396 résultats
1913WRCLIT72999New York & London: G. Schirmer 1913. 50pp. Oblong quarto. Cloth and decorated boards paper label. Color illustrations and music by the authors. First collective edition. Boards bumped and edgeworn with cracked bruise to lower forecorner of upper board slight cracking to inner hinges; just a sound copy. G. Schirmer hardcover books
19431285388New York: Harper & Brothers 1943. First Edition. Octavo; VG-/VG-; Brown spine with light brown text; DJ with mylar exterior shows moderate wear surface rubbing; Boards strong minor rubbing to corners; Textblock age-toned few minor marks on front end paper otherwise clean; 136pp. 1285388. Rockville Non-Retail Listings. Harper & Brothers unknown books
1997174444Chicago IL & Boston MA: The Art Institute of Chicago in association with Bulfinch Press 1997. First edition and first printing. Hardcover. 192 pages. Monograph published in conjunction a major retrospective on Penn at The Art Institute of Chicago. Edited by Colin Westerbeck. Features text contributions by Rosamond Bernier Edmund Carpenter Colin Eisler Martin Harrison Jennifer Jankauskas Issey Miyake and Westerbeck. Includes 80 tritone plates 94 duotones and 19 color illustrations. A very near fine copy in a near fine dust jacket with some scratches to the rear panel and other very minor wear. One of the better books on Penn. The Art Institute of Chicago in association with Bulfinch Press unknown books
200956727Turin: Lindau 2009. first editon. 8vo pp. 427. Appendices index. Illustrated wtih several photographs. Translated by Franca Malago and Paolo Pugni. Heavy paper pictorial wraps. As new. The biography. Lindau unknown books
1996117756New Haven Connecticut / London: Yale University Press 1996. Hardcover. VG/VG. Black cloth boards with gilt stamped spine lettering illustrated end papers. Glossy color-illustrated dust jacket with black lettering. 320 pp. Color illustrations. Accompanied an exhibition at the Dallas Museum of Art; Includes sections on portraiture sculpture painting calligraphy masks textiles arms and armor lacquer and metalwork and tea ceremony utensils and ceramics from the Momoyama period; Contains glossary of terms. Yale University Press hardcover books
2000243782Tokyo: Ota Memorial Museum of Art 2000. 170 pages paperback illustrations some color very good. Ota Memorial Museum of Art unknown books
20029026967Minneapolis: The Minneapolis Institute of Arts 2002. 1st. Hardcover. Fine/fine. Presentation signed by Jim Dine to the curator of prints at the Minneapolis Iinsitute of Arts on the half title page. Bound in publisher's original blue cloth with the front cover stamped in blind and the spine stamped in gilt. Dust jacket. <br/><br/> The Minneapolis Institute of Arts hardcover books
2002174612Minneapolis MN: The Minneapolis Institute of Arts 2002. First edition. Hardcover. First printing. 256 pages. Essays by Elizabeth Carpenter and Joseph Ruzicka. Includes numerous color and black and white illustrations. A fine copy in a very near fine dust jacket. Signed by Dine on the half title page in marker. Uncommon thus. The Minneapolis Institute of Arts unknown books
1929184473Evanston: W.M. Carpenter 1929. Hardcover. G Cover has staining spotting and general wear. Bookblock has age toning. Blue cloth boards with white spine. Gilt title lettering. Deckle edge bookblock. 59 pages : illustrations facsimiles portraits. 100 copies printed by the Alderbrink Press of Chicago for W.M. Carpenter . for private circulation. W.M. Carpenter hardcover books
22091894. As published in L'estampe Originale. Album VII. A four color embossed Gypsograph lithograph. 10 1/4 x 15 9/16 margins: 16 ¾ x 23 ½. Signed and numbered by Charpentier. Printed by Eugene Verneau. With the Blind stamp of L'estampe Originale. Stein and Karshan 14. Slightly mat burned in the margins but colors are excellent as original. One of the most important artists together with Pierre Roche to use gypsography in the 1890s. The process involves using plaster moulds and hand-colored damp paper to create the image after which ink is applied directly to the mould as with a wood-engraving. Later he replaced the plaster moulds with metal to achieve more detail in the relief. He used the method in book form for the first time here. The effect is one of medals set within the typographic layout unknown books
