YILMAZ KARACA et alli.MareMagnum
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Fine English Paperback. 4to. (28 x 20 cm). In Turkish. [88] p., b/w ills. First and Only Edition. Rare. Eskisehir basin tarihi, 1908-1988. Local periodicals and journals published in Eskisehir city of Turkey from the Ottomans to Turkish Republic. REFERENCE Turkish - Ottoman bibliography Local publishing History of press Eskisehir.
Fine English Paperback. Pbo. 4to. (31 x 21 cm). In English. 64 p. How legitimate are the Kurds' demands? The Kurdish question through the lens of Turkey's west. TESEV Democratization Program Policy Report Series.
New Turkish Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. 376 p. Osmanli Imparatorlugu Garp ocaklari ile ABD arasindaki deniz antlasmalari. Marine Treaties between United States of America and the Ottoman Empire.
Fine English Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. 81, 15 p. 66 numerous b/w plates. Samsun yöresinde bulunan ahsap camiler.
New English Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In Laz and Turkish. 287 p. Surimsine. Lazca / Türkçe.
Very Good English Paperback. Pbo. Cr. 8vo. (19 x 13 cm). In Turkish. [xvii], [1], 330 p., b/w plates. Bingöl city's history with Armenian and Kurdish ethnicity. Bingöl tarihi.
Fine English Originl bdg. HC. Roy. 8vo. (23 x 16 cm). In Turkish. 862 p. Esanlamli sözcükler ve karsit anlamlari sözlügü.
New English Paperback. Large roy. 8vo. (25 x 19 cm). In English and Turkish. 275, [1] p., b/w photos. Yildiz Moran. Photographers series: 8.= Fotograf sanatçilari serisi: 8. Edited by Merih Akogul. Yildiz Moran is the first female photographer of Turkey to have received an academic training. Yildiz Moran began her career in photography with great passion, only to give it up after marrying Özdemir Asaf, another great passion in her life; nevertheless, during her brief career, Moran was able to produce significant and variegated work after studying with the famous photographer John Vickers in Britain. Her first solo exhibition in Cambridge was followed by those in Istanbul, Ankara, London, and Edinburgh. Besides her technical prowess and her masterful use of light, Yildiz Moran was a photographer who put her soul, intellect, and heart - in other words her whole self - into her work, thereby lending depth to her images.
Very Good Turkish Original silver gelatin photographic print mounted on cardboard. 53x42 cm (Photo size: 38x30 cm). Signed by Yildiz Moran. Yildiz (Vahid) Moran Arun was born on 24 July 1932, in Istanbul. She is the youngest of three children born to Nemide Moran and Ahmet Vahid Moran. Her father, Ahmet Vahid Moran, was a military officer who served in important positions both at home and abroad. He was the writer of Turkey's very first English-Turkish dictionary printed in Latin script in 1924. In 1950, Yildiz Moran quit her high school education during her final year at Robert College and, following the guidance of her uncle, the art historian Mazhar Sevket Ipsiroglu, went to Great Britain to study photography. After completing her education at Bloomsbury Technical College (1950-52) and Ealing Broadway Technical College, she began to work for John Vickers, the acclaimed photographer of The Old Vic. Moran combined her technical and theoretical knowledge with the practical experience she gained at the studio and stage shoots. She had the opportunity to meet famous artists of the time. The exhibitions and works she saw during her time in Great Britain helped her develop her photographic vision. Following her internship period, she began to make a living taking portrait and lobby photographs. She opened her first exhibition in 1953 in Cambridge. In 1954, she held four more exhibitions in London. All these shows attracted much attention. In her first exhibition, her entire collection was sold. She went traveling in Europe. After making a photo book on Spain and Portugal, she returned to Turkey in 1954. Between 1955 and 1962, she held five solo exhibitions. In 1963, she married Özdemir Asaf (Halit Özdemir Arun) and gave birth to three children in four years. She dedicated the rest of her life to her children. She opened her last exhibition in 1970, in Istanbul. After that, she only took part in retrospective exhibitions. She quit her professional photography career and began to work as a translator and dictionary writer. Between 1981 and 1987, she prepared the complete works of Özdemir Asaf for publication and translated some of his poetry and prose into English. In 1982, the Istanbul State Academy of Fine Arts Photography Institute awarded her with honorary membership on account of her contributions to the art of photography. Lyrically conveying a universal language through her own perspective, Moran became a school in herself with her "timeless" photographs. Turkey's first academically-trained photographer, Yildiz Moran is renowned for the new vision and aesthetic she introduced into photography and considered to be one of the best photographers of all time. Masterfully combining the tradition of the East with the aesthetic of the West, she left behind a legacy of black and white photographs beautifully composed to capture the world of light and shadow reflecting on people and lands. Considering the conditions in the world of photography in the 1950s and 1960s, it is a great achievement that she defined at the age of 20 her passion for photography as the foundation of her life, became the first academically-trained woman photographer in her country, acquired in-depth knowledge of the discipline and combined this knowledge with her talent and hard work. "The camera must be like an extension of your being so that it doesn't create an obstruction between you and your subjects. Anything that has poetry in it is the subject of photography. My only intention has always been to photograph what was universal while staying true to the concept embodied by my subject." Besides her portraits, landscapes, and abstract details, she is also known for her photographs reflecting the lives of the Anatolian people. As a woman photographer traveling in Anatolia, she accessed otherwise inaccessible environments, moments, and perspectives; and, with profound respect, she conveyed the purity of the people she met there and allowed us... (Biography: Merih Akogul).
