Livre Rare Book
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1870ABE-118464989464 PAGES FORMAT 34 CM X 48 CM-EN UNE GIRAULT (DEPUTE DU CHER) PAR ANDRE GILL,ILLUSTRATION COULEURS,TENUE DE MEUNIER ASSIS SUR UN MOULIN-ODEON,L'AUTRE,PAR GEORGE SAND
186945986Paris, Victor Masson et Fils, 1869. 8vo. Contemp. hcalf, raised bands, gilt spine. Light wear along edges. Small stamps on verso of titlepage. In: ""Annales de Chimie et de Physique"", 4e Series - Tome 17. 522 pp. a. 3 folded engraved plates. (The entire volume offered). Meunier's paper: pp. 5-73.
182258179(Stuttgart und Tübingen, Cotta, 1822). Folio. (40 x 28,5). Contemp. blank wrappers. Tears to spine. Frontcover with printed list of the plans/maps. With 17 engraved plans/maps (many in double-folio) and with handcoloured positions + the large engraved map (58 x 69cm) ""General Charte des Kriegs Schauplatz in Russland im Jahre 1812.."" Maps/plans clean and fine.
189675371896 Leipzig, Verlag von Georg Thime, 1896 ; in-8°? pleine reliure souple de l' éditeur de basane olive, titre doré au 1er plat et dos; VIII, 416pp. Illustré de 420 figures dans le texte. Ex-libris manuscrit à l'encre au titre " H. Astier Berlin 20 avril 1897". Nombreuses annotations au crayon ( traductions en français). Edition originale.
1884ST20760-05Paris: Ed. Rouveyre et G. Bond 1884. No. 18 OF 50 COPIES ON JAPON from a total edition of 100. 222 x 140 mm. 8 3/4 x 5 1/2". 58 2 pp. <br/> VERY PRETTY CRIMSON MOROCCO GILT BY CHARLES MEUNIER stamp-signed on front turn-in covers with border of gilt and decorative rules and frame of branches entwined with a leafy vine raised bands spine compartments with floral bouquet at center enclosed by leafy branches and dotted rules gilt lettering turn-ins with gilt floral roll marbled endpapers top edge gilt other edges untrimmed. Original pictorial wrappers bound in. Illustrated with aquarelles by Grivaz engraved by Arent on every page. This copy with AN ADDITIONAL SUITE ON JAPON printed in bistre. With an ALS from the author tipped in at front. For the artist see: Benezit VI p. 703. Spine a little darkened faint browning at edges of leaves as no doubt in all copies because of paper stock chosen but A FINE COPY--clean and fresh internally in a lustrous binding with few signs of wear.<br/> <br/> Beautifully bound and with delicate vignettes that mingle with the text this "histoirette bourgeoise" is the story of an adulterous love affair told in verse. When Denise's husband scorns his wife for another woman she follows suit and takes up a romance of her own. Told from the point of view of Denise's lover the poem relates how his initial feelings of admiration and desire turn into passion obsession and ultimately disappointment when Denise decides to return to her husband. Her final message to the narrator hints at the possibility of an "enfant de l'adultaire" saying that if she goes back to her spouse any child produced by their illicit union would at least have a proper place in a respected household. The etchings appearing here in two states are based on watercolors by Swiss artist Eugene Grivaz 1852-1915 whose light airy style adds a fine sense of romanticism to this work. Legendary among French binders of the late 19th and early 20th centuries for his energy and imagination Charles Meunier 1865-1940 was apprenticed to Gustave Bénard at the age of 11 worked for a time in the atelier of Marius Michel and then set up his own studio when he was 20. According to Duncan & De Bartha he drew "on both traditional and modern techniques and forms of decoration mixing classical punches . . . with newly fashionable incised and modelled leather panels." This eclectic approach did not lead to the kind of popularity enjoyed by some of our binder's most distinguished competitors and partly as a protest in recognition of this "Meunier declined to participate in the 1900 Exposition as he felt that the Grand Prix would automatically be awarded to Marius Michel which it was. He staged his own show at his studio on the Boulevard Malesherbes and received as much magazine coverage as the participants at the Exposition." Our author Aurelien Scholl 1833-1902 was a journalist and writer who never backed down from a duel. The New York Times called him "a typical French militant journalist. His love of dignity and scrupulosity regarding the most insignificant points of honor caused him to reach a point where he could wield the sword or pen with equal facility." Scholl was particularly well known for the combative articles he contributed to such papers as Le Figaro and L'Éclair but as a novelist poet and dramatist he preferred to focus on Parisian bourgeois life love and scandals. The present copy contains an undated ALS from Scholl to an unknown gentleman noting that copies of his "Denise" are completely sold out. Ed. Rouveyre et G. Bond unknown
