29 279 résultats
Fine English Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In English and Turkish. 147 p., color and b/w ills. 1500 copies were printed. Halil Akdeniz: Symbols and Akdeniz's conceptual world.= Halil Akdeniz: Simgeler ve Akdeniz'in kavramsal dünyasi.
Fine English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). 203 p. In Turkish. Color and b/w ills. =[Interpreting paint]. Resmi yorumlarken.
New Turkish Paperback. 4to. (29 x 24 cm). In Turkish. 160 p., color ills. Özer Kabas. Retrospektif. [Exhibition catalogue]. 22 Ocak - 2 Mart 2008, Kazim Taskent Sanat Galerisi. Edited by Mine Haydaroglu.
Fine Turkish Edition of 51/100. Original print. 50x70 cm. Signed and dated on the lower right, edition number is on the lower left. Born in 1931, lives in Istanbul. In 1956 he graduates from Zeki Faik Izer's atelier in IDGSA Painting Department. Besides the Paris biennials in 1963-1965, he participated in numerous international and national art activities, he opened so many solo exhibitions. His name became famous as a writer and lecturer. He was the first artist who improved and represented some western ideas such as the modernist, avant-garde approach to pop art and especially postmodernism in Turkey. He was also the first curator who attempt to organize an exhibition in Turkey; Avni Lifij's exhibition in 1968 was the first example. As having his own fiction world the artist not only assists Contemporary Turkish Art but also gives shape to its fate and it is seen that he is the one that impresses almost all artists of his generation and the next generation about today's Turkish Art. About this subject he expresses; "An artist gives references, the effect is inevitable, not the method but the result is important." With his productive natural talent, Altan proves that he has an endless, dynamic, energetic personality. In his creations, he appropriates an art understanding that coincidentally mixed incongruous elements such as; different textures, structure elements, materials, art view, light, etc. With clearer thoughts and ways from 1988, he developed the coincidental mixing method to prove artistic space is made up of different concepts, backgrounds, edifices, and logic that meet at extreme points. He examined spas and has taken them as the main course in his lectures. As a result of his research on spas, rather than the historic way he clearly declared that; "art meets from different ideas, logic, sources, structure and concepts". After this conclusion, he declared his ideas (with the title of space in art) first time, in front of academicians, at an associated professorship lecture in 1970. After that declaration, Altan has improved a new international art feature on that allegation. He coincidently made a unity from the different participants' works such as landscapes, plans, maps, and the district sketches, and at the end, participants applied the design with the alien materials. This method has been performed by totally different participants and it was the first of all in the art history of spas commentary.
Very Good Turkish Edition of 79/100. Original print. 50x70 cm. Signed and dated on the lower right, edition number is on the lower left. Born in 1931, lives in Istanbul. In 1956 he graduates from Zeki Faik Izer's atelier in IDGSA Painting Department. Besides the Paris biennials in 1963-1965, he participated in numerous international and national art activities, he opened so many solo exhibitions. His name became famous as a writer and lecturer. He was the first artist who improved and represented some western ideas such as the modernist, avant-garde approach to pop art and especially postmodernism in Turkey. He was also the first curator who attempt to organize an exhibition in Turkey; Avni Lifij's exhibition in 1968 was the first example. As having his own fiction world the artist not only assists Contemporary Turkish Art but also gives shape to its fate and it is seen that he is the one that impresses almost all artists of his generation and the next generation about today's Turkish Art. About this subject he expresses; "An artist gives references, the effect is inevitable, not the method but the result is important." With his productive natural talent, Altan proves that he has an endless, dynamic, energetic personality. In his creations, he appropriates an art understanding that coincidentally mixed incongruous elements such as; different textures, structure elements, materials, art view, light, etc. With clearer thoughts and ways from 1988, he developed the coincidental mixing method to prove artistic space is made up of different concepts, backgrounds, edifices, and logic that meet at extreme points. He examined spas and has taken them as the main course in his lectures. As a result of his research on spas, rather than the historic way he clearly declared that; "art meets from different ideas, logic, sources, structure and concepts". After this conclusion, he declared his ideas (with the title of space in art) first time, in front of academicians, at an associated professorship lecture in 1970. After that declaration, Altan has improved a new international art feature on that allegation. He coincidently made a unity from the different participants' works such as landscapes, plans, maps, and the district sketches, and at the end, participants applied the design with the alien materials. This method has been performed by totally different participants and it was the first of all in the art history of spas commentary.
