Salvador DaliBiblio.com
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196574906<p>Salvador Dalí<br />Kronos from Mythologie 1960-1964<br />Hand signed lower right<br />Edition 25/150<br />Image size: 60.5 49 cm<br />Sheet size: 76.3 x 57 cm<br />Published by Pierre Argillet Paris. <br />Reference: Michler/Löpsinger 126; Field 63-3 N</p>
1985200590Dumont, 1985. 177 Seiten mit zahlreichen zum Teil farbigen Abbildungen Softcover/Paperback
192638775Barcelona: Editorial Políglota 1926. ONE OF ONLY 20 LARGE-PAPER COPIES OF THE SECOND BOOK ILLUSTRATED BY SALVADOR DALI. 182 pp. Illustrated throughout with drawings by Dalí. The trade edition of this book is printed on cheap wood-pulp paper but this is ONE OF ONLY 20 COPIES PRINTED ON EXTREMELY FINE GUARRO LAID PAPER AND SIGNED BY THE AUTHOR this copy is number 8. 4to. Attractively bound in contemporary Valencian calf. Tiny traces of wear to extremities of binding otherwise FINE AND BRIGHT. A rare and important Dalí incunable in a contemporary Spanish binding. <br/><br/> Editorial Políglota unknown
193527818Paris: Editions Surrealistes. 1935. First Edition; First Printing. Softcover. Cardboard wraps with red wraparound band torn laid in. The wraparound band is printed 'Face au "realisme socialiste" ' This is near fine copy with a little soiling to rear wrap and two small marks on front wrap. The band is rarely seen. This is one of the 1200 copies that constitute the French edition of this notoriously fragile book. Splendid copy.; 12mo 7" - 7½" tall; 24 8 33 plates pp . Editions Surrealistes paperback
19302476Paris: Éditions Surréalistes 1930. First edition. 72 pp. Original aluminum foil paper wrappers covered by red tissue paper title printed in black on the cover. Unbound sheets as this variant was issued. Photo-lithographed portrait of Gala heliogravure frontispiece retouched with a burin and six heliographic plates. A bit of wear to the extremities else a beautiful copy of a very fragile production.<br /> <br /> Of an edition of 204 copies one of the very few on Rodingold vellum in sheets justified on the colophon by the Service de Presse stamp. With DalÃ’s autograph dedication on the half-title “Hommage de l’auteur. Salvador Dali.†Laid in is the prière d’insérer announcement with text by André Breton and Paul Eluard.<br /> <br /> This issue of La Femme Visible is unbound sheets laid into the foil and red wrappers. For these few copies Dali apparently often added a simple autograph homage. The book did not meet with great success as Eluard reveals in a letter to Gala on January 27 1931: “La Femme visible a une presse immonde. Pourquoi Dali n’a-t-il pas mis dans ses dédicaces le nom des gens. Comme cela on n’en parlera pas ou en mal.†La Femme Visible is receiving dreadful publicity. Why didn’t Dali put people’s names in his dedications That way people won’t talk about it or talk about it badly. Georges Sebbag in his bibliography of Editions Surréalistes does not mention these press copies nor the printing of the book in sheets.<br /> <br /> One of DalÃ’s earliest books containing four texts: “L’Âne Pourri†“La Chèvre Sanitaire†“L’Amour†and “Le Grand Masturbateur.†In these writings inspired by Freudian and post-Freudian theories DalÃ’s aim is to upset the frontiers between dream and reality and to break down the convictions that form the basis of so-called “bourgeois values.†He later spoke of it as “a spontaneous method of irrational knowledge based on the critical and systematic objectification of delirious associations and delirious interpretations.†<br /> <br /> References: Michler and Löpsinger. Salvador DalÃ: Catalogue Raisonné of Etchings and Mixed-Media Prints 1924-1980 no. 4. Cowling. The Magic Mirror. Dada and Surrealism from a Private Collection Scottish National Gallery of Modern Art 1988 no. 92. Mundy ed. Surrealism: Desire Unbound. pp. 131-33; 148-49. Eluard. Letters to Gala 1989 trans. p. 98. Sebbag Les Editions Surréalistes 1993. pp. 63-64. Éditions Surréalistes unknown
1949HAY383621949 - tiré à 2500 exemplaires sur Alpha-Marais numéroté celui-ci portant le numéro 1524 - . Paris Pierre Seghers Éditeur. broché couverture souple à rabats. Très bon état. gd in-8. illustré et bien complet des 7 planches en couleurs de Salvador Dali. unknown
