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AIB379_DM018681_379People Post Press 2016-04-01. paperback. New. Ship out in 2 business day And Fast shipping Free Tracking number will be provided after the shipment.Paperback. Pub Date: 2016-04-01 Pages: 730 Language: Chinese Publisher: People Post Press C Primer Plus 6th Edition Chinese version of explain in detail the basic concepts and C language programming skills. C Primer Plus 6th Edition Chinese version of 17 chapters. Chapters 1 and 2 describes the C programming language prior knowledge. 3 to 15 gave a detailed knowledge of C language. including data types. formats input and output. operators. expressions. statements. loops. character input a. Satisfaction guaranteedor money back. <br/><br/> People Post Press paperback
174325189Leiden: Joannem & Hermannum Verbeek 1743. From the first edition of one of the greatest of all Anatomical Atlases. Tabula IX which features Albinus and Wandelaar's famous "Muscle Man" a skinned figure whose musculature is visible and defined as viewed in walking profile with the left arm raised and the right foot forward his head is turned slightly away from the viewer. Elephant folio 620 by 475 mm single folio sheet now mounted with the use of none-evasive corner tabs and protected by mylar. Very well preserved fully intact with only the most minor evidence of age. ONE OF THE MAGNIFICENT PLATES FROM "AMONG THE MOST ARTISTICALLY PERFECT OF ANATOMICAL ATLASES." Wandelaar placed his skeletons and musclemen against lush ornamental backgrounds to give them the illusion of vitality using contrasts of mass and light to produce a three-dimensional effect. The most famous plate in the atlas depicts a skeletal figure standing in front of an enormous grazing rhinoceros sketched by Wandelaar from the first living specimen in Europe which had arrived at Amsterdam zoo in 1741" Norman.<br> The plates in this large folio work and in the four supplementary works in large folio with which it is bound are unsurpassed for their cool elegant aesthetic and scientific accuracy. They were drawn and engraved by Jan Wandelaer a pupil of the engravers Jacob Fokema and Guillem van der Gouwen and the painter Gerard de Lairesse who prepared the drawings for Bidloo's atlas. Prior to working for Albinus Wandelaer worked for Friedrik Ruysch. Albinus however provided Wandelaar with the opportunity for the full expression of his talents as a draftsman and engraver. <br> In an attempt to increase the scientific accuracy of anatomical illustration Albinus and Wandelaar devised a new technique of placing nets with square webbing at specified intervals between the artist and the anatomical specimen and copying the images using the grid patterns. Wandelaer placed each figure in a carefully chosen landscape setting and the artistic results are so pleasantly successful that the anatomical figures although composed of many separate parts appear to be actually stepping out of the picture. Joannem & Hermannum Verbeek unknown
174025188Leiden: Joannem & Hermannum Verbeek 1740. From the first edition of one of the greatest of all Anatomical Atlases. Tabula V which features Albinus and Wandelaar's famous "Muscle Man" a skinned figure whose musculature is visible and defined as viewed from behind standing with the left arm raised right arm turned and his weight shifted to the right foot. Elephant folio 620 by 475 mm single folio sheet now mounted with the use of none-evasive corner tabs and protected by mylar. Very well preserved fully intact with only the most minor evidence of age. ONE OF THE MAGNIFICENT PLATES FROM "AMONG THE MOST ARTISTICALLY PERFECT OF ANATOMICAL ATLASES." Wandelaar placed his skeletons and musclemen against lush ornamental backgrounds to give them the illusion of vitality using contrasts of mass and light to produce a three-dimensional effect. The most famous plate in the atlas depicts a skeletal figure standing in front of an enormous grazing rhinoceros sketched by Wandelaar from the first living specimen in Europe which had arrived at Amsterdam zoo in 1741" Norman.<br> The plates in this large folio work and in the four supplementary works in large folio with which it is bound are unsurpassed for their cool elegant aesthetic and scientific accuracy. They were drawn and engraved by Jan Wandelaer a pupil of the engravers Jacob Fokema and Guillem van der Gouwen and the painter Gerard de Lairesse who prepared the drawings for Bidloo's atlas. Prior to working for Albinus Wandelaer worked for Friedrik Ruysch. Albinus however provided Wandelaar with the opportunity for the full expression of his talents as a draftsman and engraver. <br> In an attempt to increase the scientific accuracy of anatomical illustration Albinus and Wandelaar devised a new technique of placing nets with square webbing at specified intervals between the artist and the anatomical specimen and copying the images using the grid patterns. Wandelaer placed each figure in a carefully chosen landscape setting and the artistic results are so pleasantly successful that the anatomical figures although composed of many separate parts appear to be actually stepping out of the picture. Joannem & Hermannum Verbeek unknown
