1 331 résultats
1893247201893 Paris, Stock, 1922. Broché‚ créme, titre noir au dos en long. Collection : " Les contemporains - Oeuvres et portraits au XXe siécle ". Format 10 x 14.63 p.Préface de François Mauriac. Bon état, petit recollage au dos. Papier jauni.
18752134-12[ca. 1875]. Holhzstich nach einer Zeichnung v. F. Weiß aus: "Ueber Land und Meer". 37 x 28, 5 cm.
184858910o. O. u. J. [ca. 1848]. Gemalter Schattenriss auf weißem Hintergrund, mit schwarzer u. grauer Tusche gehöht, mit Bleistift gewidmet. 12 x 9,3 cm. Unter papierversiegeltem Glas, mit Öse.
18683082# AUTEUR: collectif # ILLUSTRATEUR: Staal G.(portraits) # ÉDITEUR: Bachelin-Deflorenne, Paris # ANNÉE ÉDITION: 1868-1873 # ENVOI, BEAUX PAPIERS: Vergé des Vosges # COUVERTURE: souple jaune illustrée # DÉTAILS: 7 volumes in 8° jésus reliés 1/2 basane marron, frise à froid sur les plats, dos à nerfs, liserés dorés, têtes dorées, couvertures conservées. 176 hors texte. T1- 416pp. 6 portraits gravés, 25 illustrations de reliures artistiques dont une dépliante, et 1 en chromolithographie, hors texte. T2- 396pp. 5 portraits gravés, 12 illustrations de reliures, 7 gravées diverses dont une dépliante, hors texte. T3- 384pp. 6 portraits gravés, 18 illustrations de reliures, 2 en chromolithographies; hors texte. T4- 384pp. 6 portraits gravés, 11 illustrations de reliures, 1 dépliante, 3 en chromolithographie dépliantes; hors texte. T5- 356pp. 4 portraits gravés, 10 illustrations de reliures; hors texte. T6- 384pp. 10 portraits gravés, 23 illustrations de reliures dont 3 diverses, 4 dépliantes, 1 en chromolithographie; hors texte. T7- 380pp. 1 portrait gravé, 20 illustrations de reliures; hors texte. # PHOTOS visibles sur www.latourinfernal.com
188020736Paris, Furne, Jouvet et Cie, 1880 (Treizième édition) ; 10 tomes demi-chagrin rouge, dos à nerfs, caissons décorés et dorés, titre doré, tête dorée, tranches ébarbées (reliure de l'époque) ; en tout 54 planches et portraits H.T par Raffet pour les scènes historiques, gravées sur acier, dont le portrait de l'auteur en frontispice.- Histoire du Consulat et de l'Empire, faisant suite à l'Histoire de la Révolution Française. Paris, Furne, Jouvet et Cie, 1874-1884 ; 21 tomes in-8, reliure identique à celle de la Révolution Française ; Portrait de Thiers en frontispice et en tout 74 planches et portraits hors-texte. Soit en tout 31 volumes.
185548380Wien, Verlags-Eigenthum v. F. Paterno; Druck von J. Rauh, o. J. (um 1855). Getönte Orig.-Lithographie (Blattgröße 47,1 x 36,2 cm; Darstellung 41,9 x 31,5 cm).
18520428-22[Wien], J. Höfelich 1852. Lithographie. Ca. 33 x 24, 2 cm. (Blattgr.). Gut erhalten. Unten rechts mit Tinte ist der Namen des Dargestellten ergänzt.
182330405London, Verlag: William Darton, 1823. Sprache : Englisch. 40 und 64 Portraits auf Tafeln. 8°, Halbleder mit Goldprägung auf Rücken.
189076014V.p.: V.p. 1890-1920. The soft leather-covered album measures 15.5 x 11.5 inches and contains fifty extant pages containing a total of 164 original photographs of varying sizes. The album has had some of its pages removed and there are missing photos from extant pages. There are an additional 23 fine photos either unmounted or on partial pages that have been removed from the album but are present in this offering. Altogether there are 187 photographs in this grouping. Several of the photos are over 9 x 13 inches in size. The photographs whether still in the album or separated from it are in Fine condition. Harriette Hattie Elizabeth Hill Foster Goldnamer 1868-1940 assembled the album and wrote the white ink photo descriptions in a wonderful cursive hand. According to Hughes’ Artists in California Hattie married “… Daniel Foster and moved to Fresno CA in 1886. In 1904 she moved to San Francisco where she studied at the Mark Hopkins Art Institute and privately with Frederick Bauer. A widow by 1910 she had married Wm. Goldnamer. She then settled in Oakland where she remained until her demise on May 2 1940.†As an artist Hattie worked in charcoal and oil and specialized in still life and figure studies. This album is one of three family photographs she put together that we acquired together. Although the family names are the same in all three each stands alone and we are offering them individually. All but nine of the 164 photographs in the album are fine portraits of her family and friends and several of herself. Surnames identified in the album include Hill Foster McNeil Gardner Potter Bryer Gould Pierce Page Oust Le Blanc Ryan McKenzie Holden Oberwetter Russell Hutchens Eldred Dunbar King Brown Scholler Holaday Radley Hutchens and many others. From the identification inscriptions beneath the photos along with photographers’ imprints many of Hattie’s family and friends were from the Illinois-Nebraska area and California. There are a number of oval portraits of identified individuals both male and female dated 1900. The other nine images in the album are large photos of the Hill Dunbar and Oberwetter ranches in Nebraska and Wyoming circa 1895-1900.The photo with the “Louis Fleckenstein / Los Angeles†blind stamp is of Loraine Stebinger who signed the photo’s mount “Most sincerely Loraine Stebinger Dec. 25 1918.†Removed from the album the photograph of the musician shows her playing the piano and measures 7 x 10 inches on a 10 x 13.5 inch cream colored mount. Fleckenstein 1866-1943 was an internationally known pictorialist photographer before moving to Los Angeles in 1907 to open up a portrait studio. He and a colleague had already organized the Salon Club of America to give support to regional camera clubs interested in pictorial photography where the emphasis was on photography as an art form rather than a documentary tool – aesthetics over reality! In 1914 along with Edward Weston and others Fleckenstein helped found the Camera Pictorialists of Los Angeles. In 1924 he relocated to Long Beach where he continued his work in photography. His photos are now in most major museum collections of photography.Another unattributed photo of Stebinger has an ink presentation “To my dearly beloved Friend Harriet Goldnamer from Lorraine Stebingerâ€. That presentation photo was key to identifying Hattie Goldnamer as the compiler of all three albums acquired at the same time of which this is one. Of interest is the penciled note on the back that attributes it along with several other shots of Stebinger in the same dress to Fleckenstein. However that has not been verified. V.p. hardcover
19003135Catalogue de la maison Harvey de Londres. Rare, tiré seulement à 100 exemplaires. 1/2 chagrin rouge, dos long. London Harvey 1900 1 volume fort in-8°.