194913064Paris: Pierre Seghers Éditeur 1949. Buono stato di conservazione con ordinaria brunitura delle carte e lievi segni del tempo: lieve sgualcitura del piatto anteriore legatura leggermente allentata un minimo strappo sul solo margine di una tavola 8mm. . Brossura editoriale a stampa con risvolti cm 26 x 19 pp 116 12 7 tavole a colori da acquerelli di Salvador Dalì. Buono stato di conservazione con ordinaria brunitura delle carte e lievi segni del tempo: lieve sgualcitura del piatto anteriore legatura leggermente allentata un minimo strappo sul solo margine di una tavola 8mm. Prima edizione nell’originale francese di questo romanzo composto a Roma nel 1940 e apparso in traduzione tedesca nel 1948. Stampato nell’ottobre 1949 dai torchi dell’Imprimerie Union di Parigi in una tiratura di 2500 esemplari numerati il volume è ornato da 7 tavole a colori di Salvador Dalì disegnate nel 1946. Di famiglia benestante chimico per formazione Sandoz fu viaggiatore cosmopolita compositore e collezionista d’arte orologi e automi; scrittore tra i maggiori della letteratura fantastica svizzera partecipò al movimento surrealista e fu vicino a Dalì che illustrò numerose delle sue opere nelle quali è frequente come in questo romanzo il tema della casa stregata. Pierre Seghers Éditeur unknown
195280093Paris: La Table Ronde 1952. Fine. La Table Ronde Paris 1952 14.50 x 20 cm broché First edition of the French adaptation by Michel Déon one of 120 numbered copies on pur fil paper the only deluxe copies. Illustrated. Handsome copy despite two crease marks on the covers. La Table Ronde unknown
19492499Geneva: Kundig 1949. 137 pp. Illustrated printed wrappers. A little wear and minor soiling. Sandoz's classic gothic horror novel with illustrations by Dali. Text in French. Inscribed by Sandoz on the half-title and dated in 1965. Kundig unknown
1968109473Paris : Jean-Jacques Pauvert 1968. 275x215mm. reproductions n/b et couleurs contrecollÂŽes reliure d'ÂŽditeur. toile ÂŽcrue vignette de titre et image de lÕAngelis fermoir en tissus et boucle en mÂŽtal. TrÂs bel exemplaire. 873 Jean-Jacques Pauvert unknown
1978C31949Paris 1978. First Edition Thus. Wraps. Very good plus. 8vo. pp 176. Original publisher's illustrated black covers lettered yellow. Text in French. Reprint of 1963 edition. Nouvelle ed. augmentee. Illustrated in colour and b/w throughout. ISBN: 2720201189 paperback
1963358173Paris France: Jean-Jacques Pauvert 1963. Special Limited Edition. Hardcover. Fine. Large 8vo 9" - 10. Salvador Dali. A truly fine exemplar of the Special Limited Edition of only 100 copies printed by Societe d'Impressions Publicitiaires in October of 1963. Table Des Matieres at book's end with Prologue I Partie II Partie III Partie with Appendice et Notes. Epigraph reads "Le scenario 'secret' le plus bouleversant pour selui qui osera le film le plus ambitieux." Translated: "The most upsetting 'secret' scenario for him who dares to make the most ambitious film." From the personal library of Dr. Sue Taylor noted Professor Emerita of Portland State University Hans Bellmer expert and lecturer-extraordinaire but ultimately from the personal library of her friend the fine-art curator and impresario Don Baum 1922 – October 28 2008 and who purchased the item straight from the publisher. Baum was an American curator artist and educator according to his Wikipedia entry "most known as a key impresario and promoter of the Chicago Imagists a group of artists that had an enduring impact on American art in the later twentieth century." Taylor asserted that Baum was known for "lively and irreverent" exhibitions and that blended elements of popular culture with those of Surrealism. He enabled artists such as "Ed Paschke Jim Nutt Roger Brown Gladys Nilsson and Karl Wirsum" Wikipedia. This exemplar is bound in an attractive Imperial octavo format featuring oatmeal sailcloth over boards measuring 10 3/4" by 8 1/2" tall and wide respectively augmented with a black-and-white reproduction of a Millet painting inset barely abraded typed paper label to front cover and with original cloth belt and clasp fully intact. Twenty-eight tipped-in images several in full-page a couple in full-page format evincing inventive use of post-cards from the past some being mildly scurrilous others being of grasshopper proboscisces. The inset Millet painting reproduction at front cover is repeated again and again and again at verso of many leaves of fine typescript; the font-bite is a bit faint here and there but still easy to read. The most representative exemplar of Dali's "paranoiac-critical method" say art critics; all French-language text. Laid in loosely are two invitations from the publisher Editions Jean-Jacques Pauvert in effect invitations to receive their catalogues periodically. All in a fairly arresting exemplar of an unusual S.D. item and with tight provenance and valuable association. 105 pp.Member I.O.B.A. C.B.A. and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes and for sets. Jean-Jacques Pauvert hardcover
