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1836901293AG1836. Altkolorierter Stahlstich 17,5 x 14 cm (hoch), Blattgröße 23 x 15,5 cm.
1836901294AG1836. Altkolorierter Stahlstich 14 x 13 cm (hoch), Blattgröße 23 x 15,5 cm.
189522501Copenhagen: Chr. Mackeprang 1895. 1st Edition. paperback. Good. 4to. profusely illustrated Late 19th-Century Danish fashion periodical Moderne Verden New Fashion being hefte 18 18th booklet for the period 1894-95; our reseach shows Moderne Verdun ran for only two years from 1893-95 making this an extremely scarce item; printed wraps with colour engravings to front and rear numerous b&w engravings throughout and including pattern diagrams and needlework patterns; includes a stunning centre spread Sommer-Toiletter for unge Damer summer clothes for young women showing an engraving of 7 young women in a variety of dresses being supervised by an older lady in black; another text illustration shows two women riding drop-frame safety bicycles a bicycle design which greatly influenced women's fashion of this period; some of the original string-binding remains but many of the pages are now loose; tanning around edges of pages and with some creases and short closed tears; wraps edgeworn and rubbed and with minor loss at head of spine; overall still in Good shape. Chr. Mackeprang paperback
1848124117Erfurt, Hennings und Hopf 1845-1848. * Mit 124 (teils ganzseitigen) Abbildungen im Text und auf zahlreichen, teils gefalteten Tafeln, davon 12 (2 farbige) außerhalb der Paginierung. 91; 86; 99; 83; 102; 86 Seiten. 10 x 17,5 cm (Querformat). Brauner Halbleinenband der Zeit mit Buntpapierbezug. [5 Warenabbildungen]
1840KUG46898Stuttgart / Tübingen. J.G. Cotta'sche Buchhandlung. 1840. 328 S. schlichter Kartoneinband. Stark bestoßen. Einband etwas eingerissen. Unbeschnitten. Buchblock etwas verzogen. Bindung gelockert. Frakturschrift. Ohne Anstreichungen. Innen gut erhalten.
185018845ABParis, Berlin, Wien, 1850 - 1880. 22 : 17 cm - 28 : 23 cm. 9 kolorierte Stahlstiche. Unter Passepartout.
187318844ABParis, Berlin, Wien, London, 1873 - 1881. 31 : 25 cm. 5 kolorieret Stahlstiche Unter Passepartout.
190086873[Madrid, um 1900). 1 Blatt. Bildgröße 28,5 x 18,5 cm. Blattgröße 37 x 26,5 cm. (= La Moda Elegante Illustra, 11 [3781]). Unter Feinkarton-Passepartout.
187318844AB1873. Paris Berlin Wien London 1873 - 1881 31 : 25 cm. 5 kolorieret Stahlstiche Unter Passepartout. Vorhanden sind Blätter aus 'Album de la mode illustrée' 'Victoria' 'Berliner Modeblatt' 'Wiener Modeblatt' 'Illustrierte Frauen-Zeitung'. unknown
184418850ABWien, im Bureau der Theaterzeitung, 1844. 24 : 30 cm. Kolorierter Kupferstich. Unter Passepartout.
184418851ABWien, im Bureau der Theaterzeitung, 1844. 24 : 30 cm. Kolorierter Kupferstich. Unter Passepartout.
18883109321Stuttgart: Konrad Wittwer 1888. (6), 169 Seiten. Frakturdruck. 8° (17,5-22,5 cm). Schöner zeitgenössischer Halbleinenband mit goldgeprägtem Rücken, Buntpapierbezug und Rotschnitt. [Hardcover / fest gebunden].
18791090DBStuttgart, Konrad Wittwer, 1879. Gross-8°. (4) 108 S. Halbleinenbd. d. Zt. mit goldgepr. Rückentitel + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden + (berieben).
