258 résultats
18374778AG1837. Holzstich, 6,7 x 5,7 (doppelter Rahmen, 1 Titel integriert, 1 Untertitel) Auf Wunsch Digitalaufnahme in jpg-Format erhältlich- photo in jpg-format available. Je nach Versandart können die Portokosten bis zu 2 ? weniger als angegeben betragen.+
18505589AG1850 (ca.). Lithographie auf gelblichem Untergrund. Darst 22,8 x 16,8; Bll. 26,8 x 20,7. Auf Wunsch Digitalaufnahme in jpg-Format erhältlich- photo in jpg-format available. Je nach Versandart können die Portokosten bis zu 2 ? weniger als angegeben betragen.
1864428New York: Frederic A. Brady 1864. 8vo. 312 pp. plus 1 p. ads. Frontispiece caricature of the author at work. Bound in green publisher's cloth gilt decoration of the author on front board blind tooled decorated cloth; binding showing some wear and discoloration. Owners signature of Rufus Munyan Co. D. 18. C.V. Company D 18th Connecticut Volunteers. First edition. Comical narrative by a delusionary "adviser" to Lincoln whose letters pointedly featured the absurdities of war and the madness of the public administration during the 1860's. Barber's view is reflective of many New York writers whose view of Lincoln and the war was decidedly Democratic challenging the ferocity of the Radical Republicans who controlled Washington. Written by the satirist Joseph Barber who also published Crumbs from the Round Table 1866 and The American Book of Ready Made Speeches 1866. The anonymous illustration which introduces the text captures the manic nature of the author with a statue of Lincoln looming over his shoulder Wright Fiction II 210. Allibone's Critical Dictionary of English Literature Suppliment I p. 89. Frederic A. Brady unknown
189024202Paris: Choudens Editeur circa 1890. 1890. Very good. - Large octavo 11 inches high by 7-3/8 inches wide marbled boards backed with brown calf titled on gilt-lettered leather labels between raised bands & gilt & black decorations on the spine. The binding is bumped with tiny tears to the corners of the covers and the head & tail of the spine are rubbed. There is a small chip to the front edge of the rear cover. Title 1 leaf & 268 pages of music and lyrics. There is an owner's pencil name on the flyleaf. The pages are slightly toned. Very good. <p>Score for voice and piano.<p>"Opera.de Jules Barbier et Michel Carre. Musique de Ch. Gounod. Partition Chant et Piano Transcrite par Leo Delibes". Paris: Choudens, Editeur, circa [1890]. hardcover
183476361London: Simpkin & Marshall 1834. First Edition. Hardcover. Very Good Condition. A nice smart copy in the original publisher's cloth corners bumped and a little fraying at the top of the spine but presents very well. The plates are all present and the folding map often seen as a frontis is bound in at the rear. Size: Octavo. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Genealogy & Local History; Inventory No: 76361. . Simpkin & Marshall hardcover
184670805Charleston:: Babcock & Co. 1846. old deep purple straight-grain morocco and marbled sides; t.e.g. Some minor rubbing to the edges of the leather; a lovely copy. 16mo. Illustrated from engravings by Alex Anderson. Translated from the Latin. Babcock & Co., hardcover
1863List308N.p. 1863. Dark carved wood 11 ½ x 11 ½ x 1 inches with bone border and star inlays in corners an inlaid tree with carved names of Civil War battles as leaves. During the Civil War wounded or captured soldiers would often pass their time waiting to return to duty carving relics. The practice was fairly common with pipes being the most commonly carved object and the quality of the relics varied wildly depending on the talent of the soldier. A.H. Barber from Wisconsin was wounded at Antietam and most likely carved this memorial piece while recovering from his wounds. Each leaf notes a different battle during the 1861-1862 campaigns. Barber enlisted in Company C of the 2nd Wisconsin in 1861 and was discharged in 1863 following wounds suffered at Antietam. The trunk reads Battles for the Union and the four branches read Dept. of the South Army of Virginia & of the Potomac and Dept. of the West with twenty-nine leaves naming battles. <br /> <br /> The resultant plaque is exceptional in timeliness craftsmanship and overall aesthetic beauty. Barber’s metaphorically growing tree is particularly timely for the Union cause as the 1863 failure of the Maryland Campaign would serve as inspiration to Lincoln to issue the Emancipation Proclamation. Wonderfully preserved in excellent condition with no notable flaws. From the collection of Norm Flaydernman the noted Americana dealer who personally collected carved Civil War pipes and had been planning to write a book on the subject at the time of his death. unknown
188246900Paris, Paul Daffis, 1872-1879 (Umschläge: Librairie de Féchoz et Letouzey, 1882). Gr.-8°. Zus. über 5000 Sp., HPgmt.-Bde. d. Zt. m. etw. Rückenverg., je 2 goldgepr. Rückenschildchen u. den eingeb. OUmschlägen.
