177 résultats
1889206638London: Reeves and turner and Bertram Dobell 1889. Hardcover. 335p. original publishers cloth heavily chipped on the spine affecting spine titling ex library with the usual markings both hinges cracked with weakness to rear hinge. Salt a socialist an animal rights activist vegetarian and pacifist was active in social reform circles and influential with anarchists Joseph Ishill & his Circle Gandhi and many others. Reeves and turner and Bertram Dobell hardcover books
18909856143Richard Bentley & Son 1890. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In poor condition suitable as a reading copy. 8vo medium sized cloth binding. Spine is torn and corners are bumped. Light scuffing to front and back cover. Gilted lettering to backstrip. Front cover is loose but still attached to backstrip. Rip on first page. Text is in good condition Please note the Image in this listing is a stock photo and may not match the covers of the actual item1000grams ISBN: Richard Bentley & Son hardcover
188858370Birmingham: Cornish Brothers. 1888. Hardcover. Very Good. 274pp bound in original red cloth spine underlaid. Includes transcription of Parish Registers. Scarce Staffordshire history; Octavo . Cornish Brothers hardcover
1888055438Birmingham ; London: Cornish Brothers ; Simpkin Marshall & Co 1888. First Edition . Hardcover. Very Good. 8vo. FIRST EDITION. BIRMINGHAM : 1888. Stafford Printed . Hardback. A picture of the church from the North Staffordshire Field Club 1908 has been placed after the half-title. Original dark-red cloth; gilt lettered spine; Black ruled spine. Black panels to covers; bevelled boards. Original dark-brown end-papers. All edges red. Neat owner name stamp; no internal markings. Bright tight and clean. Minor wear only. Slight dulling to spine. VERY GOOD INDEED. ix 274 pages. Parish Registers towards the rear. Index. STANDON is a village and civil parish in the Stafford district in the county of Staffordshire England. Standon has a church called Church of All Saints and one school called All Saints C of E First School. In 2001 the population of the civil parish of Standon was 823 and in the 2011 census it had a population of 879. Standon in Old English has a particular meaning which when broken down means 'Stone Hill'. The elements in Old English are 'stan' which means a stone rock and 'dun' which means a hill. Dated to 1086 the Church of All Saints has been listed as a Grade One building. It was rebuilt in 1847 except the middle aisle and the tower. It has since been restored three times with extensive work happening to the roof. The Church is a part of a benefice of churches which is formed of four church parishes of Staffordshire villages. These four parishes are Cotes Heath Swynnerton with Yarnfield Standon and Tittensor and these create the united family of 'The CoSST Churches'. The parishes are small Church of England parishes located 10 miles from the city of Stoke-on-Trent in the Lichfield Diocese. According to the Domesday Book from 1086 Standon had nine households which is considered quite small with 11 villagers three smallholders three slaves and one priest. The Lord of Standon in 1086 was Brian of Rauceby and the recorded Tenant-in-Chief was Robert of Stafford. In 1086 there were six ploughlands of which one was owned by the Lord of Standon and five were for men's plough teams. Prior to the Domesday Book the Lord of Standon was recorded to be Siward in 1066. Will be well-packed for posting/shipping. 8vo. Rosley Books for Antiquarian books Cumberland Everyman Keswick Inklings Literature MacDonald Rarities Theology and History. SCARCE. <br/> <br/> Cornish Brothers ; Simpkin, Marshall & Co hardcover
187759177Hartford CT: Worthington 1877. 8vo pp. xxx 623. Bound in Publisher's sheep spine loose covers well rubbed good. VG. BAL 19481. Worthington unknown books
187549184Hartford CT: Worthington 1875. 8vo pp. xxx 623. Green cloth with decorative stamping in gilt. Frontis detached ex library with stamps and bookplate cover scuffed at edges o/w VG. BAL 19481. Worthington unknown books
186228089paris C. Borrani 1862 une gravure en couleurs sur papier marron clair, format total de la gravure : 35 x 45 cm, TABLEAU SCOLAIRE : GRAVURE EN COULEURS : "LE SEL", dessinée et lithographiée en couleurs par MM. Belin et Bethmont : Tirée de : "Les Récréations instructives" de 1862 par Jules DELBRUCK., Paris : C. Borrani Editeur,
18881204096Stuttgart, Waag, 1888. 12, 55, (1) S. Goldgeprägter Hldrbd d. Zeit (Vorsätze leimschattig).
