Livre Rare Book
80 résultats
17611651651761 LOUIS BOILLY .1761-1845. Musée MARMOTTAN 3 MAI - 30 JUIN 1984.Musée Marmottan ,1984 , in8 carré broché,111pp.Reproduction en noir des oeuvres et nombreuses reproductions couleur à pleine page.
1703275221 gravure au format support 18 x 26 cm. , format sujet : 15 x 21 cm., sans doute tiré de l'édition de Nuremberg de 1703
172030259Tacussel (17 avril 2003). Petit in-4 broché (24 x 21 cm), environ 100 pages, textes et illustrations en noir et en couleurs, illustré de dessins.- 350g. - Excellent état.
17171655911717 GEORGES JEANCLOS.MURMURES.Une exposition, deux lieux.Palais Jacques Coeur, Bourges - Galerie Capazza ,Nançay ,Sologne. 17 juin-17 semptembre 2017.Galerie Capazza,2017 , in8(28x21) broché.Abondantes reproductions.Très bon état
175167907quatrième édition, A Paris, chez Charles Antoine Jombert, M. DCC. LI. ( 1751 ) , vij-371 pp.
17875783... et suivies d'un catalogue raisonné d'une collection choisie d'estampes. Mit gest. Frontispiz von J. Mechau. Dresden u. Leipzig, J. G. I. Breitkopf, 1787. 8vo. (19,8 x 12,2 cm). XLVIII, 710 S., 1 leeres Bl. Halblederband d. Zt.
17602752311 gravures format 19 x 13 cm, tirée de l'édition de Historiae et Allegoriae de Hertel (circa 1760)
176526200Avec l'indication des meilleurs Tableaux, & des morceaux de sculpture les plis estimés en ce genre, qu'on voit dans les Eglises de Paris, & dans les Cabinets des particuliers, 1 vol. in-12 reliure d'époque pleine basane marbrée, Chez H. C. de Hansy, Paris, 1765, XXIV-267 pp., 1 f. n. ch., 1 f. blanc, 10 pp. (catalogue) et 1 f. blanc
178768061787 basane mouchetée, dos lisse. in-8, XII-407pp., Paris Moutard 1787,
1782038401London: John Boydell 1782. First Edition . No Binding. Very Good . An Engraving 35.8 X 26.7 Cm. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Victor Marie Picot Publisher/Printer; Printmaker; 1744 - 1802 Was Born At Monthières In The Somme Presumably Trained In Paris And Was In England By 1766 When He Married Angelique Daughter Of Simon François Ravenet. He Was A Partner With Jean Marie Delattre In A Print-Selling Business In St Martin's Lane London. He Returned To France C.1790 And Lived In Abbeville; He Died In Amiens. <br/> <br/> John Boydell unknown
1800038037Paris Circa 1800 1800. 1st Edition 1st Printing. No Binding. Very Good. Original Engraving. Part Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Antoine Arnauld 1612 - 1694 - Le Grand As Contemporaries Called Him To Distinguish Him From His Father - Was A French Roman Catholic Theologian Philosopher And Mathematician. He Was One Of The Leading Intellectuals Of The Jansenist Group Of Port-Royal And Had A Very Thorough Knowledge Of Patristics. He Was One Of The First To Adopt The Philosophy Of René Descartes Though With Certain Orthodox Reservations Relating To Meditations On First Philosophy; And Between 1683 And 1685 He Had A Long Battle With Nicolas Malebranche On The Relation Of Theology To Metaphysics. On The Whole Public Opinion Leant To Arnauld's Side. When Malebranche Complained That His Adversary Had Misunderstood Him Boileau Silenced Him With The Question: "My Dear Sir Whom Do You Expect To Understand You If M. Arnauld Does Not" Later Arnauld Was Engaged In An Extensive Correspondence With Gottfried Wilhelm Leibniz Regarding The Latter's Views Detailed In His "Discourse On Metaphysics" 1686. Popular Regard For Arnauld's Penetration Was Much Increased In His L'art De Penser Commonly Known As The Port-Royal Logic Which Kept Its Place As An Elementary Text-Book Until The 20Th Century And Is Considered A Paradigmatical Work Of Term Logic. Arnauld Came To Be Regarded As