196327828Paris: Jean-Jacques Pauvert. 1963. First Edition; First Printing. Hardcover. Handsome book bound in oatmeal textured cloth with paper labels on front board held together by a striped belt and buckle. A very good copy of this example of Dali's paranoiac-critical method. Text in French. Small stain on spine some toning to edges. ; 4to 11" - 13" tall; 105 pp . Jean-Jacques Pauvert hardcover
1963150996Paris: Jean-Jacques Pauvert 1963. Inscribed by Dali First edition inscribed by the artist across the title page "Pour Christine Vaclasmy Dali 1963" with a loose sketch of a figure possibly a girl skipping a common motif in Dalí's work. The Angelus by Jean-Francois Millet is an oil painting completed between 1857 and 1859. It depicts two figures in a field heads bowed over a basket of potatoes in their recitation of the Catholic devotional prayer. It had a significant impact on Dali who saw a print of the painting early in life and insisted that it did not depict a prayer but a funeral scene. The Louvre at his request had the painting examined by x-ray and showed that there was originally a small coffin-shaped object painted in place of the basket. This discovery is included in the prologue and much of the text depends upon Dalí's interpretation of The Angelus as a tragic image of American folklore. Dalí created several paintings inspired by the titular work: The Architectural Angelus of Millet and Gala 1933 and Gala and the Angelus of Millet Preceding the Imminent Arrival of the Conical Anamorphoses 1933. These were followed two years later by a similar pair of paintings which included a partial reproduction of Millet's Angelus called The Angelus of Gala and Archaeological Reminiscence of Millet's Angelus. Quarto. Illustrated throughout by Salvador Dali 33 plates tipped in. Original beige cloth with woven strap and buckle titles to front cover on octagonal plate in red and black black and white illustration of The Angelus to front cover on rectangular plate. Housed in a custom box illustrated with photographs of this copy. Lightly foxed with a few marks and one small scratch to covers a little shelfwear a few slight bumps to head of front board a touch of foxing to end matter and occasionally toned box a little rubbed and tips lightly bumped else bright and clean. A very good copy indeed square and firm. hardcover
196371472Paris: Jean-Jacques Pauvert 1963. First edition first printing. Quarto. Illustrated throughout by Salvadore Dali with many tipped in plates. Original beige cloth with woven strap and buckle titles to front cover on octagonal plate in red and black black and white illustration to front cover on rectangular plate. A fine copy. hardcover
1969173928Switzerland: Graphic Europa Anstalt 1969. Edition of 100 signed in pencil lower right by Dalí numbered lower left Dali blind stamp lower right. One of 11 plates from the Hippies portfolio. Hand coloured drypoint etching on Japon paper. Plate size: 39.4 x 31.5 cm. Sheet size: 66 x 51 cm. Framed size: 75.8 x 59.4 cm. Tape residue to extreme upper edge from previous hinging otherwise in excellent condition. Presented in a white gold leaf frame with conservation acrylic glazing. Field 69-13K. Michler & Lopsinger 381. unknown
1983125122Ray Internacional 1983. Hardcover. very good. 1st Edition. unpaginated. Thin quarto black cloth with gilt on front cover and spine. Black endpapers. Illustrated with full-page plates from photography as well as paintings. Scarce. Majority of text done in english with minor additions done in french. very good 1983 Ray Internacional hardcover