1889ST20805Paris: P. Rouquette 18891890. First work: ONE OF 75 COPIES on Japon and No. 98 of a total edition of 505. Second work: FIRST EDITION. 240 x 155 mm. 9 1/2 x 6". 1 p.l. half title 38 pp. 1 leaf; XII pp. Two volumes bound in one. . <br/> LOVELY CELADON GREEN MOROCCO GILT AND ONLAID TO A ROCOCO DESIGN BY CHARLES MEUNIER stamp-signed in gilt and dated 1908 on front doublure covers with ornate frame featuring onlaid gray-blue morocco compartments diapered with dotted gilt lines and many gilt volutes acanthus leaves turtle doves and other tools raised bands spine compartments with onlaid gray-blue mandorla centerpieces similarly gilt and framed by volutes gilt lettering CELADON GREEN MOROCCO DOUBLURES lavishly gilt with repeating rows of flower baskets iridescent green silk endleaves marbled flyleaves all edges gilt. Original pink printed wrappers of each work bound in. Housed in a fine just slightly rubbed chamois-lined olive green morocco pull-off box resembling a book thick raised bands blind ruling gilt lettering the spine of the box evenly sunned. With etched frontispiece portrait of the author and 13 illustrations by Paul Avril most half-page all in a second state before letters. Faint foxing to half title otherwise AN IMMACULATE COPY the binding gleaming and the text untouched.<br/> <br/> Handsomely printed and illustrated this libertine tale of seduction and deception in Louis XV's France was lavishly bound in the Rococo style by the master Flety describes as "the apostle of emblematic bookbinding." Legendary among French binders of the late 19th and early 20th centuries for his energy and imagination Charles Meunier 1865-1940 was apprenticed to Gustave Bénard at the age of 11 worked for a time in the atelier of Marius Michel and then set up his own studio when he was 20. According to Duncan & De Bartha he drew "on both traditional and modern techniques and forms of decoration mixing classical punches . . . with newly fashionable incised and modelled leather panels." He was especially adept at creating bindings that were not merely apt for the contents of the book but that embodied in their design the themes of the work. His Rococo pattern here is extravagant even for that over-the-top style the decoration as unrestrained as the amoral aristocrats whose exploits Denon exposes here. First printed anonymously in 1777 "No Tomorrow" is narrated by a callow youth who falls under the spell of Madame de T a brilliant manipulator who uses his infatuation with her to draw her husband's attention away from her long-term affair with a marquis. Her plan is so successful that she succeeds in enjoying a dalliance with our narrator convinces both her husband and her lover that she is faithful to them and keeps all three men on good terms with each other. At the end of his adventure our hero searches for a moral to the story but finds none. Like the anti-heroine of his work our author diplomat courtier and polymath Dominique Vivant Baron Denon 1747-1825 had the wit and the talent to thrive during a tumultuous period in France managing to stay in the good graces successively of Louis XV Louis XVI Robespierre and Napoleon. He had met the last of these rulers at the salon of future empress Josephine de Beauharnais and was invited by Napoleon to join the Egypt expeditionary force as an arts and culture observer. Earning the moniker "Napoleon's Eye" he made sketches of the remarkable monuments--sometimes while under enemy fire--as well as of the ports the cities the inhabitants and the art particularly ancient hieroglyphics. When the illustrated account of his journey was published Russell tells us that Denon became "the first to present to Europe a true and honest image of ancient Egypt" after being "the first European traveller to spend months exploring the desert and