396 résultats
1945283572Chicago: Henri Charpentier 1945. hardcover. very good. 981 pages very thick 4to red cloth stamped in gilt silver and green spine sunned and a bit rubbed at ends. A very good copy.<br/><br/> limited edition. Number 903 of 1000 copies signed twice once in full by Charpentier and inscribed on the limitation page.<br/><br/> Henri Charpentier unknown books
189229454Paris: Choudens Fils PN A.C. 8922 1892. Large octavo. Quarter grey cloth with marbled boards manuscript titling to spine. 1f. recto decorative title verso blank 1f. recto dedication verso blank 1f. recto cast list and list of acts verso blank xi libretto i blank 1f. recto notes on first performances named cast lists and contents verso blank 147 i blank pp.<br/><br/>Named cast for the Conservatoire National performance includes Tarquini d'Or Cossira Grimaud and Wyns and for the Théâtre National performance Fiérens Vaguet Renaud and Héglon.<br/><br/>Binding worn rubbed stained and shaken; hinges split. Occasional light foxing; some signatures split; title soiled and mostly detached; handstamps throughout; old plastic tape to inner margin of two leaves. First Edition. <br/><br/>First performed in Paris at the Conservatoire National on May 18 1892 and at the Théâtre National de l'Opéra on June 17 1892. <br/><br/>"Charpentier carried his spirit of revolt to the Villa Medici and like Debussy before him escaped from Rome to Paris on several occasions. He managed however to write the nucleus of his life's work there: the orchestral suite Impressions d'Italie the symphonie-drame La vie du poète a latterday Lélio and most of the libretto and the first act of his most famous work Louise. Charpentier's growing success in the 1890s with La vie du poète and open-air extravaganzas like the Sérénade à Watteau and La couronnement de la muse coupled with the expected scandal attached to the opera's promiscuous theme and the excitement of the Paris Exhibition led to a box-office triumph in February 1900 though the composer had nearly starved during the previous year. The vociferous young left wing hailed him as the saviour of French music though it was undoubtedly the sociological ideals of this first opera of women's liberation rather than its music which appealed." Robert Orledge in Grove Music Online. Choudens Fils [PN A.C. 8922] unknown books
190329184Parigi: Au Ménestrel Heugel et Cie. PN H. & Cie. 20505 1903. Folio. Full dark blue cloth with titling gilt to upper and spine. 1f. recto dedication verso blank 1f. recto title verso copyright statement i notes on first performance and named cast list ii contents i copyright statement 331 i blank pp. Text in Italian.<br/><br/>Named cast includes Marta Rioton Deschamps-Jéhin Tiphans P. Vaillant Foqué Derougeais Garcia Eyraud Brossier Maréchal Fugère Carbonne Vieulle Belhomme Dufour Rothier Dangès Viannenc Rapaport Devaux Troy Viaud Huberdeau Clasens Micheau Petit Georges Sigri Éloi Schindler Jullien Gilly Larroque and Edea Santori.<br/><br/>Binding very slightly worn and rubbed. Slightly worn and browner; minor creasing to upper outer corners; ex-library with library and publisher's handstamps first four leaves and page 7. First Italian edition of the second version of the opera. <br/><br/>First performed in Paris at the Opéra-Comique on February 2 1900 under the direction of Albert Carré.<br/><br/>The composer's most famous work. "All Charpentier's works have contemporary pictorial or literary bases and it should be remembered that Louise was conceived as an opera before the verismo works of Puccini Mascagni and others had been staged. Décor is an all-important factor in his art; the real heroine of Louise is Paris." Robert Orledge in Grove Music Online. Au Ménestrel, Heugel et Cie. [PN H. & Cie. 20505] unknown books
23427Colour photo-mechanical portrait printed in tones of sepia red black and tan with short textual addition below portrait. Published in the satiric journal L'Assiette au Beurre in 1902. Sheet size 313 x 241 mm. With portrait of the French composer Theodore Dubois 1837-1924 to verso. <br/><br/>Fine impression on tan wove paper. <br/><br/>Slightly worn browned and brittle; very minor chipping to edges. unknown books