174025187Leiden: Joannem & Hermannum Verbeek 1740. From the first edition of one of the greatest of all Anatomical Atlases. Tabula V which features a human skeleton in a three-quarter view and seen from the rear is portrayed in a walking motion with the left hand raised and extended. Elephant folio ca. 620 by 475 mm single folio sheet now mounted with the use of non-evasive corner tabs and protected by mylar. Very well preserved fully intact with only the most minor evidence of age. ONE OF THE MAGNIFICENT PLATES FROM "AMONG THE MOST ARTISTICALLY PERFECT OF ANATOMICAL ATLASES." Wandelaar placed his skeletons and musclemen against lush ornamental backgrounds to give them the illusion of vitality using contrasts of mass and light to produce a three-dimensional effect. The most famous plate in the atlas depicts a skeletal figure standing in front of an enormous grazing rhinoceros sketched by Wandelaar from the first living specimen in Europe which had arrived at Amsterdam Zoo in 1741" Norman.<br> The plates in this large folio work and in the four supplementary works in large folio with which it is bound are unsurpassed for their cool elegant aesthetic and scientific accuracy. They were drawn and engraved by Jan Wandelaer a pupil of the engravers Jacob Fokema and Guillem van der Gouwen and the painter Gerard de Lairesse who prepared the drawings for Bidloo's atlas. Prior to working for Albinus Wandelaer worked for Friedrik Ruysch. Albinus however provided Wandelaar with the opportunity for the full expression of his talents as a draftsman and engraver. <br> In an attempt to increase the scientific accuracy of anatomical illustration Albinus and Wandelaar devised a new technique of placing nets with square webbing at specified intervals between the artist and the anatomical specimen and copying the images using the grid patterns. Wandelaer placed each figure in a carefully chosen landscape setting and the artistic results are so pleasantly successful that the anatomical figures although composed of many separate parts appear to be actually stepping out of the picture. Joannem & Hermannum Verbeek unknown
17252168Netherlands 1725. Pair of embossed silver book covers 34 x 25 x 3 cm; each cover with a large scrollwork cartouche surrounded by extensive vine and flower decorations and with medallion portraits in each of the four corners the front showing the crucifixion flanked by Mary and St. John with an INRI scroll above flanked by a crescent moon and a sun and a skull and crossbones below with portraits of four saints each with a blank scroll above left bearded with a regal crown; above right clean-shaven with a round-topped mitre; below left and right bare-headed and bearded the back showing the resurrection with an angel and two astonished guards with portraits of the four Evangelists. Beautiful richly decorated early 18th-century Dutch silver binding. The large silver covers together weighing about 750 grams bear no silver marks. Although no spine is present the clasps show that the binding was made for a book about 2 cm thick suggesting 200 or 300 pages so most likely made for a folio missal. The clasps are hinged to the back cover each with a round hole that fastens to a round-headed pin on the fore-edge of the front cover.With a 1 cm crack on the fore-edge of the back cover another slightly affecting the arm of one guard and a few tiny holes where the tips of the noses of some figures have worn but still generally in good condition. A lovely and unusually large pair of embossed silver book covers.l Cf. J.W. Frederiks Dutch silver vol. 4 1961 nos. 238-239 & plates 235-237 vaguely similar silver bindings from 1732 & 1738; nothing similar in J.F. Hayward Silver bindings from the J.R. Abbey collection. unknown
191041953Portland ME: Warren Mansfield Co. 1910. 4to. 168 pp. 1000s of pieces illustrated in blk & wht photos. Illust. printed softcvrs cover art of Hermes in Art Nouveau Style w/ border mnr shlfwr slght rubbng still a VG copy stapled as issued. First edition thus of this exceedingly scarce and invaluable reference catalogue of Edwardian & Art Nouveau jewelry in gold & silver as well as fountain pens cutlery dinnerware grooming cases and much more. Brooches necklaces pendants pins rings bracelets lockets charms watches hat pins sewing sets thimbles and so much more. Warren Mansfield Co., unknown
191047968Sheffield England: William & George Sissons Walter & Charles Sissons ca. 1910. Sml. 4to. 1 27 leaves original silver gelatin photos some leaves containing 2 images 6 x 8 in. mounted on white-linen hinges. Printed gray softcovers yapp fore-edges W.&G.S. Bell trademark on front cover printed lettering punch sewn at gutter margin in Japanese style w/ green silk braid minor edgewear rubbing VG copy. First edition of this very scarce sample photographic Edwardian catalogue for Sissons Company sterling silver ware and silver plate. The images all have stock numbers below each and include complete silver tea service sets coffee pots serving platters serving dishes roasters chafing dishes gravy boats soup tureens cut crystal decanters silver punch bowls and much more. William Sissons Jr. and George Sissons took over and expanded the firm of Smith Sissons & Co. in 1864 and continued to operate the silver firm in Sheffield until 1887 when Walter Sissons and Charles Sissons took over the firm and operated the business and London Showroom. The firm continued until 1943 when the silversmiths business was transferred to Bell Reproductions Ltd. [William & George Sissons, Walter & Charles Sissons], paperback