193388275Neuilly-sur-Seine: Le Phare de Neuilly 1933. Fine. One of the rarest and most iconic Surrealist magazines Le Phare de Neuilly Neuilly-sur-Seine S.d. 1933 18.20 x 25.10 cm 3 volumes brochés First edition of this important and very rare magazine complete with 4 issues in 3 volumes. Complete collection of this luxurious Surrealist magazine edited and funded by Lise Deharme and characterized by its emphasis on photography. Covers illustrated by Man Ray illustrations in black. Contributions by Salvador Dali Hans Arp Dora Maar Oscar Dominguez Brassaï Lee Miller Jacques Lacan James Joyce Georges Ribemont-Dessaignes Ilarie Voronca Nathalie Barney Benjamin Fondane Pierre Drieu La Rochelle Alejo Carpentier Eugène Jolas Lise Hirtz Lise Deharme Raymond Queneau Claude Sernet Roger Vitrac Robert Desnos Jean Follain Léon-Paul Fargue Pierre Keffer Jacques Baron Gottried Benn Céline Arnauld Monny de Boully Georgette Camille André de Richaud Jules Supervielle Claire Goll Paul Laforgue David Herbert Lawrence Marcel Jouhandeau Paul Dermée Jean Painlevé Nadar Pétrus Borel and Stendhal. Sunned spine on the No. 3/4 issue. Spine-ends and corners slightly rubbed otherwise a wonderfully preserved copy. A very fine example of this rare avant-garde magazine which ""came into being over the course of a few dinners that brought together the dissidents of Surrealism and other poets in this hospitable abode of Lise Deharme. Robert Desnos provided the title. Georges Ribemont-Dessaignes was the editor. Man Ray had designed the cover: a silhouette of a lighthouse against a photographic background of sailing boats. . It contains curiosities: a tale by Petrus Borel a photo by Nadar popular songs an investigation into the neurosis of war epitaphs taken from a cemetery of animals. Among other curiosities a sonnet by the famous psychoanalyst Jacques Lacan. It is entitled Hiatus irrationalis."" Jacques Baron Cahiers de l'Herne Raymond Queneau p. 333. Le Phare de Neuilly unknown
1968003145<p>Paris: Editions Argillet 1968. Book. Fine. Hardcover. Signed by Illustrators. Loose sheets in wrapper chemise and clamshell box. Clamshell box with gilt embossed illustration on front cover and gilt titles on spine. Chemise with gilt signature of Dali on front cover. Wrapper repeating the illustration on the box in blindstamp. Clamshell box with light wear. With 18 original engravings in black and white by Salvador Dali of which 10 full page and 8 smaller etchings 7 out of tekst and 1 in text. The 10 full page engravings with the blindstamped signature of Dali in the margin. All etchings protected by tissue guards. Hand signed in pencil by Dali on the limitation page also containing the publisher's stamp and Dali's blindstamped signature. Limited edition of 299 copies printed by the Presses du Palais Royal. This is number 90 and one of the limited edition of 75 copies printed on Arches teinte. With an extra suite of 6 out of 10 etchings on loose sheets in wrapper. All engravings with strong impressions 1 etching with light crease to corner not affecting the print. Sheets measure 383 x 285 cm. Box 405 x 305 cm. Very fine collectible copy.</p> Editions Argillet hardcover
1977mon0000158066Berggruen 1977-01-01. Paperback. Good. in x in x in. Ex-library. Hardback/Hardcover LIBRARY REBIND. Clean copy sound binding. Berggruen paperback
197329351New York:: Felicie Inc 1973. First Printing of the First Trade Edition. A Very Good plus copy in a Near Fine decorated gold foil dust jacket. In this exquisite volume Salvador Dali has written the definitive book on haute cuisine. Les Dîners de Gala is a surrealist cookbook by Salvador Dalí that documents the extravagant dinner parties he hosted with his wife Gala. It features 136 elaborate recipes from top French chefs accompanied by Dalí's unique and bizarre illustrations and is divided into 12 chapters including a section on aphrodisiacs. The book is a collector's item that combines art culinary instruction and Dalí's philosophical musings on food pleasure and life. The book contains 21 recipes prepared by such French restaurants as Lasserre LaTour d'Argent and Maxim's. Richly illustrated with drawings photographs and 55 color illustrations. Felicie, Inc, unknown
197378420New York: Felicie Inc 1973. First Edition in English. near fine/ very good . Quarto. 12" x 9". 320pp. Some light edge rubbing at head and spine of dust jacket. The divine Salvador Domenech Philippe Hyacinthe Dali conceived and materialized this work dedicated to Gala. Under the direction of Rene' Toutain. Draeger Maitre Imprimeur assured layout and printing with the coillaboration of Max Gerard. Super surrealistic dinners. Felicie, Inc unknown