1995030242Paris: Heugel et Cie 1995. xv 399p. b/w illus. music stiff wrappers. At head of t.p.: Théatre National de l'Opéra-Comique. Heugel et Cie unknown books
1954241345Paris: Pierre Seghers 1954. Limited. pamphlet. fine. 36 pages thin 12mo stiff printed envelope wrappers and the original chipped glassine wrappers. Paris: Pierre Seghers 1954. Limited Edition. Fine.<br/><br/> Number 20 of only 78 copies with an inscription by the author on the half-title.<br/><br/> Pierre Seghers unknown books
1985240793Paris: Ministere de la Culture 1985. paperback. very good. Galle Emil. Text in French. Illustrated throughout in color and black & white. 302pp. Short & square 4to stiff pictorial boards. Paris: Ministere de la Culture / Editions de la Reunion des musees nationaux 1985. Slightly edge-worn still a very good copy.<br/><br/> Catalog for an exhibition at the Musee du Luxembourg in Paris November 29 1985 - February 2 1986.<br/><br/> Ministere de la Culture unknown books
1896248London The Studio Magazine 1896. Embossed lithograph in colors. Contained within the bound edition of THE STUDIO AN ILLUSTRATED MAGAZINE OF FINE AND APPLIED ART. 1894189618971898 and 1899 with their blind stamp lower right. 5 ¼ x 8 7/8 188mm x 226mm. The book is bound in green cloth with gilt letters on the cover and spine. In good condition. The Studio Magazine was an illustrated fine arts and decorative arts magazine founded in Britain in 1893 which exerted a major influence on the development of the Art Nouveau movement. The earlier editions usually had original lithographs and etchings bound into the publication as it is here. Charles Holme Editor. In the later 20th century the annuals gave increasing prominence to architecture and interior design and in the mid-1960s it was retitled Decorative Art in Modern Interiors. The annual ceased publication in 1980. THE STUDIO, AN ILLUSTRATED MAGAZINE OF FINE AND APPLIED ART books
22091894. As published in L'estampe Originale. Album VII. A four color embossed Gypsograph lithograph. 10 1/4 x 15 9/16 margins: 16 ¾ x 23 ½. Signed and numbered by Charpentier. Printed by Eugene Verneau. With the Blind stamp of L'estampe Originale. Stein and Karshan 14. Slightly mat burned in the margins but colors are excellent as original. One of the most important artists together with Pierre Roche to use gypsography in the 1890s. The process involves using plaster moulds and hand-colored damp paper to create the image after which ink is applied directly to the mould as with a wood-engraving. Later he replaced the plaster moulds with metal to achieve more detail in the relief. He used the method in book form for the first time here. The effect is one of medals set within the typographic layout unknown books
2002178972Madrid: Universidad Complutense de Madrid 2002. Oversized Paperback. 126p. double-column text with numerous period images on magnificent glazed paperstock; 12x9.5 inch frenchfold wraps one corner mildly bumped a near-fine copy. Universidad Complutense de Madrid paperback books
1866WRCAM52261Philadelphia 1866. 15316pp. Contemporary half calf and marbled boards. Binding worn and rubbed. Very good. An interesting carpenter's account book from 19th-century Philadelphia containing a voluminous amount of entries listing client names types of carpentry work done and the costs thereof. Internal evidence his name on pages 52 and 114 suggests that this belonged to Philadelphia carpenters John and W.H. Martin. The accounts start on July 22 1835 exactly one month after the 1835 Philadelphia general strike ended. Workers' rights and formative unions owe much to this strike in Philadelphia the first general strike by wage workers in North America. The strike helped alleviate long hours and low pay by involving some 20000 workers who demanded a ten-hour work day and increased wages. The strike was very successful ending in an almost complete victory for the workers. <br> <br> About half