Barber, Richard [editor]Biblio.com
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2000022634London: The Folio Society 2000. Book. Illus. by Roman Pisarev. As New. Hardcover. First Edition. 4to - over 9¾ - 12" tall. Hardcover small quarto volume bound in deep green quarter leather spine over ominous pictorial boards. 726 pages. Edited and introduced by Richard Barber. Illustrated with 16 full page duotone plates by Roman Pisarev. All three books bound as a single volume containing Arthur The Holy Grail and Tristan. First edition first printing. No previous ownership marks. Original invoice from Folio Society laid-in. Short hair-line split to slipcase at side at rear bottom edge nearly invisible. Book is clean fresh and unmarked. Slipcase is clean and solid with fault as noted. As new in a near fine slipcase. A large heavy book Priority and International orders will require additional postage charged at actual cost. . The Folio Society Hardcover
20008332London: The Folio Society. As New with No dust jacket as issued. 2000. First Edition. First Printing. Hard Cover. Quarter bound in publisher's green leather over illustrated boards gilt lettering on spine top edge green forest green endpapers. Illustrated with 16 full-page multi-color drawings by Roman Pisarev. Includes all three of Barber's books: Arthur; The Holy Grail; and Tristan as well as Introductions to each by Barber. . The volume is in perfect pristine condition unmarked unread tight square and clean. The green slipcase has only a couple of slight stains else fine. AS NEW/NEAR FINE slipcase . Multi-Color Drawings. Small 4to 9" - 11" tall. 726 pp . The Folio Society hardcover
2000205972London: Folio Society 2000. Hardcover. Book is as new clean tight & bright condition in a near new just faintly rubbed slipcase. 726pp. illus. Folio Society hardcover
2000X495London: The Folio Society 2000. Deluxe binding . Hardback. Fine/Slipcase. 8vo. Roman Pisarev. 726pp. 3 volumes set in a matching slipcase. 1st printing. Quarter black leather bindings with illus. boards. Green illus. slipcase near fine. No inscriptions or fading. The Holy Grail Tristan and Arthur. Small rubbig mark to the slipcase cover. <br/> <br/> The Folio Society hardcover
2000042578London: The Folio Society 2000. 1st Thus. Hardcover. As New/No Dust Jacket. large Octavo. Roman Pisarev. 1st printing. Beautifully quarter bound in black Morocco with excellent decorated covers. An unread book in an as new condition slipcase. The Folio Society hardcover
2000031605London: Folio Society 2000. Book. Illus. by Roman Pisarev. Near Fine. One Quarter Leather. First Folio Edition. 8vo - over 7¾ - 9¾" tall. Spine and quarter green leather with gilt and decorative green cloth front and back housed in green slip case. One volume. Two colour frontis and 15 additional illustrations. Edited and introduced by Richard Barber. Near fine some wear on bottom of case. Folio Society Hardcover
200011010The Folio Society 2000. Third Printing 2002. Hardcover. Very Good. Third Printing 2002. 3 vol. All volumes quarter bound in buckram with gilt lettered spines and decorated boards showing the sword in the stone highlighted in gilt. Arthur shows wear to the corners edges and front board mildly but the other two are very good. In original slipcase which shows sunning and some age related wear to the title panel. Please contact us if you need further information or scans. The Folio Society hardcover
2000058638The Folio Society 2000. First Edition Thus . Hardcover. Fine/Slipcase. 726 Pp. Hardcover In Slipcase. First Printing 2000. Quarter Leather Gilt Illustrated Cloth Dark Green Endpapers. Fine In Fine Slipcase. <br/> <br/> The Folio Society hardcover
20002027The Folio Society 2000. Book. Fine. Hardcover. 3rd Edition. THREE VOLUME SET IN SLIPCASE FINE. The Folio Society Hardcover
2000512701Folio Society 2000. Hardcover. FINE. FINE in FINE slipcase. Folio Society hardcover
1985c082110Garland Publishing 1985. Hardcover. As New. 8vo - over 7¾" - 9¾" tall. xi 278pp. Facsimile reprint of 1955 edition Clarendon Press Oxford. No dustwrapper as issued. <br/> <br/> Garland Publishing hardcover
1955000942Oxford at the Clarendon Press 1955. DJ price clipped separated at front hinge chipped to edges loss to foot of spine rubbed several tears. Only light wear to exterior of book small ink inscrip. to ffep else clean and tidy. Cloth. Very Good/Poor. 8vo. Oxford at the Clarendon Press Hardcover
1955837371955. First edition. Oxford University Press London. 1955. DW. xi 276 pages. Index. Unlaminated DW a little foxed and with sl. browned spine and v. sl. wear to edges o/w a very clean sound copy. unknown
192165059Paris: Georges Crès 1921. Fine. Georges Crès Paris 1921 14 x 22.50 cm relié Edition printed on laid Arches and illustrated with a frontispiece 7 inset plates in chiaroscuro and in-text vignettes by George Barbier. Binding in half chocolate brown morocco spine in five compartments with some scratches marbled paper boards wrappers and spine preserved top edge gilt. Georges Crès hardcover