recording the monuments he found there." He was "the primary force behind revealing Egypt's civilisation to an astonished Europe." The graceful etchings in the present volume are by the celebrated illustrator Paul Avril 1849-1928 who studied art in various Paris salons including the École des Beaux Arts. According to Ray Avril "was a witty and ingenious artist" and a prolific one as well illustrating a number of bibliophile's editions as well as classics of erotica. His illustrations here bring to mind work of the Rococo artists Watteau Boucher and Fragonard. Our edition benefits from the addition of a second work containing notes on the life of the author by prominent man of letters Anatole France 1844-1924 who would win the 1921 Nobel Prize for literature "in recognition of his brilliant literary achievements characterized as they are by a nobility of style a profound human sympathy grace and a true Gallic temperament." The beauty of our item was clearly treasured and protected by previous owners as it is virtually unchanged from the day it left Meunier's workshop. P. Rouquette unknown
187413888Providence RI: Lithographed by the Graphic Company N.Y. 1874. 1874. Good. - Small oblong quarto 9-3/4 inches high by 11-1/4 inches wide dark blue cloth titled in gilt with a vignette in gilt & decorations in black on the front cover. The binding is rubbed & bumped with the cloth chipped along the edges. There are small pieces out of the head & tail of the spine. Title & 14 leaves of heavy stock lithographed on 1 side only with brief text on each leaf surrounded by caricatures by Walter Francis Brown. There is foxing throughout & the front edges of the front endpaper & flyleaf are slightly chipped. Good. <p>First edition.<p>Painter and illustrator Walter Francis Brown 1853-1929 was born in Providence Rhode Island. He was an illustrator for Charles Miller's "Roger Williams" and for "A Tramp Abroad" by Mark Twain. Providence, RI: Lithographed by the Graphic Company, N.Y., 1874. hardcover
185061350London: Ward & Lock 158 Fleet Street 1850. First edition was 1843. Wioth 27 black and white illustrations by "Phiz". 400 pp. 1 vols. 8vo. Bound in three quarter red polished calf gilt spine edges marbled. Browne Hablot. First edition was 1843. Wioth 27 black and white illustrations by "Phiz". 400 pp. 1 vols. 8vo. not in Wolff. not in Wolff <br/><br/> Ward & Lock, 158, Fleet Street unknown
18252310Buda: Typis Regiae Literarum Universitatis Hungaricae 1825. In later paper. In very nice conditon old collection stamp on the title page. In later paper. 255 p. with the portrait of Peter Kubinyi. First editon. The first printed catalogue of the Hungarian National Museum's collection. First editon. Edited by Miller Jakab Ferdinánd 1749–1823 the first director of the museum. Very rare. Typis Regiae Literarum Universitatis Hungaricae unknown
18838583New York: Chautauqua Press 1883. First Edition. Original wraps. Very Good. 3 1/4 X 5 Inches. "The most American thing in America." - President Theodore Roosevelt on Chautauquas<br /> <br /> Four early course offering and yearly updates from the Chautauqua Literary and Scientific Circle of Chautauqua Lake New York. The original Chautauqua meetings were the brainchild of John Heyl Vincent a Methodist minister and Lewis Miller a businessman who imagined a place where women and men could come to exchange ideas and learn of cultural advancements around the world. Founded in 1878 these four early course offerings date from 1883 to 1889. The 1885 issue is accompanied by an original illustrated postcard from the organization. <br /> <br /> The Chautauqua Literary and Scientific Circle was an important step in the advancement of women in American society. Although only a baby step the courses offered and the idea behind the movement was in part to open up education to women especially rural women in America. With a correspondence learning platform Chautauqua's brought education into the home which we know is the domain of the woman. I believe the University of Phoenix and the TED Talks owe a royalty to the CLSC! NOTE: 2 of these have are unrepresented on OCLC and a population of only SIX of the other two - see notes on reverse. VERY SCARCE IN COMMERCE.<br /> <br /> Some light wear to spines and edges. Chautauqua Press unknown
