MORE, ThomasLivre Rare Book
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14292Paris, Charles L'Angelier, 1550.
158857770Kiøbenhaffn, (Matz Vingaard), (1588-)89. Folio. (39 x 27 cm.). Samtidigt hellæderbind i brunt kalveskind over svært træ og med kanter i smig. Lettere ophøjede bind på ryg. Håndsyede kapitælbånd. Lille hak i skindet på nederste rygfelt. Med de 4 originale hængselsbeslag i støbt messing bevarede, men den ene strop fornyet og den anden mangler. Permerne har begge blindtrykte arabesker, i midterfeltet en stor arabesk og i hjørner og kanter 6 pyramideformede arabesker, som alle er med en blindtrykt krone i pyramidens top. Permerne har mindre messingstifter med store hoveder til beskyttelse af bindet ved opslag. Marmoreret snit. Bindet er ganske velbevaret med kun lidt kantslid og let slid på de ophøjede rygbind. (22),353(i.e.354),226,159 blade. Komplet, men uden de 3 blanke blade. Træskåret titelblad med tekst trykt i rødt i midterfeltet. Titelbladsvarianten med kongens kobberstukne portræt (af Goltzius) opklæbet på bagsiden (en del eksemplarer udkom uden portrættet). Blad 2 med rigsvåbnet, bladet er kantrepareret. 2 træskårne deltitelblade. Registerbladene med svag skjold i ydre marginer. De sidste 35 blade delvist omkantede, for det meste i ydre marginer. Ganske få spredte brunpletter. Iøvrigt ganske lette brugsspor. Et udmærket velbevaret og komplet eksemplar (bortset fra de 3 blanke).På forreste friblad er anført lidt af eksemplarets ejerhistorie fra 1819, - erhvervet af Mikkel Johannesson Fladebøe som her delvist klausulerer dens ejerskab til fremtidige ejere af gården (Fladebøe ?). Senere synes den overgået til andre i slægten bosat i U.S.A. (Olaf Albertsen, Axel Albertsen, Stanley Albertsen, Sidney Albertsen). Folio. (39 x 27 cm.). Contemporary brown full calf over heavy wooden boards with oblique edges. Sloghtly raised bands to spine. Hand-stitched capital bands. A small notch to the leather of bottom compartment of spine. With the four original brass clasps preserved, but one strap has been renewed and the other is missing. Boards with large blindstamped centre-arabesque and six pyramid shaped arabesques to corners and edges, all with a blindstamped crown on top. Large-headed bras spins to boards, to protect the boards when open. Marbled edges. A bit of wear to edges and light wear to the raised bands. (22), 353(i.e.354), 226, 159 ff. Complete, save for the three blank leaves. Woodcut title-page with centre-text printed in red. The title-page variant with the engraved portrait of the king (by Goltzius) mounted on verso. Several copies were issued without portrait, and some were issued, as here, with the title-page mounted on verso. F. 2 with the royal arms, restored at edges. Two woodcut helf-titles. The index-leaves with a vague damp stain to the outer margins. The last 35 leaves have been partly re-edged, mostly at the very outer margins. A bit of light scattered brownspotting. Light signs of wear. An overall well preserved copy in- as well as externally. Front free end-paper with handwritten notes on provenance from 1819 onward – bought by Mikkel Johannesson Fladebøe, who partly clauses the ownership of the copy to the future owners of the estate (Fladebøe?). It seems to have then passed to other generations of the same lineage located in The United States (Olaf Albertsen, Axel Albertsen, Stanley Albertsen, Sidney Albertsen).
