51 890 résultats
Fine English Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In English and Turkish. 147 p., color and b/w ills. 1500 copies were printed. Halil Akdeniz: Symbols and Akdeniz's conceptual world.= Halil Akdeniz: Simgeler ve Akdeniz'in kavramsal dünyasi.
Fine English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). 203 p. In Turkish. Color and b/w ills. =[Interpreting paint]. Resmi yorumlarken.
New Turkish Paperback. 4to. (29 x 24 cm). In Turkish. 160 p., color ills. Özer Kabas. Retrospektif. [Exhibition catalogue]. 22 Ocak - 2 Mart 2008, Kazim Taskent Sanat Galerisi. Edited by Mine Haydaroglu.
Fine Turkish Edition of 51/100. Original print. 50x70 cm. Signed and dated on the lower right, edition number is on the lower left. Born in 1931, lives in Istanbul. In 1956 he graduates from Zeki Faik Izer's atelier in IDGSA Painting Department. Besides the Paris biennials in 1963-1965, he participated in numerous international and national art activities, he opened so many solo exhibitions. His name became famous as a writer and lecturer. He was the first artist who improved and represented some western ideas such as the modernist, avant-garde approach to pop art and especially postmodernism in Turkey. He was also the first curator who attempt to organize an exhibition in Turkey; Avni Lifij's exhibition in 1968 was the first example. As having his own fiction world the artist not only assists Contemporary Turkish Art but also gives shape to its fate and it is seen that he is the one that impresses almost all artists of his generation and the next generation about today's Turkish Art. About this subject he expresses; "An artist gives references, the effect is inevitable, not the method but the result is important." With his productive natural talent, Altan proves that he has an endless, dynamic, energetic personality. In his creations, he appropriates an art understanding that coincidentally mixed incongruous elements such as; different textures, structure elements, materials, art view, light, etc. With clearer thoughts and ways from 1988, he developed the coincidental mixing method to prove artistic space is made up of different concepts, backgrounds, edifices, and logic that meet at extreme points. He examined spas and has taken them as the main course in his lectures. As a result of his research on spas, rather than the historic way he clearly declared that; "art meets from different ideas, logic, sources, structure and concepts". After this conclusion, he declared his ideas (with the title of space in art) first time, in front of academicians, at an associated professorship lecture in 1970. After that declaration, Altan has improved a new international art feature on that allegation. He coincidently made a unity from the different participants' works such as landscapes, plans, maps, and the district sketches, and at the end, participants applied the design with the alien materials. This method has been performed by totally different participants and it was the first of all in the art history of spas commentary.
Very Good Turkish Edition of 79/100. Original print. 50x70 cm. Signed and dated on the lower right, edition number is on the lower left. Born in 1931, lives in Istanbul. In 1956 he graduates from Zeki Faik Izer's atelier in IDGSA Painting Department. Besides the Paris biennials in 1963-1965, he participated in numerous international and national art activities, he opened so many solo exhibitions. His name became famous as a writer and lecturer. He was the first artist who improved and represented some western ideas such as the modernist, avant-garde approach to pop art and especially postmodernism in Turkey. He was also the first curator who attempt to organize an exhibition in Turkey; Avni Lifij's exhibition in 1968 was the first example. As having his own fiction world the artist not only assists Contemporary Turkish Art but also gives shape to its fate and it is seen that he is the one that impresses almost all artists of his generation and the next generation about today's Turkish Art. About this subject he expresses; "An artist gives references, the effect is inevitable, not the method but the result is important." With his productive natural talent, Altan proves that he has an endless, dynamic, energetic personality. In his creations, he appropriates an art understanding that coincidentally mixed incongruous elements such as; different textures, structure elements, materials, art view, light, etc. With clearer thoughts and ways from 1988, he developed the coincidental mixing method to prove artistic space is made up of different concepts, backgrounds, edifices, and logic that meet at extreme points. He examined spas and has taken them as the main course in his lectures. As a result of his research on spas, rather than the historic way he clearly declared that; "art meets from different ideas, logic, sources, structure and concepts". After this conclusion, he declared his ideas (with the title of space in art) first time, in front of academicians, at an associated professorship lecture in 1970. After that declaration, Altan has improved a new international art feature on that allegation. He coincidently made a unity from the different participants' works such as landscapes, plans, maps, and the district sketches, and at the end, participants applied the design with the alien materials. This method has been performed by totally different participants and it was the first of all in the art history of spas commentary.