New New English Original bdg. Original dust jacket. Mint. In Turkish and French. 4to. (31 x 23 cm). 288 p. Color ills. 1500 copies were printed. Ömer Kalesi. Yörüngeler.= Trajectoires. Texts by Jacques Lacarriere. TURKISH ART OF PAINTING & SCULPTURE Sculptor.
Marbella, 1992-93, 33 x 24 cm., dedicatoria del autor, 4 h. - retrato a color - 64 láminas en colores con poemas a la vuelta - 3 h. con fotografías - 2 h.(Tirada de 1.000 ejemplares numerados).
Fine English Original bdg., Fine., 24 x 17 cm., [10], 151 p., color ills., "Ana tanriçalar, Kybele ve çagdas Türk resmindeki izdüsümleri.", Zühre Indirkas, TC Kültür Bakanligi Yayinlari, Ank., 2001.
17.5x26.5 cm. 174 pages. Hardcover in dust jacket. In good condition.
Portfolio. 340x245 mm. 16 pages. Cardboard file slightly worn and yellowing. Else in good condition.
Madrid, Edit. Consultoria y Gestión, 2011. Agenda. Numerosas ilustraciones en color. s/p. Piel editorial. Cantos dorados. 8º mayor. Muy buen ejemplar.
Milano, Edit. Fondo Edit. De la Plástica Mex., s/f. Numerosas ilustraciones en color fuera texto. 9p.de texto. Tela editorial con sobrecubierta ilustrada, con bordes algo rozados. Etiqueta en lomo. Buen ejemplar.
Barcelona, Edit. Noguer, 1974. Introducción de Juan Antonio Gaya Nuño. Biografía y estudios críticos de Tiziana Fratti. Numerosas ilustraciones en color fuera texto. Papel satinado. 119 p. 4º mayor. Tela editorial ilustrada. Muy buen ejemplar.
1 vol. in-4 carré reliure pleine toile noire sous jaquette illustrée, Citadelles et Mazenod, Paris, 2002, 336 pp. Bon état (jaquette très lég. frottée, très bon état par ailleurs) Français
Traduction, par Silvia BONUCCI et Claude Sophie MAZEAS, de cet ouvrage publié en 1997 par l'historien de l'art italien Stefano ZUFFI: panorama de la peinture italienne, du XIVè au XXè siècle, reposant sur un choix "de cinq cents oeuvres", "illustres" ou "méconnues" (préface), avec textes introductifs sur les différents siècles suivis de notices sur les artistes et sur un ou plusieurs de leurs tableaux reproduits en couleurs; tableau synoptique; index des artistes. Exemplaire bien complet de sa jaquette. Français
Hardcover in-8 oblong, 143 pp., nombreuses illustrations, cartonnage illustre d"Edition, dos toile. Bel exemplaire. [DV-23]
SIGHED BY THE AUTHOR. 27x21.5 pages. Unpaginated. Soft cover with dust jacket. Dust jacket yellowing and slightly stained. Dust jacket edges slightly torn. Cover faded and slightly stained. Cover corners slightly rubbed. Spine edges slightly rubbed. Pages slightly yellowing. Else in good condition.
As New English Original bdg. Dust wrapper. Mint. 4to. (31 x 24 cm). In English and Turkish. 256 p. Color and b/w ills. 1500 copies were printed. Ziyatin Nuriev. [Calatogue of the artist]. Translation by Krustan Dyankov, Turgut Arikan.
- Expressao e Cultura , Rio de Janeiro 1970, 23,5x28cm, reliure de l'éditeur. - Deuxième édition. Reliure de l'éditeur en plein cartonnage, dos lisse, plats décorés de carrés multicolores. Agréable exemplaire en dépit d'un léger accroc sans gravité en pied du dos. Note de l'éditeur Fernando de Castro Ferro et texte de Carlos Drummond de Andrade. [ENGLISH DESCRIPTION ON DEMAND]
280x230 mm. Softcover. Cover slightly stained. Cover edges slightly wrinkled. Pen inscription on first white page. Else in good condition.
Contains color plates. 275x180 mm. 124 pages. Hardcover. Cover corners bumped. Spine edges bumped. Else in good condition.
Un des 1000 premiers exemplaires numérotés, 1 vol. in-4 oblong reliure pleine toile illustrée sous étui, Editions Avant & Après, 1996, 103 pp. Bel exemplaire en parfait état. Français
Red quarto; [64] p, color illus; 29 cm. Signed by author. || In German. || Art.
SIGNED BY JACOB ZIM. 31x25 cm. 217 pages. Hardcover in dust-jacket. In good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