of the ledger deals with work done in the first five years in which it was kept 1835-1840. There are no entries from June 1847 to June 1849 and only sporadic entries from 1857 to the final entries in 1866; most of the rest of the accounts are from 1840 to 1855 except the two-year hiatus. <br> <br> The account book lists a wide assortment of different types of work accomplished by carpenters including framing putting up awnings "repairing a privey seat" hanging doors and windows putting up lightning rods making shutters mending floors and much more. In addition Martin seemed to occasionally make furniture specifically benches and tables for which there are some entries here. It also contains important information on the prices paid by tradesmen for supplies in Philadelphia at the time mostly lumber and nails in this case. <br> <br> Although there is no explicit ownership signature both internal evidence and other material purchased from the same estate suggest John Martin as the principal craftsperson and W.H. Martin as an employee or other principal of the business. The ledger offers much insight into American trade in one of its most important cities at a time of immense growth. <br> <br> A fascinating account book with much detail on the development of Philadelphia private homes in the middle of the 19th century. hardcover books
1982105090New York: Dodd Mead & Co 1982. Hardbound. VG in a poor dustjacket but inscribed by the author. Black cloth with dark color-illustrated dustjacket. xii 332 pp. 8 color and 295 bw plates in addition to 40 photographs of marks and marks of 313 flatware patterns. A classic reference on the largest maker of sterling silverware in the world. Profusely illustrated with some color but mostly crisp black and white photographs. Dodd, Mead & Co hardcover books
18441257969London: James Carpenter 1844. First edition. Thick large quarto in dark burgundy leather with six-band embossed spine and gold letters; VG; book slightly bowed due to shelving; moderate soiling or shelf wear; gilt edges; frontispiece page foxed; small penciled inscription on second frontispiece page; age-toned; text clean; contains 80 pages of memoir followed by extensive catalogue of etchings and papers by contemporaries of Van Dyck; shelved in Alcove # 1; please contact us for shipping costs. 1257969. Shelved Dupont Bookstore. James Carpenter unknown books
18707418baGlen Cove NY: Carpenter Family in America 1870. Book. Very good condition. Paperback. Americana; genealogy; 3 pages; 20.2cm; organization constitution. Carpenter Family in America Paperback books
1830304041London: Printed and Published by William Carpenter 1830. First editions. Decorated head pieces. 1 vols. 4to. Disbound. First editions. Decorated head pieces. 1 vols. 4to. Stamp Duty Challenged. RARE. From 1830 to 1831 Carpenter published an unstamped series called "The Political Letters" challenging the stamp duty law as to whether any publication containing news was subject to duty. Carpenter did not feel that these should be subject to the duty. He was prosecuted and imprisoned from where he edited the "Political Magazine." <br/> The pamphlets contained are:<br/>1. " A Report on the Trail of William Carpeter 12 pp. <br/>2.An Expostulatory Letter to the Commissioners of Stamps." 16 pp 21 October 1830;<br/>3. A Monitory Letter to ther People of England. 16pp. with an ad for Queen Mab.October 29 1830<br/>4. "A Letter to the Aristocracy of England. " 24 pp 6 Nov. 1830; <br/>5 A Second Letter to the Duke of Wellington.16pp<br/>6. Facts and Observations connected to the Present Times. 16pp. November 18 1830<br/>7. A Letter to Earl Gray.November 25 1830<br/>8."A Letter to Lord Althorpe" 16 pp. 4 Dec. 1830<br/>9. "A Second Letter to Lord Althorpe" 16 pp. 7 Dec. 1830<br/>10. "A Political Miscellany on National Debt" 16 pp. 9 Dec. 1830<br/>11 "A Political Compendium on Reform" 16 pp. 18 Dec. 1830<br/>12 "A Political Digest" 16 pp. 23 Dec. 1830<br/>13. A Supplement to Carpenter's Political Compendium. 8 pp.