19 126 résultats
In 4 (cm 24 x 32), pp. 148. Legatura moderna in mezza tela con piatti in brossura conservati all'interno. Numero di questa rivista francese di moda maschile interamente illustrata.
Mm 130x225 Brossura editoriale di 120 pp. con molte illustrazioni in nero nel testo. A cura di Bona de Pisis e Sandro Zanotto. Timbro editoriale al piatto posteriore. Opera in buone condizioni. Spedizione in 24 ore dalla conferma dell'ordine.
F. DE PISIS Adamo o dell'eleganza per una estetica nel vestire. Bologna, L'inchiostroblu 1983 italian, 92 SC493Brossura editoriale volume in buone condizioni, segni di usura causati dal fattore tempo sulla copertina, interno in ottimo stato, legatura salda, con illustrazioni in b\n92 pagine circaCopertina come da foto
Mm 240x295 Custodia in tela che contiene, oltre al volume, due brossure di recensioni sulla mostra tenuta al Ritz di Venezia sul noto Artista.. Brossura editoriale, 94 pagine con molte illustrazioni in nero nel testo. Ottimo lo stato. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
In-4 (cm. 29.60), brossura illustrata, pp. 93, (3), con illustrazioni in bianco e nero nel testo. Esemplare numerato tratto da una tiratura di 2000 copie. Presentazione di Giorgio Faccioli e Sandro Zanotto. A cura di Bona de Pisis e Sandro Zanotto. Minime tracce di polvere alla brossura bianca; peraltro, volume in ottimo stato (nice copy).
DE PISIS FILIPPO ADAMO O DELL'ELEGANZA. PER UNA ESTETICA NEL VESTIRE. Bologna, Edizioni L'inchiostroblu 1980, ill. in bianco e nero Buono (Good) buon es.. <br> in quarto <br> leg. bross. <br> pp. 92<br>
Vol. due in-4° pp. 95-95 con numerose foto n.t. specie al primo volume. Bross. edit. illustrate, allo stato di nuovo salvo una piccola macchia alla parte inferiore dell bross. del primo volume, che è stato stampato in 2000 copie numerate (712). In cofanetto con stemma al piatto.
Quarto (30 x 24 cm). 92 p. Volume illustrato in bianco e nero. Brossura illustrata. Volume in perfetto stato di conservazione. Seconda edizione. Volume curato da Bona de Pisis e Sandro Zanotto.
4°, br. edit. ill., pp. 94 - [2], illustrazioni n.t. Edizione a tiratura numerata.
Copertina illustrata a colori in fascicolo originale completo de "La Domenica del Corriere" del 22/08/1967
19981150DBLondon., Hayward Gallery., 1998. 28 x 23 cm. 119 S. Illustrierter OKarton., 1150D Erste Auflage. Einband mit kleinen Randbereibungen, mibimal angestaubt. Gutes Exemplar.
199894719Hayward Gallery 1998 1 vol. broché in-4, broché, couverture illustrée, 120 pp., nombreuses reproductions en noir et en couleurs. Texte et légendes en anglais de Peter Wollen. Très bonne condition.
199894719Hayward Gallery 1998 1 vol. broché in-4, broché, couverture illustrée, 120 pp., nombreuses reproductions en noir et en couleurs. Texte et légendes en anglais de Peter Wollen. Très bonne condition.
