(Claude MONET) - COLLECTIFBiblio.com
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190423816Paris: La revue de l'art pour tous 1904. Fine. La revue de l'art pour tous Paris Février 1904 11.50 x 18.50 cm agrafé First edition. Contributions by R.A. Fleury on Claude Monet Gustave Cahen on Théodore Géricault at the Louvre P.A. Garnier on the origins of engraving. Small tears at head and foot of spine light worming to boards covers marginally faded boards detached. La revue de l'art pour tous hardcover
198486263Bussière Arts Graphiques 1984. Fine. Bussière Arts Graphiques vers 1984 17.70 x 12.70 cm 25 films-contacts dans une boîte en carton 25 color shots of Claude Monet's Water Lilies in the form of transparent contact films individually preserved in a plastic sleeve. Each photograph is captioned in the margins with white marker. The entire set is stored in the original box of 'Typon graphic arts film' transparent supports bearing a label from the Bussière Arts Graphiques company with the inscription 'Nymphéas de Monet / Jeu de Paume / Avant Restauration'. The contact films were used to produce high-quality offset prints a specialty of the Bussière company which notably collaborated with Gallimard for its prestigious art publications. A true 'condition report' of exceptional rarity of the Water Lilies before restoration these contact films are an extraordinary documentary and aesthetic addition to the modern history of Claude Monet's masterpiece. Bussière Arts Graphiques unknown
62273Köln Taschen Verlag 1986. 4to. 479 359 1060 pp. Orig. full cloth in slipcase. A nice set. . hardcover
1985stela1483Lausanne-Paris: La Bibliothèque Des Arts 1974-1985. 1985. 4 volumes. folio. pp. 461; 305; 312; 443. French text. over 1983 illus. in b/w & colour. illus. endleaves. bio. index. cloth. dw. minor edge wear light stain to back cover of volume 4. Catalogue Raisonné. Freitag 6687. Hardcover. Very Good/Dust Jacket Included. Lausanne-Paris: La Bibliothèque Des Arts, 1974-1985. Hardcover
1933517821New York: Durand-Ruel Galleries 1933. Softcover. Very Good. First edition. Octavo. 7pp. Cord-tied stiff tan printed wrappers illustrated reproducing a frontispiece portrait of Claude Monet and with two plates reproducing paintings by Monet. The exhibition included fourteen paintings by Monet. Also prints a brief History of the House of Durand-Ruel 1803-1933. Owner's contemporary embossed stamp on front cover of art scholars "Sheldon & Caroline Keck" Sheldon Keck was a pioneer in the field of art conservation. He and his wife Caroline were consultant conservators for the Museum of Modern Art the Solomon R. Guggenheim Museum etc. Covers are lightly dust soiled else a very good copy with text fresh and clean. An uncommon exhibition catalogue. OCLC locates four copies MOMA Metropolitan Museum of Art Frick Art Reference Library and Sterling & Francis Clark Art Institute. Durand-Ruel Galleries unknown
1996319454Cologne: Wildenstein Institute/ Taschen K ln 1996. Revised Edition. Illustrated. Folio. Original blue cloth. Fine in slipcase. Revised Edition. Illustrated. Folio. Catalogue in English French and German. Wildenstein Institute/ Taschen,, K ln unknown
2006T203231Reunion Des Musees Nationaux Paris 2006. 3rd Edition Revised. SOFTCOVER. Large 4to. in colour printed stiff card covers 133pp on glossy art paper colour plates etc. Text in English throughout __CONDITION : A well preserved NEW unread and unmarked copy. . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Reunion Des Musees Nationaux, Paris paperback
188988035Paris: Galerie G. Petit 1889. Fine. Galerie G. Petit Paris 1889 16 x 24.50 cm broché First edition of the exceptionally rare catalog of Claude Monet and Auguste Rodin's dual exhibition at the Georges Petit gallery in Paris. With introductory essays by Octave Mirbeau for Monet and Gustave Geffroy for Rodin. The catalog features 145 paintings by Monet and 36 sculptures by Rodin in chronological order including the famous Impression soleil levant Impression Sunrise as well as Le Penseur The Thinker still described as a part of the Gates of Hell for which it was originally created. Small restoration to head of spine title and dates penned on spine traces of stamp on front pastedown scattered foxing thoughout. Rare copy of the exhibition catalog of Claude Monet and Auguste Rodin: the greatest of the Impressionists and the most famous sculptor of his time united by their love of nature and their tireless quest towards