Very Good Turkish Original silver gelatin photographic print mounted on cardboard. 53x42 cm (Photo size: 38x30 cm). Signed by Yildiz Moran. Yildiz (Vahid) Moran Arun was born on 24 July 1932, in Istanbul. She is the youngest of three children born to Nemide Moran and Ahmet Vahid Moran. Her father, Ahmet Vahid Moran, was a military officer who served in important positions both at home and abroad. He was the writer of Turkey's very first English-Turkish dictionary printed in Latin script in 1924. In 1950, Yildiz Moran quit her high school education during her final year at Robert College and, following the guidance of her uncle, the art historian Mazhar Sevket Ipsiroglu, went to Great Britain to study photography. After completing her education at Bloomsbury Technical College (1950-52) and Ealing Broadway Technical College, she began to work for John Vickers, the acclaimed photographer of The Old Vic. Moran combined her technical and theoretical knowledge with the practical experience she gained at the studio and stage shoots. She had the opportunity to meet famous artists of the time. The exhibitions and works she saw during her time in Great Britain helped her develop her photographic vision. Following her internship period, she began to make a living taking portrait and lobby photographs. She opened her first exhibition in 1953 in Cambridge. In 1954, she held four more exhibitions in London. All these shows attracted much attention. In her first exhibition, her entire collection was sold. She went traveling in Europe. After making a photo book on Spain and Portugal, she returned to Turkey in 1954. Between 1955 and 1962, she held five solo exhibitions. In 1963, she married Özdemir Asaf (Halit Özdemir Arun) and gave birth to three children in four years. She dedicated the rest of her life to her children. She opened her last exhibition in 1970, in Istanbul. After that, she only took part in retrospective exhibitions. She quit her professional photography career and began to work as a translator and dictionary writer. Between 1981 and 1987, she prepared the complete works of Özdemir Asaf for publication and translated some of his poetry and prose into English. In 1982, the Istanbul State Academy of Fine Arts Photography Institute awarded her honorary membership on account of her contributions to the art of photography. Lyrically conveying a universal language through her own perspective, Moran became a school in herself with her "timeless" photographs. Turkey's first academically-trained photographer, Yildiz Moran is renowned for the new vision and aesthetic she introduced into photography and is considered to be one of the best photographers of all time. Masterfully combining the tradition of the East with the aesthetic of the West, she left behind a legacy of black and white photographs beautifully composed to capture the world of light and shadow reflecting on people and lands. Considering the conditions in the world of photography in the 1950s and 1960s, it is a great achievement that she defined the age of 20 her passion for photography as the foundation of her life, became the first academically-trained woman photographer in her country, acquired in-depth knowledge of the discipline and combined this knowledge with her talent and hard work. "The camera must be like an extension of your being so that it doesn't create an obstruction between you and your subjects. Anything that has poetry in it is the subject of photography. My only intention has always been to photograph what was universal while staying true to the concept embodied by my subject." Besides her portraits, landscapes, and abstract details, she is also known for her photographs reflecting the lives of the Anatolian people. As a woman photographer traveling in Anatolia, she accessed otherwise inaccessible environments, moments, and perspectives; and, with profound respect, she conveyed the purity of the people she met there and allowed us... (Biography: Merih Akogul).
