[Neuville] Quatrelles :Livre Rare Book
10 446 résultats
18772681Paris, G. Charpentier, 1877 ; in-4, demi-maroquin rouge-sang à coins, dos à cinq nerfs décorés de filets pointillés dorés, titre doré sur bandeau noir et fauve, caissons très décorés d'un fleuron doré dans un double encadrement doré, avec encadrement de rinceaux aux écoinçons, guirlandes de fleurs et feuilles dorées en tête et pied du dos, filet doré sur les plats et les coins, tête dorée, couverture conservée (reliure de l'époque, signée Champs, célèbre relieur parisien) ; (2) ff. (faux-titre, titre), 166 pp., (1) f. (imprimeur) ; 30 dessins en noir hors-texte dont un portrait en frontispice protégés par des serpentes imprimées, dont 12 dessins au fusain et 18 dessins à la plume.
1988mon0003335301Rock Foundation 1988. Hardcover. Good. . 3-volume set volume 3/books 1-3 only. Housed in slipcase. Ex-library copies with usual markings. Shows minor wear. Rock Foundation hardcover
1750445584Boston 1750. Softcover. Very Good. String-tied composition book. 46pp. Very good with toning and edgewear.<br /> <br /> A composition book by John Carpenter in Boston around 1750 hand-titled “Mr. John Carpenter’s Composition Book.†The book includes poetry essays and short stories handwritten by Carpenter over 46 pages with some small illustrations. He begins his writings with a poem entitled “Death A Poem†writing “Death enters with his sickle It withered in an hour God the author of it all The rich and poor great and small.†Carpenter writes thoughts on the Bible Christianity free will and one entitled “Happiness of Man†where he muses on the question of “what is happiness†One interesting page is titled “Woman†which relays the story of original sin in the Garden of Eden which reads “now we find them both plagued in deep sorror and shame and notwithstanding woman the weaker and first in transgression she is also first to return to the God she has forsaken.†He finishes his book with a drawing of a dove and a poem titled “Dove of Noah.â€<br /> <br /> A nice composition book from the 1700s including a Boston man’s views on religion. unknown
1937318991East Aurora: Roycrofters 1937. Limited. hardcover. near fine. 10 photographic illustrations text printed on rice paper. Thin 16mo 5.2 x 7 inches flexible faux leather. East Aurora: Roycrofters 1937. Limited Edition.<br/> <br/> Presentation copy. Very scarce as only a few copies were privately printed for the author to give as gifts.<br/> <br/> Roycrofters unknown
024388Very Good. Collotype 20 x 16 inches. Titled and copyrighted in the negative. Photo was likely taken circa 1915. This collotype is somewhat dark or underexposed and is quite beautiful. Collotype has brittle edges with minor chipping along the top and bottom right corners else very good. The Library of Congress holds the same photographic print and is dated to around 1915. The photo print depicts a Navajo man seated on the floor by a fire shaping silver. William Jefferson Carpenter 1861-1925 was active as a photographer in the late 19th and early 20th centuries focusing on landscape and mining scenes and Native American life. Mautz states that he was active in Fort Lewis CO circa 1885 Telluride and Silverton CO in 1889 Philipsburg MT in 1890 and Rossland BC circa 1897 Mautz. . unknown
1896248London The Studio Magazine 1896. Embossed lithograph in colors. Contained within the bound edition of THE STUDIO AN ILLUSTRATED MAGAZINE OF FINE AND APPLIED ART. 1894189618971898 and 1899 with their blind stamp lower right. 5 ¼ x 8 7/8 188mm x 226mm. The book is bound in green cloth with gilt letters on the cover and spine. In good condition. The Studio Magazine was an illustrated fine arts and decorative arts magazine founded in Britain in 1893 which exerted a major influence on the development of the Art Nouveau movement. The earlier editions usually had original lithographs and etchings bound into the publication as it is here. Charles Holme Editor. In the later 20th century the annuals gave increasing prominence to architecture and interior design and in the mid-1960s it was retitled Decorative Art in Modern Interiors. The annual ceased publication in 1980. THE STUDIO, AN ILLUSTRATED MAGAZINE OF FINE AND APPLIED ART