1834212441834 1 Compte de 4 pages (un feuillet plié en deux), manuscrites à l'encre brune , sur papier crème, format : 25,5 x 20 cm, compte avec nombre d'Oeillets, dans quelle saline avec les recettes obtenues et la balance des dépenses engagées, signé Quilgars Notaire, le 2 Janvier 1834
190075793Stratford-Upon-Avon: Printed by Edward Fox at The Shakespeare Quiney Press 1900. 8vo.Presentation Copy. iv 144 pp. Portrait vignette and numerous in-text and full page black and white sketches. Cloth binding of navy spine and blue boards with paper title label to spine; top edge gilt. A little bumping and rubbing to extremities. Save offsetting to prelims and endpapers internally clean. Inscribed by the publisher to the then vicar of Stratford Canon Melville dated 1921. . Very Good. Cloth. 1900. Printed by Edward Fox at The Shakespeare Quiney Press 1900 hardcover
190053447Stratford-upon-Avon: Edward Fox at the Shakespeare Quiney Press 1900. Book. Very Good. Hardcover. Signed by Authors. Limited Edition. 144 pages 8vo. Scarce. No DJ. SIGNED by Richard Savage W. Salt-Brassington and Edward Fox. Inscribed by Richard Savage on obverse of front endpaper thus: "Seventy five copies only printed on Japanese Vellum of which this is no.56". Also inscribed by Salt-Bassington thus: "To Major Barrage With sincere regard from William Walt-Bassington. 13th July 1914. Stratford-upon-Avon". Printed by Edward Fox at the Shakespeare Quiney Press at Stratford-upon-Avon. Cream vellum with red lettering along spine red and black lettering on front cover. Shelfwear: light scuffing along edges and covers heavy foxing on cover boards and spine light tanning and some light foxing along page edges. Tightly bound no marks. Volume is in Very Good condition. Edward Fox at the Shakespeare Quiney Press Hardcover
1850na989Paris, Librairie agricole de la maison rustique Relié 1850 In-8, (11.5x17.5 cm), relié demi-basane, dos à faux nerfs titré, 532 pages, xj pages de préface, ex-libris de Giot ; rousseurs, mors frottés, assez bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
1895024506London: Walter Scott Ltd 1895. No marks or inscriptions. No creasing to covers or to spine. A very clean tight copy with bright unmarked gilt/black embossed boards and spine and very minor bumping to upper corners. 345pp. A collection of English and American poems illustrative of the growth of the revolutionary ideal - national social and intellectual - during the past 100 years from around 100 different poets and writers. Undated. ca 1895. Hard Cover. Very Good/No Jacket. 5.5 x 4.25 inches. Walter Scott Ltd Hardcover
1897A141-1281Wien, Kaiserlich-K?nigliches Milit?r-Geographisches Institut, 1897. Hochformat, ca. 38 x 55 cm, gefaltet zu 8 Segmenten, Ausgabe: mehrf?rbig; Zustand: gut +
18921675London: William Reeves. 1892. First edition. Large paper copy. Octavo. Publisher's original maroon cloth with titles in gilt to the upper board and printed paper title label to the spine. An unopened copy. pp. viii 82 2. A near-fine copy the binding square and firm with a touch of cracking to the paper covering the front hinge. The contents with toning to the endpapers are otherwise clean and crisp throughout. An account of the radical political and ethical ideals of the Romantic poet Percy Bysshe Shelley 1792-1822 by the socialist vegetarian and pacifist author campaigner and pioneering animal rights theorist Henry Stephens Salt 1851-1939. London: William Reeves. hardcover
1895W7-VC89-A6XNMacMillan & Co 1895. First Edition. Hardcover. Clean & Unmarked . 0x0x0. Red cloth with gilt title editor and publisher on spine. Spine sunned and lightly bumped at foot lightly rubbed at head. Corners have some light bumping. Previous ownership plates on front paste-down. Deckle fore-edge has some creasing. 330 pp. MacMillan & Co hardcover
