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2017211315London and New York: Phaidon Press Limited 2017. Pictorial boards 313 pages illustrations portraits some colour; 36 cm. Firm binding clean inside copy in publisher's mylar jacket. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A massive coffee-table book. Richly illustrated with colour plates. "In this new collection from Annie Leibovitz one of the most influential photographers of our time iconic portraits sit side by side never-before-published photographs. Afterword by Annie Leibovitz. Annie Leibovitz: Portraits 2005-2016 is the photographer's follow-up to her two landmark books Annie Leibovitz: Photographs 1970-1990 and A Photographer's Life 1990-2005. In this new collection Leibovitz has captured the most influential and compelling figures of the last decade in the style that has made her one of the most beloved talents of our time. Each of the photographs documents contemporary culture with an artist's eye wit and an uncanny ability to personalize even the most recognizable and distinguished figures." - Publisher. Hardcover. Fine. Folio. Collectible. Phaidon Press Limited Hardcover
2017211203New York: Thames & Hudson 2017. Pictorial boards 191 pages illustrations chiefly colour; 35 cm. Translated into English from the original French book Androgyne: une image de mode et sa memoire. Firm binding clean inside copy. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A large-format coffee-table book. Richly illustrated with colour plates. "In January 2011 Jean Paul Gaultier's haute couture runway show ended with the image of a willowy blonde bride in a diaphanous gown. The bride was a man and one of the first models to walk for both men's and women's collections. The event marked the start of a trend. 'This ad is gender neutral' proclaimed a 2016 poster for the fashion brand Diesel; 'I resist definitions' announced a Calvin Klein ad in the same year while a Louis Vuitton shoot featured Jaden Smith wearing a skirt. The art of Edward Burne-Jones and Gustave Moreau the writings of Oscar Wilde and the mystic Josephin Peladan prove that the turn of the previous century was as compelled by androgyny as this one. Patrick Mauries presents a cultural history of androgyny--accompanied by a striking selection of more than 120 images from nineteenth-century painting to contemporary fashion photography--drawing on the worlds of art and literature to give us a deeper understanding of the strange but timeless human drive to escape from defined categories." - Publisher. CONTENTS: Beneath the veil; 'A length of horsehair twine'; A body of ivory; The inverted body; Opposing anatomies; Life as a novel; Civilization and its discontented; An amphibious creature; Puer senilis; The 'Androgynosphinx'; Amazons; Flaming creatures; A certain Mr Fish. 'Ladies and Gentlemen . . . and others' The latest mode. 1st. Hardcover. Fine. Folio. Collectible. Thames & Hudson Hardcover
20021925160304002Spitfire 2002-05-01. Audio CD. Very Good. CD plays perfectly & the case looks good. Spitfire unknown
19842090502113717511Not Available 1984. Soft Cover. Fine. The book is in fine condition. Not Available paperback
19832090502113716613Not Available 1983. Soft Cover. Fine. The book is in fine condition. Not Available paperback
28934New York: 214 Broadway 1848 2141. First edition. Wrappers a little worn and soiled and chipped at the spine but sound and complete; very good copy. Small 8vo original pictorial wrappers 54 pages. Four full-page illustrations and about depending on how you count them 35 vignettes in the text; illustration of the Genin Hatter store in Manhattan on the lower wrapper. An attractive promotional pamphlet for the Genin Hatter business on the subject of the hat and its history by the proprietor of the firm John Nicholas Genin 1819-1878 one of the most famous hatters of his generation. "Like P. T. Barnum his neighbor on Broadway Genin had a remarkable knack for using publicity to boost his business" - Wikipedia. The imprint of 214 Broadway was the address of the Genin Hatter store. New York: 214 Broadway, 1848 unknown
