8 981 résultats
2001009540Novata California U.S.A.: New World Library 2001 First edition stated first printing. Red cloth binding with gilt titles. Decorated endpapers in lama-yellow. 144 pp. illustrated with color photographs by Alison Wright. His Holiness the 14th Dalai Lama also known as Tenzin Gyatso has won worldwide appreciation with his extraordinary wisdom and humility in the face of China's brutal occupation of Tibet. This beautiful visual biography combines color photographs of Tibetan lands artifacts and people with impressionistic essays about the Dalai Lama by his mother Diki Tsering by China scholar and journalist Orville Schell and by travel writer Pico Iyer as well as an interview with His Holiness by Spalding Gray. New in new dustjacket protected with a mylar cover. New World Library hardcover
7598D'après Ingres. 3è état sur 3. Tirage de la Gazette des Beaux-Arts. Béraldi 69. IFF 74. Parfait état. Alexandre Tardieu était un graveur, membre de l'Institut (1756 - 1844). en feuille Très bon Paris Gazette des Beaux-Arts 27,5 x 21 à la cuvette (feuille 43,5 x 30).
18501491-16[ca. 1850]. Orig.-Stahlstich. 35 x 27,5 cm. (Blattgr.); 20,5 x 14,5 cm. (Bildgr.) In gutem Zustand.
GF21295Notice biographique (vers 1860) de quelques pages in8 en feuilles accompagnée d'un PORTRAIT en buste (23 x 14 cm) gravé d'aprés Geille -
15639Abbas Ier le Grand, shah d'Iran. Beau portrait. Beau tirage XVIIè sur vergé. en feuille Très bon Paris Balthasar Montcornet 15 x 12 cm
170914314Ioannes Paulus Bignon. Très beau portrait gravé d'après le tableau de Hyacinthe Rigaud. en feuille Très bon Paris 1709 32,5 x 26 cm
199518587Mainz, Philipp von Zabern, 1995. Leinen, Schutzumschlag, gr-8°, 312 S., 98 s/w Abbildungen sowie 8 farbige Tafeln; -leicht berieben, sehr gutes Exemplar.
Format (Bildbereich): 26 x 35 mm. Blattgröße: 40 x 46,5 cm. Gedruckt auf Büttenpapier mit dem Wasserzeichen Einhorn. *Handkolorierte Szenerie eines aufwendig erstellten prächtigen Katafalks (Gerüst zur Aufbahrung von Verstorbenen während der Trauerfeier) zu den Begräbnisfeierlichkeiten des Feldmarschalls von Wrede.in der Bamberger Martinskirche. Das Katafalk wurde von der Garnison Bamberg am 19. Dezember 1838 errichtet, in dem umgebenden blauen Bogen sind die Schilder aneinandergereiht, welche auf dem Katafalk angebracht waren und alle Schlachten anzeigen, an denen der Feldmarschall Fürst Wrede teilgenommen hat. - Sehr seltene Gelegenheitsgrafik in unberührtem Erhaltungszustand aus der Provenienz Haus Wittelsbach. Graphiken de
This is a fine hardcover copy in a near fine dust jacket, with just a touch of wear at the top edge. Completely clean inside and out. Signed in ink on the title-page by Abe Frajndlich and inscribed to a longtime friend and collector. Illustrated throughout with Abe Frajndlich's compelling photographs of many of the best 20th century photographers. A book of portraits. From Berenice Abbott to Joel-Peter Witkin. Just over 100 photographs. All with full commentary and notes. Illustrated in color and black & white. 12" high X 10" wide, 185 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
169516796La Haye, Etienne Foulque, 1695. In-12 de [10]-525 pages, plein veau brun du temps, dos à nerfs orné de filets et fleurons dorés.
169517644La Haye, Etienne Foulque, 1695. In-12 de [1]-525 pages, pleine basane brune, dos à nerfs orné de fleurons et petits fers dorés, tranches mouchetés de rouge.