187917649ABStuttgart, Konrad Wittwer, 1879. Großoktav. 3 Blatt, 108 Seiten, I Blatt. Halbleinen mit montiertem Originalumschlag. Die Versandkosten für Kunstwerke und mehrbändige Werke können von den Standard-Versandkosten abweichen. Gut erhalten, etwas stockfleckig, I. Blatt bestempelt, Ecken leicht bestoßen.
187937735ABStuttgart, Wittwer, 1879. 108 S. Halblederband der Zeit mit 2 farbigen Rückenschildern.
1859485311859 PARIS, A. AUBRY - 1859 - Edition Originale -In-12 ° - 1/2 reliure basane à 5 nerfs - Couverture conservée - têtes de chapitres , lettrines et culs de lampe de lampe décorés - 107 pages - Très bel exemplaire. Rare - réf. 48531
1850139952Couverture souple. 3 recueils défraîchis. Sans gravures. Rousseurs, feuillets déboités.
18791090DBStuttgart, Konrad Wittwer, 1879. Gross-8°. (4) 108 S. Halbleinenbd. d. Zt. mit goldgepr. Rückentitel (berieben).
1891102588Paris Librairie illustrée. 1891 247p 1 volume petit IN8. Reliure demi-toile bleu à coins. Dos lisse. Couverture conservée. Ouvrage orné de nombreuses gravures en couleurs H.T. Exemplaire frais. (Légères rousseurs.)
1900100530<p>Minneapolis: Welander's Cutting School and Tailor Institute circa 1900. 1900. Fair. - Small quarto 10-5/8 inches high by 7-3/4 inches wide. Softcover bound in light tan wraps titled within an illustration on the front cover and with an advertisement & price list on the rear cover. The covers are quite stained and the corner of the front cover & the spine are chipped. 51 & 1 pages illustrated with a portrait frontispiece and 23 full page patterns. There is damp staining along the edges of several pages and a tiny perforation through the first 4 leaves. The frontispiece is detached but present with chipping and heavy damp staining to the front edge. There is additional staining to a few pages. Good.</p><p>RARE and not surprisingly so as the price printed on the title page is 10 dollars.</p><p>"During my travels and observations abroad and in this country where I met the best professionals in the trade I had an opportunity to find out that a work on unusual garments such as could not be committed to memory and which were utterly impossible to produce at all by many cutters on account of its lapse of time between such garments were made. From my early recollections as a merchant tailor I had experience of the same kind but could find no work published that met this demand.I decided to compile a work that should cover the scientific production of unusual garments worn by men and in 1898 decided to publish such a work at a later date." - from the "Author's Preface".</p> Minneapolis: Welander's Cutting School and Tailor Institute, circa [1900]. paperback
187454872Boston: C.F. Hovey & Co. 1874. Folio. 13.5 x 11 in. 36 pp. 1 59 1 leaves. first 36 pp. incorporating title Memorandum pages several ALS letters and invoices on letterhead 8 pp. on graph paper w/ samples incorporated into the text 2 additional leaves of tissue thin manuscript copies from blotter 925 original fabric samples pinned-in glued-in and laid in sized from .5 x .5 in. up to 6 x 13 in. including a myriad of colours tartans plaids flannels silk blends cottons poplin cottons woolens etc. Original plum-coloured factory sample book purchased by Hovey from stationer P.L. Morin Paris who specialized in producing blank scrapbooks for factory sample cards printing & stationery registers w/ label mounted on front pastedown worn rubbing spine perished hinges loosed somewhat shaken still a remarkable unsophisticated exemplar preserved in folding case. This exceptional Victorian fabric sample order book assembled by a buyer for C.F Hovey & Co.’s fall fashion season furnishes an invaluable time capsule of colours textures and preferences in the 1870s. This era in women’s fashion driven by Parisian and other European design houses demanded extraordinary amounts of fabrics with an emphasis on the back of the skirt long trains and fabric draped up into bustles with an abundance of flounces and ruching. More significantly there was a tremendous growth in patterned poplin fabrics bright cotton & silk fabric blends as well as brilliant jewel colours. This order book with hundreds of different samples also offers a fantastic peek into