1896248London The Studio Magazine 1896. Embossed lithograph in colors. Contained within the bound edition of THE STUDIO AN ILLUSTRATED MAGAZINE OF FINE AND APPLIED ART. 1894189618971898 and 1899 with their blind stamp lower right. 5 ¼ x 8 7/8 188mm x 226mm. The book is bound in green cloth with gilt letters on the cover and spine. In good condition. The Studio Magazine was an illustrated fine arts and decorative arts magazine founded in Britain in 1893 which exerted a major influence on the development of the Art Nouveau movement. The earlier editions usually had original lithographs and etchings bound into the publication as it is here. Charles Holme Editor. In the later 20th century the annuals gave increasing prominence to architecture and interior design and in the mid-1960s it was retitled Decorative Art in Modern Interiors. The annual ceased publication in 1980. THE STUDIO, AN ILLUSTRATED MAGAZINE OF FINE AND APPLIED ART books
2011DADAX144118421XBloomsbury 2011-12-15. hardcover. New. 6.14x1.06x9.21. Buy with confidence. Excellent Customer Service & Return policy. Bloomsbury hardcover
8527A Saint-Pétersbourg : De l'Imprimerie de l'Académie Impériale des Sciences, 1795. Un vol. in-8: 6 ff. n. ch., 668 pp. Troisième édition, la première étant parue en 1768. Reliure d'époque en basane marron, dos lisse décoré, pièce de titre en papier, titre en lettres noires, toutes tranches rouges. Il s'agit du premier livre de grammaire russe jamais paru en Europe occidentale. Il est écrit par Jean-Baptiste Charpentier, qui traduit et adapte en fait le "Rossiskaia grammatika" (1755-1757) de Mikhaïl Lomonossov (1711-1765). Immense penseur de Saint-Pétersbourg, Lomonossov passe pour être le père de la littérature russe. Egalement scientifique, il a donné son nom à l'Université de Moscou, dont il est par ailleurs le fondateur. "Les Elémens de la Langue russe" connaîtront immédiatement un grand succès, révélant à l'Europe occidentale les secrets de la langue russe. Les coiffes sont arasées, les coins émoussés, les plats légèrement frottés, l'intérieur très légèrement roussi, mais parfaitement propre. [Ref. Catalogue des Livres de Feu M. Crosat, Baron de Thiers, No 1993, p. 132].
1566161EB1566. Paris G. Buon 1566. Holzschnitt-Druckermarke auf Titel 11 unnum. Bl. Pappband mit Inkunabelpapierbezug. Adams C 758 und IA 135.747 falsche Kollation beide innerhalb der "Orationes tres". - Das hier mit eigenem Drucktitel separat publizierte Werk den Bibliographen in dieser Form unbekannt enthält eine gegen Ramus gerichtete Streitschrift von Carpentarius der später zweimal 1568 und 1569 Dekan der medizinischen Fakultät in Paris wurde. Der aus Clermont bei Beauvais stammende Verfasser war bereits 16 Jahre lang Lehrer der Philosophie am Collège de Bourgogne zu Paris als er dort ein Studium der Medizin aufnahm. Leidenschaftlich verteidigte er in seinen Schriften die Lehren des Aristoteles. Als erbittertem Gegner des Calvinisten Peter Ramus' soll er schließlich an dessen Ermordung maßgeblich beteiligt gewesen sein siehe auch DSB XI 287 unter Ramus. Carpentarius starb 1574. Seine Schriften sind heute von größter Seltenheit. unknown
190065535New York:: The Grolier Club 1900. First edition. publisher's elaborately decorated boards. There is some light foxing to the text and the very slightest of rubbing to the edges of the boards. . 8vo. Folding plate "Fiorenza;" frontispiece portrait. With an Introduction and a Note on the Portraits of Dante by G. R. Carpenter. Printed at the De Vinne Press. The Grolier Club, hardcover