<br/>14. "A Letter to the Right Hon. Wilmot Horton" 16 pp. 31 Dec. 1830<br/>15. "A Political Mirror" 16 pp. 7 Jan. 1831<br/>16.; "A Political Chronicle" 16 pp. 13 Jan 1831<br/>17. ; "A Political Herald" 21 Jan 1831<br/>18. A Political Register January 28 1831. 16 pp.<br/>19. A Political Letter. Feburary 4 1831. 16 pp.<br/>20. Another Political Letter Feburary 12 1831. 16 pp.<br/>21. A Letter to the Rightr Hon. The Chancellotr of the Exchequer. 16 pp.<br/>22. A Political Monitor Friday May 6 1831. 16 pp.<br/>23. A Political Censor. Saturday May 14 1831. 16 pp.<br/><br/><br/>At an early age he began working for a bookseller in Finsbury first as an errand boy and then as an apprentice.<br/><br/>In 1830 he issued a series of Political Letters with which he attempted to defy the stamp duty on newspapers but in May 1831 he was tried and convicted of evading the law and was imprisoned. While in prison he edited a political magazine which was republished as Carpenter's Monthly Political Magazine in 1832. NCBEL 3:1818 Printed and Published by William Carpenter unknown books
1929184473Evanston: W.M. Carpenter 1929. Hardcover. G Cover has staining spotting and general wear. Bookblock has age toning. Blue cloth boards with white spine. Gilt title lettering. Deckle edge bookblock. 59 pages : illustrations facsimiles portraits. 100 copies printed by the Alderbrink Press of Chicago for W.M. Carpenter . for private circulation. W.M. Carpenter hardcover books
1851021024<p>Green cloth boards with gilt lettering on spine. 300pp plus publisher's advertisements. Boards have moderate wear to edges and light soiling; spine has moderate sunning; text block has moderate foxing throughout. William W. Carpenter provides a valuable record of the state of Mexican affairs after the Mexican-American War of 1846. </p> Harper & Brothers hardcover books
191198348London: John Murray 1911. hardcover. very good. Illustrated. xv 517pp. 8vo cloth; spine faded and with small tear at top edge. London: John Murray 1911. A very good copy.<br/><br/> John Murray unknown books
1845M11448Philadelphia:: Lea & Blanchard 1845. 1845. Large 12mo. 232 x 163 mm xxiii 25-643 32 ads. pp. 2 engraved plates 189 woodcut illus. index; some spotting. Original full brown calf gilt-stamped black leather spine label; two burn marks on lower edge of upper cover affecting the first few leaves also joints rubbed spine darkened headcap chipped. Bookplate of Charles Mayo Goss. Generally very good. Provenance: Dr. Charles Mayo Goss who at 78 was appointed Distinguished Professor of Anatomy at the University of South Alabama at Mobile was the editor over a period of 26 years of the last five American editions of Gray's Anatomy: the 25th in 1948 26th in 1954 27th Centennial in 1959 28th in 1966 and 29th in 1973 all published by Lea and Febiger of Philadelphia. Cordasco 40-0185; Wellcome II p. 304. Lea & Blanchard, 1845. hardcover books
187531440London: 56 Regents Park Road 1875. 2 pages. 1 vols. 8vo. On a stub attached to a larger colored sheet some discoloration of larger sheet folds else very good. 2 pages. 1 vols. 8vo. Writing to Youmans that he is sending the last corrected revise of his lecture as asking for the earliest insertion into the magazine continuing that he will be giving his lecture on Human Automatism at Belfast on the 27th "which wil be rather supplemental to thatn an repetition of my Glasgow lecture. If it is well reported as I expect it will be in one of the Belfast papers would a revised Report be of any value to you" Carpenter was noted for his research in botany microscopy zoology and physiology and was a co-leader of the research team in 1868-70 on the deep sea scientific expedition aboard the "Lightning" and "Challenger." Youmans was the founder of "Popular Science Monthly' and planned the "International Scientific Series" he was a noted lecturer on science and author of several works. Provenance: From the autograph collection of W. P. Webster 56 Regents Park Road unknown books