1887517603Brooklyn New York: Privately Printed 1887. Hardcover. Very Good. First edition. Tall octavo. x 110pp. With several illustrations in black and white. Moderately worn at the edges and spine ends watered silk endpapers with two tiny chips very good and sound.<br /> <br /> Contains the first appearance of Julia Ward Howe's two-page poem "Henry Ward Beecher: Preacher Patriot Philanthropist" Lucy Larcom's two-page poem "Henry Ward Beecher: A Memory of a Sermon" and contributions by many noted contributors including John Greenleaf Whittier Oliver Wendell Holmes Joaquin Miller Laura Bridgman James Branch Cable and Dion Boucicault. Printed at the De Vinne Press. Privately Printed hardcover
1898353769Kansas City MO: George Miller Jr. 1898. First edition. 348pp. Portrait frontis. plus 6 plates. 8vo. Original stiff wrappers front wrapper becoming detached. Toned and brittle. First edition. 348pp. Portrait frontis. plus 6 plates. 8vo. The extensive proceedings of one of the most famous western outlaw trials. "The complete record of the trial with testimony addresses to the jury and the pleas of the attorneys" Six-Guns. Also published in cloth copies in original wrappers are rare. Howes M606; Adams Six Guns 1488 George Miller, Jr. unknown
1818614Budae Buda: Typis Regiae Universitatis Hungaricae 1818. First edition. Only this volume was published. Published in only 350 copies. Text in Latin and German. In publisher’s blue wrappers. Title vignette on spine. Cover edges and spine worn. Slight foxing sporadically. Overall in good condition. First edition. Only this volume was published. Published in only 350 copies. Text in Latin and German. In publisher’s blue wrappers. Title vignette on spine. 1 leaf frontispiece 1 leaf titlepage; 8 I–XXXII 3 4–384 p. and 4 plates one is a folded hand coloured map. <p><br /> The first Hungarian scientific yearbook however only the first has been published. Published by the Hungarian National Musuem that has been established about 15 years earlier.<br /> <p><p><br /> With a lithograph frontispiece of Archduke Joseph Palatine of Hungary the “Protector’†of the Museum by Jean-Baptist Isabey and Blasius Höfel. With the engraved Hungarian coat of arms on title page and three engraved plates and a map of Rézbánya in Transylvania now: Băița. <br /> <p><p><br /> The majority of the text is inLatin about the Museum and its finance but there are also articles about the numismatic and other collections even a study in German about the Transylvanian town Rézbánya. The last article is a commemoration about Pál Kitaibel 1757–1817 the recently passed Hungarian botanist and chemist who discovered tellurium and who was the co-author of the three-volume comprehensive and beautifully illustrated work on the rare plants of Hungary the “Descriptiones et icones plantarum rariorum Hungariae†1802–1812.<br /> <p>. Typis Regiae Universitatis Hungaricae unknown
18095768London: James Moyes. Very Good with no dust jacket. 1809. First Edition. Three-Quarter Leathe. Red Leather spine with raised bands black label. Some damage to leather at edges & corners. Marbled boards.Hinges & covers are tight. Owner's name on fep dated 1884 and label inside front cover.; 5 1/2x7 1/2" . James Moyes unknown
189599762<p>Philadelphia PA: Walt Whitman Fellowship. 1895. 1895. Very good. - Octavo softcover bound in cream-colored printed self-wrappers. Pages 31-42. The edges of a few pages are faintly darkened. Else a near fine partially unopened copy.</p><p>First separate printing.</p><p>"Walt Whitman Fellowship Papers: Second Year: 10. Philadelphia November 1895". This address which was the first notable comment by an African American about Whitman's significance was delivered by Kelly at the Fellowship's Annual Meeting on May 31st 1895. It was originally published in July in the Conservator a journal published by Horace Traubel who was instrumental in setting up the Fellowship.</p><p>Scientist Kelly Miller 1863-1939 was an African American mathematician sociologist essayist newspaper columnist and author. He was an important figure in the intellectual life of black America for close to half a century.</p><p>Rare in commerce.</p> Philadelphia, PA: Walt Whitman Fellowship. 1895. paperback
190092826Partitions sur les Instruments de musique Demets E. 1900 approx.
190092828Partitions sur les Instruments de musique Demets E. 1900 approx.