Very Good Turkish Original silver gelatin photographic print mounted on cardboard. 53x42 cm (Photo size: 38x30 cm). Signed by Yildiz Moran. Yildiz (Vahid) Moran Arun was born on 24 July 1932, in Istanbul. She is the youngest of three children born to Nemide Moran and Ahmet Vahid Moran. Her father, Ahmet Vahid Moran, was a military officer who served in important positions both at home and abroad. He was the writer of Turkey's very first English-Turkish dictionary printed in Latin script in 1924. In 1950, Yildiz Moran quit her high school education during her final year at Robert College and, following the guidance of her uncle, the art historian Mazhar Sevket Ipsiroglu, went to Great Britain to study photography. After completing her education at Bloomsbury Technical College (1950-52) and Ealing Broadway Technical College, she began to work for John Vickers, the acclaimed photographer of The Old Vic. Moran combined her technical and theoretical knowledge with the practical experience she gained at the studio and stage shoots. She had the opportunity to meet famous artists of the time. The exhibitions and works she saw during her time in Great Britain helped her develop her photographic vision. Following her internship period, she began to make a living taking portrait and lobby photographs. She opened her first exhibition in 1953 in Cambridge. In 1954, she held four more exhibitions in London. All these shows attracted much attention. In her first exhibition, her entire collection was sold. She went traveling in Europe. After making a photo book on Spain and Portugal, she returned to Turkey in 1954. Between 1955 and 1962, she held five solo exhibitions. In 1963, she married Özdemir Asaf (Halit Özdemir Arun) and gave birth to three children in four years. She dedicated the rest of her life to her children. She opened her last exhibition in 1970, in Istanbul. After that, she only took part in retrospective exhibitions. She quit her professional photography career and began to work as a translator and dictionary writer. Between 1981 and 1987, she prepared the complete works of Özdemir Asaf for publication and translated some of his poetry and prose into English. In 1982, the Istanbul State Academy of Fine Arts Photography Institute awarded her honorary membership on account of her contributions to the art of photography. Lyrically conveying a universal language through her own perspective, Moran became a school in herself with her "timeless" photographs. Turkey's first academically-trained photographer, Yildiz Moran is renowned for the new vision and aesthetic she introduced into photography and is considered to be one of the best photographers of all time. Masterfully combining the tradition of the East with the aesthetic of the West, she left behind a legacy of black and white photographs beautifully composed to capture the world of light and shadow reflecting on people and lands. Considering the conditions in the world of photography in the 1950s and 1960s, it is a great achievement that she defined the age of 20 her passion for photography as the foundation of her life, became the first academically-trained woman photographer in her country, acquired in-depth knowledge of the discipline and combined this knowledge with her talent and hard work. "The camera must be like an extension of your being so that it doesn't create an obstruction between you and your subjects. Anything that has poetry in it is the subject of photography. My only intention has always been to photograph what was universal while staying true to the concept embodied by my subject." Besides her portraits, landscapes, and abstract details, she is also known for her photographs reflecting the lives of the Anatolian people. As a woman photographer traveling in Anatolia, she accessed otherwise inaccessible environments, moments, and perspectives; and, with profound respect, she conveyed the purity of the people she met there and allowed us... (Biography: Merih Akogul).
New English Paperback. 4to. (28 x 24 cm). In English and Turkish. 191 p., b/w photographs. The first female photographer of Turkey to have received an academic training, Yildiz Moran's photographs (1932-1995) was presented in a comprehensive exhibition for the first time at Pera Museum. Yildiz Moran began her career in photography with great passion, only to give it up after marrying Özdemir Asaf, another great passion in her life; nevertheless, during her brief career, Moran was able to produce significant and variegated work after studying with the famous photographer John Vickers in Britain. Her first solo exhibition in Cambridge was followed by those in Istanbul, Ankara, London, and Edinburgh. Besides her technical prowess and her masterful use of light, Yildiz Moran was a photographer who put her soul, intellect, and heart - in other words her whole self - into her work, thereby lending depth to her images. This comprehensive exhibition catalogue, a "retrospective" in a sense, aims to present Moran's inner voice through a new reading that focuses on the traces of her visibility within the history of Turkish and international photography.