artistic ideal. ""Rodin and Monet were bound by a lifelong friendship and reciprocal admiration. While they were true contemporaries born within two days of one another in November 1840 it is hard to pinpoint when they actually met. They were almost certainly introduced by mutual friends like writers and critics Octave Mirbeau and Gustave Geoffroy or the art dealer Paul Durand-Ruel. On his return from Belle-Île in 1886 Monet is known to have started attending dinners held by the ""Bons Cosaques"" a group of artists and men of letters gathered together by Octave Mirbeau. Rodin also frequented these literary and artistic dinners that contributed to the intellectual effervescence of the period and challenged Academicism. By the time of the exhibition held at the Galerie Georges Petit in 1889 the four protagonists Rodin Monet Mirbeau and Geffroy definitely knew and already respected each other. On a visit to the Mirbeau family near Auray Brittany in 1887 Rodin saw the ocean for the first time and is said to have exclaimed: ""It's a Monet!"" To Mirbeau's way of thinking Rodin and Monet had embarked on the same artistic adventure and were destined to be equally successful. In November 1886 he wrote to Rodin about the paintings that Monet was going to exhibit at Petit's gallery the following year: ""He works hard and in my opinion he has done great things: it will be a new facet of his talent; a formidable awe-inspiring Monet of whom we were unaware. Our friend Monet is a heroic man of courage and if anyone deserves to succeed alongside you it's him. . the dual exhibition was a great success with the public and critics. According to Mirbeau Monet and Rodin embodied ""most gloriously and most definitively the two arts of painting and sculpture"" Rodin Museum. Galerie G. Petit unknown
19933164BB1993. New York Alfred A. Knopf 1993. 25 x 29 cm. XVII 318 pages. Original Softcover. Very good condition with minor signs of external wear. The Barnes Foundation is an American educational art and horticultural institution with locations in Merion Pennsylvania a suburb of Philadelphia; and Logan Square Philadelphia. It was founded in 1922 by Albert C. Barnes a chemist who collected art after making a fortune by co-developing an early anti-gonorrhea drug marketed as Argyrol and selling his company at the right time before antibiotics came into use. Today the foundation owns more than 2500 objects including 800 paintings estimated to be worth about $25 billion. These are primarily works by Impressionist and Modernist masters but the collection includes many other paintings by leading European and American artists as well as ancient works from other cultures. In the 1990s the foundation's declining finances led its leaders to various controversial moves including sending artworks on world tours and proposing to move the collection to Philadelphia. A 2009 documentary The Art of the Steal argued that the foundation had been taken over by other non-profit institutions. After numerous court challenges the new Barnes building opened on Benjamin Franklin Parkway on May 19 2012. The foundation's current president and executive director Thomas Thom Collins was appointed on January 7 2015. Wikipedia paperback
1986669BB1986. Zürich SV International 1986. 28cm x 23.5cm. 181 pages. Original Softcover Paperback. Very good condition with only minor signs of wear. German Edition / Deutsche Ausgabe. Includes for example: Claude Monets Nympheas in Basel 1949 und 1969 Leihgeber/ 'Le Spleen de Giverny' Massifs de Chrysanthemes/ Zufluchtsort einer ungestorte Meditation/ Le Bassin aux nympheas/ Paysages d'eau et de reflets/ Eine Wenig Banale Ausstellung/ Wasser Seerosen Planzen auf einer sehr grossen Flache/ Verjungende Aufschwunge un grausame Enttauschungen anmerkungen/ Srom ohne Ufer/ Anmerkungen zu Claude Monets Seerosen/ Jenseits des Impressionismus / Monet Sehen/ Der Neue Bildbau/ Unter dem Horizont/ Bilder einer stromenden Welt/ Bild und Betrachter/ Monets Welt in Giverny/ Das 'Monet revival' der funfziger Jahre Anmerkungen/ Claude Monet 14 November 1840 - 5 December 1926 was a founder of French impressionist painting and the most consistent and prolific practitioner of the movement's philosophy of expressing one's perceptions before nature especially as applied to plein-air landscape painting. The term Impressionism is derived from the title of his painting Impression Sunrise Impression soleil levant. Claude Monet was born on 14 November 1840 on