163360241Kiøbenhaffn, (Melchior Martzan og Salomon Sartor), (1632-) 1633. Folio (binding: 37 x 25 cm.). Bound in a spledid, contemporary full calf binding over wooden boards. Rich, elaborate gilding to both boards and spine. The gilding is vague, especially on the front board, but the tooling is very sharp, and the binding overall is magnificent. With four beautiful, ornamented brass edges to each board and two large ornamented brass clasps. All edges are gilt and beautifully blindtooled. Wear to capitals, where the cords are loosening a bit, and with a bit of loss of leather. A bit of wear to hinges, at the cords, which are showing. But overall the binding is in splendid condition. Also internally extremely well preserved. The title-page has a tiny restored hole to lower right corner, and the first four leaves might have been inserted. They are slightly smaller at the outer margin than the other leaves. But that might also be due to restoration, as the binding has not been tampered with at any point and is completely unrestored. The text is unusually nice, clean and fresh, by far the nicest copy we have ever come across. Pasted-down front end-paper with the ownership signature and lacquered coat-of-arms seal of Severin Svanenhielm (Severin Seehusen (1664-1726) ) as well as the ownership signatures of Søren Schiøtz (1796-1863) (with names of members of his family), C. Th. Zahle and Erik Zahle. With the book plate of William Davignon (d. 1924). The brass corners carry the initials HL and are depicted in Johannes Rudbeck's Svenska Bokband I (fig. 26, p.53). The binding there is dated 1622, whereas our binding is from 1633 or right after. The brass fittings were a commercial merchandise for sale in Germany and probably also in both Sweden and Denmark. Engraved title-page as well as the engraved portrait of Christian IV, all by the royal engraver Simon the Pas. Without the half-title, which merely contains the printed words ""BIBLIA / Paa Danske"", which is almost never present. (21 - not counting the engraved title-page and the portrait), 353 (i.e. 354 due to the erroneous double pagination 353), 226, 159 ff.
177260321Sorøe, Jonas Lindgrens, 1772. 4to (260 x 214 mm). 2 volumes, uniformly bound in two nice contemporary half calf bindings with five raised bands and gilt title- and tome-labels to spines. Ex-libris (Hjalmar Hartmann) pasted on to pasted down front end-paper in both volumes. Previous owner's stamp (Hvedholm Castle) to upper part of title-page in both volumes and two small paper-labels (stating respectively 1592 and 1593 - indicating the booknumber in Hvedholm Castle's catalogue) to lower compartment on spines. A few leaves in vol. 1 with brown stripe in upper margin. An excellent and wide-margined copy. (12), 618 pp. Pp. (2), 519-1042, (62), 20, (2) + 51 engraved plates (numered I-L, with 2 plates numbered XXX) and 1 large folded map.
010941[Battle of the Little Bighorn, Bataille de Little Bighorn, Felice Orsini, Attentat contre Napoléon III en 1858, Charles Camillo De Rudio], Recueil de 9 autographes des 4 protagonistes dont Charles DeRudio qui devint officier lors de la fameuse bataille de Little Bighorn le 25 juin 1860, y survécut et dont le témoignage fut publié dès le 30 juin 1860. Reliés dans un volume in-8 avec une brochure du docteur Rougean, L'Attentat d'Orsini - étude de psychi-pathologie historique (Paris, Le François, 1934). L'attentat eut lieu le 14 janvier 1858. Felice Orsini (1819-1858), G Pieri (1808-1858), Charles de Rudio (1832-1910) & Antoine (Antonio) Gomez (né en 1825). Les trois premiers furent condamnés à mort le 26 février 1858 et Gomez aux travaux forcés à perpétuité. La peine de Rudio fut commuée en travaux forcés elle-aussi et il s'évada peu après alors qu'Orsini et Pieri furent exécutés le 13 mars 1858. Si on perd la trace de Gomez (probablement mort au bagne), Rudio arriva à Londres puis émigra à New-York. Il s'engagea dans l'armée et fait partie des survivants de la fameuse bataille de Little Bighorn (25 juin 1860). Son témoignage a été publié dès le 30 juin dans New York Herald. On compte ainsi : -2 autographes d'Orsini : une feuille de comptes et une L.A.S. à « M. Leveille, directeur de la conciergerie », en réalité Jean-François Lebel, datée du 2 mars 1858. -3 autographes de Pieri : une L.A.S., probablement jamais arrivée, au procureur général pour solliciter un rendez-vous, datée du 22 février 1858, et 2 reçus A.S. datés des 12 et 13 février 1858. -2 autographes de Gomez : 2 reçus A.S. datés des 9 février et 1er mars 1858. -2 autographes de Rudio : 2 reçus A.S. datés des 12 et 13 février 1858. Reliure demi-chagrin. Exceptionnel ensemble, extraordinaire même par la réunion des 4 protagonistes de l'attentat et par la présence même d'autographe d'un des protagonistes de Little Bighorn, évènement d'une importance capitale dans l'histoire des USA.
