VECELLIO (Cesare)Livre Rare Book
VEVER (Paul & Henri) & COSTUMES PARISIENS.Livre Rare Book
Librairie Le Bail · Paris, France60,00 €
2 624 résultats
218965Paris, Firmin Didot, 1859; 2 vol. in-8, non paginé, demi-chagrin brun, dos à nerfs orné (reliure de l'époque). Dos frotté.
193515957Lyon, Éditions Provincia, 1935 ; in-4, en feuilles ; (12) pp. et 25 planches de costumes, coloriées au pochoir avec des rehauts à la main, accompagnées de 25 ff. de texte explicatif, chemise beige imprimée en noir et parme par M. Audin.
19707Lyon, éditions Provincia, 30 mai 1935. Reliure el collation grand in octavo de cet ouvrage - demi parchemin sur papier à la cuve, étiquette de maroquin, 12pp. 25 planches de costumes coloriées au pochoir avec les rehauts à la main accompagnées du texte explicatif. Édition Originale tirée à 135 ex. tirés sur Alep vélin - n°32 - Rare réunion, les planches s'étant vendues séparément. Très agréable exemplaire. Rare.
1998LFA-126713892Un ouvrage de 112 pages, format 150 x 210 mm, illustré, broché couverture couleurs, publié en 1998, Desclée de Brouwer-Rempart, collection "Patrimoine Vivant", bon état
1914LBW-83761914. 169 x 90 mm.
Mm 235x335 Volume in copertina rigida privo della sovraccoperta e della custodia, 284 pagine con 48 tavole a colori del famoso artista. Ottima copia nel suo insieme; spedizione in 24 ore dalla conferma dell'ordinbe.
19561167049London, Methuen, (1956). Gr.-8vo. 160 S. m. zahlr., überwiegend farbigen Illustr. OLwd m. farbig illustr. OUmschl.
1800ST17757London: William Miller; T. M'Lean; William Bulmer 1800-18. 370 x 270 mm. 14 1/2 x 10 1/2". Seven volumes. <br/> Uniformly bound in stately contemporary dark burgundy straight-grain morocco covers with gilt palmette-and-wheat-sheaf border inner frame of blind-stamped grapevine raised bands spine compartments densely gilt with repeating botanical tools gilt lettering gilt-rolled turn-ins all edges gilt. Two engraved titles with hand-colored vignettes not included in plate count and 356 FULL-PAGE HAND-COLORED PLATES FEATURING COSTUMES OCCUPATIONS AND SOCIAL INTERACTION OF VARIOUS NATIONS. Volume I-III V and VI with text in French as well as English. Front pastedown with armorial bookplate of Edward Gordon Douglas-Pennant 1st Baron Penrhyn. Abbey Life 430; Abbey Travel 71 244 370 373 532 533. Joints and extremities lightly rubbed one board with a couple of faint scratches two rear boards with neat older repairs to short tears at tail edge but the bindings quite sound and most attractive on the shelf. Flyleaves a little foxed minor offsetting from plates to text leaves occasionally more pronounced but never offensive isolated minor marginal foxing to plates otherwise very fine WITH CLEAN BRIGHT PLATES.<br/> <br/> This is a collection of major early 19th century color plate books with well-drawn and richly-colored engravings in bindings that make a handsome appearance on the shelf. All of these works have appealing plates where the costumes of the various social strata are carefully and colorfully delineated. And two of the volumes--those showing British costumes and the book on Chinese punishments--contain in addition a good deal of diverting background detail that serves as a revealing context for each of the costumes depicted. The content of each of the volumes is worth noting. With a few exceptions the plates in the "Costumes of China" portray ordinary working-class men and women toiling at their trades. We see a bookseller with his wares spread out on a mat women sewing and embroidering a butcher a fisher a barber a man with a "magic lantern" show and a "man striking a small gong during an eclipse" an ancient ritual that the author tells us he was privileged to witness on 17 November 1789. The "Punishments of China" volume is filled with almost gleefully painful depictions of all degrees of disciplinary action from the relatively minor twisting of the ears or chaining to an iron pole to the humiliating ordeal of the wooden collar to methods of execution by beheading or by crucifixion using a cord. The opulent and brightly colored costumes in Dalvimart's volume on Turkey are mostly those of the ruling classes although also represented is a wide variety of native dress from the many regions of the vast Turkish empire of the day which included Bosnia Albania Syria Egypt and parts of Greece. It is particularly interesting to contrast the clothing of the very heavily veiled Turkish and Egyptian women with the much more relaxed style of the Greek women and the nearly immodest garb of the female Bedouin. We also are shown a eunuch an odalisque from the harem a grand vizier various royal functionaries and government officials all splendidly attired. The Russian costumes based on engravings done by C. W. Müller at the request of Empress Catherine the Great are focused on the ethnic dress of the empire's many holdings. The Laplanders and Finns wear clothing that would look familiar to most Europeans but the Mongols in their Oriental dress would