniture and even a classical Greek vase that frames an illustration of three women. The fashion illustrations reflect certain design elements in the background illustrations for example the patterned fabric in the ancient Egyptian fashions match the decorative style of the columns in the background of the illustrations. . Original blue stiff paper folder with ribbon binding at spine. . 9 x 12 in. With twenty-eight pages of beautifully painted fashion designs dresses hats Greek chitons etc. from throughout history some with background elements furniture and architecture and two with real fabric accents pasted down and two pages of manuscript text explaining architectural and sculptural styles. Some of the fashion designs are captioned in manuscript. Also with eight tracing paper leaves illustrated in ink overlaying matching designs below one with pencil annotations noting types of fabric and other design elements. Some soiling to folder. Some offsetting and some foxing. Very good. We could not locate any information on Josette Eynac the student who illustrated this album though she was clearly a capable artist.</p>
188848840Paris: Grande Maison de Blanc ca. 1888. 12mo. 42 pp unpaginated. Colour chromolithograph illustrated title 18 colour chromolith plates. Dark green silk gilt lettering on front cover very minor soiling edgewear front cover rear inner hinge starting still a VG bright copy stapled textblock as issued. First edition of this delightfully produced and illustrated history of gloves through the ages. These include descriptions of mesh gloves used by the Egyptians metal gauntlets used by Roman gladiators gloves to keep warm by monks during the Middle Ages leather gloves to protect the hands and arms of the falconer fencing gloves beautiful silk & lace gloves for noblewomen at the courts of Louis XV and Louis XVI and riding gloves for women during the Second Empire of Napoleon III and finally the Belle Epoque. Grande Maison de Blanc was a renowned firm in Paris during the Belle Epoque who were especially proud of selling French-manufactured gloves linens cravats and other household goods at a discount compared to many other stores at the time. They were pioneers in not only producing their own products in house by maintaining factories in Tarare Lille Fives and other areas around France but pushing other suppliers to offer steep wholesale discounts. Worldcat locates 2 copies NYU Princeton. Grande Maison de Blanc, hardcover
1938mon0000074189London. Ed. George G. Harrap & 1938-01-01. Hardcover. Like New. in x in x in. 1938 edition without jacket on brown cloth will send out 1 st class post - rare and collectable London., Ed. George G. Harrap & hardcover
1980140454Milan: Styling Consulting Service 1980s. Rare visual reference for patterned textiles First and only edition of this visually beguiling and historically informative collection. The title leaf reports that "this photographic publication composed of pictures of original fabrics from 1903 up to 1925 taken from private files has been created to offer a proof of art and culture in the evolution of costume". We have been unable to trace any other copies. There is no indication of a printer or publisher anywhere in either volume or in the custom boxes nor any other hints as to the origin of this fascinating collection of pin-sharp colour photographs of fabric swatches. The work however is clearly of Italian origin and there is a hint of FMR in the thematic and in the precision of execution and presentation. The first volume concentrates on wool weaves; tweeds herringbones plaids and checks in a wide range of weights and colourways; the second is filled an even wider selection of patterned cottons a fabulous array encompassing design trends from the early decades of the 20th Century with inevitable hints at art deco art nouveau and sometimes brasher "jazz" influences; all kinds of stripes gingham tartans textiles suggestive of ties cravats suit linings waistcoats figured fabrics for dresses or skirts women's coats or jackets even upholstery or blinds. A painstaking and no doubt costly exercise the precision in the execution of the photography and processing bespeak a seriousness of purpose which makes the anonymity of the project even more extraordinary. 2 vols folio 297 x 210 mm. Black rough-weave cloth solander boxes with drop sides title gilt to spines and front boards explanatory title leaf to vol. I gold printed on glossy black medium card-stock the boxes containing respectively 50 and 100 loose sheets of similar card-stock each with mounted high-quality colour photographs c.180 x 180 mm to c.228 x 172 mm of fabric swatch composites between 3 and 8 samples to each lettered and numbered in gold. Slightly rubbed and a little dusty spines sunned corners bumped small neatly repaired tear at foot of spine of volume II card leaves with the occasional minor scuff but remains very good. hardcover
