(Claude MONET) - COLLECTIFBiblio.com
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190423816Paris: La revue de l'art pour tous 1904. Fine. La revue de l'art pour tous Paris Février 1904 11.50 x 18.50 cm agrafé First edition. Contributions by R.A. Fleury on Claude Monet Gustave Cahen on Théodore Géricault at the Louvre P.A. Garnier on the origins of engraving. Small tears at head and foot of spine light worming to boards covers marginally faded boards detached. La revue de l'art pour tous hardcover
198486263Bussière Arts Graphiques 1984. Fine. Bussière Arts Graphiques vers 1984 17.70 x 12.70 cm 25 films-contacts dans une boîte en carton 25 color shots of Claude Monet's Water Lilies in the form of transparent contact films individually preserved in a plastic sleeve. Each photograph is captioned in the margins with white marker. The entire set is stored in the original box of 'Typon graphic arts film' transparent supports bearing a label from the Bussière Arts Graphiques company with the inscription 'Nymphéas de Monet / Jeu de Paume / Avant Restauration'. The contact films were used to produce high-quality offset prints a specialty of the Bussière company which notably collaborated with Gallimard for its prestigious art publications. A true 'condition report' of exceptional rarity of the Water Lilies before restoration these contact films are an extraordinary documentary and aesthetic addition to the modern history of Claude Monet's masterpiece. Bussière Arts Graphiques unknown
1985stela1483Lausanne-Paris: La Bibliothèque Des Arts 1974-1985. 1985. 4 volumes. folio. pp. 461; 305; 312; 443. French text. over 1983 illus. in b/w & colour. illus. endleaves. bio. index. cloth. dw. minor edge wear light stain to back cover of volume 4. Catalogue Raisonné. Freitag 6687. Hardcover. Very Good/Dust Jacket Included. Lausanne-Paris: La Bibliothèque Des Arts, 1974-1985. Hardcover
1933517821New York: Durand-Ruel Galleries 1933. Softcover. Very Good. First edition. Octavo. 7pp. Cord-tied stiff tan printed wrappers illustrated reproducing a frontispiece portrait of Claude Monet and with two plates reproducing paintings by Monet. The exhibition included fourteen paintings by Monet. Also prints a brief History of the House of Durand-Ruel 1803-1933. Owner's contemporary embossed stamp on front cover of art scholars "Sheldon & Caroline Keck" Sheldon Keck was a pioneer in the field of art conservation. He and his wife Caroline were consultant conservators for the Museum of Modern Art the Solomon R. Guggenheim Museum etc. Covers are lightly dust soiled else a very good copy with text fresh and clean. An uncommon exhibition catalogue. OCLC locates four copies MOMA Metropolitan Museum of Art Frick Art Reference Library and Sterling & Francis Clark Art Institute. Durand-Ruel Galleries unknown
1996319454Cologne: Wildenstein Institute/ Taschen K ln 1996. Revised Edition. Illustrated. Folio. Original blue cloth. Fine in slipcase. Revised Edition. Illustrated. Folio. Catalogue in English French and German. Wildenstein Institute/ Taschen,, K ln unknown
19933164BB1993. New York Alfred A. Knopf 1993. 25 x 29 cm. XVII 318 pages. Original Softcover. Very good condition with minor signs of external wear. The Barnes Foundation is an American educational art and horticultural institution with locations in Merion Pennsylvania a suburb of Philadelphia; and Logan Square Philadelphia. It was founded in 1922 by Albert C. Barnes a chemist who collected art after making a fortune by co-developing an early anti-gonorrhea drug marketed as Argyrol and selling his company at the right time before antibiotics came into use. Today the foundation owns more than 2500 objects including 800 paintings estimated to be worth about $25 billion. These are primarily works by Impressionist and Modernist masters but the collection includes many other paintings by leading European and American artists as well as ancient works from other cultures. In the 1990s the foundation's declining finances led its leaders to various controversial moves including sending artworks on world tours and proposing to move the collection to Philadelphia. A 2009 documentary The Art of the Steal argued that the foundation had been taken over by other non-profit institutions. After numerous court challenges the new Barnes building opened on Benjamin Franklin Parkway on May 19 2012. The foundation's current president and executive director Thomas Thom Collins was appointed on January 7 2015. Wikipedia paperback