187943610Paris, Paul Daffis, 1872-1879. Gr.-8°. Zus. über 5000 Sp., Rote HLdr.-Bde. d. Zt. a. 5 Bünden m. reicher Rückenverg., goldgepr. Rückentiteln u. Kopfgoldschnitt.
1836List2949Clarke Cobb and Harris Counties Georgia 1836. Three documents. One four-page document measuring 5 x 8 ¾ inches likely previously a single sheet; water stained with some tearing at folds very good. One double-sided document measuring 8 x 10 inches; water stained and folded with large tears at folds possibly with part missing good. One single-sided document measuring 7 ¾ x 12 ¾ inches. Water stained and folded with large tears at folds much damage to margins good. Overall good. Three legal documents in which William Barber buys and sells plots of land shortly following the establishment of Cobb County. In 1834 and 1835 Barber buys plots from John Gann and Elizabeth Kennon for $100 each and in 1836 sells land to Gilbert Rake for $500. Gann is possibly the plantation owner Cobb County pioneer and State Senator. <br /> <br /> These land contracts date to a time at which a small number of Cherokee—whose territory included present-day Cobb County—had voluntarily left the area following the Indian Removal Act of 1830 while a majority had not done so. The Indian Removal Act required Indigenous people east of the Mississippi River to cede their land to Euro-Americans and move west of it to so-called Indian Territory now Oklahoma. In 1835 the US government met with a group of Cherokee claiming to represent the tribe in New Echota Georgia and signed a removal treaty. When the majority of the tribe viewing the treaty as illegitimate refused to move voluntarily the US government sent the military to intervene.<br /> <br /> Of interest to historians of Cobb County and land dealings between its early Euro-American residents during the removal of its Indigenous population. unknown
189357116East Hampton North Adams & Boston MA; Bethlehem PA & New York: Caulkins & Post Co.; Harry S. Millard; Henry Lindenmeyr & Sons; Stewart & Sparry; Pettinos Brothers Atha V. Hughes; Barber Leather Co.; N.N. Hill Brass Co. 1893-1918. 4to. 72 letters some mimeographed others typed carbon copies and a few ALS sized 5.75 x 9.25 in. up to 8.5 x 11 in. many on steel-engraved letterhead a couple on ruled paper and many featuring the offsetting from the leather dyes with over 40 attached samples of papers White coated sign muslin foundry sand and assorted leathers. All preserved in archival mylar sleeves in recent full calf 3-ring binder w/ stamping. An exceptional archive of original TLS many with original samples of paper leather and even sand which were used in ever increasing quantities by the noted manufacturer of sleigh bells bells pull toys and many other toys for children from the Gilded Age through World War I. The earliest letter dated Feb. 10 1899 includes two paper samples from the Henry Lindenmeyr & Sons Paper Warehouse in New York on Bleeker Street noting that “we can furnish in the shade of your sample at $ 8.00 per hundred sheets basis 25 x 36. We could not make less than a thousand yards.†Sixty or the majority of the letters and samples were sent by the Barber Co. beginning in 1902 and continuing into World War I. Their letters and samples describe the colour grain and general finish of the included samples as well as their perfect applications in “baby carriage straps shawl straps small cases i.e. for toys small tool boxes†and of course sleigh bells and bell hangers and bell flappers as well as handle grips. Leathers encompass Red Straight Grain Cowhide Pigskin straps Black Bell Leather Walnut Strap Leather and specialized leathers for tumbling purposes for brasswork. Barber 1836-1909 was the longtime owner and operator of the Barber Leather Co. in North Adams until his death when his son Archer Barber took over the business. Many of the samples offered to the Hill Brass Co. are mounted on TLS and TLS copy letters from Harry S. Millard who later was brought into the Barber Co. in 1914 as Treasurer of the Company. The