be quite exotic. The clothing of the northern tribes such as the Kamchatkans Aleutians Koriaks and Tungoosi will impress the modern reader with their similarity to the traditional dress of Native American and First Nation peoples. The Tchutski woman is even depicted naked to display her tattoos. Bertrand de Moleville's Austrian costumes also illustrate the native dress of the empire's citizens but the illustrations here are less fashion plates than romanticized scenes: peasant couples are shown courting and dancing; Croatian women gossip beside a stream; and a wild-haired Bohemian gypsy whose "profession is not hard to guess" from her state of "déshabillé" flees with her naked and no doubt illegitimate child. Pyne's "Costumes of Great Britain" is one of the most highly praised works in this set and for good reason: the simple working men and women of Britain it depicts are always shown going about their daily tasks in the midst of a well-realized scene. The woman selling "salop" a hot morning beverage is seated at her cart with its urn judiciously located by the watchman's stall surrounded by customers including soldiers and a woman with her market basket. A fireman with an ax and a torch hurries toward his engine company while they unwrap their hose. The potter is at his wheel the tanner is cleaning skins and the bill-sticker posts the winning lottery numbers. The clothing while carefully detailed is almost secondary to the depictions of everyday life. The "Military Costumes of Turkey" illustrates the official regalia "uniform" is much too drab a word for these outfits worn by officers in various regions of the empire. Perhaps the most intriguing plate here is that of the Ladle Bearer a post that was also illustrated in "Costumes of Turkey." What appears to be a man with a giant spoon is in fact the holder of an important military position equivalent to the color-bearer in a western army. We are told that the loss of its ladles is the greatest disgrace that can befall a Turkish regiment: if the two great ladles the size of a grown man that are borne into battle at the head of the troops are captured the regiment must be disbanded and formed anew. Former owner Edward Gordon Douglas-Pennant 1st Baron Penrhyn 1800-86 was a leading figure in the Welsh slate industry; he owned the Penrhyn Quarry the largest slate quarry in the world at the end of the 19th century. He was known for his paternalistic attitude to his employees creating the "model village" of Llandegai to house the quarry workers. It was notable for having "no corrupting alehouse." He was ruthless enough to fire 80 men in 1868 because they did not vote for his son George who was running for a seat in Parliament. Single volumes from this set appear with frequency in the marketplace; full sets show up much less often; sets as handsome and well preserved as the present are rarely seen. William Miller; T. M'Lean; William Bulmer unknown
186036183Paris: Typographie de Firmin Didot Frères Fils & Cie 1860. Fifth edition. Extensively illustrated with woodcut illustrations text in Italian and French. 1 vols. Thick 8vo. Three parts bound as one volume. Later half-green morocco front wrapper of each part bound in. Darkened some rubbing especially of raised bands on spine some light offsetting and light marginal discoloration else very good. Fifth edition. Extensively illustrated with woodcut illustrations text in Italian and French. 1 vols. Thick 8vo. Hiler p. 873; Lipperhaide 25; Colas 2980 Typographie de Firmin Didot Frères Fils & Cie unknown
19501206041332xbvkPorto, Imprensa Moderna, 1950. 316 (2) pages, with many illustrations. - Publisher's illustrated softcover; 8vo.(ca. 22 x 18 x 2 cm).
186036183Paris: Typographie de Firmin Didot Frères Fils & Cie 1860. Fifth edition. Extensively illustrated with woodcut illustrations text in Italian and French. 1 vols. Thick 8vo. Three parts bound as one volume. Later half-green morocco front wrapper of each part bound in. Darkened some rubbing especially of raised bands on spine some light offsetting and light marginal discoloration else very good. Fifth edition. Extensively illustrated with woodcut illustrations text in Italian and French. 1 vols. Thick 8vo. Hiler p. 873; Lipperhaide 25; Colas 2980 Typographie de Firmin Didot Frères Fils & Cie unknown books
18036307CBLondon, Printed for W. Miller, 1803. (9), 73 Bl. Mit 72 (von 73) kol. Kupfertafeln (Punktiermanier) nach Johann Gottlieb Georgi. Halblederband der Zeit. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, bild
x + 30pp.+ 208 planches hors-texte (lithographies), 31cm., reliure cart. (dos en cuir vert avec titre et faux-nerfs dorés, charnières cassées et restaurées aux bouts supérieures, coins touchés), rousseurs aux planches, G78976
17964593Paris, Deroy, 1796. Frontispiz, 15 Farbtafeln, 30 (1) S., Halblederband des späten 19. Jahrhunderts mit goldgeprägtem Rückentitel, marmorierter Decke und Lesebändchen. Zustand 2, Frontispiz und letztes Blatt etwas fleckig.
