88 résultats
196756337Harry Abrams. As New. 1967. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 128 pages with 64 pages of color & 243 b/w illustrations -- with a bonus offer-- . Harry Abrams hardcover
191055050Stuttgart Germany: Deutsche Verlags-Anstalt. As New. 1910. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in German. 189 pages -- with a bonus offer-- . Deutsche Verlags-Anstalt hardcover
199370925Museum / Abrams. As New. 1993. Hardcover. 0870996428 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 499 pages. -- with a bonus offer-- . Museum / Abrams hardcover
199760376Oxford University Press Distribution. As New. 1997. Paperback. 0892362871 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - -- 106 pp. With 74 ills. 38 col. one foldout. 24 x 20 cm. -- with a bonus offer-- . Oxford University Press (Distribution) paperback
197656330Electa Editrice. As New. 1976. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in Italian. 179 page exhibition catalogue / monograph -- with a bonus offer-- . Electa Editrice hardcover
199282379Thames & Hudson Ltd. New. 1992. Hardcover. 0500974004 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Corresponds to ISBN: 0500974004. Xi 503 pages 330 illus. 100 in color large 4to. -- with a bonus offer-- . Thames & Hudson Ltd hardcover
199286403Academy. New. 1992. Paperback. 0900946393 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Corresponds to ISBN: 0870996401. Xi 503 pages 330 illus. 100 in color large 4to. -- with a bonus offer-- . Academy paperback
199286402Olivetti / Electa. New. 1992. Paperback. 0900946407 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Corresponds to ISBN: 0900946407. Xi 503 pages 330 illus. 100 in color large 4to. -- with a bonus offer-- . Olivetti / Electa paperback
1984149257N.p.: N.p. 1984. Vintage US window card poster for the 1984 Broadway play. The play initially premiered at London's National Theatre in 1983 before moving to the US the following year making its Broadway debut at the John Golden Theatre the run advertised here where it ran for 378 performances.<br/><br/>Winner of the Pulitzer Prize and nominated for four Tony Awards winning one for Best Actor for Joe Mantegna. <br/><br/>Basis for the neck-snapping 1992 film starring Al Pacino Jack Lemmon Ed Harris Alan Arkin Alec Baldwin Jonathan Pryce and Kevin Spacey. David Mamet's masterpiece considered by some to be the late century equivalent of Arthur Miller's "Death of a Salesman." <br/><br/>Set in Chicago.<br/><br/>14 x 22 inches. Very Good plus lightly rubbed with faint creasing to the top right corner. N.p. unknown books
1984149257N.p.: N.p. 1984. Vintage US window card poster for the 1984 Broadway play. The play initially premiered at London's National Theatre in 1983 before moving to the US the following year making its Broadway debut at the John Golden Theatre the run advertised here where it ran for 378 performances.<br /> <br /> Winner of the Pulitzer Prize and nominated for four Tony Awards winning one for Best Actor for Joe Mantegna. <br /> <br /> Basis for the neck-snapping 1992 film starring Al Pacino Jack Lemmon Ed Harris Alan Arkin Alec Baldwin Jonathan Pryce and Kevin Spacey. David Mamet's masterpiece considered by some to be the late century equivalent of Arthur Miller's "Death of a Salesman." <br /> <br /> Set in Chicago.<br /> <br /> 14 x 22 inches. Very Good plus lightly rubbed with faint creasing to the top right corner. N.p. unknown