186646114Boston 1866. First edition. Self wrappers. A very good copy one corner creased minor wear and soiling to margins. 7 pp. Sm. 4to. Includes comparison with the Gould & Curry and the Ophir mines. Eberstadt 138: 509. unknown
1920171318New York: American Civil Liberties Union 1920. Pamphlet. 14p. stapled wraps paper browned rear wrap chipped ex library with withdrawn stamp. American Civil Liberties Union unknown
189244295Denver: Press of W.F. Robinson & Co. Printers and Book Binders 1892. 1892. 6 1/4" x 9 1/4" light blue/green wrappers with title and decorations in red and silver gilt. Tied at spine. Illustrations. Text and photographs in burgundy. Portraits of members of various committees. List of mountain peaks and passes in Colorado along with their elevations followed by photographs and information about Aspen Boulder Breckenridge Buena Vista Canon City Gilpin County Colorado Springs Durango Fort Collins Georgetown Glenwood Springs Greely Green Mountain Falls Gunnison Hagerman Pass Idaho Springs Lake City Leadville Longmont The Loop Manitou Marshall Pass Montrose Monte Vista Ouray Pueblo Dolores County Salida Silver Plume Silverton and Telluride. 1/4" x 1" chip to bottom corner of front wrapper along with light wear to the extremities and spine ends. A very nice presentation. Press of W.F. Robinson & Co., Printers and Book Binders, 1892. unknown
198421716NY: International Center of Photography 1984. Paperback. Very good. Paperback. 16 page exhibition catalog in stapled wraps. Light rubbing mailing label and postage affixed to rear otherwise very good. <br/><br/> International Center of Photography paperback
1900D9232c. 1900. Hardcover. Very Good. Mottled cloth; oblong 170 x 140 mm; contains 50 photographs mounted direct to the recto and verso of black leaves. Most are silver prints plus a platinum a large image of breaking waves and a cyanotype; average size about 4 x 2.75 inches with some a bit smaller or larger. Backstrip torn; a few leaves detached. Taken by or related to an artist who appears to have specialized in architectural ornamentation. Includes snapshots depicting figures and buildings from different vantage points views of the studio including a close-up of drawings pinned to the wall a besmocked artist in front of an easel scenes of family a besmocked artist in front of an easel. And kittens! Plus a cyanotype of a classroom. <br/><br/> hardcover
18559026London: The Art-Union of London 1855. First editions thus. 3 vols 4tos various paginations. Each with 30 engraved plates by various artists accompanying the text. Uniformly bound in half brown morocco elaborately gilt spines textured cloth boards marbled endpapers and page edges. Some rubbing to boards mainly at joints and corners scattered light foxing. A near fine set. <br /> <br /> Three finely printed and bound volumes from a series produced by the Art-Union of London. These are profusely illustrated editions of popular works of English poetry with plates from various artists produced expressly for the Art-Union. A handsome set. The Art-Union of London unknown
1831D8879Rome: Cuccioni 1831. Paperback. Good. Original printed wrappers; oblong 8vo; with engraved title page and 58 plates. Wraps and first two leaves with significant edgewear; otherwise corners a little dog-eared and some light spotting. Sold as is. <br/><br/> Cuccioni paperback
1842D8878Rome: Cuccioni 1842. Hardcover. Good. Contemporary half morocco; oblong 8vo; with engraved title-page and 77 of 80 plates. Binding worn; plates detached from binding and a little foxed but overall clean and suitable for display. A nice breaker copy sold as is. <br/><br/> Cuccioni hardcover
19028927Paris New York: Goupil & Co. Art Publishers 1902. First edition number 159 of 200 copies on Holland Paper. Large 4to 31x24cm 87pp of text interleaved with over 100 plates and tipped in illustrations in color and black and white. Publisher's 3/4 red morocco over marbled boards spine lettered in gilt with marbled paper endpapers. Upper joint and edges of boards rubbed small split to upper joint at head of spine. Former owner's bookplate to front pastedown ticket from the Gotham Book Mart to rear. Page block somewhat toned mainly the protective papers else clean internally and very good. <br /> <br /> Heavy volume and elegantly produced being a review and analysis of the art exhibitions held in Paris in 1902. Finely printed plate facsimiles of paintings and sculptures exhibited make up most of the book. Text is in English being translated from the French by Paul Villars. Hamel produced several of these volumes beginning in 1890 this being one of the more extravagant in deluxe binding. Goupil & Co., Art Publishers unknown