1876016909New York: Henry C. Bowen Publisher 1876. Tabloid. Good. Side folding tabloid journal. Disbound from a larger work. The Independent was a long running newspaper that promoted Congregationalism and advocated for abolition and women's suffrage among other social issues. This issue contains an article "Irish and Negro Methods" by Benjamin T. Tanner editor the influential and important African-American newspaper the Christian Recorder. Tanner discusses the Irish struggle for Independence from the British analyzing why they failed and African-Americans prevailed. He recalls in subtle terms the ramifications of slavery and the dehumanization experienced by African-Americans in the United States. Tanner concludes that the Irish failed due to their use of violence whereas African-Americans "took to God." Usual religious and secular news present in this issue as well as poetry by Joaquin Miller and Susan Coolidge. GOOD condition. Two binding holes on the left edge. Paper toned with some creasing and wrinkling. Small address label on the rear page that of Elroy M. Avery perhaps the author and historian. Paper a bit brittle with flaking at the corners. Henry C. Bowen, Publisher unknown
188028764New York: E.P. Dutton & Company 1880. Hardcover book. Fine condition. A children's book describing the animal kingdom in a gorgeous red gilt and black decorative binding with the gilt animals on the covers including a kangaroo bird of paradise dragonfly penguin and armadillo. The kangaroo story is entitled "A Baby That Lives in a Bag" p21. Other stories about the echidna black swan cockatoo lyrebird & platypus. Long sections on beetles and other insects undersea creatures. Handsome gift book. Copyright 1879. 8vo 1-7 8-357pp XIpp Index at back. OCLC: 25660855. Both copies cited on Trove are electronic resources only. E.P. Dutton & Company hardcover
187689067Chicago: Jansen McClurg & Co 1876. First American Edition. First printing. First published a year earlier in London under the variant title "First Fam'lies in the Sierras." 12mo. Publisher's blind-stamped maroon cloth titled in gilt on spine; iv5-258pp. Board corners slightly pushed; mild sunning to spine still a tight lightly worn Near Fine copy with spine gilt remaining bright and legible. According to Blanck this edition is "much revised" from the 1875 London edition; it would be re-issued by McClurg with further revisions in 1881 with the title The Danites in the Sierras. BAL 13765. WRIGHT III:1739. BAIRD 1750. Jansen, McClurg & Co unknown
1867696431867 Tours, Mame, 1867, in 8° relié pleine percaline aubergine de l'éditeur, ornée à froid, 346 pages ; très nombreuses gravures et figures gravées sur bois.
1853338165New York: D. Appleton and Co 1853. First American edition issued using sheets and plates of the 1852 English edition. 108 pages plus frontispiece and four inserted plates; original unprinted tissue-guards intact 108pp. 4to. blue cloth spine and front cover stamped in gilt Owner's early neat ink inscription on front flyleaf dated "January 1 1853" month and year of publication. Lightly rubbed at tips of spine and corners slight bow to covers else a near fine bright copy with the text and illustrations very fresh and clean. First American edition issued using sheets and plates of the 1852 English edition. 108 pages plus frontispiece and four inserted plates; original unprinted tissue-guards intact 108pp. 4to. illustrated with five full-page mounted chromoxylographic color plates reproducing water-colors by Edward Wehnert John Absolon William Lee and Harrison Weir. "In this instance of the art of printing in colours is brought forward to enrich my descriptions so that my readers may see how closely allied is word-painting to artistical skill the one endeavouring to paint on the mind what the other carries direct to the eye" from the author's preface. D. Appleton and Co unknown
18623449Fort Kearny Ne: October 28 1862. Very good plus. 4pp. on a single folded sheet of lined paper. Light wear and toning old folds. An interesting manuscript letter written by Dr. George Lorin Miller 1839-1920 a leading Nebraska pioneer and instrumental figure in establishing Fort Kearny. Miller also served as the fort's sutler during the Civil War and helped to recruit the First Nebraska Regiment. Miller was a physician politician editor and land owner who arrived in Omaha in 1854 the year the city was founded. Miller himself founded the Omaha Herald which later became the Omaha World-Herald and was. staunch Democrat who became adept at harnessing the power of the press.