18876317BB(Neuchâtel), H. Furrer, (1887). 4°. Mit 24 kol. Federlithographien von Auguste Bachelin. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 6317B
Paris, Editions Billaudot 1954. 2 volumes in-8 en feuillets, sous chemises illustrées à rabats, contenant chacun 20 planches et les explicatifs. Petit accroc en dos de la chemise du tome 2, sinon bel exemplaire.
21118ABNew York, Merrimac Publ. 21,5 cm. 97 S. mit 56 Zeichnungen.n Illustrierter Originalkarton (Softcover), Fadenheftung. Replica of the Original Classic. Gutes gepflegtes Exemplar.
375607Unframed Print. Very Good Condition. A finely hand coloured steel engraving titled Costumes Hollandais - Amiral De Winter - Pichegru engraved by Reville and Couche after designs by Lacauchie and Couche and issued in 1835. The plate is divided into two registers: the upper scene headed France Militaire presents a pair of Dutch regional figures a woman of Zeeland and a man of the Zuiderzee depicted in richly detailed traditional costume. Below are two half length portrait medallions of Revolutionary era military figures: the Dutch born French admiral Jan Willem de Winter and the celebrated general Charles Pichegru. Typical of early 19th century French composite engravings the sheet combines picturesque ethnographic costume with notable military personalities reflecting both popular taste and the eclectic editorial practices of Parisian printmakers of the period. A bright attractive example of mid 1830s hand coloured steel engraving. An original 1835 hand coloured engraving. Mounted in a dark green surround total size 29.5 x 42 cms the print is 13 x 20 cms approx. and is ready for framing. Text is in French. Category: Antiquarian & Rare; French Language; PRINTS : Historic Interest; New Arrivals; French Language; Special Interest. This item may require more postage than the rates shown for delivery outside the UK. If extra postage is required we will contact you before processing your order and you will be given the details and option to decline the extra cost. unknown
P., Administration de librairie, sans date (1852 ). 10 vol. Iin-8 reliés demi-basane rouge, dos à nerfs ornés, contenant des gravures hors-texte finement coloriées dans chacun des 8 premiers volumes. Le vol. 9 s'intitule "Recueil curieux de pièces originales rares ou inédites sur le costume et les révolutions de la mode en France..." sans illustration. Le vol. 10 s'intitule "Histoire de la vie privée des français depuis les temps les plus reculés jusqu'à nos jours..." contient 7 gravures noir et blanc dont le portrait du Prince Louis-Napoléon en frontispice. Les gravures n° 37 et 71 (vol.4) ; 45 et 46 (vol.5) ; et 28 (vol.6) sont absentes. Au total il y a 635 gravures en couleurs. Rousseurs éparses , hormis sur les gravures en couleurs. Vicaire 4, 839.
New New English Original bdg. with original dust wrapper. Mint. 4to. (32 x 24 cm). In French. 175 p., color ills. Costumes historiques des femmes Turques. "Cest album vous presente un etalage d'habits ramasses de deuxcentsquatrevingtquatre regions de la Turquie.". "This book, which is an album of Historical costumes of Turkish women, dating back 3 centuries, covers not only the ancient garments of Turkish women but also the accessories that were worn with them".
158pp., avec 156 illustrations dont 110 en couleurs, reliure toile d'éditeur, jaquette illustrée, sous étui toilé d'éditeur, dans la série "Textures", bon état, S96961
191pp. illustré de gravures sur bois dans le texte, 23cm., brochure muette moderne, peu commun, B101984
1888014203Durham N.C.: W. Duke Sons & Co 1888. Soft cover. Very Good/No Dust Jacket As Issued. Lithographed by Knapp & Co. New York. <br /> <br /> Original illustrated stapled wrappers. 22 leaves printed on versos only. Profusely illustrated with chromolithograph portraits of prominent late-19th-century stage performers and public figures posed in historic and national costumes. Format: 17 × 26 cm 6.75 × 10.25 inches.<br /> <br /> Wrappers with a 1.5-inch loss at the outer edge of the rear cover light creasing and soiling. Staples rusted. Plates clean bright and well preserved with minor corner creasing. Internally very good.<br /> <br /> <br /> . An uncommon promotional album reproducing the W. Duke & Sons cigarette card series issued to accompany late-Victorian tobacco marketing campaigns. The album reflects the intersection of theatrical celebrity ethnographic costume imagery and mass advertising culture and includes representations of well-known performers such as Sarah Bernhardt in an 'Old Russian Costume.'<br /> <br /> Subjects: Tobacco advertising Costume history Theater and stage performers Late Victorian popular culture Advertising ephemera Illustrated albums Chromolithography Performing arts history. W. Duke, Sons & Co unknown
An unabridged republication of a work originally published in1812 in 2 volumes as "Costumes of the Ancients" but now printed as a single volume. Carefully copied from ancient vases and statuary by Thomas Hope (1770-1831) a British collector and designer , these engravings combine unusual clarity of style with unquestioned authenticity.Over 700 illustrations depict all classes and occupations. xlvii.+ 300 plates. Book