192047418Milwaukee WI: Adler Compay ca. 1920. Large image mounted on thick card stock 14 x 22 in. Colour lithograph decorative arts & crafts border nice colours varnished some minor edgewear lettering at borders slightly cropped in order for counter display to be cut to standard size very minor soiling lower fore-edge some yellowing from varnish still VG exemplar. A vivid and scarce counter advertising display for Adler Company Collegian men’s suits line. The Collegian line was for college men and any man who cared about perfect style with points of refinement. Although their advertising was not specifically collegiate their advertising campaigns often employed illustrations that conjured idealized college associations implying that if one were to buy their ready-to-wear suits then they too would be successful in college business and the appropriate middle class lifestyle. This advertisement offers a beautiful example of Jazz Age advertising. The Adler Company was founded in 1848 by Solomon Adler in Milwaukee Wisconsin and grew and thrived through the Civil War the Victorian era and eventually would employ over 900 people with nationwide sales in the 1920s over one and one-half million dollars. During the Jazz Age the Adler Company was synonymous with their Collegian line. The company was liquidated after the crash in 1929. See: Daniel Clark Creating the College Man American Mass Magazines and Middle-Class Manhood pp. 165-168; Historic Designation Study Report Emanuel D. Adler House pp. 5-6. Adler Compay, unknown
2011c1986vg042822e2Metro 2011-01-04. First Edition Thus. Hardcover. VERY GOOD. 7x4x0. First Ed Thus. Lovely book. Text is clean and unmarked no highlighting underlining or writing. Hard Cover. Dust jacket is clean and bright light edge/shelf wear a few small closed tears at edges please see photos. Binding is in very good condition square and solid. First Thus English Metro. Ships in box quickly and with care. Metro hardcover
<h3>Formato: 26x22 cm - Copertina Rigida</h3> <h3>Pagine: nn con illustrazioni</h3> <h3>Condizioni: Buone, come da foto, con segni del tempo e di utilizzo.</h3>
192550606New York: A. Koenigsberg 648 Broadway ca. 1925. 8vo. 12 pp. Photo illustrated throughout colour-tinted centerfold. Colour-illustrated softcovers model wearing a stylish hat printed in red & black stapled as issued sewn through punch hole at head of spine w/ gold silk braid slight shelfwear 1 very small closed tear at fore-edge front cover still VG copy. First edition of this very scarce and beautiful catalogue of hat frames and hat bases for millinery shops during the 1920s. The company could supply for hat designers Zibeline hatters plush hats Lyons Velvet Brims Satins Velours Ribbon bound fur and felt hats as well as millinery supplies and hat boxes. Koenigsberg b. 1889 emigrated from England in 1889 to New York where he worked as a furrier for many years with his father Wolf before setting up his own successful millinery supply shop and 4200 square foot factory which successfully operated until the Great Depression. After his shop closed Koenigsberg moved into selling pin ball machines. No copies located in Worldcat; See: New York State Industrial Bulletin of the Department of Labor 1921 Vol. 1 p. 171. A. Koenigsberg, 648 Broadway, paperback
198312658Gütersloh [u.a.] : Bertelsmann-Club [u.a.], [1983 ?]. 152 S. : zahlr. Ill. 8°. Ill. OPpbd.
60091, Snoeck Publishers, 2022 Paperback, 128 pagina's, NL, 240 x 170 mm, Nieuw, 120 illustraties in kleur,. ISBN 9789461618146.
Le Bon Marché. 1968. In-4 Carré. Broché. Etat d'usage. Plats abîmés. Dos satisfaisant. Pliures. 16 pages. Illustré de nombreuses photos en noir et blanc. Catalogue.