184819077Paimboeuf Fetu 1848 in-8 broché un Journal Mensuel, broché (paperback) in-octavo, dos muet, sans illustration (no illustration), pagination à l'année (de la page 210 à la page 241) 32 pages, Juin 1848 à Paimboeuf Imprimerie Eugène Fetu pour "Le Saunier" Editeur,
180917298London: William Miller 1809. Hand-coloured aquatint engraving by D. Havell after Henry Salt on wove paper watermark 'J Whatman'. View of the British colonial island St. Helena prior to its becoming Napoleon's last residence<br/> <br/>Henry Salt artist traveller diplomat and collector of antiquities was born at Lichfield Staffordshire England 14 June 1780. He was destined to be a portrait-painter and on leaving school was taught drawing by Glover the watercolour-painter of Lichfield. In 1797 he went to London and became a pupil of Joseph Farington R.A. and in 1800 of John Hoppner R.A. The turning point in his career was 3 June 1802 when Salt left London for an eastern tour with George viscount Valentia afterwards Lord Mountnorris whom he accompanied as secretary and draughtsman. He visited India Ceylon and in 1805 Abyssinia returning to England on 26 Oct. 1806. He made many drawings some of which served to illustrate Lord Valentia's Voyages and Travels to India published in 1809. The present image is from a work titled Twenty-four Views in St. Helena the Cape India Ceylon the Red Sea Abyssinia and Egypt published by William Miller with hand-coloured aquatints by D. Havell and J. Bluck from Salt's own drawings. The originals of all these drawings were retained by Lord Valentia who also retained the ownership of the copper plates after Salt's death. The format and style of presentation of the plates is similar to Thomas and William Daniell's great work Oriental Scenery 1795-1808 and the artistry displayed by both Salt and his engravers is in many cases more than a match for the Daniell's images.<br/> <br/>Abbey Travel II 515 no.5. William Miller unknown books
181227080London: William Miller 1812. Hand-coloured aquatint engraving by D. Havell after Henry Salt on wove paper watermark 'J Whatman 1812'. View of the British colonial island St. Helena prior to its becoming Napoleon's last residence<br/> <br/> Henry Salt artist traveller diplomat and collector of antiquities was born at Lichfield Staffordshire England 14 June 1780. He was destined to be a portrait-painter and on leaving school was taught drawing by Glover the watercolour-painter of Lichfield. In 1797 he went to London and became a pupil of Joseph Farington R.A. and in 1800 of John Hoppner R.A. The turning point in his career was 3 June 1802 when Salt left London for an eastern tour with George viscount Valentia afterwards Lord Mountnorris whom he accompanied as secretary and draughtsman. He visited India Ceylon and in 1805 Abyssinia returning to England on 26 Oct. 1806. He made many drawings some of which served to illustrate Lord Valentia's Voyages and Travels to India published in 1809. The present image is from a work titled Twenty-four Views in St. Helena the Cape India Ceylon the Red Sea Abyssinia and Egypt published by William Miller with hand-coloured aquatints by D. Havell and J. Bluck from Salt's own drawings. The originals of all these drawings were retained by Lord Valentia who also retained the ownership of the copper plates after Salt's death. The format and style of presentation of the plates is similar to Thomas and William Daniell's great work Oriental Scenery 1795-1808 and the artistry displayed by both Salt and his engravers is in many cases more than a match for the Daniell's images.<br/> <br/> Abbey Travel II 515 no.5. William Miller unknown
