Jean Honore FragonardBiblio.com
319 résultats
156664Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 18th century 1764. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
181283Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Fng. Created in the unknown century 1860. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
121652Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1826-1876. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
64578Palais du Louvre - Pavillon de Marsan - Les Presses Artistiques Paris 1955 Affiche originale en couleur 64 x 46 cm unknown
1838001R21J. J. Dubochet et Ce. Paris: 1838. 1838 pp. 9 10-719. Colour chromo-lithographed frontispiece and title. Each page has the text set within various elaborate ornamental and/or architectural borders. Additional chapter illuminations illustration and woodcut portraits of the evangelists apparently lacking St. Matthew. Most of the designs were drawn by Theophile Fragonard 1806-1876. Slight staining to the first few leaves. Large 8vo. Mid-19th century French leather backed boards binding. Spine nicely gold gilt. Carteret III 225. A scarce and attractive book. PRICE JUST REDUCED! FR4. Language: eng. Hardcover. Very Good. J. J. Dubochet et Ce., Paris: 1838. hardcover
65-0269Paris: Chez de Launay mid-18th cent. Hand-colored engraving. 27 x 30 cm. in the plate; 39 x 51 cm. with margins. After original painting. Title and imprint in the plate. Paris: Chez de Launay, mid-18th cent. unknown
0870995162New. New. Satisfaction Guaranteed or your money back. unknown
17891068AG1789. 1789. Radierung von Bergeret nach einem Selbstbildnis von Fragonard. Bildgrösse: 23 x 17 cm. Blattgrösse: 29 x 20 cm. Minim fingerfleckig u. gebräunt. unknown
2406083527.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2003DADAX2600008632DROZ 2003-10-27. hardcover. New. 7.32x1.22x10.04. Buy with confidence. Excellent Customer Service & Return policy. DROZ hardcover
51-1186Berlin et Londres: A. Asher et Compagie 1841. Small folio. Original embossed blue-green cloth. With 12 color plates lithographed by L. Letronne after Th. Fragonard et Duféy from the series Types et Caractères Anciens:L'Ecolier la Courtisane de Venise le Mignon la Bohémienne la Camarera-Mayor le Bravo le Fou en titre d'office l'Empirique la Chatelaine le Pèlerin le Nain l'Aventurier. Berlin et Londres: A. Asher et Compagie, 1841. hardcover
18-5608Washington D.C.: National Gallery of Art 1978. 4to 180 pp. Very Good. Soft Covers. Illustrated paper wraps. Pages fine. Color and B&W plates throughout. Washington, D.C.: National Gallery of Art, 1978. paperback
71-6297Paris: French Publisher circa 1788. Hand-colored stipple engraving. 48.5 x 55 cm sheet. Good sheet toned minor rubs. [Paris: French Publisher, circa 1788]. unknown
71-6296Paris: French Publisher circa 1780. Hand-colored engraving. 45.5 x 56 cm sheet. Good sheet mounted to another support sheet sheet toned minor rubs. [Paris: French Publisher, circa 1780]. unknown
036251882 Paris J. Lemonnyer. Hardcover. Very Good. suite de gravures de Fragonard tirées à part première série: suite de cent estampes de l'édition in 4° AVEC LETTRE en noir sur Japon RELIE AVEC FIGURES DES CONTES DE LAFONTAINE 14 compositions par A.P. Martial. eau fortes sur Japon - 325 x 25 cm - 230 pgs non paginées - pleine basane titres et auteurs estampés en or sur le dos double filet à l'intérieur de la reliure signée ZAEHNSDORF traces d'usage aux coins premier plataux mors et trace d'humidité au deuxième plat - intérieur: très bien <br/> <br/> 1882 Paris J. Lemonnyer hardcover
16-6442Paris: G. Charpentier et E. Fasquelle 1900. Oblong folio. Prints loose as issued in 10 printed sleeves. 27.4 x 34cm. Titles beneath the prints in French German and English.OCLC Number / Unique Identifier:909111608. Paris,: G. Charpentier et E. Fasquelle, [1900] unknown