samples here include splits black pig leather as well as embossed strips in assorted coloured leather Caulkins & Post whose building at 484-494 Main Street in Middletown was considered one of the first “modern†stores and specialized in drapes window shades furniture and bicycles before opening up their successful card dealership in 1903. The Hill Brass Co. required products beyond leathers & papers as shown by the reply to their request for a quote for White Sign Muslin waterproof textile intended for use on children’s carriages and go-carts. For their manufacturing processes they required foundry sands and the Pettinos Brothers based in Columbia Ceylon Bethlehem PA and Mexico sent them a sample of their plumbago “high grade Ceylon stock.†There is even a May 29 1905 solicitation letter from F. von Bardeleben after seeing the Hill Brass Co. exhibit at the 1904 St. Louis World’s Fair mentioning that his company can supply a “very fine grade of non-poisonous unchangeable paints to be used for painting toys.†The N.N. Hill Brass Co. founded by Norman Newton Hill 1863-1950 in 1889 operated until the early 1960’s was one of the largest factory’s in the World producing bells & toys and by the 1930’s produced Walt Disney merchandise. Along with the Bevin Brothers and other local Massachusetts foundries they manufactured Salvation Army bells sleight bells bicycle bells alarm bells and more. See: N.N. Hill Brass Company Business Correspondence Jay T. Last Collection of Transportation Huntington Library; Edward T. Howe Small Bells of Connecticut: One Town Made Sounds that Rang in Millions of Ears New England Historical Society 2019; Norman N. Hill Brass Company Connecticut Historical Society 2020. Caulkins & Post Co.; Harry S. Millard; Henry Lindenmeyr & Sons; Stewart & Sparry; Pettinos Brothers, Atha V. Hughes; Barber Leat hardcover
187788601Meaux: Imprimerie A. Cochet 1877. Fine. Journey through Palestine Egypt the Levant and Constantinople Imprimerie A. Cochet Meaux 1877 14.5 x 23 cm Broché Uncommon first edition illustrated with a double-page plan: ""Plan du Saint-Sépulcre à Jérusalem"" see Röhricht p. 587. Not in Blackmer or Atabey.The text is divided as follows: Letters on Italy and Egypt pp. 564 Palestine pp. 65604 the Levant and Constantinople pp. 605685.Minor tears to the spine and boards with some light foxing. Imprimerie A. Cochet hardcover
1812M12282Paris:: Crapart & C.L.F. Panckoucke 1812-22. 1812. Complete set of 60 volumes. 127 engraved plates list of subscribers in the index volume 10 folding charts; occasional foxing ink and water-stains. Modern quarter green spines over original marbled boards gilt-stamped black leather spine labels; re-backed. Ex-lib bookplates and ink stamps of the Norwich & Norfolk United Medical Book Society early ownership inscription of Hudson Gurney. Fine. FIRST EDITION. 19th Century French Medical Encyclopedia Possibly one of the most important encyclopedia/dictionaries of medicine ever assembled and certainly the earliest. As Diderot's encyclopedia became the model for assembling scientific knowledge this massive set brings together all that was known about medicine in the post-Napoleonic era. Included here are numerous engraved plates of surgical instruments of the period. Also illustrated are facial expressions and signs of mental abnormality many in the style of Esquirol's work. A smaller set Dictionnaire abrege des sciences medicales. . . was concurrently published however that set is only 15 volumes. In 1821-25 Panckoucke published Dictionnaire des sciences medicales Biographie medicale. . . which includes biographies of medical luminaries. Nicolas Philibert Adelon 1782-1862 and Francois Victor Merat 1780-1851 were two of the prominent contributors to this medical encyclopedia. <br /><br /> This compendious work was not included amongst the items exhibited by the Library of Congress in their Circle of Knowledge exhibition of the history of the encyclopedia. Panckoucke 1736-1798 was involved with issuing various encyclopedias beginning with