18404022181840. Softcover. Very Good. Oblong octavo. Measuring 8.5" x 6.75". Green red and yellow marbled stiff paper wrappers with paper label. Illustrated. Text separated from spine foxing and staining on the internal top margins of the pages but very good. An album used as a rustic sketch book extensively illustrated by a boy identified as "James Carpenter" with no listed dates but possibly from the Middle Atlantic area in the 1840-50s. Insides of the wrappers have various small drawings of household objects birds and people. The pages in the front of the album feature detailed pencil drawings of houses and buildings with stone walls simplistic fences and trees. One picture depicts a lighthouse on the shore with a small boat out in the distance. Later the drawings focus more on animals with birds and dogs being the primary focus. A very lean and large dog is depicted sitting in front of a small structure looking off to the side possible a greyhound. The drawings are juvenile but otherwise quite good with attention paid to proportion in not only the animals but also in the structure of the architecture. Carpenter's signature is the only written text in the album as many of the illustrations fill up the entirety of the pages.<br /> <br /> A nicely illustrated rustic album presumably filled with the everyday objects that may have surround Carpenter in his daily life. unknown
184224300London 1842. Proof. Very good overall. A compelling portrait of Sir William Martin 1807 - 1880 noted New Zealand judge who set up New Zealand's judicial system along with Attorney General William Swainson and Thomas Outhwaite first Registrar of the Supreme Court. The image depicts a handsome young man seated in frock coat and vest. <br /> <br /> Sir Martin like his friend George Selwyn first Anglican Bishop of New Zealand was sympathetic to the missionary goals of the church and to the Maori. Martin wrote protests against Britain's failures in living up to the terms of the Treaty of Waitangi and the invasion of Taranaki. In 1861 he authored a work in support of the Maori titled 'Extracts of Letters from New Zealand on the War Question'. <br /> <br /> Below the portrait all handwritten are the notes "on stone by J. Dickson from a drawing by J. Carpenter". At the center "Wm. Martin Chief Justice of New Zealand London 1 March 1812". At the right "Mn. Hanhart lith. printer". Below this line "proof". Very slightly dusty in the margins; a slight paper fault in the background. Very faint tide mark below the image of the chair. India paper proof laid down13 5/8 x 11"; thick paper 13 1/4 x 17 1/2". <br /> <br /> See the Turnbull Library image Ref: C-022-009. An exquisite portrait. unknown
190088287Paris: Au Ménestrel - Heugel & Cie 1900. First French Edition. Quarto. 28.5cm. Twentieth century red half morocco over marbled boards titled and decorated in gilt to spine. 408pp. Light bumping and scuffing to corners otherwise strong tight and clean; internally clean and fresh edges speckled black inscription to verso of last blank preceding musical score very light spotting mainly confined to prelims. A very good clean and handsome copy in a later leather binding. <br /> <br /> Inscribed rather floridly by Charpentier on the occasion of the premiere of "Louise" in Vienna on 24th March 1903 to Princess Martha Stirbey of Romania:<br /> "A Madame la Princesse Stirbey en admiration respecteuse Gustave Charpentier 24 Mars 1903 1ere de Louise en Vienne"<br /> There is an additional musical quotation and accompanying text "You were for me in Vienna the fleeting vision O Massenet Master Friend forgive me! of the spirit and charm of Paris"<br /> <br /> Never a shy and retiring gentleman Charpentier has somewhat outdone himself with this inscription. Au Ménestrel - Heugel & Cie unknown
1975FLAHIVE-3534E. P. Dutton New York 1975 E.P. Dutton New York 1975. First edition. First printing with full number line including the 1. A fine copy in a fine jacket. A clean copy with price $7.95 intact on front flap. Comes with archival-quality jacket protector. Note: Jacket has light fading on spine as pictured and is otherwise fine. A very nice copy of the scarce title by Carpenter. Fiction-C. 1st Edition. Hardcover. Fine/Fine. E. P. Dutton, New York hardcover