19001358Paris 1900. Etching on a large sheet of light cream wove paper 4 3/4 x 3 1/2 inches 120 x 90 mm full margins. In good condition with minor edge wear well outside of image area. An etching after the c1780 illustration by Fragonard likely printed early 20th century. The British Museum offers the following biographical information regarding the artist:<br /> <br /> "Painter draughtsman etcher curator and author. Worked as a diplomat in Naples 1779-85 where he learned how to engrave; travelled through Italy in 1788/89 and settled in Venice from where he was expelled in July 1793 prompting his return to Paris; in 1797/98 with Napoleon on the Egyptian campaign. In these years turned his amateur etchings into a business and published two catalogues of his work in 1793 and in 1803. Appointed in 1803 as first director of the Louvre and put in charge of the Gobelins Sèvres and the Monnaie; for this created a Baron. In charge of deciding the works to be removed from occupied Europe for the Louvre. Resigned in 1815 and spent his retirement in writing and organising the plates of his 'Monuments des arts du dessin' which was based on his own enormous private collection. Died in 1825 and his collection subsequently was sold in a series of auctions. unknown
19001381Paris 1900. Etching on a large sheet of light cream wove paper 4 3/4 x 3 1/2 inches 120 x 90 mm full margins. In good condition with minor edge wear well outside of image area. An etching after the c1780 illustration by Fragonard likely printed early 20th century. The British Museum offers the following biographical information regarding the artist:<br /> <br /> "Painter draughtsman etcher curator and author. Worked as a diplomat in Naples 1779 - 1785 where he learned how to engrave; travelled through Italy in 1788/89 and settled in Venice from where he was expelled in July 1793 prompting his return to Paris; in 1797/98 with Napoleon on the Egyptian campaign. In these years turned his amateur etchings into a business and published two catalogues of his work in 1793 and in 1803. Appointed in 1803 as first director of the Louvre and put in charge of the Gobelins Sèvres and the Monnaie; for this created a Baron. In charge of deciding the works to be removed from occupied Europe for the Louvre. Resigned in 1815 and spent his retirement in writing and organising the plates of his 'Monuments des arts du dessin' which was based on his own enormous private collection. Died in 1825 and his collection subsequently was sold in a series of auctions. unknown
19001383Paris 1900. Etching on a large sheet of light cream wove paper 4 3/4 x 3 1/2 inches 120 x 90 mm full margins. In good condition with minor edge wear well outside of image area. An etching after the c1780 illustration by Fragonard likely printed early 20th century. The British Museum offers the following biographical information regarding the artist:<br /> <br /> "Painter draughtsman etcher curator and author. Worked as a diplomat in Naples 1779-85 where he learned how to engrave; travelled through Italy in 1788/89 and settled in Venice from where he was expelled in July 1793 prompting his return to Paris; in 1797/98 with Napoleon on the Egyptian campaign. In these years turned his amateur etchings into a business and published two catalogues of his work in 1793 and in 1803. Appointed in 1803 as first director of the Louvre and put in charge of the Gobelins Sèvres and the Monnaie; for this created a Baron. In charge of deciding the works to be removed from occupied Europe for the Louvre. Resigned in 1815 and spent his retirement in writing and organising the plates of his 'Monuments des arts du dessin' which was based on his own enormous private collection. Died in 1825 and his collection subsequently was sold in a series of auctions. unknown
68-2840Paris: Berthault 1802. Etching. 18 x 24.5 cm. Good with tears repaired by tape on verso. Paris: Berthault, 1802. unknown
71-6304Paris: French Publisher circa 1780. Hand-colored engraving. 46 x 54.5 cm sheet. Very Good sheet mounted to another support sheet light specks of foxing in the margins. [Paris: French Publisher, circa 1780]. unknown