195562463New York NY Kansas City MO & Carmel Santa Barbara & San Francisco CA: Marian Ross Mizelle Madrigal 1955-1974. Four Vols. and original Store Sign for Carmel CA boutique. Folio. 2 - 12 x 15.25 in. & 2 - 13 x 19 in. 48; 48; 48; 48 pp unpaginated. all w/ mylar sleeves archival black paper insert backings with 151 original designs in gouache watercolour chalk and pen & ink 38 in pen & ink or pencil sized from 7 x 11 in. up to 10 x 15 in. and nearly all signed by Marian Ross three feature original fabric sample swatches affixed to them including one w/ pencil MS “Winner†and mimeographed description affixed to verso several of them are translucent pochoir stapled to backing paper many are on thick stiff studio board while others on assorted textured paper stock. In addition there are three newspaper and magazine clippings 1966 & 2013 a photostat copy of early Ross Mizelle “Mod†fashion designs and original black & white silver gelatin photo of young Marian Ross modeling a wedding dress. All are preserved in flexible vinyl portfolios printed labels on spines some minor scuffing & shelfwear to portfolios occasional very minor closed tears or edgewear to the designs a few w/ minor holes from removed staples still an exemplary archive of designs together with the original Madrigal signboard sized 16 x 27 in. from their Carmel CA store. This sensational archive of original fashion designs for Kansas City MO based department store suppliers by Marian Ross Mizelle before her move to California in the 1970’s to establish the Madrigal boutique with her husband Elliot A. Mizelle 1916-2007. These vividly reveal the Mid-20th-Century fashion trends following World War II. Many of the designs in this collection reflect the transition from the late 1950’s elegance and emphasis on Dior’s “New Look†highlighting femininity and opulent use of fabrics towards the more youthful designs emerging out of Swinging London which were a slimming down beginning to raise hemlines with short skirts bolero tops and increasing influence of Pierre Cardin Andre Courreges and Givenchy. The Mid-20th-Century saw a tremendous upsurge in marketing slimmer lines tighter fitting bodices and fashions emerging from such cultural events as Audry Hepburn in her iconic 1961 “Breakfast at Tiffany’s†film which heavily influenced a generation of young women.Young Marian Ross b. 1936 after completing her Fashion Academy certificate in 1955 free-lanced and worked in the New York fashion industry before landing with the influential and hot-selling Gay Gibson label with Gernes Garment Co. in 1961. The Gernes Garment Co. had been originally founded in 1928 by Sara Desaix Gernes 1896-1978 and her husband Alexander Gernes 1882-1947 to market her groundbreaking fashion designs targeting everyday fashion for young women juniors and teens. Her designs proved very popular as she initiated and fashioned sizing and dresses and clothing for teenagers through young college-age women and her designs proved very successful and were marketed through Chicago’s Marshall Field’s department store. By 1961 the Gernes Garment Co. moved their design and pattern making department to New York to capture young fashion designers such as Marian Ross as well as be closer to the influential couturier houses in New York & Paris. The Gay Gibson label was marketed in Mademoiselle Seventeen Glamour and Vogue magazines with Twiggy often modeling Gay Gibson dresses in the 1960’s. Marian’s designs were inventive playful and emphasizing movement as well as comfort. Many of the fashion patterns depict her models in flats ballet flats or even shoeless while dressed in elegant evening or formal dress. Also depicted are designs such as billowing harem pants modified and sleek upscale poodle skirts and Tartan patterned capes pockets dresses and accessories. Others encompass swimwear ski wear as well as the emphasized and often enforced domesticity of the late 1950’s to 1960’s with stylish plaid house-dresses in the kitchen and bar as well as frequent use of lace. The Gay Gibson label maintained a showroom at 1407 Broadway on the 39th Floor in New York ad held over 24 showings from 1961-1969 including Junior Dresses Summer Collections Spring Junior Collections as well as Holiday and Resort collections. By the early 1970’s the label was having financial difficulties and the popularity began to drop with the company run by Desaix Gernes her mother and husband Paul before folding a few years after Sara Desaix Gernes’ death. Marian and Elliot Mizelle established Madrigal Inc. name chosen because of the seductive chic of Manhattan’s Le Madrigal restaurant and grew into a legendary luxury boutique at one point operating store fronts in Santa Barbara downtown San Francisco and Carmel CA. In her 2015 interview for “Women in Business†with the Carmel Pine Cone Marian stated she “wanted to be an actress but it didn’t work out that way. I used to sketch a lot so I studied design instead. Everything I touched while was designing worked. I got a lot of jobs and was featured on a lot of Seventeen magazine covers.