19425627et qui paraitra sous le titre définitif "Le Charcutier de Machonville", par Marcel-E. Grancher, auteur lyonnais, journaliste, écrivain, un des principaux chefs de la Résistance à Lyon pendant l'Occupation allemande. In-4 ; demi-maroquin bordeaux, dos à nerfs, titre doré, non rogné ; (3) ff., 230 feuillets recto, à l'écriture bien lisible.Il s'agit du manuscrit brut, rempli de ratures, rajouts, modifications diverses y compris de bandes collées, du plus célèbre roman de Grancher, Grand Prix littéraire de Lyon en 1936 et Prix Courteline en 1938 ; il est daté de "Reyrieux, janvier 1942" et est émaillé d'indications typographiques. Comme il ne s'agit pas de la "mise au propre", il serait intéressant de comparer précisément ce texte avec celui finalement publié.Mention manuscrite sur la page de garde : "J'ai relié ce livre pendant la guerre de 40, le client ne m'a pas donné son nom ni adresse, je le tiens donc à sa disposition. Signé H. Jacquet, relieur 7, rue des Marronniers. Lyon".Document en très bel état.
177156289Neuchatel, L'Imprimerie de la Société Typographique), 1771-83. 4to. Bound in 19 contemp. uniform full mottled calf. Raised bands. Gilt spines. Title-and tomelabels with gilt lettering. Spine-ends on nearly all volumes strenghtened. Stamp on title-pages. Each volume around 650 pp. With 508 fine engraved plates.
19356911935 - reliure - Sanjian Shuwu 三閒書屋 - Yinyu ji 引玉集 (« Recueil pour attirer le jade ») 木刻五十九幅 - Deuxième tirage, avril 1935 - In-8 (19,5 × 15,5 cm) reliure cartonnée de l'éditeur, dos noir, pièce de titre contrecollée sur le premier plat - 68 pages - 59 reproductions de gravures sur bois soviétiques imprimées au procédé collotype (珂羅版) d'après les tirages originaux fournis par les artistes - Comprend un texte de Chen Jie (陳節), traduction abrégée d'un essai de A. D. Chegodaev consacré à la gravure soviétique contemporaine - Tirage limité à 215 exemplaires, dont 15 exemplaires hors commerce - Diffusion assurée par la librairie Uchiyama (內山書店), Shanghai - Ouvrage en chinois - Avec des œuvres de Dmitri Isidorovich Mitrokhin, A. Kravchenko, N. Piskarev, Vladimir Andreevich Favorsky, P. Pavlinov, A. Goncharov, M. Pikov, Sergei Mikhalovich Mocharov, L. Khizhinsky, Nikolai Vasilievich Alekseev et Sergei Mikhailovich Pozharsky - A PROPOS : Rare anthologie consacrée à la gravure soviétique moderne, publiée à Shanghai par 三閒書屋 et diffusée par la librairie Uchiyama (內山書店). L'ouvrage réunit cinquante-neuf reproductions en collotype de gravures sur bois réalisées par plusieurs figures majeures de l'école russe et soviétique de la gravure des années 1920-1930, parmi lesquelles Vladimir Favorsky, Dmitri Mitrokhin, Alexei Kravchenko et Pavel Pavlinov. Accompagné d'une traduction abrégée par Chen Jie d'un essai de l'historien de l'art soviétique A. D. Chegodaev, ainsi que d'une préface, d'un catalogue des planches et d'une postface, le volume fut conçu comme une introduction à l'estampe contemporaine soviétique pour le public chinois. Témoignage remarquable