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2010x-0789036347Routledge 2010. Hardcover. New. 1st edition. 175 pages. 9.00x6.25x0.50 inches. Routledge hardcover
0282199985.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1961mon0003804775Louisiana State University Press 1961. Hardcover. Good. . Ex-library book with stamps and/or stickers. Louisiana State University Press hardcover
Q-0393004228W. W. Norton & Company 2067-10-16. paperback. New. New. In shrink wrap. Looks like an interesting title! W. W. Norton & Company paperback
2009Q-0099543559Arrow Books 2009-10-01. Paperback. New. In shrink wrap. Looks like an interesting title! Arrow Books paperback
0906772419.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2019x-3030136388Palgrave Macmillan 2019. Hardcover. New. 362 pages. 8.27x5.83x1.10 inches. Palgrave Macmillan hardcover
2019789VB2019. 1st ed. 2020. Cham Springer International Publishing 2019. 15 x 21 cm. XV 344 S. XV 344 p. 2 illus. Hardcover. Versand aus Deutschland / We dispatch from Germany via Air Mail. Einband bestoßen daher Mängelexemplar gestempelt sonst sehr guter Zustand. Imperfect copy due to slightly bumped cover apart from this in very good condition. Stamped. hardcover
35860031-nnew. unknown
35860031like new. unknown
2020x-3030136418Palgrave Macmillan 2020. Paperback. New. 360 pages. 8.27x5.83x0.82 inches. Palgrave Macmillan paperback
2023206270Greenwich CT: Bruce Museum 2023. Hardcover. As new. Quarto. Hardcover. Illustrated boards. No jacket as issued. 132 pages : illustrations chiefly color map ; 32 cm. "For three decades Connecticut was a true international center of innovation in the arts. Although turn-of-the-century landscape painting has been justly celebrated at the Bruce and elsewhere the significance of the state’s place in the history of 20th century modernism has gone largely unnoticed. Coinciding with the arrival from Paris in Roxbury of sculptor Alexander Calder and his wife Louisa in 1933 and the political climate in Europe transplanted Parisian artists transformed Connecticut into a Surrealist capital-in-exile. Painter Yves Tanguy settled in Woodbury with his American wife painter Kay Sage whose cousin sculptor David Hare lived near the Calders in Roxbury while Rose and André Masson moved to New Preston. Several significant artists of the Magic Realist mode an important movement of the interwar years also lived and worked in Connecticut: Peter Blume and his wife in Sherman and Pavel Tchelitchew and Paul Cadmus in Weston. Recently arrived French sculptor Louise Bourgeois and her American husband art historian Robert Goldwater bought a place in Easton in 1941. The great Armenian-born New-York-based painter Arshile Gorky eventually moved to Roxbury. Just as the Parisian avant-garde and its American devotees were drawn to Connecticut so were major members of the vanguard wing of German art. Artists architects and designers who had studied and taught at the Bauhaus found their way to America after Hitler closed the school in 1933 including painting professor Josef Albers and his wife weaver Annie Albers. They moved to Connecticut in 1950 after Josef was made chair of the design department at the Yale School of Art. Bauhaus architect and designer Marcel Breuer began teaching at Harvard in 1937. Among the students who would come under his influence were Philip Johnson Landis Gores John Johansen and Eliot Noyes. Collectively they would come to be known as the Harvard Five. In fact they might more accurately be called the New Canaan Five since all of them would go on to build acclaimed modernist houses in New Canaan. Most notable of these is Philip Johnson’s Glass House of 1949. Residing in the state were the legions of art world “movers and shakers†who amassed modernist collections and influenced the institutions with which they were connected. Artist and collector Katherine Dreier along with Marcel Duchamp and Man Ray co-founded the pioneering organization for the exhibition of contemporary art the Société Anonyme whose holdings would eventually be split between MoMA and Yale. During the last decade of his life photographer Walker Evans taught at the Yale School of Art from which in 1960 sculptor Barbara Chase-Riboud became the first African American woman to receive the MFA. In just over a year 1933–34 A. Everett “Chick†Austin trailblazing director of the Wadsworth Atheneum co-sponsored choreographer George Balanchine’s immigration to the U.S. organized Picasso’s first retrospective in America and staged the world premiere of the opera Four Saints in Three Acts with book by Gertrude Stein and music by Virgil Thomson and sets and costumes by Florine Stettheimer. The art collection in Farmington of James Thrall Soby--who in 1931 had worked with the Wadsworth to organize the first museum exhibition of Surrealism--included masterpieces by Picasso De Chirico Balthus and Calder among many others; it became a pilgrimage site for all those interested in contemporary art in the 1930s and 1940s. Soon after Burton and Emily Tremaine began to assemble the Miller Company Collection of Abstract Art in Meriden; pacesetting dealer Edith Halpert resident of Newtown created an essential link between contemporary art and American folk art; and dealer of Surrealist art Julien Levy resided in Bridgewater. The exhibition concludes with a selection of works by major figures including Robert Motherwell Helen Frankenthaler Sol LeWitt Cleve Gray and Jasper Johns who helped maintain Connecticut as an important site of contemporary art making." -- Bruce Museum website. Bruce Museum hardcover
197610339Hartford: Connecticut Historical Society 1976. 1st. Hardcover. As New. 10.3x7.3x0.7in. Signed by Authors. signed by author; new copy in glassine. <br>Illustrated with 194 figures. <br>194pp 1.65lb 10.3x7.3x0.7in Connecticut Historical Society hardcover
1990239761PN. New. 1990. Soft Cover. Date is original print. This is a reprint edition . PN paperback
2016AME_9781781545713Auris Press 2016. 1St. Hardcover. New/New. Auris Press hardcover
2016DBS-9781781545713Auris Press 2016. 1St. Hardcover. New. Auris Press hardcover
2016DBS-9781781545713Auris Press 2016. 1St. Hardcover. New. Auris Press hardcover
20191-3330197684Novas Edições Acadêmicas 2019. Paperback. New. 344 pages. Portuguese language. 8.66x5.91x0.78 inches. Novas Edições Acadêmicas paperback
0792386892.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2012DADAX1461370868Springer 2012-10-04. Softcover reprint of the original 1st ed. 2000. paperback. New. 6.10x0.59x9.25. Buy with confidence. Excellent Customer Service & Return policy. Springer paperback
1461370868.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2000DADAX0792386892Springer 2000-01-31. 2000. hardcover. New. 6.14x0.63x9.21. Buy with confidence. Excellent Customer Service & Return policy. Springer hardcover
2012SONG1461370868Springer 2012-10-04. Softcover reprint of the original 1st ed. 2000. paperback. Used: Good. 6.10x0.59x9.25. Buy with confidence. Excellent Customer Service & Return policy. Springer paperback
ria9780792386896_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A hardcover
ria9781461370864_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A paperback