189229454Paris: Choudens Fils PN A.C. 8922 1892. Large octavo. Quarter grey cloth with marbled boards manuscript titling to spine. 1f. recto decorative title verso blank 1f. recto dedication verso blank 1f. recto cast list and list of acts verso blank xi libretto i blank 1f. recto notes on first performances named cast lists and contents verso blank 147 i blank pp.<br/><br/>Named cast for the Conservatoire National performance includes Tarquini d'Or Cossira Grimaud and Wyns and for the Théâtre National performance Fiérens Vaguet Renaud and Héglon.<br/><br/>Binding worn rubbed stained and shaken; hinges split. Occasional light foxing; some signatures split; title soiled and mostly detached; handstamps throughout; old plastic tape to inner margin of two leaves. First Edition. <br/><br/>First performed in Paris at the Conservatoire National on May 18 1892 and at the Théâtre National de l'Opéra on June 17 1892. <br/><br/>"Charpentier carried his spirit of revolt to the Villa Medici and like Debussy before him escaped from Rome to Paris on several occasions. He managed however to write the nucleus of his life's work there: the orchestral suite Impressions d'Italie the symphonie-drame La vie du poète a latterday Lélio and most of the libretto and the first act of his most famous work Louise. Charpentier's growing success in the 1890s with La vie du poète and open-air extravaganzas like the Sérénade à Watteau and La couronnement de la muse coupled with the expected scandal attached to the opera's promiscuous theme and the excitement of the Paris Exhibition led to a box-office triumph in February 1900 though the composer had nearly starved during the previous year. The vociferous young left wing hailed him as the saviour of French music though it was undoubtedly the sociological ideals of this first opera of women's liberation rather than its music which appealed." Robert Orledge in Grove Music Online. Choudens Fils [PN A.C. 8922] unknown books
19701974Colby College Art Museum 1970. Softbound. VG- May have some aging to cover. BW illus. wraps. 133 pp. 72 BW repros. Issued in conjunction with several 1970 exhibitions honoring the sesquicentennial of the founding of the State of Maine. Some artists are represented by more than one work. Lengthy annotation of each work in the exhibition. Introduction by James. M. Carpenter. Uncommon and desirable. Colby College Art Museum unknown books
195678584NY:: Lothrop Lee and Shepard Company. Very Good in Very Good dust jacket. 1956. Hardcover. B0007E2XBS . First edition. INSCRIBED by the author in the year of publication. Very good in a very good minor edge wear and age toning dust jacket. . Lothrop, Lee and Shepard Company, hardcover books
1969119675New York: Twayne 1969. hardcover. 163pp. Small 8vo bds. d.w. New York: Twayne Publishers Inc. 1969.<br/><br/> Twayne unknown books
1954241345Paris: Pierre Seghers 1954. Limited. pamphlet. fine. 36 pages thin 12mo stiff printed envelope wrappers and the original chipped glassine wrappers. Paris: Pierre Seghers 1954. Limited Edition. Fine.<br/><br/> Number 20 of only 78 copies with an inscription by the author on the half-title.<br/><br/> Pierre Seghers unknown books
194622600Paris: Editions Galatea. 1946. Softcover. 3 volumes 2 of which are extra suites one in black and one in red. No 19 of 20 copies with two extra suites and two original drawings from an edition of 220 illustrated by Rene Demeurisse. Fine in wraps and glassine with a little spine darkening and mild wear to glassines. In board chemise 4" 10 cm thick in slipcase that shows some soiling and staining. ; Folio 13" - 23" tall . Editions Galatea paperback books
1960005825San Francisco: Roxburghe and Zamorano Clubs. Printed by Saul Marks of the Plantin Press 1960. "Second Edition". Wraps. Fine. 12mo. 17 by 11 cm. 9 pp. Described as "a fictitious correspondence between E. de Fumier and M. Cambronne" the text is actually a learned discussion of the word "shit". With a publisher's slip inserted and surviving. <br/><br/> Roxburghe and Zamorano Clubs. Printed by Saul Marks of the Plantin Press paperback books