11503Général des armées navales En feuille Très bon XVIIIè Feuille 27 x 21 cm
195860952Hamburg ; Wien : Zsolnay 1958. 874 S., mit Abb., 8 Bl. Abb., 1 Titelbild : Mit 40 Abb. ; gr. 8°, mit Schutzumschlag Lw., gebundene Ausgabe, Leinen, Exemplar in gutem Erhaltungszustand
199281984Industria. New. 1992. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- with a bonus offer-- . Industria hardcover
15535Beau portrait. Beau tirage XVIIIè sur vergé. en feuille Très bon 20 x 14 cm (28 x 21,5 cm la feuille)
16105086Pictorum aliquot celebrium praecipuae germaniae inferioris effigies. Toutes les planches de cette série porte l’excudit de Hondius, mais certaines ont été gravées par d’autres artistes. 1610 21 x 12
Incisione tratta dalla celebre raccolta Icones principum, virorum, doctorum, pictorum, chalcographorum, di Anton van Dyck, edita per la prima volta ad Anversa verso il 1640. Opera celebre ed importante, vero monumento dell’arte incisoria fiamminga del sec. XVIII, contiene le biografie ed i ritratti degli uomini illustri che Van Dyck aveva conosciuto e con i quali aveva avuto importanti rapporti. L’artista ne eseguì le effigi in numerosi dipinti e disegni che poi decise di pubblicare, affidandone la trasposizione calcografica ai migliori incisori del suo tempo, come Bolswert, Pontius, Vorsterman, de Jode, Hollar, molti dei quali aveva avuto come condiscepoli nell’atelier di Rubens. "Sir Anthony Van Dyck stands out as the solitary great etcher of the school. Portrait etching had scarcely had an existence before his time, and in his work it suddenly appears at the highest point ever reached in the art" (Hind, p. 165). "The plan of this publication took shape after Van Dyck returned from Italy (1626) and before he went to England (1632). He made careful preparatory drawings in chalk and brush for the publication. He directed and revised the work of the engravers, the best of the Rubens circle; he collaborated with his etching needle in some of the plates and himself etched the most beautiful set, mainly portraits of artists. One of the most brilliant in human characterization is the portrait of Peter Brueghel the Younger, son of the great Peasant Brueghel. It is remarkable that the etching appeared in this sketchy form in the book, proving that the master regarded it as finished. All interest is focussed on the wonderful had. The first edition was published in Antwerp in 1635-1636. Yet it was not complete, and the title-page did not appear before the Gillis Hendricx edition of 1645, engraved by Jacob Neels" (Benesch, Artistic and Intellectual Trends, p. 32.) Hofer, Baroque Book Illustrations 132. Acquaforte con ritocchi al bulino, stampata su carta vergata coeva, filigrana del “giullare”, con margini, in ottimo stato di conservazione. Etching and engraving, circa 1645, signed on plate at lower edge. A fine impression, printed on contemporary laid paper, with margins, very good condition. From Icones principum, virorum, doctorum, pictorum, chalcographorum by Anton van Dyck, printed for the first time in Antwerp, 1645. A famous and important work, a real monument of the Flemish engraving art of the XVIII century, containing the biographies and portraits of the famous artists Van Dyck had met and with whom he had worked. Following the success of his portrait paintings and in the tradition of Italian and Flemish portrait series, Van Dyck decided to organise a print publication containing portraits of the most prominent men during his lifetime, divided into three categories: princes, politicians and soldiers (16), statesmen and scholars (12), artists and art connoisseurs (52). The initial idea could have been that Van Dyck would etch the faces (a process possibly learnt from Vorsterman) while others would finish the plates in engraving. Designs were needed for the plates and several drawings and oil sketches (grisailles, sometimes in different versions) have survived. Van Dyck only etched 17 plates himself, while he commissioned others to complete the set, overseen by Lucas Vorsterman I (especially after Van Dyck settled in England in the Spring of 1632). Although this project was started by Van Dyck around 1630, he never saw it completed. The Antwerp publisher Maarten van den Enden may have been involved from the start as eighty early impressions bear Van den Enden's address. They are engraved by Paulus Pontius (30 plates), Lucas Vorsterman I (22), Pieter de Jode II (12), Schelte a Bolswert (7), Robert van Voerst (4), Willem Hondius (2), Willem Jacobsz Delff (1), Cornelis Galle (1), and Nicolaes Lauwers (1). It is known that Van den Enden was in debt to Gillis Hendricx around 1644, the Antwerp publisher who must have obtained Van den Enden's plates which he published in 1645 in the first edition of these plates (containing between 100 and 104 portrait plates). Hendricx continued to publish these plates until his death in 1677 when they were auctioned off by the St Luke guild (keeping the Iconography plates together). It is not clear who bought these plates but they re-appeared around 1720 when they were published by Hendrick and Cornelis Verdussen in Antwerp.
GF16756Numéro 14 du journal "Camées Artistiques" - Paris - 1880 - Journal Hebdomadaire paraissant le samedi - Portraits et Biographies des Célébrités Contemporaines - 4 pages in folio avec portrait en photoglyptie Goupil (format 12 x 8,5 cm) collé dans un encadrement au centre du premier feuillet -
1986Q-0815602057Syracuse University Press 1986-09-01. Paperback. New. In shrink wrap. Looks like an interesting title! Syracuse University Press paperback
GF16812Numéro 71 du journal "Camées Artistiques" - Paris - 1881 - Journal Hebdomadaire paraissant le samedi - Portraits et Biographies des Célébrités Contemporaines - 4 pages in folio avec portrait en photoglyptie Goupil (format 12 x 8,5 cm) collé dans un encadrement au centre du premier feuillet -
GF16826Numéro 85 du journal "Camées Artistiques" - Paris - 1881 - Journal Hebdomadaire paraissant le samedi - Portraits et Biographies des Célébrités Contemporaines - 4 pages in folio avec portrait en photoglyptie Goupil (format 12 x 8,5 cm) collé dans un encadrement au centre du premier feuillet -
14727Premier biographe de Descartes. en feuille Très bon Paris Odieuvre 14 x 8,5 cm
15524Avocat de Hollande. Beau portrait. Beau tirage XVIIIè sur vergé. en feuille Très bon 20 x 14 cm (28 x 21,5 cm la feuille)
16105079Pictorum aliquot celebrium praecipuae germaniae inferioris effigies. Toutes les planches de cette série porte l’excudit de Hondius, mais certaines ont été gravées par d’autres artistes. En feuille Très bon 1610 21 x 12