des échanges artistiques sino-soviétiques dans le Shanghai républicain des années 1930, il s'inscrit dans le contexte du mouvement de la Nouvelle Gravure (新興木刻運動), alors en plein essor sous l'influence des milieux intellectuels de gauche et des réseaux culturels gravitant autour de la librairie Uchiyama et de la figure de Lu Xun. Les reproductions furent réunies à partir de documents et publications soviétiques découverts au début des années 1930, notamment par l'intermédiaire de la revue Graphika. /// ENGLISH: Sanjian Shuwu (三閒書屋) - Yinyu ji (引玉集, “Collection to Draw Forth Jade”): Fifty-Nine Woodcuts (木刻五十九幅) - Second printing, April 1935 - Octavo (19.5 × 15.5 cm), publisher's boards with black spine and mounted title label on upper cover - 68 pages - 59 collotype (珂羅版) reproductions of Soviet woodcuts printed from original impressions supplied by the artists - Includes a text by Chen Jie (陳節), an abridged translation of an essay by A. D. Chegodaev on contemporary Soviet printmaking - Limited edition of 215 copies, including 15 non-commercial presentation copies - Distributed by Uchiyama Bookstore (內山書店), Shanghai - Text in Chinese - Featuring works by Dmitri Isidorovich Mitrokhin, Alexei Kravchenko, Nikolai Piskarev, Vladimir Andreevich Favorsky, Pavel Pavlinov, Aleksandr Goncharov, Mikhail Pikov, Sergei Mikhailovich Mocharov, Leonid Khizhinsky, Nikolai Vasilievich Alekseev and Sergei Mikhailovich Pozharsky. ABOUT: Rare anthology devoted to modern Soviet wood engraving and printmaking, published in Shanghai by Sanjian Shuwu and distributed through Uchiyama Bookstore (內山書店). The volume gathers fifty-nine collotype reproductions of woodcuts by several leading figures of the Russian and Soviet printmaking revival of the 1920s and 1930s, including Vladimir Favorsky, Dmitri Mitrokhin, Alexei Kravchenko and Pavel Pavlinov. Accompanied by Chen Jie's abridged translation of an essay by Soviet art historian A. D. Chegodaev, as well as a preface, plate catalogue and postface, the work was conceived as an introduction to contemporary Soviet printmaking for Chinese readers. A remarkable testimony to Sino-Soviet artistic exchanges in Republican-era Shanghai, it belongs to the context of the New Woodcut Movement (新興木刻運動), then flourishing under the influence of left-wing intellectual circles and cultural networks associated with Uchiyama Bookstore and the figure of Lu Xun. The reproductions were assembled from Soviet books, periodicals and documentary sources discovered in the early 1930s, notably through the journal Graphika. /// 中文：三閒書屋出版 — 《引玉集：木刻五十九幅》 — 1935年4月再版 — 32開（19.5 × 15.5厘米）精裝本，黑色書脊，封面貼書名籤 — 68頁 — 收錄蘇聯木刻作品59幅，以珂羅版工藝依據藝術家提供之原拓本複製印製 — 附陳節摘譯 A. D. Chegodaev（契戈達耶夫）論蘇聯現代版畫藝術之文章 — 限印215部，其中15部為非賣贈送本 — 上海內山書店代售 — 中文版 — 收錄 Dmitri Isidorovich Mitrokhin、Alexei Kravchenko、Nikolai Piskarev、Vladimir Andreevich Favorsky、Pavel Pavlinov、Aleksandr Goncharov、Mikhail Pikov、Sergei Mikhailovich Mocharov、Leonid Khizhinsky、Nikolai Vasilievich Alekseev 及 Sergei Mikhailovich Pozharsky 等藝術家作品。關於本書：本書為三閒書屋於上海出版、由內山書店代售之珍稀蘇聯現代木刻版畫選集。全書收錄59幅以珂羅版精印之蘇聯木刻作品，作者均為1920至1930年代俄羅斯及蘇聯版畫復興運動的重要藝術家，其中包括弗拉基米爾·法沃爾斯基（Vladimir Favorsky）、德米特里·米特羅欣（Dmitri Mitrokhin）、阿列克謝·克拉夫琴科（Alexei Kravchenko）及帕維爾·帕夫利諾夫（Pavel Pavlinov）等人。書中除收錄陳節摘譯之蘇聯藝術史家 A. D. Chegodaev 論文外，尚附序言、圖版目錄及後記，旨在向中國讀者介紹蘇聯當代版畫藝術。本書不僅是研究俄蘇版畫的重要文獻，亦是1930年代上海中蘇藝術交流的珍貴見證。其出版背景與中國新興木刻運動（新興木刻運動）密切相關，反映了左翼知識界、內山書店文化網絡以及魯迅所倡導之版畫思想的深遠影響。書中圖版主要彙集自1930年代初傳入中國之蘇聯書籍、期刊及藝術資料，其中包括《Graphika》等重要出版物。