1986669BB1986. Zürich SV International 1986. 28cm x 23.5cm. 181 pages. Original Softcover Paperback. Very good condition with only minor signs of wear. German Edition / Deutsche Ausgabe. Includes for example: Claude Monets Nympheas in Basel 1949 und 1969 Leihgeber/ 'Le Spleen de Giverny' Massifs de Chrysanthemes/ Zufluchtsort einer ungestorte Meditation/ Le Bassin aux nympheas/ Paysages d'eau et de reflets/ Eine Wenig Banale Ausstellung/ Wasser Seerosen Planzen auf einer sehr grossen Flache/ Verjungende Aufschwunge un grausame Enttauschungen anmerkungen/ Srom ohne Ufer/ Anmerkungen zu Claude Monets Seerosen/ Jenseits des Impressionismus / Monet Sehen/ Der Neue Bildbau/ Unter dem Horizont/ Bilder einer stromenden Welt/ Bild und Betrachter/ Monets Welt in Giverny/ Das 'Monet revival' der funfziger Jahre Anmerkungen/ Claude Monet 14 November 1840 - 5 December 1926 was a founder of French impressionist painting and the most consistent and prolific practitioner of the movement's philosophy of expressing one's perceptions before nature especially as applied to plein-air landscape painting. The term Impressionism is derived from the title of his painting Impression Sunrise Impression soleil levant. Claude Monet was born on 14 November 1840 on the 5th floor of 45 rue Laffitte in the 9th arrondissement of Paris.3 He was the second son of Claude Adolphe Monet and Louise Justine Aubrée Monet both of them second-generation Parisians. On 20 May 1841 he was baptized in the local parish church Notre-Dame-de-Lorette as Oscar-Claude but his parents called him simply Oscar.34 In 1845 his family moved to Le Havre in Normandy. His father wanted him to go into the family grocery business but Monet wanted to become an artist. His mother was a singer. On 1 April 1851 Monet entered Le Havre secondary school of the arts. Locals knew him well for his charcoal caricatures which he would sell for ten to twenty francs. Monet also undertook his first drawing lessons from Jacques-François Ochard a former student of Jacques-Louis David. On the beaches of Normandy in about 1856/1857 he met fellow artist Eugène Boudin who became his mentor and taught him to use oil paints. Boudin taught Monet "en plein air" outdoor techniques for painting. Both received the influence of Johan Barthold Jongkind. On 28 January 1857 his mother died. At the age of sixteen he left school and went to live with his widowed childless aunt Marie-Jeanne Lecadre. When Monet traveled to Paris to visit the Louvre he witnessed painters copying from the old masters. Having brought his paints and other tools with him he would instead go and sit by a window and paint what he saw. Monet was in Paris for several years and met other young painters who would become friends and fellow impressionists; among them was Édouard Manet. In June 1861 Monet joined the First Regiment of African Light Cavalry in Algeria for a seven-year commitment but two years later after he had contracted typhoid fever his aunt intervened to get him out of the army if he agreed to complete an art course at an art school. It is possible that the Dutch painter Johan Barthold Jongkind whom Monet knew may have prompted his aunt on this matter. Disillusioned with the traditional art taught at art schools in 1862 Monet became a student of Charles Gleyre in Paris where he met Pierre-Auguste Renoir Frédéric Bazille and Alfred Sisley. Together they shared new approaches to art painting the effects of light en plein air with broken color and rapid brushstrokes in what later came to be known as Impressionism. Monet's Camille or The Woman in the Green Dress La femme à la robe verte painted in 1866 brought him recognition and was one of many works featuring his future wife Camille Doncieux; she was the model for the figures in Women in the Garden of the following year as well as for On the Bank of the Seine Bennecourt 1868 pictured here. Camille became pregnant and gave birth to their first child Jean in 1867. After the outbreak of the Franco-Prussian War 19 July 1870 Monet took refuge in England in September 1870 where he studied the works of John Constable and Joseph Mallord William Turner both of whose landscapes would serve to inspire Monet's innovations in the study of color. In the spring of 1871 Monet's works were refused authorisation for inclusion in the Royal Academy exhibition. In May 1871 he left London to live in Zaandam in the Netherlands where he made twenty-five paintings and the police suspected him of revolutionary activities. He also paid a first visit to nearby Amsterdam. In October or November 1871 he returned to France. Monet lived from December 1871 to 1878 at Argenteuil a village on the right bank of the Seine river near Paris and a popular Sunday-outing destination for Parisians where he painted some of his best known works. In 1874 he briefly returned to Holland. In 1872 he painted Impression Sunrise Impression soleil levant depicting a Le Havre port landscape. It hung in the first Impressionist exhibition in 1874 and is now displayed in the Musée Marmottan Monet in Paris. From the painting's title art critic Louis