281 résultats
1979RO70077885HACHETTE. 1979. In-12. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 119 pages.. . . . Classification Dewey : 840-Littératures des langues romanes. Littérature française
199220272Pointe-Claire Roussan éd., "Panorama" 1992
191220676Partitions sur le Métier Fortin 1912
9052012253.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
197415160Birmingham AL: Thom Henricks Associates 1974. First edition. Paperback. Near Fine. 10mo. A 20 pp poetry chapbook. With long INSCRIPTION by the author on the inside front cover. Plus two hand-corrections to the text. A clean very good example in small printed stapled wrappers. <br/><br/> Thom Henricks Associates paperback books
191070784Paris, Editions A. de Villers, c1910, in-12, 12x20cm, plaquette agrafée, 15 gravures en une couleurs avec tarifs. Couverture recto-verso en couleurs enluminée avec passage à l'or par G. Bordas, imagier. Couverture présentant une insolation et des rousseurs. Intérieur frais.
197512283Les Presses de l'Université de Montréal In-8 à l'italienne Couverture souple Montréal 1975
1992G0824787544I4N00CRC Press LLC 1992. Hardcover. Very Good. Disclaimer:May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. CRC Press LLC hardcover
0666294933.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1948ABE-9405718402EN COUVERTURE: "CECILE AUBRY UNE ETOILE FUTURE-SI CE FRANCAIS ETAIT ETRANGER, VOUS SAURIEZ SON NOM/BARTHELEMY/1P PAR JEAN PALAISEUL/TELEVISION/4 PHOTOS-LA VERITE SUR LE SERUM/C'EST UN PROCEDE DE GUERISON NON UNE METHODE POLICIERE/1P/2 PHOTOS-AU PAYS DE LA VERTU LE STRIP TEASE ENVAHIT LE MUSIC HALL!/1P PAR ALAIN JANVIER/4 PHOTOS-BATIE SUR LA GLACE SA FORTUNE N'A PAS FONDU/SONJA HENIE/1P PAR JEANINE DENEE/5 PHOTOS-JULIETTE VERNEUIL FAIT DES ROBES QUE LES MARIS PEUVENT ACHETER/1P/5 PHOTOS-MODE: LES FANTOMES DU PALAIS ROYAL/1P PAR ODETTE CORSAINT/4 PHOTOS 2 MODELES PAQUIN 2 MODELES ROBERT PIGUET
2005109733Montreal: Galerie de Bellefeuille 2005. Softcover. VG As new. Color illus. wraps; 24 pp.; 19 color plates. Parallel text French and English; From the exhibition held February 2 - 13 2006. Galerie de Bellefeuille unknown books
191389428Lucien Vogel éditeur | Paris Août 1913 | 19 x 24.50 cm | une feuille
191389428Paris: Lucien Vogel éditeur 1913. Fine. Lucien Vogel éditeur Paris Août 1913 19 x 24.50 cm une feuille Original colour print printed on laid paper and signed in the plate lower right. Original engraving produced for the illustration of La Gazette du Bon Ton one of the most beautiful and influential fashion journals of the 20th century celebrating the talent of French designers and artists at the height of the Art Deco era. A celebrated fashion magazine established in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with a hiatus from 1915 to 1920 due to the war the editor-in-chief having been called up for service. It consisted of 69 issues printed in only 2000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start this sumptuous publication “was aimed at bibliophiles and fashionable society” Françoise Tétart-Vittu “La Gazette du bon ton” in Dictionnaire de la mode 2016 and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot known as Cochin later used in 1946 by Christian Dior. The prints were made using stencils heightened in colors some highlighted in gold or palladium. The story began in 1912 when Lucien Vogel a man of the world involved in fashion he had already been part of the fashion magazine Femina decided with his wife Cosette de Brunhoff – the sister of Jean creator of Babar – to set up the Gazette du bon ton subtitled at the time: “Art fashion frivolities.”  Georges Charensol noted the reasoning of the editor-in-chief: “’In 1910Â’ he observed ‘there was no really artistic fashion magazine nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artistsÂ…I was assured of success because when it comes to fashion no country on earth can compete with France.’” “Un grand éditeur dÂ’art. Lucien Vogel” in Les Nouvelles littéraires no. 133 May 1925. The magazine was immediately successful not only in France but also in the United States and Latin America. At first Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt as well as eventually his friends from school and the School of Fine Arts like George Barbier Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Chalres Martin Maggie Salcedo. These artist mostly unknown when Lucien Vogel sought them out later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on and celebrate dresses by seven designers of the age: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless some of the illustrations are not based on real models but simply on the illustratorÂ’s conception of the fashion of the day.   The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole it brought together – for the first time – the great talents of the artistic literary and fashion worlds; and imposed through this alchemy a completely new image of women: slender independent and daring which was shared by the new generation of designers including Coco Chanel Jean Patou Marcel Rochas and so onÂ… Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton was an important influence on the new layout and aesthetics of that “little dying paper” that Nast had bought a few years earlier: Vogue. Lucien Vogel éditeur unknown
1844713237.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2007SONG18447132372007-03-01. paperback. Used: Good. 5.51x0.30x8.50. Buy with confidence. Excellent Customer Service & Return policy. paperback
1952ABE-316290589680 PAGES-EN COUVERTURE CREATION DE PAQUIN/DESSIN COULEURS DE MOURGUE-MODE-FRANCOISE POUPEE DE MODES ET TRAVAUX-PUBLICITES
1950ABE-160218240641152 PAGES-19,8 CM X 29,2 CM-EN COUVERTURE: MODELE PAQUIN, ILLUSTRATION COULEURS DE JACQUES DEMACHY-PATRON
1950ABE-151102365821852 PAGES-EN COUVERTURE ILLUSTRATION COULEURS DE DEMACHY POUR CREATION PAQUIN-1 DECOUPE P13/14-ROBES DE MARIEE LANVIN ET JACQUES FATH-L'INDISPENSABLE PETITE ROBE-CORTEGES-VIVE LA MARIEE MASQUES ET TRAVESTIS, DESSINS SUR 2P
1397313765.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1397314176.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2922770656.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2004x-0415499615Taylor & Francis 2004. Paperback. New. reissue edition. 197 pages. 9.50x6.25x0.50 inches. Taylor & Francis paperback
2005x-041534798XRoutledge 2005. Hardcover. New. 1st edition. 197 pages. 9.50x6.50x0.75 inches. Routledge hardcover
6100542-nnew. unknown
6100542like new. unknown