1987148509N.p.: N.p. 1987. Vintage script for the 1988 Broadway play which premiered on May 3 1988 at the Royal Theatre and ran for 279 performances. <br/><br/>David Mamet's incendiary take on the world of Hollywood movie-making a black comedy that stands alongside Nathanael West's "The Day of the Locust" in the subtlety and accuracy of its indictments. Nominated for three Tony Awards including Best Play and Best Direction of a Play for Gregory Mosher and winning one for Best Actor in a Play for Ron Silver. Revived on Broadway in 2008. <br/><br/>Pink titled wrappers with credits for playwright David Mamet on the front wrapper dated June 1987. Title page present with a credit for Mamet dated June 1987. 146 leaves with last page of text numbered 141. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus lightly foxed to the fore edge and bottom edge of the front wrapper bound with two gold brads. N.p. unknown books
1987148509N.p.: N.p. 1987. Vintage script for the 1988 Broadway play which premiered on May 3 1988 at the Royal Theatre and ran for 279 performances. <br /> <br /> David Mamet's incendiary take on the world of Hollywood movie-making a black comedy that stands alongside Nathanael West's "The Day of the Locust" in the subtlety and accuracy of its indictments. Nominated for three Tony Awards including Best Play and Best Direction of a Play for Gregory Mosher and winning one for Best Actor in a Play for Ron Silver. Revived on Broadway in 2008. <br /> <br /> Pink titled wrappers with credits for playwright David Mamet on the front wrapper dated June 1987. Title page present with a credit for Mamet dated June 1987. 146 leaves with last page of text numbered 141. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus lightly foxed to the fore edge and bottom edge of the front wrapper bound with two gold brads. N.p. unknown
198545496HEYNE WILHELM 1985. 1. softcover. HEYNE, WILHELM paperback
196130435Milan: Silvana Editoriale D'Arte 1961. First edition. 118 color illustrations 189 black and white. 1 vols. Folio. Quarter cloth with pictorial boards. Bookplate. Owner's inscription else Fine in slipcase. First edition. 118 color illustrations 189 black and white. 1 vols. Folio. Silvana Editoriale D'Arte unknown
196130435Milan: Silvana Editoriale D'Arte 1961. First edition. 118 color illustrations 189 black and white. 1 vols. Folio. Quarter cloth with pictorial boards. Bookplate. Owner's inscription else Fine in slipcase. First edition. 118 color illustrations 189 black and white. 1 vols. Folio. Silvana Editoriale D'Arte unknown books
19882108300417xbvkNew York City, MDS-Productions, 1988. 2 DVDs in a DVD-Box with colour-illustrated cover-inlays; 8vo.(ca. 19,5 x 13,5 cm).
1959219925Milano: Rizzoli Grandi monografie d'arte 1959. Rilegato tela sovracoperta custodia cloth dust jacket slip-case. Molto buono Very Good. Testo di Luigi Coletti. Appendice di Ettore Camesasca. 92 illustrazioni applicate a colori. 30 tavole a colori di cui una ripiegata più";" volte a piena pagina f.t. Sommario bibliografico. Folio cm 41 x 34. pp. 74 tavole. Molto buono Very Good. Sovracoperta sciupata ai margini con strappetti e due mancanze in corrispondenza del dorso Some chipping and nicks around top and bottom of dust jacket 2 lacks of paper at the spine. Edizione speciale di 300 esemplari "ad personam" per la Confederazione Generale dell'Industria Italiana. Rizzoli, Grandi monografie d'arte hardcover
1959LV1801Milan:: Rizzoli 1959. 1959. Large folio 407 x 340 mm 73 pp. 92 text images most in color tipped in 30 color plates plates 1-4 as a folding panorama 4 index images paper watermarked "Istitito Grafico Bertieri Milano". Cream cloth boards brown-stamped cover and spine titles dust-jacket cloth-covered slipcase; short tears to jacket without loss. Thirteen plates from the 1971 Olivetti calendar are loosely inserted. Very good. This deluxe art volume Grandi Monografie d’Arte a cura di Paolo Lecaldano is a scholarly and detailed examination of Mantegna’s decorative artwork The Camera picta "painted chamber" also popularly known as the Camera degli Sposi or "bridal