Leroy coined the term "Impressionism" which he intended as disparagement but which the Impressionists appropriated for themselves. Also in this exhibition was a painting titled Boulevard des Capucines a painting of the boulevard done from the photographer Nadar's apartment at no. 35. There were however two paintings by Monet of the boulevard: one is now in the Pushkin Museum in Moscow the other in the Nelson-Atkins Museum of Art in Kansas City. It has never become clear which painting appeared in the groundbreaking 1874 exhibition though more recently the Moscow picture has been favoured. Monet and Camille Doncieux had married just before the war 28 June 1870 and after their excursion to London and Zaandam they had moved to Argenteuil in December 1871. It was during this time that Monet painted various works of modern life. Camille became ill in 1876. They had a second son Michel on 17 March 1878 Jean was born in 1867. This second child weakened her already fading health. In that same year Monet moved to the village of Vétheuil. On 5 September 1879 Camille Monet died of tuberculosis at the age of thirty-two; Monet painted her on her death bed. Wikipedia paperback
1991403365Paris: La Bibliothéque des Arts 1991. 5 volumes folio. Numerous color plates and black and white illustrations throughout. Original blue cloth gilt-lettered on front covers and spines; pictorial dust jackets. A few with minor nicks some slight fading at edges light shelfwear. FIRST EDITION. La Bibliothéque des Arts unknown
1988Q-0939802503High Museum of Art 1988. Hardcover. New. In shrink wrap. Looks like an interesting title! High Museum of Art hardcover
1958KFZZQ100476Yomiuri Shimbun 1958. Soft Cover. Fine. KFZZQ100476 Yomiuri Shimbun paperback
1981C86659Flammarion. As New. 1981. Hardcover. 2080112171 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 115 pages with over 400 illustrations including 64 in color Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee uvre Oeuvre Complete Works -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Flammarion hardcover
198186659Flammarion. As New. 1981. Hardcover. 2080112171 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 115 pages with over 400 illustrations including 64 in color Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee uvre Oeuvre Complete Works Flammarion hardcover
20002080202104503380Hakugado 2000. Soft Cover. Fine. Number of pages: 1 book Size: 34 cm Number of books: 1 book Hakugado paperback
1926LS030520-02Éditions Bossard Paris / Bocca Freres Turin 1926. Hardcover. Good. 8vo in 1/4 marbled leather over marbled boards. Original front wrap bound in. 145 pp. Leather cracked at the ends of the joints. Slight wrinkle to paper on front board. Binding is strong. Text block is tight. Bookplate on front pastedown. Text is clean throughout. Photos are of the actual book you will receive. Ships wrapped in bubble wrap and packed securely in a box. Éditions Bossard, Paris / Bocca Freres, Turin hardcover
197153859Paris France: Musee Marmottan. As New. 1971. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. 75 works by Monet and 55 by his friends are catalogued and illustrated a number in color. Among the friends represented: Berthe Morisot Renoir Constantin Guys Paul Signac Rodin and others. -- with a bonus offer-- . Musee Marmottan paperback
1995Q-0865591342Thames & Hudson 1995-07-01. Paperback. New. In shrink wrap. Looks like an interesting title! Thames & Hudson paperback
1985G0865650616I3N00Vendome Press The 1985. Hardcover. Good. Disclaimer:Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Vendome Press, The hardcover
1909205221New York: Self-Published 1909. First Edition; First Printing. Ephemera. Autograph letter in French signed by Claude Monet regarding the shipment of his paintings one page on his personal stationery measuring 8.25 by 5.25 inches. Created in Giverny France on December 6 1909. Sunning fading to the ink and evidence of mounting on the verso.; Penned and signed by Claude Monet.; Signed by Author. Self-Published unknown
1984BN254838Aurora Art Publishers - Leningrad - 1984. 1984. Claude Monet - Paintings in Soviet Museums - Illustrator: Svetlana Gubanova Design - Übersetzer: Hugh Aplin and Ruslan Smirnov - aus dem Russischen - Vorwort: Nina Kalitina - weitere Mitwirkende: Anna Barskaya and Eugenia Georgievskaya notes on the plates <br/><br/>Claude Monet - Paintings in Soviet Museums - Illustrator: Svetlana Gubanova Design - Übersetzer: Hugh Aplin and Ruslan Smirnov - aus dem Russischen - Vorwort: Nina Kalitina - weitere Mitwirkende: Anna Barskaya and Eugenia Georgievskaya notes on the plates Claude Monet Aurora Art Publishers -, Leningrad - unknown