New New English Original bdg. Original dust jacket. Mint. In Turkish and French. 4to. (31 x 23 cm). 288 p. Color ills. 1500 copies were printed. Ömer Kalesi. Yörüngeler.= Trajectoires. Texts by Jacques Lacarriere. TURKISH ART OF PAINTING & SCULPTURE Sculptor.
1999100052085Musée des Jacobins 1999 102 pages in8. 1999. Broché. 102 pages. reproductions en couleurs
183839962Rittner & Goupil | Paris 1838 | 16.50 x 25.50 cm | broché
1937100154586LIBRAIRIE PLON - PARIS 1937 in12. 1937. Broché. Cet ouvrage est une biographie du peintre François-Marius Granet (1775-1849) originaire d'Aix-en-Provence et connu pour ses liens avec Assise. Il s'agit d'une réédition numérique d'un livre paru au XXe siècle initialement publié par la librairie Plon
18107Genève-Paris, Trois collines, 1944. In-8, 168 pp., broché, couverture originale imprimée (dos très légèrement éclairci, petits frottements).
190765927Galerie Bernheim jeune | Paris 1907 | 12.50 x 16.50 cm | une feuille
193312284Albin Michel Editeur 1933 172 pages IN4. 1933. Broché avec jaquette. 172 pages. Ouvrage d'Édouard Schneider consacré au peintre italien Fra Angelico (1387-1455) publié par Albin Michel en 1933 dans la collection 'les Maîtres du Moyen-âge et de la...'. Le livre de 172 pages au format in-4 comprend 104 planches et constitue une étude monographique sur cet artiste majeur de la Renaissance florentine
187071371s. d. | 9.70 x 12.70 cm | une feuille
191171374s. d. [vers 1911] | 12.80 x 17.10 cm | une feuille
187071496s. d. | 11.20 x 14.90 cm | une feuille
187071497s. d. | 10 x 15.90 cm | une feuille
1983SPN-255Le Creusot : Écomusée, 1983. 90 pages illustrées en noir.
Marbella, 1992-93, 33 x 24 cm., dedicatoria del autor, 4 h. - retrato a color - 64 láminas en colores con poemas a la vuelta - 3 h. con fotografías - 2 h.(Tirada de 1.000 ejemplares numerados).
191197491Hachette, 1911, pt in-4° (18 x 25,4), xxxvi-254 pp, 327 illustrations en noir, la plupart à pleine page, classement chronologique des oeuvres, biblio, reliure percaline bordeaux de l'éditeur, décor doré au 1er plat et au dos, tête dorée, discret C. de bibl., bon état (Nouvelle collection des Classiques de l'art)
14939, Mercatorfonds / Fonds Mercator, Paperback, 170 x 240mm., 96pp., 60 illustraties in kleur ISBN 9789061535157.
55968, Mercatorfonds / Fonds Mercator, Paperback, 170 x 240mm., 96pp., 60 illustraties in kleur ISBN 9789061537922.
Fine English Original bdg., Fine., 24 x 17 cm., [10], 151 p., color ills., "Ana tanriçalar, Kybele ve çagdas Türk resmindeki izdüsümleri.", Zühre Indirkas, TC Kültür Bakanligi Yayinlari, Ank., 2001.
17.5x26.5 cm. 174 pages. Hardcover in dust jacket. In good condition.
92434aafMusées Suisses, 1998, in-4to, 128 p., richem. ill. avec des peintures en couleurs, reliure en toile originale, jaquette orig. ill. en couleurs.
Portfolio. 340x245 mm. 16 pages. Cardboard file slightly worn and yellowing. Else in good condition.