<br /> <br /> Here Miller writes to an unnamed general in Helena Arkansas who was most likely Samuel Ryan Curtis. Miller's letter is well-written providing insights into and details of the politics war news and other information of the period. He is friendly to his correspondent noting that the two men had been political opponents in the past but Miller states that he supported the candidacy of his correspondent as "Colonel of our Regiment because I believed you capable and patriotic." Miller praises him for being recognized by no less than the President for "gallant services authenticated as they were by the best officers of the service" and then bemoans the fact that the correspondent was denied an appointment by the Senate due to the "mendacious meanness" of a Nebraska politician named Samuel G. Daily who apparently worked against his confirmation. Then Miller notes that Daily had to answer for his denial of the correspondent's appointment on the recent campaign trail where Daily "had to meet your case in the canvass at every turn -- apologized lied and smoothed it over as he best could. Denying everything and admitting nothing saved him by about 100 votes." He continues to encourage his correspondent with supportive language and then closes with a short appraisal of their shared hometown in the Nebraska Territory: "Omaha is changing much but it will not outrun your recollection of it. When you return you will see as I see that it is a real home after all however changed its appearance. October 28 unknown
189355261Pittsburgh PA: Pittsburgh Locomotive Works 1893. 8vo. 41 1 pp. Blue tinted photogravure frontisp. 9 blue-tinted photogravure plates 4 w/ two images. Brown decorated publisher’s cloth black lettering & borders on front cover decorated endpapers slight shelfwear rear inner hinges starting slightly shaken still VG copy from the library of Herman S. Chalfant 1881-1957 longtime Pennsylvania paper wholesaler and manufacturer based out of Pittsburgh PA. First edition of this nicely illustrated catalogue touting the steam locomotives produced and exhibited by the historic Pittsburgh Locomotive Works during the Columbian Exposition. The locomotives featured included an experimental large Passenger Compound Locomotive the Mogul Compound Freight Locomotive for the Columbus Hocking Valley & Toledo Railway; a Freight Locomotive and Tender for the Cincinnati Hamilton & Dayton RR as well as a narrow gauge four-wheel saddle tank locomotive engine. Founded in 1865 by Andrew Carnegie and Thomas Miller the company quickly grew supplying quality large locomtovies for the Bltimroe & Ohio Acheson Topeka & Santa Fe Manhattan Elevated and the Union Pacific thriving until 1901 when it was consolidated into the American Locomotive Co. Pittsburgh Locomotive Works, hardcover
18496294Paris & Leipzig: G. De Gonet & Chez Charles Twietmeyer 1849. First edition. Two parts in one quarto volume 11 x 7 3/8 inches; 280 x 187 mm. 4 xvi 252; 4 186 2 pp. With added hand-colored wood-engraved vignette title in each part hand-colored engraved portrait of Grandville by Ch. Geoffroy and twelve hand-colored engraved plates eleven in the first part one in the second part by Ch. Geoffroy after Grandville all with original tissue-guards. Handsomely bound by Charles Meunier stamp-signed in black on front turn-in "Ch. Meunier. 1905". Full blue morocco covers decoratively rued in gilt with gray morocco inlaid borders enclosing an elaborate design of inlaid gray cream and green inlaid flowers with decorative gilt stems. Spine with four raised bands decoratively inlaid in various colored morocco's decorated and lettered in gilt in compartments. Decorative gilt board-edges gilt ruled turn-ins with inlaid gay morocco borders gray-green marbled endpapers top edge trimmed others uncut. Original printed paper wrappers and spine bound in at end. Unidentified bookplate "Nec Tu Semper Eris" You will not always be on verso of front flyleaf. Housed in the original blue leather edged patterned paper board slipcase. A wonderful copy of this lovely book with exquisite plates after Grandville. <br /> <br /> This posthumously published work Grandville died on March 17 1847 was originally issued in fifty parts the first part appearing in September 1849. "The compositions of this 'last fairy-tale' brilliantly engraved on steel by Charles Geoffroy and delicately colored form a fitting memorial to Grandville.The pattern which he follows is similar to that of Les fleurs animées. Nearly every plate has its beautiful lady clad in white and adorned with stars looming in the sky with varied scenes of earthly life below her. These designs Grandville's tranquil refuge from the turmoil that beset his mind are as charming as they are mysterious. Also included in the volume are an unsigned essay which remains the most considerable source of biographical information about Grandville and a fine portrait of him by Geoffroy I xvi with a border of his creations animals paying him tribute as well as his flower- and star-ladies" Ray. <br /> <br /> The talented Charles Meunier 1865-1940 was first apprenticed to a book binder at the eleven years old. After training with Marius-Michel he began his own binder in 1885 where he sought to be innovative and nontraditional. ". Drawing on traditional and modern techniques and forms of decoration Meuniere mixed classical punches. with newly fashionable incised and modeled leather panels. His output was prodigious; by 1897 he had produced roughly six hundred bindings" Art Nouveau and Art Deco Bookbinding.<br /> <br /> <br /> Ray The Art of the French Illustrated Book 200. Vicaire V col. 770. Grandville. Dessins Originaux p. 398. G. De Gonet & Chez Charles Twietmeyer unknown