190480561Paris: Galerie Durand-Ruel 1904. Fine. Galerie Durand-Ruel Paris 1904 10 x 17.50 cm relié First edition of the exhibition catalogue presenting 37 works by Claude Monet at the Galerie Durand-Ruel from 9 May to 4 June 1904. During the exhibition most of the paintings were immediately purchased by American collectors. Binding in vellum-effect paper boards names of the catalogue preface writer and the painter inscribed in ink water-effect paper endpapers covers and spine preserved curious ex-libris drawn by H. P. Gassier glued to a pastedown endpaper binding signed Gonon. Preface by Octave Mirbeau. A rare and pleasant copy. Galerie Durand-Ruel hardcover
192987710Paris: Galerie Druet 1929. Fine. Galerie Druet Paris 1929 14 x 18.50 cm agrafé Exhibition catalogue listing 65 paintings by Claude Monet exhibited at the Georges Petit gallery 8 rue de Sèze from 4 to 18 January 1924. Spine and boards slightly yellowed a small storage label pasted to the upper left margin of the first cover. Catalogue illustrated with a photographic reproduction of Claude Monet's work ""Femmes dans un jardin"" and as frontispiece a photographic portrait of the painter. Text by Gustave Geoffroy. This exhibition was organized to provide aid to the victims of the terrible earthquake that struck the Japanese island of Honshu on 1 September 1923 destroying 70% of Tokyo and 80% of Yokohama. Galerie Druet hardcover
190687491Paris: H. Floury 1906. Fine. H. Floury Paris 1906 20.50 x 27 cm relié First edition one of 100 copies on Japon the only deluxe issue. Navy blue half shagreen with slight color restoration spine with five raised bands abundantly framed in gilt blue watered silk flyleaves marbled endpapers and pastedowns original wrappers and spine preserved gilt top edge binding signed J. Querelle. A superb copy on japon of the first authoritative publications on the history of Impressionism and the first bibliophile edition centered around this movement. Illustrated edition with 6 original etchings by Pissarro Les Faneuses; Renoir Femme nue assise and Femme nue couchée; one of only three etchings ever made by Cézanne Portrait of Guillaumin; Armand Guillaumin Vue près de Saardam - the copy is complete with the additional etching by Renoir on bistre Seated Nude Woman' reserved for copies on japon. The work also features a frontispiece rotogravure of Fantin-Latour's Atelier aux Batignolles. In addition to the six original etchings the book features 21 full-page plates including a colour rotogravure of Monet's famous Impression sunrise and no fewer than 105 reproductions of works and portraits of artists in the text. Théodore Duret paints here the great history of the movement he championed collected and theorized from its very beginnings. As early as 1878 he had published a small study that made him the first historian of these artists if not of the group itself just four years after their first exhibition at Nadar's studio. Twenty years after the last Impressionist exhibition Duret establishes the comprehensive story of this artistic revolution: ""For the early twentieth century and the decades to follow the history of Impressionism is Duret's 'The history of the Impressionist painters'."" Laura Iamurri. Renowned for its chronological accuracy - although in many cases Duret recalls events from his own memories - this work became a reference and was widely reprinted and translated London: Grant Richards 1910; Berlin: B. Cassirer 1909. Duret dedicates a monograph to each painter he mentions with the exception of Caillebotte and places Berthe Morisot in what he refers to as ""the core group of Impressionists."" Absent from his 1878 study Paul Cézanne now considered a post-Impressionist and Armand Guillaumin make their appearance here. A true art gallery on papier japon this text of reference for generations of readers' Laura Iamurri was the first to find a legitimate place for Impressionism in French art history. Not in Carteret. Etchings by Renoir Delteil 12 14 15; Camille Pissarro Delteil 94/XII Cézanne Venturi 1159; Armand Guillaumin Armand Guillaumin 1841-1927 gravures et lithographies 1995 p. 41. H. Floury hardcover
19108295Full green cloth with original wraps bound in. Previous owner's name to front wrap. Prices realized for better wall art with occasional buyers' names or initials. Here one could buy oils like Monet's "Grotte de Port Domois" for $3000 or "Vetheuil Spring" for $4600. Cassett's Au Jardin could be had for $950. Two pages in the Barye Bronze section are clipped affecting part of the text. Clean tight copy. Rare.7.5 x 11 in The American Art Association [American Art Galleries] hardcover
1978Q-0810921839Harry N. Abrams 1978-09-01. Paperback. New. In shrink wrap. Looks like an interesting title! Harry N. Abrams paperback
192891988Plon. As New. 1928. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. 128 pages; illustrated. -- with a bonus offer-- . Plon paperback