Diderot's Encyclopedie which ". . . was an immediate success: a new edition was called for even before the first had been completed. C.J. Panckoucke proposed such a new edition in 1761 and bought the rights to the first seven volumes. He approached Diderot to edit a new revised edition and when Diderot refused began to reissue the original volumes. The government intervened in 1770 and seized the three which had appeared. After the death of the last of the original proprietors in 1775 Panckoucke published a five-volume supplement to the Encyclopedie and later in 1780 a two-volume index. The complete first edition comprises Diderot's twenty-eight volumes plus Panckoucke's seven; its publication spanned the years 1751-80." Circle of Knowledge 1979 p. 8. <br /><br /> Provenance: Hudson Gurney 1775-1864 was an antiquary and verse-writer of Norwich. He became an M.P. for Newtown in 1816 and sat in six successive parliaments. In 1835 he was high-sheriff of Norfolk and was elected fellow of the Society of Antiquaries 1819 was vice-president from 1822-46 a fellow of the Royal Society and a member of the British Archaeological Association. As such Gurney may have been the donor of this set to the Norwich & Norfolk Library. <br /><br /> DNB Vol. VIII pp. 803-4. Circle of Knowledge 1968 1979; Wellcome II p. 465. Crapart & C.L.F. Panckoucke, 1812-22. hardcover
1873025019London: S. W. Partridge. 1st printing 1873. 95pp ads. Original blue cloth with elaborate black and colour pictorial decoration on front board with gilt titles black publisher's monogram to rear board black decoration and gilt title panel to spine. VG copy binding square and tight corners gently bumped cloth covers clean but for stain to spine cover gilt still bright but spine a little dulled decorative colour school prize plate on front pastedown toning to endpapers otherwise internally excellent . Very Good. Hardcover. 1st Edition. 1873. S. W. Partridge hardcover
1882tnc396Libraire de Fechoz et Letouzey 1882. Hardcover. Good. Paris 1882; 5 VOLUMES VOLUMES I THROUGH IV PLUS SUPPLEMENT; French text; marbled paper covered boards; white cloth spine and corners; edge and corner wear with board exposed at corners; back strips chipped with holes finger smudges on covers; housed in a heavily taped cardboard box; 4to - over 9 3/4" to 12" tall; interior clean and unmarked; individually paginated; Additional shipping charges may need to be requested due to size or weight of book. Libraire de Fechoz et Letouzey hardcover
18721231018.06Paul Daffis Paris 1872. Hardcover. As New. 8vo hardcovers. Near fine condition. Quarter leather leather still supple; Leather spine Volume I mended. covers and contents clean unworn no marking or writing. Bindings square and tight with no cracking at endpaper seams. Paul Daffis, Paris hardcover
183250000Paris: Urbain Canel et Ad. Guyot 1832. Fine. Urbain Canel et Ad. Guyot Paris 1832 12.50 x 19.50 cm relié First edition. Two poems not reprinted in subsequent editions. Contemporary full brown shagreen binding spine with five raised bands decorated with gilt compartments and fillets triple gilt fillet framing the covers gilt dentelle framing the marbled paper pastedowns all edges gilt. A handsome copy. Urbain Canel et Ad. Guyot hardcover
185686468Paris: Paul Masgana 1856. Fine. Paul Masgana Paris 1856 11.50 x 18.50 cm relié Eighth edition with some parts in first edition as revised and corrected. Half-shagreen binding in dark green spine with five raised bands set with gilt dots and decorated with double gilt compartments marbled paper boards endpapers and pastedowns of combed paper contemporary binding. Handsome copy almost entirely free of foxing. Our copy is enhanced with a one-page autograph letter signed by Auguste Barbier addressed to his publisher Paul Masgana regarding corrections to be made to the proofs he had sent him for the publication of this eighth edition. Paul Masgana hardcover