the 5th floor of 45 rue Laffitte in the 9th arrondissement of Paris.3 He was the second son of Claude Adolphe Monet and Louise Justine Aubrée Monet both of them second-generation Parisians. On 20 May 1841 he was baptized in the local parish church Notre-Dame-de-Lorette as Oscar-Claude but his parents called him simply Oscar.34 In 1845 his family moved to Le Havre in Normandy. His father wanted him to go into the family grocery business but Monet wanted to become an artist. His mother was a singer. On 1 April 1851 Monet entered Le Havre secondary school of the arts. Locals knew him well for his charcoal caricatures which he would sell for ten to twenty francs. Monet also undertook his first drawing lessons from Jacques-François Ochard a former student of Jacques-Louis David. On the beaches of Normandy in about 1856/1857 he met fellow artist Eugène Boudin who became his mentor and taught him to use oil paints. Boudin taught Monet "en plein air" outdoor techniques for painting. Both received the influence of Johan Barthold Jongkind. On 28 January 1857 his mother died. At the age of sixteen he left school and went to live with his widowed childless aunt Marie-Jeanne Lecadre. When Monet traveled to Paris to visit the Louvre he witnessed painters copying from the old masters. Having brought his paints and other tools with him he would instead go and sit by a window and paint what he saw. Monet was in Paris for several years and met other young painters who would become friends and fellow impressionists; among them was Édouard Manet. In June 1861 Monet joined the First Regiment of African Light Cavalry in Algeria for a seven-year commitment but two years later after he had contracted typhoid fever his aunt intervened to get him out of the army if he agreed to complete an art course at an art school. It is possible that the Dutch painter Johan Barthold Jongkind whom Monet knew may have prompted his aunt on this matter. Disillusioned with the traditional art taught at art schools in 1862 Monet became a student of Charles Gleyre in Paris where he met Pierre-Auguste Renoir Frédéric Bazille and Alfred Sisley. Together they shared new approaches to art painting the effects of light en plein air with broken color and rapid brushstrokes in what later came to be known as Impressionism. Monet's Camille or The Woman in the Green Dress La femme à la robe verte painted in 1866 brought him recognition and was one of many works featuring his future wife Camille Doncieux; she was the model for the figures in Women in the Garden of the following year as well as for On the Bank of the Seine Bennecourt 1868 pictured here. Camille became pregnant and gave birth to their first child Jean in 1867. After the outbreak of the Franco-Prussian War 19 July 1870 Monet took refuge in England in September 1870 where he studied the works of John Constable and Joseph Mallord William Turner both of whose landscapes would serve to inspire Monet's innovations in the study of color. In the spring of 1871 Monet's works were refused authorisation for inclusion in the Royal Academy exhibition. In May 1871 he left London to live in Zaandam in the Netherlands where he made twenty-five paintings and the police suspected him of revolutionary activities. He also paid a first visit to nearby Amsterdam. In October or November 1871 he returned to France. Monet lived from December 1871 to 1878 at Argenteuil a village on the right bank of the Seine river near Paris and a popular Sunday-outing destination for Parisians where he painted some of his best known works. In 1874 he briefly returned to Holland. In 1872 he painted Impression Sunrise Impression soleil levant depicting a Le Havre port landscape. It hung in the first Impressionist exhibition in 1874 and is now displayed in the Musée Marmottan Monet in Paris. From the painting's title art critic Louis Leroy coined the term "Impressionism" which he intended as disparagement but which the Impressionists appropriated for themselves. Also in this exhibition was a painting titled Boulevard des Capucines a painting of the boulevard done from the photographer Nadar's apartment at no. 35. There were however two paintings by Monet of the boulevard: one is now in the Pushkin Museum in Moscow the other in the Nelson-Atkins Museum of Art in Kansas City. It has never become clear which painting appeared in the groundbreaking 1874 exhibition though more recently the Moscow picture has been favoured. Monet and Camille Doncieux had married just before the war 28 June 1870 and after their excursion to London and Zaandam they had moved to Argenteuil in December 1871. It was during this time that Monet painted various works of modern life. Camille became ill in 1876. They had a second son Michel on 17 March 1878 Jean was born in 1867. This second child weakened her already fading health. In that same year Monet moved to the village of Vétheuil. On 5 September 1879 Camille Monet died of tuberculosis at the age of thirty-two; Monet painted her on her death bed. Wikipedia paperback