the Victorian obsession with tartans and plaids driven by the mystique and example of Queen Victoria the ever-growing popularity with the historical romances of Sir Walter Scott celebrating the Highlanders and the poetry of Robert Burns. Tartan and plaid patterns were used in gowns dresses shawls veils hats purses and many fashion houses would often choose a particular clan pattern to celebrate and promote in their sales literature. Men’s suits coats and jackets were buttoned high on the chest the woolens became lighter weight and more durable as well of better quality and fashion designers for Hovey & Co. also incorporated rough finish woolens twills and tweeds into their clothing offered for sale. Many of the fabrics were also sold in Hovey & Co. fabric department in assorted lengths as well as ends for uses by Victorian women in home craft projects. Johnson focused on buying in the major wholesale textile dealers and markets of Europe during the 1870s including Stavert Tigomala & Co. one of the largest textile commission houses in Bradford UK; Firth Booth & Co. who specialized in bright cotton poplin plaids tartans wool blends and moire; Chamberlin Donner & Co. of Manchester one of the largest wholesale merchant houses shippers & traders in the British Empire; A. Van Bergen & Co. in Paris France whose beautifully patterned cotton and silk blends and woolens were enhanced by the award-winning dyes of Blanche at Puteaux; Les Fils de Th. Le Grand with wool blends twills and rough finish woolens. The sizes of the orders were remarkable and show the strength of Hovey’s customer base with one pair of invoices showing orders from Firth Booth & Co. totaling £ 7785 or over £ 855000 in present day value. However as evidenced by letter from Charles Kretschmann in Berlin who notes that Johnson in his June 24 1874 visit was “not pleased with the Berlin style of garments for this season and ordered only a very small lotâ€C.F. Hovey & Co. was founded by Charles Fox Hovey in 1833 as a dry goods merchant and with in a few years became a large department store located on Summer St. Through the years up to his death in 1859 he brought on many partners and was an ardent abolitionist and supporter of women’s rights establishing the Hovey Fund. After his death in 1859 Thomas Mack and Augustus De Puyster took over the running of the company and expansion through the Civil War. Johnson 1839-1927 was a Harvard grad clerk for Hovey & Co. and Civil War Veteran who rose from 1st Lieutenant in Co. H. Massachusetts 44th Infantry to Full Adjutant before mustering out right before Gettysburg. Hovey & Co. survived the massive fire of 1872 by employees soaking all the woolen blankets on the sales counters in water and placing over the roof and windows to protect the building from the flowing cinders expanded into store fronts on Chauncy and Avon Streets and was the first retailer to adopt the policy of requiring monthly payments on credit accounts. See: The History of the House of Hovey 1919; Charles Boston Looking Back at C.F. Hovey’s of Boston Shopping Days in Retro Boston May 6 2011; History of Fashion 1840-1900 Victoria and Albert Museum 2016. C.F. Hovey & Co., hardcover
184526273ABRostock, Verlag der J. G. Tiedemann'schen Hof-Steindruckerei, um 1845. Ca. 10 x 11 cm. Unter Passepartout. Kräftiges Altkolorit. Papier leicht gebräunt, teils stärker braunfleckig.
1900205533Gebr. Must. Sch., 1900. No. 4253 - 53.a. Anziehpuppe aus Papier mit montiertem Standfuß, mit 6 verschiedenen Kostümen und 9 Accessoires der Serie I. 4°, dekorative Pappschachtel mit Deckelillustration. (ca.).
1874023291Edinburgh: Neill and Company 1874. Illustrated with five plates two headpieces and a tailpiece pp 16 some foxing throughout otherwise reasonably clean internally marbled endpapers original half morocco and marbled boards slightly rubbed. The title page and facing page are a little marked due to the insertion of a small original photograph till present. RARE. A paper read before the Antiquarian Society of Scotland in March 1873; privately printed a large paper copy with additional illustrations number 6 of only fifty copies. First British paperback edition. Half-Leather. Very Good. Neill and Company Hardcover