193411072AB1934. London Paris Vienna 1934. 335 : 225 cm. 4 pages with description With 20 mounted coloured plates. Typographic printed original wrappers. Overview of the winter fashion collection for 1934. Each design in vivid colours shows the model in the center and on the side there are some detailled views of the dress. With a description of each model in French English and German. - Here present are 20 out of 39 plates; upper parts of the plates with water-stains but not effecting the image; wrappers with some defects. unknown
197697186New York: Harry N. Abrams 1976. First Edition. Hardcover. Fine/Fine. Hardcover in padded brocaded boards with acetate jacket imprinted with book's title. First printing. Book is As New crisp and clean and unmarked. Acetate jacket is in fine condition. From the splashy brocaded boards to the lavish color photos the book is lush and spectacular. Directed and produced by Marshall Lee. Photographs by Keith Trumbo. Published in cooperation with the Metropolitan Museum of Art. Large 4to. 317 pp. including indexes. Heavy--will require additional postage if shipped other than domestic media mail. <br/><br/> Harry N. Abrams hardcover
1986136028Paris: Union des Arts Decoratifs 1986. Softcover. VG- Ex-library with spine label slight soiling on white portions of cover page edges tanning otherwise quite nice. White & illus. wraps French flaps 232 pp. many BW and some color illus. Text is in French. Issued in conjunction with a retrospective exhibition held in Paris in 1987 featuring photos and drawings of the fashions of designer Christian Dior 1905-1957. A terrific representation of the styles of the day. Union des Arts Decoratifs paperback
200827660Paris: Chanel 2008. 2008. Very good. - Small folio approximately 14 inches high by 10-1/2 inches wide softcover. The contents are laid into a folding pictorial cover sheet. The cover sheet is lightly bumped with a small light stain to the bottom edge of the front panel. Unpaginated. The unbound contents are printed on folding sheets of glossy paper. Profuse illustrations in color and black & white. Near fine. <p>Mobile Art was a joint project of Chanel and Zaha Hadid Architects. Hadid was asked by Karl Lagerfeld to design a mobile art pavilion inspired by one of Chanel's signature creations the quilted bag. The pavilion or mobile art container was to house an admission-free exhibition which would tour throughout Asia the United States and Europe and involved twenty-one international artists.<p>This publication marked the opening of the Chanel Art Container in Hong Kong in February 2008. Included are photographs by Terry Richardson Karl Lagerfeld Olivier Saillant Stephan Crasneanscki and Camille Vivier; interviews with Zaha Hadid and Karl Lagerfeld; statements by the artists; and essays by others involved in the project. The text is in English. Paris: Chanel, 2008. paperback
195664146Lynn MA: Privately Published 1956. First Edition. Quarto. Comb-bound heavy card wrappers; iv124pp; illus. Printed from typescript rectos only. Clean unmarked copy about Fine. Illustrated throughout from photographs halftones and reproduced line drawings. Includes bibliography glossary and chronology.<br /> <br /> A privately-published treatise by Ira J. Haskell a hosiery specialist at the T.W. Rogers Company Department Store in Lynn Mass. From the title page: "Mr. Haskell's unusual activities as a private collector of hosiery are well-known to readers of the Underwear and Hosiery Review through articles previously published." Frontispiece portrait of the author at the opening of an exhibition of Mr. Haskell's collection "Stockings on Parade" at the Commercial Museum of Philadelphia May 23-30 1945. Scarce in commerce. Privately Published unknown
192399609<p>New York: Harry Simons Designing Studios 1923. 1923. Very good. - Tricesimo-secundo 32mo 5-3/8 inches high by 3-1/8 inches wide. Softcover bound in printed light gray wraps. 16 pages with a chart of proportions. The bottom inner corner of the covers and pages is creased. Very good.</p><p>RARE. WorldCat locates only 2 copies.</p> New York: Harry Simons Designing Studios, (1923). paperback
194061376Laguna Beach CA: Walter T. Foster Foreman & Clark 1940. Folio. 8 x 14 in. 40 pp unpaginated. Illustrated throughout self-printed softcovers cover art illustration of Foreman & Clark men’s tweed suit minor shelfwear slight rubbing still VG copy. First edition thus of this scarce installment in the Foster “How to Draw Library†series instructing aspiring commercial artists step-by-step in creating ads for men’s “Noir†period double-breasted suits and drawing primarily from the 1940 ad campaigns of the famed Foreman & Clark men’s stores based out of Southern California. Of particular interest is the inclusion by Foster of gray scale and tints from the Craftint Co. of Cleveland OH which instructs the artist on how their colours will appear when reproduced in black & white tones for commercial advertisements. The ad at rear for “Female Fashion†includes woman saluting. Worldcat locates 1 copy Ohio State. Walter T. Foster, [Foreman & Clark], paperback