1991403365Paris: La Bibliothéque des Arts 1991. 5 volumes folio. Numerous color plates and black and white illustrations throughout. Original blue cloth gilt-lettered on front covers and spines; pictorial dust jackets. A few with minor nicks some slight fading at edges light shelfwear. FIRST EDITION. La Bibliothéque des Arts unknown
1988Q-0939802503High Museum of Art 1988. Hardcover. New. In shrink wrap. Looks like an interesting title! High Museum of Art hardcover
1883Double-page autograph postcard written in ink. Dated on September 28 1910. Addressed to Claude Monet in Giverny. Notes on recto in pencil. Otherwise in fine condition. Double-page autograph postcard written in ink. Dated on September 28 1910. Addressed to Claude Monet in Giverny. <p><br /> Autograph postcard by Renoir to Monet.<br /> <p><p><br /> Renoir informs Monet that he’d like to visit him at his house in Giverny together with his wife and with Paul Durand-Ruel one of the most important French art-dealers of the time or Durand-Ruel’s son Joseph.<br /> <p>. unknown
SKU1058840Administration du "Bulletin de L'Imprimerie. hardcover. Good. 0x0x0. Paris 1878. paper and cloth covered boards; no dust jacket; cover moderately worn; flyleaf marked; endpapers bent dirty; interior slightly dirty faded; OK binding; 4to - 9.75"; 434 pages. Administration du "Bulletin de L'Imprimerie hardcover
0366546058.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0366546007.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0364244968.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0267562993.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
19001260538Paris France: Societe D'edition Artistique 1900. First. Octavo; Fair/no-DJ; Brown leather spine no text; Boards strong generally clean stray marks along cloth binding quarter binding with leather spine rubbing at corners covers edgeworn leather worn in patches at the head and tail of quarter binding along edges of spine for both front and back covers spine leather flaking off in pieces alternatively rubbed in patches exposing spine front and back covers partially detached at head and tail signatures exposed; Textblock darkened by age otherwise generally clean pencil notations throughout text in mix of French and English name of previous owner inscribed on half title page stray blue pen mark on page 29 edges of several pages soiled with age evidence of missing fly leaf at end of text front and back hinges cracked textblock cocked top edge gilt all edges show signs of wear; pp N/A.<br /> <br /> <p> Rodin's first Exhibition Catalog <br /> <br /> <p> Sculpture <br /> <br /> <p> eb/nd. 1260538. Rockville Non-Retail Listings. Societe D'edition Artistique unknown
201087474RMN; Abrams. New. 2010. Hardcover. 0810997096 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 392 pages; 334 illus. -- with a bonus offer-- . RMN; Abrams hardcover
201196199Prestel Publishing. New. 2011. Paperback. 3791346199 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 160 pp. ; 72 color illustrations. -- with a bonus offer-- . Prestel Publishing paperback
2005Q-3775714391Hatje Cantz Publishers 2005-02-15. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Hatje Cantz Publishers hardcover
200471717Hatje Cantz Publishers. New. 2004. Hardcover. 3775714391 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- Corresponds to ISBN: 3775714391. Text in English. 208 pp. With 149 ills. 78 col. . 29 x 24 cm -- with a bonus offer-- . Hatje Cantz Publishers hardcover
1958KFZZQ100476Yomiuri Shimbun 1958. Soft Cover. Fine. KFZZQ100476 Yomiuri Shimbun paperback
1981C86659Flammarion. As New. 1981. Hardcover. 2080112171 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 115 pages with over 400 illustrations including 64 in color Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee uvre Oeuvre Complete Works -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Flammarion hardcover