18971010AG1897. Chromolithographie von Vincent Brooks Day & Son. (Ganzkörperabb. mit Cello). Bildgrösse: 32 x 18,5 cm. Blattgrösse: 38 x 26 cm. = "Vanity Fair", Dez. 1897.
18971010AG1897. Chromolithographie von Vincent Brooks Day & Son. (Ganzkörperabb. mit Cello). Bildgrösse: 32 x 18,5 cm. Blattgrösse: 38 x 26 cm. = "Vanity Fair", Dez. 1897. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 1010A-Gr
18501491-16[ca. 1850]. Orig.-Stahlstich. 35 x 27,5 cm. (Blattgr.); 20,5 x 14,5 cm. (Bildgr.) In gutem Zustand.
18580425-22Leipzig/Dresden, A. H. Payne [1858]. Stahlstich. 31 x 23, 8 cm (Blattgr.). Stockfleckig. - (aus: A. H. Payne, Pracht-Album für Theater & Musik, Bd. 1, Leipzig/Dresden 1858)
1820104014Slnd. 1820 In-8, cartonnage souple, 1 pentaptype, 1 quadriptyque, 7 triptyques, 14 diptyques et 17 monotypes. Format 16X23. Cartonnage souple usé et déréglé. Bel état des estampes.
182932898ABHamburg, Steindr. v. Speckter & Co., 1829. 2°. Ca. 36 x 26 cm auf 44 x 34 cm grossem Blatt. Leicht gebräunt u. etwas braunfleckig. Die Ränder rückseitig verstärkt/hinterlegt u. mit kleinem Stempel (ausgesondert).
187345601Düsseldorf, Verlag von W. Deiters, 1873. Gr.-8°. Titel in Rot u. Schwarz. Mit (inkl. Titelportrait) 27 mont. Orig.-Photographien. 40 nn. Bll., OLwd. m. Rückenverg., goldgepr. Deckel- u. Rückentitel sowie dreiseitigem Goldschnitt.
18580144-24o. O. [Berlin, Schauer 1858?]. gr.-8°. 76 lithographische Taf. [von 90?] Blauer zeitgen. Samtbd. mit goldgeprägtem Deckeltitel. Rücken ausgeblichen, durchgeh. ungterschiedl. stark stockfleckig. [3 Warenabbildungen]
1871105204BBParis, ca. 1871. Quer-8° (13 x 18,5 cm.). Weinrotes blindgepr. OLdr. mit Goldschnitt.
1860D9231c. 1860s. Hardcover. Very Good. Hand-tooled gilt morocco; small 4to; period album with brass clasp; contains 38 playful images mostly pen-and-ink drawings but also including 4 cartes-de-visite and 1 tintype with hand-drawn elements like a pipe extra hair or gender-benders. Perhaps a gift for Humphrey and Meta the results are delightful character sketches: a stern Italian nurse portraits of Humphrey and Meta aged 1 and screaming and 8 and 9 and later not screaming their rivals Madame Gorgonzola with her nose in the air Cousin Rubicon Reverend Brimstone and more. <br/><br/> hardcover
1860D9231c. 1860s. Hardcover. Very Good. Hand-tooled gilt morocco; small 4to; period album with brass clasp; contains 38 playful images mostly pen-and-ink drawings but also including 4 cartes-de-visite and 1 tintype with hand-drawn elements like a pipe extra hair or gender-benders. Perhaps a gift for Humphrey and Meta the results are delightful character sketches: a stern Italian nurse portraits of Humphrey and Meta aged 1 and screaming and 8 and 9 and later not screaming their rivals Madame Gorgonzola with her nose in the air Cousin Rubicon Reverend Brimstone and more. <br/><br/> hardcover books
185026883ABBerlin, Königl. lith. Institut, (um 1850?). Ca. 34 x 27 cm auf 45 x 34 cm grossem Blatt. Gebräunt, am linken Rand leichte Feuchtigkeitsspur.
182019141ABOhne Ort um, 1820. Ca. 13 x 9,2 cm auf 21 x 17 cm grossem Blatt. Wenige leichte Braunflecken, der breite Rand aussen etwas gebräunt u. leicht angestaubt und mit leichter Feuchtigkeitsspur.
187739475Couverture souple. Broché. 152 pages. Imprimé sur vergé. Couverture légèrement défraîchie. Petit manque au dos.