1961AMO-4505London : George Allen & Unwin ltd. Boston : Houghton Mifflin Company. 3 vol. 8vo 9.0" x 6.0" inches (23 x 15,5 cm) 423pp, folding map ; 352pp, folding map ; 416pp, folding map. First edition. Later printings (12/9/8). The Fellowship of the Ring. First edition first published in July 1954. Twelfth impression 1962. The Two Towers. First edition first published 1954. Ninth impression 1962. The Return of the King. First edition first published, October 1955. Eight impression 1961. Printed in Great Britain in 11 on 12 point Imprint type by Jarrold & Sons Ltd, Norwich. Each volume with a folding map at the end printed in red and black, top edges stained red. Exquisite full dark blue morocco fine leather binding, gilt ruled covers with the gilt "Ring & Eye" design stamped on the both covers, spine with decorated 5 raised bands ans two red gilt lettered morocco labels in the second and fourth compartments, with intertwined "J.R.R.T." initials in the bottom compartment. The amazing quality of the binding in in the style of Sangorski & Sutcliffe in fine condition. Extremely rare and absolutely spectacular.
187659271London, William Clowes and Sons, 1876. Small 8vo. Original full red cloth. Title and author stamped in gold on upper wrapper. A small paperlabel at top of spine. A small stamp on top of title-page. Faint discoloration to lower part of upper wrapper. Frontispiece. 59 pp., textillustrations. Faint scattered brownspots, mainly to the first leaves. With dedication from the author on front free endpaper ""H.P./ General Baron von Bülow/ with the authors compliments."" Bülow is probably the Danish Genreral-Major Otto Chr. Severin August von Bülow (1812-95) or it could be General-Lieutnant Carl Ernst Johan Bülow (1814-1890) who was a member of the Danish legation to the English Court from 1865 to 1880. A note on the front free endpaper states, that the book in 1885 was handed over to the School of Gymnastics by General Fog. On foot of the same leaf some discoloration left over from a paperlabel.
176354525Kiøbenhavn, Godiche, 1763 - 81. 4to. Indbundet i 8 (tome V i 2) samtidige helldrbd. Rig rygforgyldning og forgyldte skindtitler. Rygge på de 4 første bind med lette brugsspor. Marmorerede snit. Stempel på titelblade. Slesvigbindet på skrivepapir. Med 295 kobberstukne prospekter, planer, grundtegninger, foldekort m.v. Nogle af foldekortene fint forstærkede på bagsiden. rent eksemplar, kun enkelte spredte brunpletter. Nogle eksemplarer er forsynet med Pontoppidans Danmarkskort. Dette er ikke her og det er heller ikke nævnt i oversigterne.