B20C-wora0428Appleton. Collectible - Very Good. NY: Appleton 1890. American Edition Later printing. First published 1874 in London. lxvi7371pp. Thick 12mo. Printed decorative brown cloth with gilt lettering. Moderate cover staining and shelfwear VG. Weight: 1 pound 14.0 ounces = 854 grams. Size: 8.0 x 5.4 x 1.5 inches = 20 x 13.5 x 3.8cm. Inquire if you need further information. Gach Appleton hardcover books
18582286495Blanchard and Lea 1858. Revised Edition. Full-Leather. Very Good/No Jacket. A New American Edition from the Last London Edition.' Edges rubbed ink name and pencil gift note on front endpaper. 1858 Full-Leather. Edited with additions by Francis Gurney Smith. 261 engraved illustrations including two plates. A treatise on human physiology by the examiner in physiology and comparative anatomy in the University of London who was also Professor of Medical Jurisprudence in University College and President of the Microscopical Society of London. Carpenter was a staunch advocate of temperance and wrote several works about the dangers of using and abusing alcohol in which he detailed the physiological ramifications. Blanchard and Lea hardcover books
185943703Philadelphia: Blanchard and Lea 1859. 8vo. pp. xxiv 33-902 32 pub ads; 2 plates and numerous wood engraving within text front hinge cracked extremities lightly worn small section of spine label peeled away else very good in contemporary full calf with black morocco label lettered in gilt with gilt-ruled raised bands. <br/><br/> Blanchard and Lea hardcover books
187941099London 1879. <p>Carpenter William B. 1813-85. Autograph letter signed to Mr. John Paget 1811-98. London 56 Regents Part Rd. N.W. June 2 1879. 4pp. 178 x 114 mm. A few tiny pin-holes but fine otherwise.</p> <p>From English physiologist and naturalist William B. Carpenter who "helped shape the modern life sciences in Britain Oxford DNB through both his writings and his work as a teacher and administrator at what is now the University of London. Carpenter performed valuable researches in marine zoology and was directly influential in persuading the British Admiralty to sponsor the Challenger expedition the first major scientific study of the deep oceans. Carpenter is also recognized as one of the founders of the modern theory of the adaptive unconscious-he observed that the human perceptual system and the mechanism of human thought operates almost completely outside of conscious awareness. </p> <p>Carpenter's letter which discusses a false confession to murder made by a mentally unbalanced young man reads in part as follows:</p> <p>Dear Mr. Paget In turning out my papers at the University today I have come upon a document which I forward to you containing the Father's statement of his Son's relation to the "Brompton Murder" case with full particulars of the latter's confession and its inconsistency with the facts. </p> <p>I believe that I did not send in this to the Home Secy.; but that what I specially urged upon him was the evidence with which Knowles had supplied me of the "cracky" nature of the youth's mind and of the obviously hereditary tendency to brood as shown in the father and aunt-the latter an old servant of Knowles. And I remember also that there was evidence of the youth having had money in the Savings Bank and of his having drawn out a pound just before the Crystal Palace Police Fête.</p> <p>This altogether made so strong an impression on Mr. Bruce that he at once commuted the sentence; and the family were so sensible that the lad was not fit to take care of himself that they expressed no disappointment at his not having received a free pardon. . . .</p> <p>Carpenter's correspondent was the police magistrate and author John Paget whose Paradoxes and Puzzles published in 1874 included accounts of a number of sensational crimes. We have not been able to identify the murder case to which Carpenter refers in his letter.</p> . unknown books
CA06A-00642no publisher. Collectible - Very Good. London: 1850. Pp. 727-7571. 4to. Extracted from a bound volume. VG. Weight: 4.0 ounces = 114 grams. Size: 12.0 x 9.2 x 0.8 inches = 30 x 23 x 2cm. Inquire if you need further information. Gach. no publisher unknown books