Very Good English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In English and Turkish. 28, [4] p., with numerous b/w plts. Steelyard weights in the form of busts Archaeological Museum of Istanbul.= Istanbul Arkeoloji Müzesindeki büst seklinde kantar agirliklari. (In the memory of Gustave Mendel, 1873-1938).
Fine English Paperback. Pbo. Roy. 8vo. (24 x 16 cm). In English and Turkish. 28, [4] p., b/w and color ills. Steelyard weights in the form of busts Archaeological Museum of Istanbul.= Istanbul Arkeoloji Müzesindeki büst seklinde kantar agirliklari. (In the memory of Gustave Mendel, 1873-1938). ARCHEOLOGY Anatolian civilizations History of art Portrait art Sculpture Bust Weight Collection Istanbul Archaeological Museums Museology The Roman Empire Byzantium.
Fine German Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In German. [x], [2], 253 p. Die Intellektuellenproblematik bei Max Frisch und Oguz Atay.
New English Paperback. Pbo. Oblong large 8vo. (22 x 24 cm). In English and Turkish. 28 p., color ills. 1000 copies were printed.Yildiz Moran. Life force.= Hayat hamlesi. [Exhibition catalogue]. Curated by Denizhan Özer.
As New English Paperback. Pbo. Mint. Roy. 8vo. (23 x 16 cm). Many b/w ills. 96 p. 1000 copies were printed. History of the Turkish railways and railwaymen. Anayurdu demir aglarla dört bastan örenlerin öyküsü: Demiryolcular.
Fine Turkish Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. 86 p., b/w ills. Caddebostan'dan anilar.
Fine Turkish Paperback. Cr. 8vo. (20 x 14 cm). In Turkish. [vii], 86 p., ills. Eyüp'te türbeler. Ottoman tombs and mausoleums in Eyüp district in Istanbul.
New New English Original binding with original dust wrapper. 4to. (30 x 21 cm). In Turkish and English. B/w ills. 124 p. Interlaced Byzantine mosaic pavements.= Örgülü Bizans döseme mozaikleri. HISTORY OF ART Byzantium Archeology Mosaic Christian art.
Fine Fine English Paperback. Pbo. Dust wrapper. 4to. (34 x 23 cm). In English and Turkish. 304 p., color ills. Naturalistic flowers in Ottoman manuscripts.= Osmanli kitap sanatinda dogal çiçekler. Flowers are one of the most important elements of Turkish art, have special place in Ottoman culture. Figurs and figural decoration is rarely used in this islamic culture. Geometrical decoration, as part non figural art is one of the most important elements of Ottoman art, as well as stylised plants and calligraphy as decorative art. The naturalistic trend in Ottoman art which, starting in the 1550's is seen mainly as floral designs.
New New Turkish Original bdg. Dust wrapper. Folio. (34 x 23 cm). Edition in Turkish. 400 p., color ills. Naturalistic flowers in Ottoman manuscripts.= Osmanli kitap sanatinda dogal çiçekler. Flowers are one of the most important elements of Turkish art, have special place in Ottoman culture. Figurs and figural decoration is rarely used in this islamic culture. Geometrical decoration, as part non figural art is one of the most important elements of Ottoman art, as well as stylised plants and calligraphy as decorative art. The naturalistic trend in Ottoman art which, starting in the 1550's is seen mainly as floral designs.
Fine English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. 397 p., numerous b/w plts. Osmanli kitap sanatinda naturalist üslupta çiçekler. First Edition. Naturalistic flowers in Ottoman manuscripts. Flowers are one of the most important elements of Turkish art, have special place in Ottoman culture. Figurs and figural decoration is rarely used in this islamic culture. Geometrical decoration, as part non figural art is one of the most important elements of Ottoman art, as well as stylised plants and calligraphy as decorative art. The naturalistic trend in Ottoman art which, starting in the 1550's is seen mainly as floral designs.
New Turkish Paperback. Pbo. 4to. (30 x 21 cm). In Turkish. 88 p. Color ills. A precious study on traditional Ottoman flower painting and painters. Osmanli çiçek yetistiriciligi.
Fine English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. [vii], 134, [5] p. Color and b/w ills. Siradan bir aile: Abdülhamit döneminden günümüze siradan bir ailenin öyküsü.