184152484Paris: Paul Masgana 1841. Fine. Paul Masgana Paris 1841 11.50 x 19 cm relié Fourth edition. Bradel binding in full brown cloth smooth spine date and double gilt fillet at foot signed binding. Handsome copy. Paul Masgana hardcover
184116594Paris: P. Masgana 1841. Fine. P. Masgana Paris 1841 11.50 x 18 cm relié Fourth edition. Half red shagreen binding smooth spine faded decorated with double gilt fillets with minor rubbing at head. Some light foxing. P. Masgana unknown
183222686Paris: Urbain CanelAdolphe Guyot 1832. Fine. Urbain Canel Adolphe Guyot Paris 1832-1833 14 x 22.50 cm 2 volumes reliés en 1 First edition for the first text and second edition for the second. Full cardboard binding smooth spine olive shagreen title-label slight rubbing to one joint contemporary binding. Some foxing. Urbain CanelAdolphe Guyot unknown
184048730Paris: Paul Masgana 1840. Fine. Paul Masgana Paris 1840 14.50 x 22.50 cm relié First edition of which there were no deluxe copies. Bound in half cherry red Russian morocco with corners spine with five fine raised bands set with double gilt fillets decorated with double gilt compartments enhanced with gilt romantic tools gilt date at foot one joint showing traces of rubbing gilt fillet frame on marbled paper boards marbled endpapers and pastedowns covers and spine preserved handsome binding in the Romantic taste signed by Canape. Rare autograph inscription signed by Auguste Barbier to Monsieur Oliveira. Some minor foxing affecting mainly the margins of certain leaves. Handsome copy perfectly bound in a handsome pastiche Romantic binding by Canape. Paul Masgana hardcover
183772336Paris: Bonnaire 1837. Fine. Bonnaire Paris 1837 14 x 23 cm relié First edition. Bradel binding in checkered colored fabric with inner flaps smooth spine rubbed at foot black shagreen title labels marbled endpapers original covers with Magen's address preserved. Scattered foxing. Provenance: from the library of Alidor Delzant with his bookplate engraved by Loriot pasted on a pastedown. Bonnaire unknown
183770803Paris: Félix Bonnaire 1837. Fine. Félix Bonnaire Paris 1837 13.50 x 21.50 cm relié Edition with some parts in first edition. Autograph inscription from the author: ""A mon cousin et bon ami Sicard. Auguste Barbier."" ""To my cousin and good friend Sicard. Auguste Barbier."" Followed by a note: ""Après la mort de M. Sicard M. Auguste Barbier est venu à Angers et a donné ce livre à M. Selou notaire."" ""After the death of M. Sicard M. Auguste Barbier came to Angers and gave this book to M. Selou notary."" Iambes is augmented with 3 unpublished poems and the collection Lazare appears for the first time. Contemporary half green Russian leather with corners. Smooth spine decorated with a large central decorative panel roll tool at foot. Gilt title and date. Rubbing to corners. Some pale foxing and browning. Very handsome copy. Les Iambes initially appeared in 1832 and remains the author's best-known collection which made him immediately famous and made him the spokesman for the July 1830 Revolution and one of the essential figures of Romanticism. ""This collection ranks him among the greatest combat poets between Agrippa d'Aubigné and Victor Hugo"" Laffont-Bompiani Dictionnaire des Oeuvres. Hugo said he found in Iambes ""astonishing verses that no one else will ever write again"" and Baudelaire that he was ""naturally a poet and a great poet."" The series of poems on social misery Lazare which completes the work is one of Barbier's greatest successes and makes the entire collection the most important published by the author in an inspiration that the poet for many critics would never surpass again. NB : Cet ouvrage est disponible à la librairie sur demande sous 48 heures. Félix Bonnaire hardcover
1883006338Tours: Bousrez 1883. Un volume 225 cm di 156 con 5 heliogravures fuori testo su cartoncino. Brossura editoriale dorso spaccato che divide il libro in due. Fioriture a p.1. Extrait du Bullettin Monumental 1883. La prima parte di questa opera dedicata a Les Reliquies era stata pubblicata l'anno precedente. Non comune con le sue 5 riproduzioni ft e interessante. Bousrez unknown