chamber"—is a room frescoed with illusionistic paintings by Andrea Mantegna in the Ducal Palace Mantua Italy. It was painted between 1465 and 1474 and commissioned by Ludovico Gonzaga and is notable for the use of trompe l’oeil details and its di sotto in sù ceiling. The "Court Scene" on the north wall shows Ludovico Gonzaga dressed informally with his wife Barbara of Brandenburg. They are seated with their relatives while a group of courtiers fill the rest of the wall. The figures interact with an illusionistically expanded space is depicted. On the west wall is the "Meeting scene". This fresco shows Ludovico in official robes in an ideal meeting with his son cardinal Francesco Gonzaga the Holy Roman Emperor Frederick III and Christian I of Denmark. Mantegna’s playful ceiling presents an oculus that illusionistically opens into a blue sky with foreshortened putti playfully frolicking around a balustrade. This was one of the earliest di sotto in sù ceiling paintings" Wikipedia. Rizzoli, (1959). hardcover books
1992z100-16273Olivetti / Electa 1992-09-01. Paperback. New. In shrink wrap. Olivetti / Electa paperback
199215102Catalogue de l'exposition de la Royal Academy of Arts à Londres en 1992. Catalogue en français. Cartonnage d'éditeur sous jaquette illustrée. Boîtier. Très bon Paris Gallimard 1992 1 volume in-4°
198044808HEYNE WILHELM 1980. 1. softcover. HEYNE, WILHELM paperback
1992Q-0900946407Olivetti / Electa 1992-09-01. Paperback. New. In shrink wrap. Looks like an interesting title! Olivetti / Electa paperback
1967mon0000574603New York : Harry Abrams 1967T. hardcover. Acceptable. in x in x in. Ex-library REFERENCE book usual marking. Clean copy in good condition. Library rebind. Some marking due to age on pages but overall book remains in good condition considering age. New York : Harry Abrams hardcover
1978Q-0714818992Phaidon 1978-01-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Phaidon hardcover
1957REVUELITT23230326Paris, Quo Vadis, 1955, 1956, 1957 & 1958, 13,2 x 18 et 13,4 x 21,5, 128-IV pages cousues sous couverture souple imprimée. Avec les contributions de Jean-Louis Aubrun, René-Louis Doyon, André Lebois, Guy Lavaud, Anne de la Mantégna, Roger Rabiniaux, Alfred Reth, Maurice Dubourg, Maurice-Pierre Boyé, Slavomir Mrozek, etc. "Quo Vadis, revue poétique et satirique, dirigée de 1947 à 1958 par un méconnu des lettres, Jacques-Louis Aubrun, se caractérise par son style particulièrement percutant. Réfractaires dans l’âme mais ultra réactifs, ses collaborateurs qui, pour la plupart, ont une longue expérience littéraire derrière eux, combattent les maîtres à penser en faveur vers 1950 et les gloires qu’ils jugent usurpées. Quo Vadis donne carrière à une génération de poètes et de critiques qui n’est pas celle de la « modernité » à la mi-temps du siècle. Mais la verdeur de ton avec laquelle la revue malmène à plaisir les écrivains honorés de son époque, la préserve de la fossilisation. Elle se partage donc entre des articles au vitriol, dans l’héritage des grands pamphlétaires, la publication de poètes « aux luttes mémorables » ou celle de fantaisistes singuliers. Elle fait aussi la part belle aux études savantes. Plus que des contributions lénitives à l’histoire littéraire, il s’agit très souvent de véritables morceaux de littérature. Quo Vadis prétend ne pas se mêler de politique. Elle s’y risque pourtant avec assiduité en critiquant les prises de positions des intellectuels, surtout lorsqu’elles voisinent avec le communisme, ou l’hyprocisie. La revue de Jacques-Louis Aubrun, issue de la Résistance, affiche une certaine cohérence : elle s’ouvre en 1947 avec un réquisitoire contre l’action de De Gaulle au pouvoir et se referme en 1958, redoutant son retour". Guillaume Louet, 2011, in La Revue des revues no 45.