18954681Paris, S. Bing, Noël 1895. 2 volumes brochés: Les Vierges, 24 pages, couverture muette de papier moiré blanc, recouverte d'une large bande de papier gris vert rempliée, illustrée d'un bois tiré en blanc. Les Tombeaux: broché, 28 pages, couverture muette de papier moiré noir, recouverte d'une large bande de papier vert-jaune rempliée illustrée d'un bois tiré en rose (passé).2 volumes: Les Vierges 24 pages, blank cover of white shimmering paper, covered with a wide band of grey-green paper wrapped, illustrated with a woodcut printed in white. Les Tombeaux: 28 pages, blank cover of black shimmering paper, covered with a wide band of green-yellow paper wrapped, illustrated with a woodcut printed in pink (faded).
179360748Paris, Impremerie du depot des lois, An II (1793). 4to. In contemporary half calf with gilt lettering and ornamentation to spine. Wear to extremities. Upper part of back hinge split, with minor loss of letters. Small dampstain to upper inner margin, otherwise a nice copy. (2), VII, (2)-116, 100, 8 pp.
177456449Kopenhagen und Leipzig, Heinecke und Faber, 1774-75. 4to. Bound in one contemp. hcalf. Raised bands. Lower compartments with scratches. Gilt lineborders on spine. Light wear to spine ends. Spine a bit rubbed. Titlelabel with gilt lettering. Stamp on title-page. (16),328XVI,244 pp., 1 large folded engraved map (Nyt carte over Island, ved Erichsen og Schönning, 1771), 51 engraved plates, some folding (numb. I-L, + XXX bis). A few scattered brownspots. Occassional light browning.
188747165New Haven, Conn., J.D. & E.S. Dana, 1887. 8vo. Contemporary half calf. Gilt lettering to spine. A small stamp to top of title-page. In: ""The American Journal of Science. Editors James D. and Edward S. Dana"", Third series Vol. XXXIV (July to December, 1887). VIII,500 pp., textillustr. and 10 plates. (Entire volume offered). The joint paper: pp. 333-345 and textillustr. (Apparatus). A few faint brownspots to titlepage, otherwise clean and fine.
1963V91162Paterson, New Jersey, Rowman and Littlefield 1963 Complete series of 167 volumes, together over 100.000 pages, 29cm., uniform editor's hardcover bindings in green cloth, gilt lettering at spine, upper edges of some volumes are somewhat spotted (though not the pages themselves), this is a reprint of the original 194O's-edition, good condition, text and pages in very good condition, total weight: ca. 330kg., V91162
1890AMO-4520[Japon, Yokohama ?, vers 1890] Très beau spécimen en grand format (36 x 27 cm environ pour l'album et 26,5 x 20,5 cm pour les tirages). Complet. Très bel album très bien conservé malgré quelques chocs sur quelques bords et le dos de l'album manquant (bande de cuir), parfaitement solide et très décoratif. Très belle esthétique d'ensemble, superbe décor sur le premier plat (rare aussi beau et fin). Intérieur d'une grande fraîcheur. Beau coloris au pinceau à la main.
161228124Coloniae Agrippinae (Köln), Sumptibus Anton. Hierati et Ioan. Gymnici, 1612. Folio. Bound in two contemporary, uniform full vellum bindings with remains of silk-ties on boards. Some traces of use to extremities. Some pages evenly browned, some brownspotted. First two volumes richly illustrated with woodcut diagrams, musical notes, earth- and heaven-maps etc. in the text, numerous woodcut initials throughout, engraved title-page. (10) pp, columns 1-168 (84 pp.), pp. 169 - 322, columns 323 - 452 (65 pp.) + (1) f., 238 pp. + (2) ff., columns 1 - 500 (250 pp.) + (2) ff., columns 1 - 916 (458 pp.) + (1) f., columns 1 - 816 (408 pp) + (1) f., columns 1 - 852 (426 pp.) + (2) ff., columns 1 - 485 (243 pp.) + (2) ff., columns 1 - 968 (484 pp.), 55 ff. (Index).