16-4572Paris: E. Bernard et Cie 1896. Folio. 53 x 41cm. Original boards worn. Title page with loss; most pages with marginal tears. Sheets loose as issued. 94 plates are called for and they are out of order in this copy; likely not complete and priced accordingly. Sold as a collection of prints.Grand in-folio en feuilles portefeuille de l'éditeur. Première édition de cet album de 94 planches reproduisant des dessins et des plans inédits du Paris révolutionnaire. Mareuse n° 719.- Barroux n° 177. Paris: E. Bernard et Cie, 1896 hardcover
7356Goussier Cochin Fragonard etc. Cochin Fragonard etc. RECUEIL DE PLANCHES SUR LES SCIENCES LES ARTS LIBERAUX ET LES ARTS MECHANIQUES AVEC LEUR EXPLICATION. The plates and explanatory text from the section of the Diderot Encyclopedia on "Dessein" Drawing 1763. Folio c. 15 x 10 1/8 inches 380 x 260 mm. later wraps with the title page of the Section affixed as a paste-on. With 39 copper-engraved plates actually 38 with the one double plate counted as two 12 pages of text including an introduction and notes on each plate. The plates are by various artists including several figure studies after Fragonard and Cochin. Plates show the design of a School of Drawing drafting instruments a double plate rendering of a pantograph plans for a camera oscura the parts of an articulated mannequin numerous figure studies and several plates showing the proportioate measurements of famous statues. All in Fine condition with only an occasional light spot of foxing and no damage. paperback
1842168145Paris; Administration de Librairie 1842. 1st Edition in this form. Hardback. Minor shadow-staining to the lower page margins; text not affected. ; 8vo 8"" - 9"" tall; 482 pages; Copiously illustrated; plates with tissue-guards and descriptice letterpress. Subjects; Bonaparte Francois-Charles-Joseph Herzog von Reichstadt 1811-1832. Paris; Administration de Librairie hardcover
1926120261926. Paris chez Francis Guillot 1926. 3 forts vol. in-4 328 x 258 mm de 3 ff. n.fol. 1 frontispice gravÂŽ n.fol. lix - 262 pp. et 1 f. bl. ; ÂŽ ff. n.fol. 2 frontispices n.fol. et 359 pp. Reliures uniformes de l'ÂŽpoque de demi-chagrin marine ˆ coins filets gras dorÂŽs portÂŽs sur les plats dos ˆ nerfs ornÂŽs de filets gras ˆ froid doubles caissons d'encadrement dorÂŽs filets en pointillÂŽs dorÂŽs sur les nerfs larges fleurons dorÂŽs semis d'ÂŽtoiles et de pointillÂŽs dorÂŽs titre dorÂŽ tomaison dorÂŽe palette dorÂŽe en queue tÂtes dorÂŽes couvertures et dos conservÂŽes. Ensemble complet de ses 2 volumes sous reliures dÂŽcoratives du temps. Soigneuse publication elle recÂle 100 compositions de Fragonard ; la plupart gravÂŽes et hors-texte. Le fabuliste eclipse ici le conteur. La crispation religieuse de la fin du rÂgne de Louis XIV et plus tard la pudibonderie du xixesiÂcle ont mis dans lÕombre ces contes licencieux dont le dÂŽfi poÂŽtique consiste ˆ jouer de lÕimplicite pour ne pas nommer la sexualitÂŽ ˆ Çdire sans direÈ dans un jeu de dÂŽrobade et de provocation reposant sur la complicitÂŽ du lecteur. La Fontaine a menÂŽ simultanÂŽment ces deux activitÂŽs jusquՈ joindre des contes ˆ lÕultime recueil de fables de 1693: bien plus quÕun laboratoire de la narration enjouÂŽe des Fables les Contes pourraient bien participer dÕune mÂme entreprise celle dÕune narration poÂŽtique sous le signe dÕune gaietÂŽ sans illusions. Ces rÂŽcits paillards imitÂŽs pour beaucoup d'entre eux de l'Arioste Boccace ou de FranÂois Rabelais feront dire ˆ leur auteur dans sa prÂŽface : ".et puis ce n'est ni le vrai ni le vraisemblable qui font la beautÂŽ et la gr‰ce de ces choses-ci ; c'est seulement la maniÂre de les conter." LÕÃuvre de La Fontaine offre la figure exemplaire dÕune sagesse dÂŽsabusÂŽe: elle choisit comme le DÂŽmocrite de la fable DÂŽmocrite et les AbdÂŽritains la retraite mÂŽditative plut™t que la vie de la citÂŽ dÕAbdÂre soumise aux pensers du vulgaire et face ˆ la violence forcenÂŽe du rÂŽel elle prÂŽfÂre contre lÕHÂŽraclite de lÕHistoire le rire plut™t que les pleurs. Dos lÂŽgÂrement insolÂŽs. Quelques frottements affectant angles et nerfs de chacune des reliures. Nonobstant belle condition. b42961 unknown