Important Among The Mathematicians Of His Time; One Critic Described Him As The Euclid Of The 17Th Century. After His Death His Reputation Began To Wane. Contemporaries Admired Him As A Master Of Intricate Reasoning; On This Jacques-Bénigne Bossuet The Greatest Theologian Of The Age Agreed With Henri François D'aguesseau The Greatest Lawyer. However His Eagerness To Win Every Argument Endeared Him To No One. "In Spite Of Myself" Arnauld Once Said Regretfully "My Books Are Seldom Very Short."Citation Needed. Despite Arnauld's Achievements In Various Fields His Name Is Mostly Known Because Of Pascal's Acclaimed Writings Which Were More Fit For The General Public Than Arnauld's Technical Essays. Wikipedia <br/> <br/> unknown
1719038056Paris 1719. 1st Edition 1st Printing. No Binding. Very Good. Original Engraving. Trimmed To Margins All Around. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Antoine Houdar Or Houdart Of La Motte Born On January 17 1672 In Paris Where He Died On December 26 1731 Is A French Writer And Playwright . He Held An Important Place In The Literary Life Of His Time By His Writings And His Conceptions. In The Salon Of The Marquise De Lambert Whose La Motte Was One Of The Pillars With His Friend Fontenelle With Whom He Shared An Absence Of Prejudice And A Spirit Of Investigation The Question Was Considered Of Whether Versification Was Indispensable To Poetry. It Was Ultimately Thought That The Verse Rendered The Poet Slave With Superfluous Complicated And Harmful Rules Which Favored The Ankles And Periphrases And Hindered The True Expression Of Poetry. It Was Advocated To Return To The Sharpness And Firmness Of Prose Especially In The Theater For Reasons Of Naturalness. Houdar De La Motte Wanted To Demonstrate That Prose Could Very Well Serve Poetry. He Gave Fenelon's The Adventures Of Telemachus As An Example In This Sense And Put In Prose A Scene Of Mithridates Of Racine.His Reputation Today Rests On The Excellent Prose In Which He Expressed His Views Much Better Than His Verses Hard And Colorless. We Also Remember That He Refrained From Answering A Letter From Jean-Philippe Rameau Who Would Have Liked To Put One Of His Librettos To Music: Probably A Great Opportunity Missed By Houdar De La Motte. But More Than By His Productions It Is By His Role In The Movement Of Ideas And By The Important Place He Occupied In The Literary Life Of His Time That The Name Of Houdar De La Motte Has Reached Us. "He Proved According To Voltaire That In The Art Of Writing One Can Still Be Something In The Second Rank. "French Wikipedia. Gérard Edelinck 20 October 1640 Baptized - 2 April 1707 Was A Copper-Plate Engraver And Print Publisher Of Flemish Origin Who Worked In Paris From 1666 And Became A Naturalized French Citizen In 1675; His Son Nicolas-Etienne Edelinck Did This Engraving. <br/> <br/> unknown
1767863471767 Amsterdam et Leipzig, Arkstée et Merkus, et Paris, Frères Estienne, 1767, in 12 relié pleine veau ancien, dos lisse très orné, 389 pages et 11 pages non chiffrées ; 2 planches hors-texte ; le frontispice manque ; rousseurs éparses ; défauts d'usage à la reliure.
1787541711 vol. in-4 reliure de l'époque plein veau porphyre, dos à 5 nerfs, tranches marbrées, Chez Moutard, Paris, 1787, , 2 ff., 392 pp. et 1 f. : Oeuvres complètes d'Antoine-Raphaël Mengs, Premier Peintre du Roi d'Espagne, &c. Tome Second, Contenant différens Traités sur la théorie de la Peinture
1756PHO-2464Paris, Theodore de Hansy, 1756. In-12, XXIV-307pp.- 2ff., plein veau époque, dos à nerfs orné, tranches rouges, coiffe arasée. M-12A Illustrée d'un frontispice d'après de Sève et gravé par Baquoy.
