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This is a very good softcover copy with just light wear. Completely clean inside and out. This is a sale catalog for an auction held at Sotheby's New York on January 27, 1989. Sale code: 5809 "SAMET". The sale consisted of 18th, 19th and 20th century American silver. 134 lots in the sale. All illustrated, some in color. No prices realized sheets, just price estimates for each lot. 11" high X 8" wide. This book will be securely packed and shipped with tracking.
A clean, unmarked book with a tight binding. 10 3/8"w x 9 7/8"h. 144 pages.
pp. xviii, 371. Illustrated. Softbound. Johns Hopkins paperback. Small 4to. Original wraps. Near fine. W100
4to [30 x 22 cm]; 2 volumes, [vi], 92; [iv], 104 pp, complete with 96 fine engraved plates and 13 engraved maps including one folding, on heavy india proof paper. contemporary half red morocco, marbled boards, all edges gilted, gilt spine title lettering, joints rubbed and scuffed, some plates pulled but intact, internal hinge cracked but firm, very good, clean copy with only light foxing on a few plates. A picture A superbly illustrated work on 12 mountain passes including the Little Saint Bernard, the Mont Genevre, the Mont Cenis, the Mont Saint Gothard, the Great Saint Bernard, the Monte Stelvio, the Cornice, the Grimsel and the Gries, the Bernardine and the Splugen, the Brenner, the Tende and the Argentiere and the Simplon, each pass with a map. Neate B170. The painter Brockedon traversed the Alps 58 times, crossing more than 40 different passes, in the course of his researches. He had helped in the preparation of Murray's Swiss guidebook.
Bross. edit. di cm. 27x23, copert. a colori, pp. 178-(2), ill.ni in nero, tavole a colori, monete, carte. Catalogo della Mostra organizzata a Roma a Pal. dei Conservatori dal 3 dic. al 14 febb. 1988. Perfetto.
Mm 235x270 Brossura editoriale con bandelle di pp. 179, catologo della mostra di Milano, 5 marzo 30 aprile 1988, con illustrazioni in bianco e nero e a colori, in buono stato. 2SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
244 p. : illustrato a colori ; 24 cm. Libro di ricordi del pittore bresciano Oscar Di Prata. Brossura illustrata, timbri di ex libris (biblioteca d’arte, libro dismesso). Ottimo. ****.
Collana: Scienza, maggio 1998. Traduzione di Andrea Plazzi. Rilegato con copertina rigida e sovraccoperta. Prima edizione. Esemplare in condizioni eccellenti. Spedizioni tracciabili con raccomandata entro 24 ore dall'ordine. First edition. Hardback cover with dust jacket in fine conditions, no price clipped, no inscriptions or markings inside. Worldwide delivery.
In-8 (cm. 22.60), cartonato editoriale, sovracoperta editoriale illustrata, pp. 248, (8), con illustrazioni in bianco e nero nel testo e fuori testo. Prima edizione. Minime, ininfluenti tracce d’uso alla sovracoperta; peraltro, volume in ottimo stato (nice copy).
Milano, 1930, 8vo stralcio con copertina posticcia muta, pp. 1279/1286 con 9 illustrazioni fotografiche. - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo, completo in se, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo è composto da tre pagine. Quando la rivista di provenienza non viene indicata é perché ci è sconosciuta. - !! ATTENTION !!: : NOT A BOOK : “extract” or “excerpt” means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from” “to", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.
In-4 (cm. 32), cartonato editoriale, pp. 205, (3), con illustrazioni in bianco e nero nel testo. Prima edizione. Leggere ammaccature alle cuffie e minime abrasioni alle punte inferiori; peraltro, volume in buono stato (good copy).
Milano, 1927, 8vo stralcio con copertina posticcia muta, pp. 259/267 con 2 cartine e 10 illustrazioni fotografiche. - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo, completo in se, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo è composto da tre pagine. Quando la rivista di provenienza non viene indicata é perché ci è sconosciuta. - !! ATTENTION !!: : NOT A BOOK : “extract” or “excerpt” means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from” “to", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.