170954195(København), 1709. Folio. In contemporary full calf Cambridge-style mirror binding with blindstamped borders. Light wear to extremities. Seven leaves with minor repairs to margins, one leaf with a 15 cm long closed tear, and one leaf with an 30 cm long closed tear, all professionally executed and with no loss of imprint. Margins slightly soiled. 19 leaves, -text and frames engraved. The broad frames that all differ from each other ornamentally depict animals and plants as well as the different trades of the country. A nice copy printed on thick, heavy paper. Housed in a cardboard box.Provenance: From the collection of Danish book collector Viggo Lohse. The present copy was exhibited at 'Dansk Bibliofil-Klubs 50 års Jubilæumsudstilling' in 1992 (The 50 year anniversary exhibition for the Danish Society of Bibliophiles), no. 94.
1991AMO-4521Grafton, An Imprint of HarperCollins Publishers, 1991 (later printing 4/3/3) 3 volumes (18 x 11,2 cm), 529, 442 et 556 pages. Cartes in fine. Brochés. Couvertures illustrées par John Howe. Etui cartonné rouge et or (un côté déchiré recollé, quelues marques). Volumes très bien conservés, les dos n'ont pas de pli de lecture. Un coin légèrement plié (The Return of the King). Intérieur parfaitement frais, papier légèrement teinté. Paperback edition.
180645461Stockholm, 1806. Large folio oblong. (44 x 61 cm.). Contemp. hcalf, covers with marbled paper. Titlelabel in red and gilt pasted on frontcover. Wear to foot of spine, otherwise fine. Engraved titlepage (battle view), engraved plate depicting the Carl Gustav on horseback in front of a battle scene and 11 engraved plates showing battlescenes after Dahlberg's drawings. All engravings in beautiful toned sepia aquatint. A few marginal brownspots. A very fine copy.
171534417London, Printed for William Mount and Thomas Page on Tower Hall, no date (c. 1715). Folio. 53X35 cm. Cont. hcalf with marbled boards. Rebacked and recornered in old style with raised bands. Engraved typographical titlepage with a large engraved vignette showing the English King's Coat of Arms. With all 15 double-page engraved sea-charts (numbered (1)-(15) in lower right corners). Neat repairs to inner margins of free endpapers and titlepage. Some browning to charts. Chart 5 (45x75,5 cm) having the right margin shaved reaching the printed frame.
192349718Paris, Gauthier-Villars et Cie, 1923. 4to. Bound in one contemp. full buckram. Spines gilt and with gilt lettering. In: ""Comptes Rendus Hebdomadaires des Séances de L'Academie des Sciences"", Tome 177. Bound with orig. printed front-wrapper to No. 1, half-title and title-page to vol. 177. 1513 pp. (Entire volume offered). De Broglie's papers: pp. 507-510, pp. 548-551 a. pp. 630-32. Clean and fine. A punched stamp on foot of title-page.
192346949Paris, Gauthier-Villars et Cie, 1923. 4to. Bound in 2 contemp. full cloth. Spines gilt and with gilt lettering. In: ""Comptes Rendus Hebdomadaires des Séances de L'Academie des Sciences"", Tome 177. With htitle a. titlepage. 1513 pp. (Entire volume offered). De Broglie's papers: pp. 507-510, pp. 548-551 a. pp. 630-32. Clean and fine. A stamp to verso of titlepage.
67922Barcelona, M. Moleiro Editor,, 2009 Bound in luxurious brown-marron leather with gilt Greek lettering, housed in a slipcase with gold motifs. 384 pages, 204 illuminations with gold-decorated miniatures, either full-page or arranged across the page in multiple pictorial strips. Full-colour facsimile edition. Size: 32 23 cm. ****NUMBERED COPY NO. 588 OF A LIMITED FACSIMILE EDITION OF 987 COPIES, ISSUED WITH A CERTIFICATE OF AUTHENTICITY.**** Includes a full-colour commentary volume, 376 pages, hardcover with dust jacket, text by Marianne Besseyre.