176696681766 Paris, Musier, 1766; in-12°, pleine basane fauve marbrée de l' époque, dos à nerfs, orné de fleurons dorés, titre doré sur étiquette de maroquin vieux-rouge, tranches marbrées; vipp.( titre, avis au lecteur), (10)pp. ( table et exytait du privilège), 179pp. Vignette gravée dans le texte ( p. 6).
176379321763 Paris, Hérissant, 1763. Plaquette in-12 brochage du temps, couverture de papier doré à décor floral, tranches dorées. 40 pp. dont titre, avertissement et explication des peintures, sculptures, gravures et tapisserie. Quelques mouillures et quelques galeries de ver marginales dans les 20 premières pages, papier légèrement jauni.
173028133paris 1730 une estampe gravée en taille-douce à l'eau-forte en noir sur papier crème, format total : 46,7 x 45 cm, format de la gravure seule : 35,7 x 24,3 cm, Portrait de : "PIERRE JACQUES CAZES, De Paris. Peintre ordinaire du Roy, Adjoint, à Recteur en son Académie Royale de Peinture et Sculpture." : [estampe] ([État avec, au-dessus du trou de la cuvette : "Peint par Aved J. P. Le Bas sculp. 1730."]), Peint par Aved ; Gravé par Jacques Philippe Le Bas, pour sa Réception à l'Académie en 1741.mouillure claire en marge haute droite sur 4 cm2, sinon trés bel exemplaire,
17977034Vienne (Wien), Chez A. Blumauer, 1797. In-8 (212 x 120 mm), frontispice, 208 pp. Reliure toile à la bradel moderne, rares rousseurs, rares annotations au crayon gris dans la marge. Bon exemplaire.
1752F2146Paris, Durand & Pissot, 1752 ; in-12, LXXX-178-150 pp., reliure demi-veau d'époque, dos lisse (état moyen, épidermures ça et là). Ce texte technique est attribué au graveur François-Bernard Lepicie qui fut secrétaire perpétuel et historiographe de l'Académie Royale de peinture et de sculpture. Le texte traite de Le Brun, Mignard, Coypel, Boullongne, Le Moyne, Pelligrini. État moyen.
1796_202100325Paris, Chez Gay & Gide, anIV (1796) ; in-8 (136 x 205 mm), VIII-512 pp., + frontispice, 2-720-4 pp. + frontispice, relié plein cuir (veau), coloris naturel moucheté, dos orné de caissons et de fleurons à 5 nerfs, pièce de titre et de tomaison brun foncé, plats et chants ornés de frises dorées, tranches marbrées (coiffes usées, traces de frottement, épidermures, coins usés) (traces de mouillure). Les 2 volumes.
178913401Paris Firmin-Didot 1789 In-8 XV+184pp+2ffnch, (.) Traduction libre en vers françois du poème latin (.), avec des remarques. Dédié à M. le Comte d'Angiviller, par M. Renou, Peintre du roi ( etc.). Papier très correct avec de très rares rousseurs ; brochage papier muet, avec rousseurs, légers manques en tête et queue du dos et sur un coin.
17556Paris Herissant & Frère Estienne 1755 in-8 - 11,5x17cm Reliure de l'époque en pleine basane marbrée, dos à 5 nerfs richement orné. 1ff, VI, 758pp, 1ff.
175728436Paris Gaume 1757 Fort In-12 CXXVIII- 565 pp et 8 gravures sur bois in fine , reliure très usagéé dos fendu plus de coiffes et coins très émoussés mais en aucun cas dérelié - a probablement été beaucoup Consulté
1800501548Zürich, Orell, Füßli & Co. 1800. 420 S. Pp. d. Zt. Einbd. beschabt u. bestoßen. Gebräunt, teils braunfl.