1974WRCLIT72474Dublin: Printed and Published by The Cadenus Press 1974. Half calf and marbled boards lettered in gilt. Fine without printed dust jacket as issued. First edition. One of two hundred numbered copies printed by hand. This volume follows the design by Liam Miller for the first volume which was printed at the Cuala Press. Printed and Published by The Cadenus Press hardcover books
1861714101861. London: Richard Griffin and Company 1861. London: Richard Griffin and Company 1861. Fascinating Insights into the Political Social Legal and Commercial Life of Medieval London Carpenter John d.1441. Whittington Richard d.1423 Riley Henry Thomas 1816-1878 Translator. Liber Albus: The White Book of the City of London. Compiled A.D. 1419 By J. Carpenter Common Clerk R. Whitington Mayor. Translated from the Original Latin and Anglo-Norman by H.T. Riley. London: Richard Griffin and Company 1861. x 2 660 pp. Quarto 8-1/2" x 6-3/4". Contemporary quarter morocco over cloth gilt title to spine top-edge gilt. Moderate rubbing to extremities a few nicks to spine corners lightly bumped contemporary armorial bookplate of John Harrison to front pastedown front hinge just starting at head. Light toning to text light foxing to a few leaves. $350. First edition as an independent work originally published in 1858 as Volume I of the three-volume Munimenta Gildhallae Londoniensis. A compilation of laws statutes ordinances and regulations the Liber Albus is a fascinating digest of information concerning social political and commercial activity in London from the twelfth to the early fifteenth century. OCLC locates 1 copy in a North American law library UC-Berkeley British Museum Catalogue Compact Edition 21:665. unknown books
193452893New York: Simon and Schuster. Very Good. 1934. Hardcover. New York: Simon and Schuster 1934. Second Printing. Previous owner inscribed slight discoloration to plaid patterned boards else Very Good. . Simon and Schuster hardcover books
193537446Paris: Jean Charpentier 1935. First edition. Cloth. Very good slight rubbing of spine. 57 pp. Illus. with 45 b/w plates. 4to. Lot nos. 26-124. Knoedler 1399. Jean Charpentier hardcover books
1896248London The Studio Magazine 1896. Embossed lithograph in colors. Contained within the bound edition of THE STUDIO AN ILLUSTRATED MAGAZINE OF FINE AND APPLIED ART. 1894189618971898 and 1899 with their blind stamp lower right. 5 ¼ x 8 7/8 188mm x 226mm. The book is bound in green cloth with gilt letters on the cover and spine. In good condition. The Studio Magazine was an illustrated fine arts and decorative arts magazine founded in Britain in 1893 which exerted a major influence on the development of the Art Nouveau movement. The earlier editions usually had original lithographs and etchings bound into the publication as it is here. Charles Holme Editor. In the later 20th century the annuals gave increasing prominence to architecture and interior design and in the mid-1960s it was retitled Decorative Art in Modern Interiors. The annual ceased publication in 1980. THE STUDIO, AN ILLUSTRATED MAGAZINE OF FINE AND APPLIED ART books
1995030242Paris: Heugel et Cie 1995. xv 399p. b/w illus. music stiff wrappers. At head of t.p.: Théatre National de l'Opéra-Comique. Heugel et Cie unknown books
187436371Washington D.C.: John H. Cunningham Printer 1874. First edition. Stitched. A very good unopened copy wrappers soiled mail fold. 48 pp. 8vo. Contested elections in Louisiana. John H. Cunningham, Printer unknown books
1923293433New York: Boni and Liveright 1923. Hard Cover. Very Good binding. 16mo.; in publisher's limp green leatherette with the Modern Library logo with a scribe encircled by a globe stamped to the upper board; this logo was used only from 1923-1925. With the endpapers by Horace Brodzky.~~A clean copy of this Modern Library reprint. The copyright date is 1911. Toledano 32 95. Very Good binding. Boni and Liveright unknown books