1944701961944. Paris 1944. Paris 1944. Hemard's Illustrated French Tax Code Hemard Joseph 1880-1961 Illustrator. Code General des Impots Directs et Taxes Assimilees. Texte Inegral des Lois Decrets Decrets-Lois Decret de Codification Suivi d'un Formulaire Administratif. Paris: Editions Litteraires et Artistiques/Librairie "Le Triptyque" 1944. x 330 1 pp. 183 illustrations 62 of them in color. 8 pp. addendum of changes to the code titled Rectificatif laid in Quarto 9-1/4" x 6-1/2". Illustrated stiff color publisher wrappers. Negligible light soiling light rubbing to spine ends two faint creases through spine light toning to interior images vivid. A well-preserved copy. $750. Hemard presents the official text of the French Tax Code with witty often racy illustrations colored au pochoir by E. Charpentier. It is a sequel to his Code Civil: Livre Premier Des Personnes 1925 and Code Penal: Commentaires Images c. 1940. Hemard a prolific artist illustrator designer and author is best-known for his humorously illustrated editions of serious non-fiction books. The Code General was issued in several forms. The present copy is from a trade edition of 1000 copies. It was also issued in a limited edition of 800 numbered copies the first 145 with an original sheet of text illustrations and a sheet of their original sketches. There is also a signed and numbered edition of 160 printed on Arches paper papier velin an edition of 40 non-commercial copies intended for friends and associates hors commerce and 60 portfolios of the images alone. unknown books
199792694<p>Sumptuous <strong>EASTON PRESS EDITION SIGNED BY ASTRONAUTS</strong> John Glenn Gordon Cooper and Scott Carpenter. Brand new: this copy was still sealed in the publisher's shrinkwrap when received; opened only for photos. Expedited and international shipping are welcome; Signed by author.</p> Easton Press hardcover
EXE00a04Paris, Galerie Charpentier, 1943; petit in-4° en feuilles, couevrture, chemise et étui. Tiré à 501 exemplaires, celui-ci est l'un des 40 de tête illustré de 40 aquarelles en couleurs de Laprade, enrichi d'une suite et d'une aquarelle originale.
20029026967Minneapolis: The Minneapolis Institute of Arts 2002. 1st. Hardcover. Fine/fine. Presentation signed by Jim Dine to the curator of prints at the Minneapolis Iinsitute of Arts on the half title page. Bound in publisher's original blue cloth with the front cover stamped in blind and the spine stamped in gilt. Dust jacket. <br/><br/> The Minneapolis Institute of Arts hardcover books
20121-1611170834Univ of South Carolina Pr 2012. Paperback. New. 336 pages. 8.90x1.10x6.00 inches. Univ of South Carolina Pr paperback
2018x-3319652559Palgrave Macmillan 2018. Hardcover. New. 599 pages. 9.25x6.50x1.50 inches. Palgrave Macmillan hardcover
44694Paris Chez la Veuve Duchesne, Libraire 1785 in 12 (17,5x10) 3 volumes reliures plein veau fauve de l'époque, dos à nerfs ornés de caissons dorés, pièces de titre de cuir marron, pièces de tomaison de cuir vert, tranches marbrées. Tome 1: 558 pages [1]. Tome 2: 523 pages. Tome 3: 600 pages. Pierre de Longchamps, 1740-1812. Première édition. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
193375850Fasquelle | Paris 1933 | 14 x 19 cm | broché
187527666Paris J. Baudry 1875 In-folio dos toile muet, 1 portrait, 30 planches montées sur onglets imprimées sur papier fin renfermant 51 dessins d'escaliers dans le texte ( pas de volume de texte ) Troisième édition, menus défauts sans gravité, rousseurs en début d'ouvrage
ORD-16615et enrichi de plusieurs nouvelles Figures très curieuses, et fort utiles concernant les accouchemens, les Hernies, et autres cas particuliers, rendues aussi exactes que possible par les soins de François-Michel Disdier.... Paris. Crépy. 1784. In-f°(260 x 396mm) broché, couverture en papier peigné, page de titre gravée par Boucher et 29 planches d'anatomie hors texte les autres planches annoncées sont les planches de textes accompagnant les gravures. Complet. Couverture de fortune à remplacer, bords de feuilles de la page de titre et de l'avertissement poussiéreuses, petits accidents à la dernière planche sans perte de gravure, sinon très bon état des planches. En l'état.