38019Providence RI: Silver Bullet Gallery 1983. Near Fine. Providence RI: Silver Bullet Gallery 1983. First Edition Limited to 100 copies. Elephant folio 54cm; original blue cloth clamshell box portfolio front cover lettered in silver foil; contents loose as issued including bifolium title page with introductory text and table of contents and twelve 12 original mounted photographs some in color but chiefly halftone. Light wear and dust-soil to clamshell box contents in Fine condition. <br /> <br /> Portfolio of photographs by artists chiefly associated with the Rhode Island School of Design RISD. Signed by contributors Bill Aron Barnaby Evans and Arno Minkkinen in margin of their photographs. A beautiful collection of late 20th century photography. No examples separately catalogued in OCLC as of March 2026. Silver Bullet Gallery unknown
196421751Silver Burdett With Time and Life. 1964. Poster. Very Good. World Events. A News Publication of Silver Burdett in Association with Time and Life. Volume II Issue 30: April 13 1964. The poster depicts a large birdview's view of the exhibition map in the center surrounded by the major attractions of the exhibition: Unisphere Futurama Space Pietà Dinosaurs. The poster also recalls previous World Fairs: Paris 1889 Tour Eiffel 1876 Philadelphia US Centennial Fair and the 1939 New York World's Fair. . Silver Burdett With Time and Life unknown
19819633New York: Silver Hands Press 1981. Original Wrappers. Very Good binding. Octavo. 20 pp. illus. Limited edition number 44 of 155 copies. Signed by Ignatow at the colophon. As issued in publishers wrappers; surprising silver endleaves grace a beautifully designed and printed book. Silver Hands Press unknown
192969880U. P. M. Co. Utah Photo & Music Company 1929. Postcard. Near Fine. Real photo postcard 3.5 x 5.5 inches with divided back. Postally unused. NOKO stamp box. A few hints of age toning. Beautiful image looking down on the majestic Silver Lake at Brighton UT. U. P. M. Co. [Utah Photo & Music Company] unknown
AQ28607s.i.: s.n. 1885-86 45 leaves 23 used the remainder blank. Later limp black cloth. Extremities worn. Internally clean and crisp. Armorial bookplates of Peter Campbell and Charles William Orde loosely inserted. A late eighteenth-century manuscript inventory in a single legible hand recording the silver plate gold plate and china at the estate of the Campbell-Orde baronets Kilmory House Argyll. The majority of the plate is registered by the chest in which it was housed one marked as the property of Royal Navy officer Admiral Sir John Orde 1751-1824 another as belonging to the second baronet Sir John Powlett Orde 1803-1878 who following the death of both his wife and father-in-law inherited Kilmory. Orde rebuilt the house in a Gothic style to a design by architect Joseph Gordon Davis and remodelled the grounds with the aid of William Jackson Hooker. He was succeeded by his son Sir John William Powlett Orde 1827-1897 who in 1880 obtained Royal Licence to assume the surname of Campbell- Orde. Kilmory is now the headquarters of Argyll and Bute Council. . Quarto. [s.n.], [1885-86] hardcover
19103446S.l. 1910. Good. 168 x 115 mm photograph bowed and slightly crinkled. Lovely romantic photograph of a young woman wearing a white shirt and broach holding a long branch which she dangles into the water; her gaze is drawn to the other side of the river her expression seemingly wistful. We have been unable to identify the subject of this remarkable vintage photograph. <br /> <br /> From the Dorothy Sloan collection of Women in the West. unknown
34367SILVER. American Church Silver of the 17th and 18th Centuries with a Few Pieces of Domestic Plate. Exhibited at the Museum of Fine Arts Boston 19ll. Illus. Very good in orig. cloth-backed boards. unknown
112696London I. K. Green 34 Lambeth Square sold by Moss Hyams 1830. Hand coloured engraved plate. 249x200 mm. Mounted in passepartout. Probably a part of a serie of theatre plates this is numbered 40. Full length portrait of the actor E. F. Saville as Jack Sheppard in the adaptation of Harrison Ainsworth's novel by J. T. Haines; striking a stance with legs apart facing 3/4 to the left and firing a pistol. Jack Sheppard 1702-24 was an 18th-century English thief who managed four spectacular escapes from London prisons before he was hanged in 1824. He became a favourite figure in verse popular plays romances and burlesques.John Kilby Green was a publisher of theatrical prints sold through agents not from his own address often with imprint 'I K Green and he spent the most of this time in the Toy theatre “Juvenile Drama†industry. unknown
193215316np: privately printed 1932. 1st. Hardcover. Very Good. 10.7x8.8x0.7in. #81 of 85 copies linen cover with applied leather labels to cover and spine; wear to cloth at corners and 1/2 inch at top of rear hinge 1/8 inch hole in cloth on back cover contents bright and clean. <br>Illustrated with beautiful photogravure plates. <br>1.57lb 10.7x8.8x0.7in privately printed hardcover