191484687Paris: Lucien Vogel éditeur 1914. Fine. Lucien Vogel éditeur Paris Janvier 1914 19 x 24.50 cm une feuille Original color print heightened with gold printed on laid paper signed at bottom right of the plate. Original engraving created for the illustration of La Gazette du bon ton one of the most beautiful and influential fashion magazines of the 20th century celebrating the talent of French creators and artists in the full bloom of Art Deco. Famous fashion magazine founded in 1912 by Lucien Vogel La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920 due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is illustrated notably with 573 color plates and 148 sketches representing models by great couturiers. From their publication these luxurious publications ""addressed bibliophiles and worldly aesthetes"" Françoise Tétart-Vittu ""La Gazette du bon ton"" in Dictionnaire de la mode 2016. Printed on fine laid paper they use a typeface specially created for the magazine by Georges Peignot the Cochin character adopted in 1946 by Christian Dior. The prints are created using the metal stencil technique heightened in colors and for some highlighted with gold or palladium. The adventure begins in 1912 when Lucien Vogel man of the world and fashion - he had already participated in the magazine Femina - decides to found with his wife Cosette de Brunhoff sister of Jean father of Babar the Gazette du bon ton whose subtitle was then ""Art modes et frivolités"". Georges Charensol reports the words of the editor-in-chief: ""In 1910 he observes there existed no fashion journal truly artistic and representative of the spirit of its time. I therefore thought of making a luxury magazine with truly modern artists . I was certain of success because for fashion no country can rival France."" ""Un grand éditeur d'art. Lucien Vogel"" in Les Nouvelles littéraires n°133 May 1925. The magazine's success is immediate not only in France but also in the United States and South America. Originally Vogel thus brings together a group of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt; and finally his friends from the École des beaux-arts who are George Barbier Bernard Boutet de Monvel or Charles Martin. Other talents quickly come to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Charles Martin Maggie Salcedo. These artists mostly unknown when Lucien Vogel calls upon them will subsequently become emblematic and sought-after artistic figures. These same illustrators create the drawings for the Gazette's advertisements. The plates highlight and sublimate the dresses of seven creators of the era: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The couturiers provide exclusive models for each issue. Nevertheless some of the illustrations feature no real model but only the idea that the illustrator has of the fashion of the day. La Gazette du bon ton is a decisive step in fashion history. Combining aesthetic demands and plastic unity it brings together for the first time the great talents of the world of arts letters and fashion and imposes through this alchemy a completely new image of woman slender independent and audacious also carried by the new generation of couturiers Coco Chanel Jean Patou Marcel Rochas. Taken over in 1920 by Condé Montrose Nast La Gazette du bon ton will largely inspire the new composition and aesthetic choices of the ""small dying journal"" that Nast had bought a few years earlier: Vogue magazine. Lucien Vogel éditeur unknown
191108572G. Schirmer Inc 1911. Hardcover. Very Good. Green cloth boards with gold decoration are worn at the corners with threads showing spine is darkened tearing at the head/tail. Name sticker inside front cover the title page has been repaired with tape. Copyright is 1911 no indication of printing or edition. All orders packed with care most dust jackets protected by Brodart sleeve independent bookseller since 2011 G. Schirmer, Inc hardcover
1961138062Paris: René Julliard - Paris 1961. Broché. Etat moyen. in-8. 299 pp. Sous jaquette éditeur illustrée. Plis de lecture sur dos déformé. Intérieur jauni. Poinçonnage "S.P." en fin de volume. René Julliard - Paris unknown
1972Alibris.0041091Yaoundé Cameroon: J. -C. Barbier. 1972. Hard cover. Very good. cover wear around the edges hinge is partly-torn between front cover & FFEP not affecting binding. 27 p. Includes illustrations. Consists of 20 pages of photographic illustrations on photographic paper with 7 pages of explanatory text. J. -C. Barbier hardcover
19348726<p>First edition with Barbier's suitably libertine pochoir coloured illustrations. Number 206 of 650 copies on papier de Rives the total edition of 720 copies.</p><p>2 vols 4to 265 × 200 mm pp. 4 218 2; 2 217 3. 28 pochoir colour illustrations by Barbier consisting of 2 original upper cover illustrations 20 full page plates 2 decorative title pages 2 chapter heading vignettes and 2 justification vignettes. Original wrappers very lightly browned towards the margins spines slightly creased upper hinge of one volume slightly fragile. A very good set.</p> [R. Coulouma in Argenteuil for] Le Vasseur.
1902C88944Paris: Dunod 1902. Hardcover Hardcover. Very Good. Rebound in full red cloth and new endpapers without original wraps. A very good indeed clean tight copy. Small owners initial stamp to title page. Dunod, hardcover
195620270Paris : Societe de l'Industrie Minerale 1956. First Edition. Hardback. Folio; The plates loosely inserted into a large cloth folder and housed in the original title-printed slp-case. Particularly and surprisingly well-preserved; tight bright clean and especially sharp-cornered.; 110 pages; Description: 110 p. chiefly mounted ill. part coloured ; 39 cm. The French edition has become especially scarce. Limited; Number 697 of 2090 only. Subject: Industries in art --Mines and Mineral Resources. Paris : Societe de l'Industrie Minerale hardcover
1930118944Paris: A. et G. Mornay 1930. Number 198 of 1000 copies for sale; one of 847 copies printed on Hollande paper. There were also 91 copies hors commerce. 2 vols quarto. Original printed paper wrappers. With the glassine dust jacket. Glassines a little chipped. Very nice copies. unknown
19302091202133212977A. & G. Mornay 1930. Soft Cover. Fine. Volume: 1 A. & G. Mornay paperback