†This cataloguer could find not similar extant archive of original designs for the 1960’s period of the Gay Gibson label or for Marian Ross Mizelle; See: Interview with Desaix Gernes Garment Industry Oral History Collection The Kansas City Public Library Jan. 14 2005 SC229 Series 2 2024; Gay Gibson Vintage Fashion Guild 2025; Donnelly Garment Company vs. International Ladies Garment Workers Union et al Photographs Clothing Demonstration The Pendergast Years Kansas City in the Jazz Age & Great Depression 2025. Marian Ross Mizelle, Madrigal, hardcover
196657807Arlington VA: Institute of Naval Studies Center for Naval Analyses 1966. Reprint. Reprinted 1972. Wraps. Good. No dust jacket as issued. Highlighting/underlining. Underlining is very need. Some ink comments. Cover has some wear and soiling. ix 208 p. 27 cm. Illustrations Maps. Center for Naval Analyses. CNA research contribution no. 144. This document has been approved for public release. The Work was conducted under contract N00014-68-A-0091. Additional authors included R. N. Perle and R. P. Whitten. Document number 02 000144.00. Institute of Naval Studies, Center for Naval Analyses paperback
192546331New York: Irving Samuels Hat Co. ca. 1925. 9 x 7.5 in. unused hat box label minor creasing to fore-edge otherwise an excellent bright sample. Scarce hat box label produced for the Samuels Hat company who supplied Plebe hats for the United States Naval Academy and other military academies across the United States in the 1920s and 1930s. Irving Samuels Hat Co., unknown
ria9781419726484_inpHardback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; The first book to document the history of the runway and to offer an unprecedented look behind the scenes of Fashion Week hardcover
20182-141972648XHarry N Abrams Inc 2018. Hardcover. New. 251 pages. 12.00x10.00x0.50 inches. Harry N Abrams Inc hardcover
2018__141972648XHarry N Abrams Inc 2018. Hardcover. New. 251 pages. 12.00x10.00x0.50 inches. Harry N Abrams Inc hardcover
1908100872<p>American Fashion Co. 1908. 1908. Good. - An original 14 inch high by 11 inch wide broadside on heavy glossy coated stock with two perforations at the top. A handy measurement chart with a column down the left listing heights from 5 foot 4 inches through 6 foot tall with a row above the columns across the right listing breast chest width with relative measurements for "Waist Length" "Scye" "Strap" and "Overshoulder". An annotation is penned near the bottom of the left border. The broadside is folded twice horizontally with tears to the right edge of the folds. There is also a tear to the top edge as well as creases to the edges. Good.</p> American Fashion Co., (1908).
19317069New York NY USA: Mitchell Fashion Co. and American Fashion Co. 1931. 1st. Paperback. Good. Soft cover. FIRST EDITION. Volume XXVIII No. 2. The magazine has become unglued from the covers. The covers have three inch tears at the top and base of the spine. The front cover has a color paste-on illustration of a model in a fur coat. There is a half-inch stain on the illustration. The previous owner's name is in the top right corner of the front cover. Illustrated with 23 pages of color illustrations of furs and models. Scarce copy. 84 pages. <br/><br/>1A B1 C Mitchell Fashion Co. and American Fashion Co. paperback
19207071New York NY USA: American Fashion Company Publishers 1920. 1st. Paperback. Fair/No Dust Jacket. Gray illustrated covers. FIRST EDITION. Old Series Vol. XXVIII. No 7. There are six pages of illustrations in black-and-white of furs on models. The centre double page is missing which would have held another six illustrations. The lower corners are folded. Scarce copy. Oversized yet thin book. 24 pages. <br/><br/>1AB1 C American Fashion Company Publishers paperback