1968RO40103341Le Bon Marché. 1968. In-4. Broché. Etat d'usage, Plats abîmés, Dos satisfaisant, Pliures. 16 pages. Illustré de nombreuses photos en noir et blanc.. . . . Classification Dewey : 391-Mode
104902«Sous le patronage de Monsieur le Maire de Paris, l’École Supérieure des Arts Appliqués«Duperré» vous prie de bien vouloir assister au spectacle «La Nuit du Soleil» placé sous laprésidence de Madame le Recteur, Chancelier des Universités."Les Ateliers Hermès 12-14 rue Auger 93500 Pantin.(104902)
32094<p>Catalogue de l'exposition Africa Fashion au Musée du Quai Branly du 31 mars au 12 juillet 2026.</p><p>L’énergie créative de l’Afrique s’exprime avec une vitalité et une inventivité singulières dans le domaine de la mode. Avec audace et style, créateurs et créatrices de mode du continent et de la diaspora revendiquent à la fois leur héritage historique et l’« afro-modernité » : l’élégance de leurs ancêtres, le savoir-faire des artisans africains, et leur propre aspiration à rayonner sur les scènes internationales. De l’Afrique du Sud au Mali et du Maroc au Kenya, Africa Fashion tisse le portrait d’une Afrique plurielle, inspirée, en constante réinvention, dont les défilés à Lagos, Dakar, Accra ou Johannesburg révèlent les nouvelles capitales de la mode, désormais incontournables, qui rivalisent de créativité avec Paris, Londres ou New York.</p><p>Ce catalogue propose une version française enrichie de l’ouvrage Africa Fashion, initialement publié en anglais par le V&A.</p> Paris, 2026 El Viso, Musée du quai Branly 272 p., 236 ill., cartonnage éditeur 23,3 x 29
1950211751950. Archive of fashion photography documenting African American women's participation in commercial and editorial modeling from the 1950s through the 1980s a period in which the American fashion and advertising industries remained overwhelmingly centered on white beauty standards and limited Black representation in print media. Working in Cultural / Representational Mode the material illustrates changing presentations of Black femininity glamour and natural beauty across several decades of American fashion culture. The photographs provide visual evidence of evolving aesthetic conventions surrounding race cosmetics hairstyles leisure and commercial image-making during the postwar and Civil Rights eras. Particularly notable are several 1970s images depicting Black models with natural hairstyles and minimal cosmetic styling reflecting broader cultural shifts associated with Black pride movements and changing representations of African American identity in fashion and advertising imagery.<br /> Collection comprises 23 silver gelatin photographs and one color photograph produced by several professional photographers between the 1950s and 1980s. Images include editorial fashion shoots casting and publicity photographs scanned negatives and studio portraiture featuring predominantly Black women alongside several white models photographed by the same studios. Two 1970s editorial images depict a lean Black model with closely cropped natural hair posed in a leopard-print wrap. Four photographs focus specifically on Black women including close-up portraits emphasizing natural presentation and informal styling. One younger woman appears without visible makeup wearing a bandana and t-shirt while another is photographed in a straw hat with hoop earrings and patterned sash. Additional photographs include a Black model posed in a bikini atop the rim of a classical fountain featuring Aphrodite imagery. Four professional photographs and one casting card depict singer and actress Sylvia Vanderbeilt in commercial studio poses. Several scanned negatives portray a Black female model in multiple outfits and poses characteristic of 1970s fashion photography including one sequence featuring both the model and a young Black girl during apparent test shoots. The latest material consists of scanned negative strips from an apparent 1980s fashion session featuring a Black model with a sleek bob hairstyle modeling padded blazers and contemporary commercial attire. Other photographs depict white women in evening gowns fur wraps and casual mid-century fashions including two images by photographer Lee Brian showing the same model posed in mid-length evening gowns amid neoclassical architectural settings one with an elaborate mink shawl. Several photographs bear photographer or studio stamps on the verso including L.W. Ward of Cedar Rapids Iowa and Lee Brian of Palm Beach Florida.<br /> The archive traces substantial shifts in fashion photography and racial representation across three decades of American commercial imagery from heavily stylized mid-century glamour photography to the more natural aesthetics associated with 1970s fashion editorials and Black cultural self-presentation. The inclusion of both editorial and test photography offers insight into the production practices of commercial modeling studios as well as the visual conventions used in presenting Black women to advertising and fashion audiences during a period of gradual but uneven industry integration. Minor wear and light handling marks throughout; photographs otherwise remain in very good condition overall. A visually strong grouping documenting African American representation within postwar American fashion photography and commercial image culture. unknown
60161, Skira, 2005 Paperback, 297 pages, ENG, in very good condition, 300 x 255 mm, full-page photos in colour and b/w. ISBN 9788881188383.