180917298London: William Miller 1809. Hand-coloured aquatint engraving by D. Havell after Henry Salt on wove paper watermark 'J Whatman'. View of the British colonial island St. Helena prior to its becoming Napoleon's last residence<br/> <br/> Henry Salt artist traveller diplomat and collector of antiquities was born at Lichfield Staffordshire England 14 June 1780. He was destined to be a portrait-painter and on leaving school was taught drawing by Glover the watercolour-painter of Lichfield. In 1797 he went to London and became a pupil of Joseph Farington R.A. and in 1800 of John Hoppner R.A. The turning point in his career was 3 June 1802 when Salt left London for an eastern tour with George viscount Valentia afterwards Lord Mountnorris whom he accompanied as secretary and draughtsman. He visited India Ceylon and in 1805 Abyssinia returning to England on 26 Oct. 1806. He made many drawings some of which served to illustrate Lord Valentia's Voyages and Travels to India published in 1809. The present image is from a work titled Twenty-four Views in St. Helena the Cape India Ceylon the Red Sea Abyssinia and Egypt published by William Miller with hand-coloured aquatints by D. Havell and J. Bluck from Salt's own drawings. The originals of all these drawings were retained by Lord Valentia who also retained the ownership of the copper plates after Salt's death. The format and style of presentation of the plates is similar to Thomas and William Daniell's great work Oriental Scenery 1795-1808 and the artistry displayed by both Salt and his engravers is in many cases more than a match for the Daniell's images.<br/> <br/> Abbey Travel II 515 no.5. William Miller unknown
1847AUST0283Dürnberg, Josef Hinterstoisser, [1847]. quer gr.-8°, 6 Federlithogr. auf Tonplatte v. P. Herwegen (gezeichnet von Hanns Brunner) mit Seidenhemdch. (diese etw. zerknittert), HLn. d. Zt., berieb., Kanten u. Ecken leicht bestoß., Vorsatzpapier etw. fleckig, Taf. tlw. etw. stockfleck., zumeist im weissen Rand. Ohne das Textheft. Nebehay/W. 903. - Die hier vollständig vorliegende Serie besteht aus dem (mitgez.) allegorischen Titelblatt sowie den Ansichten "Gruben-Eingang" (im Hintergrund die Wallfahrtskirche am Dürnberg), "Rutschpartie im obern Theil", "Seefahrt im Innern des Berges", "Rutschpartie im untern Theil" und "Gruben-Ausfahrt".
182714153Washington: GPO. Very Good. 1827. Softcover. Disbound heavy foxing pages detached pages 10 Rep. No. 100 . GPO paperback books
1874517Salt Lake City 1874. Printed check 9 cm x 21.5 cm printed in black with blanks to be filled in by hand. Near fine. Check is dated September 21 1874 and payable to the Super Napper. The amount is for $2.00 and is signed by Susan Napper. unknown books
1874517Salt Lake City 1874. Printed check 9 cm x 21.5 cm printed in black with blanks to be filled in by hand. Near fine. Check is dated September 21 1874 and payable to the Super Napper. The amount is for $2.00 and is signed by Susan Napper. unknown
187146448London Edinburgh & New York: T. Nelson & Sons 1871. Oblong 12mo. 31 1 pp. Aqua-tinted printed aqua-tinted text illusts. 12 colour chromolith illusts. 2 double-page. Brick-red embossed & decorated cloth chromolith plate mounted on front cover gilt armorial & decoration on front cover slight rubbing shelfwear still VG- copy w/ former ownership signature on ffep. First edition of this beautifully printed Nelson Guide Book for the Central Pacific Railroad. The beautiful chromolithographs include a wonderful birds-eye view of Salt Lake City and the Valley City Hall the Tabernacle the Theatre Salt Lake Hotel and other views. Savage 1832-1909 was a noted Mormon photographer who originally began shooting Mormon leaders in Council Bluffs IA before 1860 established his own studio named the Pioneer Art Gallery in 1866 and after it burned to the ground in 1883 established the Art Bazar Studio on the same site. T. Nelson & Sons, hardcover