Features: In fond remembrance - Herberta Ann Leonardy; Ikebana Fourth World Convention and Silver Jubilee; Ohara School - demonstration by Houn Ohara, Headmaster, and Natsuki Ohara, Headmaster Designate; Koryu Shohtohkai - domonstration by Riei Ikeda, Headmistress, and Masahiro Ikeda, Managing Director; Enshu-Ryu Isshinkai - Demonstration by Isshin Mori, Headmaster; Chiko School - Demonstration by Kobai Naruse, Headmistress; Sogetsu School - Demonstration by Senso Onaka, Master Teacher; Ryusei-Ha - Demonstration by Kasen Yoshimura, Headmaster; Ikenobo School - Demonstration by Senei Ikenobo, Headmaster; Saga Goryu (Saga School) - Demonstration by Hakushu Tsujii, Head Teacher; Ichiyo School - Demonstration by Meikof Kasuya, Headmaster. Unmarked. Average wear. A sound copy. Book
Size: 290 mm x 237 mm Pages: 256 Illustrations: 216 colour, 64 b&w Hardback. ISBN 9781851498079. The stories behind the great celebrity jewellery collections Featuring the jewels of Grace Kelly, Marlene Dietrich, Jackie Kennedy and many more Chapters on the great collectors of old, and the new celebrity collectors of today Throughout the 20th century, jewellery revealed the behind-the-scenes stories and the plot twists and turns in the real lives of celebrities that will always be larger than life. Some of the world's most fabulous jewels not only illustrated power and status in society but these magical gems held tremendous sentimental value as they were linked to the most significant moments and memories of Hollywood royalty, international aristocracy and international icons of style. If These Jewels Could Talk offers a glimpse into the jewellery boxes of these celebrities - the personal tastes, heartfelt anecdotes and the true tales of the women who wore and collected the pieces. During the early- to mid-20th century, a majority of screen actresses requested to wear their own favourite pieces in films. This offered a peek into some of the great jewellers of the time who were designing for women who could choose anything. Actresses such as Merle Oberon, Paulette Goddard, Joan Crawford, Grace Kelly and Elizabeth Taylor as well as icons such as Jackie Kennedy and The Duchess of Windsor created signature styles for which they became known and which influenced generations of women, becoming part of our collective consciousness. The 20s through the 50s were a time when the renowned jewellery houses were also celebrities in their own right. They mixed with the socialites and royalty they bejewelled. In films, jewellery clearly developed and defined a character's personality - as it did in real life - whether it be a rags-to-riches story or those that figured into the plot: for example, a Cartier bracelet in Alfred Hitchcock's Lifeboat, or a Harry Winston necklace in Notorious. Whether on or off screen, worn by the famed and the legendary, and designed by the most revered houses of the day, all of these jewels take us on a narrative journey that provide fascinating insight into the intriguing worlds of early Hollywood and nobility from the 1920s through to today.
Softcover,176 pagina's met talrijke afbeeldingen van keurmerken, NL tekst + resume Francaise. Het naslagwerk der edelsmeden Ieper.Dit boek (176 blz., formaat 16 x 24 cm) is een studie van de edelsmeden van Ieper van het ancien regime. In de inleiding wordt een kort overzicht van de geschiedenis van de steden Ieper, Poperinge en Roeselare gegeven. Oorlogen hebben de stad Ieper meermaals verwoest. Hongersnood en epidemieen hebben de bevolking uitgedund. Voor zilverwerk was er nog weinig ruimte. Het werd door de overheid meer dan eens opgevorderd om de kosten van het leger en de versterkingen van de stad te dekken. Dit verklaart waarom het edelsmeedwerk van de oude periode zeldzaam geworden is. Het oudste bekende stuk stamt uit het midden van de zestiende eeuw. In deel II worden de stadsmerken besproken, waarbij de aandacht gaat naar de talrijke wijzigingen. Die waren het gevolg van de vele veranderingen van regime en bijgevolg ook van reglementering. Die was beurtelings Bourgondisch, Spaans, Frans, Oostenrijks, en telkens werden nieuwe stadsmerken gebruikt, aangepast aan het nieuwe bewind. Voor de jaarletter, die het jaar van de keuring van het zilverwerk aangeeft, werd ook telkens een nieuw alfabet begonnen bij elke verandering van regime. Na 1749 werd de jaarletter vervangen door de twee laatste cijfers van het jaartal. In de mate van het mogelijke geeft het boek voor elk jaar de foto van de stadsmerken met de jaarletter of laatste cijfers, in totaal 283 foto's. is nog bekend van 1525 tot 1750 dank zij de insculpatieplaten die bewaard worden in de Koninklijke Musea voor Kunst en Geschiedenis te Brussel. Het zijn koperen platen waarop de edelsmeden hun merk moesten slaan en hun naam graveren. Ze worden in de bijlage met foto's afgebeeld. Na 1750 zijn de bronnen eerder zeldzaam omdat het grootste deel van het archief aan parochieregisters, zeldzaam. Een aantal ervan konden nog gevonden worden dank zij de nota's van Arthur Merghelynck, die bewaard worden in de Koninklijke Bibliotheek van Brussel. De edelsmeden van Poperinge en Roeselare waren niet talrijk genoeg om de oprichting van een ambacht te rechtvaardigen. Ze moesten hun werken laten keuren te Ieper. Ze worden ook in het boek besproken. In bijlage wordt een alfabetische index van 122 meesters en een alfabetische index van hun 293 merken opgenomen, waardoor opzoekingen aanzienlijk vergemakkelijkt worden. Un resume et un index des marques en francais donne acces aux notices biographiques.
Hardcover, dustjacket, 264pp., 18x26.5cm., ills. in b/w., good copy. ISBN 9788841503621. Rare work of reference on Italian silver marks.