19207072New York NY USA: American Fashion Company Publishers 1920. 1st. Paperback. Good/No Dust Jacket. Soft cover. FIRST EDITION. Gray illustrated covers. There are eight full page color illustrations of modeled furs. There is light foxing. There is a half-inch tear at the base of the spine. Scarce copy. Oversized yet thin book. 21 pages. <br/><br/>1AB1 C American Fashion Company Publishers paperback
198658024BB1986 3-7833-8621-7. Hanau/Main: Müller und Kiepenheuer 1986. 4°. 98 S. 58 Farb- und sw-Abbildungen Leinen gut erhalten unknown
20022020033Parma IT: Ermanno Albertelli Editore 2002. Eleventh Edition. Hardcover. Fine. 4to 143 pagespublisher;s laminated white pictorial boards; inked name on endpaper <br/><br/>Text with photographs followed by 100 pages of drawings in color. Ermanno Albertelli Editore hardcover
1998GB077LRW65RI5N00V. R. Mode 1998. Paperback. Acceptable. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. V. R. Mode paperback
a67628Paris 1951. Issue for Juillet-Aout 1951. 4to. 124pp. photo illustrations advertisements original illustrated wraps. Good plus light wear small bump along top edge of some leaves light wear. . paperback
108621Album di Disegni per Ricamo - Ditta E. Frette & C. - Monza - 1900 ca. - 22 tavole illustrate. - Copertina rigida. - Buone condizioni generali. Piccoli segni del tempo. unknown
48676Paris: Publication de Luxe de l'Union des Journaux de Modes. 1928. Folio.37.5 x 28 cm. Title pp.162. Original grey thick paper wrappers with colour pictorial insert onto upper cover. The 16 pp. comprise full page colour illustrations of men's fashion 15 single figures back to back and the last with various waistcoats. The last text leaf describes the images. Quite rare. We can locate no other copies in commerce or past auction and just one record on Worldcat at the Bibliotheque Nationale. Paris: Publication de Luxe de l'Union des Journaux de Modes. 1928 unknown
48678Paris: Publication de Luxe de l'Union des Journaux de Modes. 1923. Folio.37.5 x 28 cm. Title pp.162. Original pink thick paper wrappers with colour pictorial panel onto upper cover. The 16 pp. comprise full page colour illustrations of men's fashion 15 single figures back to back and the last with various waistcoats. The last text leaf describes the images. Quite rare. We can locate no other copies in commerce or past auction and just one record on Worldcat at the Bibliotheque Nationale. Paris: Publication de Luxe de l'Union des Journaux de Modes. 1923 unknown
48679Paris: Publication de Luxe de l'Union des Journaux de Modes. 1936. Folio.37.5 x 28 cm. Title pp.162. Original grey thick paper pictorial wrappers. The 16 pp. comprise full page colour illustrations of men's fashion single or double figures. The last text leaf describes the images. Quite rare. We can locate no other copies in commerce or past auction and just one record on Worldcat at the Bibliotheque Nationale. Paris: Publication de Luxe de l'Union des Journaux de Modes. 1936 unknown
188054558Amsterdam: A. Jager ca. 1880. 12mo. 3.5 x 5.25 in. 12 hand-coloured albumen carte de visite images sized 2.25 x 3.5 in. mounted on thick 3 x 5 in. cards text in lower fore-edge of board bound in leporello accordion-style format linen hinges renewed. Original publisher’s decorated red cloth over beveled boards elaborate gilt decorated front cover and lettering minor rubbing edgewear minor bumping to corners still VG exemplar w/ most images retaining strong contrast and colour bookseller’s label of Joh. G. Stemler Cz. Algemeene Goekhandel Amsterdam on rear pastedown. Early printing of this charming photographic souvenir with hand-coloured albumen CDV photos illustrating the styles of folk costumes in different regions of the Netherlands. The villages and regions include Marken North Holland a fisherwoman carrying basket on her head from Scheveningen a fishing port a middle class orphan girl from Amsterdam a young girl wearing elaborate hat from Krommenie North Holland northeast of Haarlem. Jager 1825-1905 published many different series of these souvenir fashion photos as well as images of scenes in and around Amsterdam often as stereoviews some working with Dutch photographer Pieter Oosterhis. See: Maartje van den Heuvel The Rise of Dutch Landscape Photography. How a Vision of Painting Entered Photography Depth of Field Vol. 6 No. 1 July 2015. A. Jager, hardcover
