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19480656# AUTEUR: Villon # ILLUSTRATEUR: Monet Robert # ÉDITEUR: Ratoin # ANNÉE ÉDITION: 1948 # ENVOI, BEAUX PAPIERS: Vélin teinté pur chiffon à la forme - Johannot. # COUVERTURE: En feuilles sous double emboitage crème. # DÉTAILS: In 4° en feuilles CLXXXI (181pp), frontispice + 13 ht coloriés à la main par M. Beaufumé, enlumineur d'art, bandeaux et culs-de-lampe, un des 1650 exemplaires d'un tirage total de 1777 auquel il a été rajouté une suite libre de 5 ht coloriés réservés au tirage de tête; imprimé sur les presses de Farré Freulon, maitres- imprimeurs à Cholet (N° 1208) # PHOTOS visibles sur www.latourinfernal.com
198486263Bussière Arts Graphiques | vers 1984 ? | 17.70 x 12.70 cm | 25 films-contacts dans une boîte en carton
190423816Paris: La revue de l'art pour tous 1904. Fine. La revue de l'art pour tous Paris Février 1904 11.50 x 18.50 cm agrafé First edition. Contributions by R.A. Fleury on Claude Monet Gustave Cahen on Théodore Géricault at the Louvre P.A. Garnier on the origins of engraving. Small tears at head and foot of spine light worming to boards covers marginally faded boards detached. La revue de l'art pour tous hardcover
198486263Bussière Arts Graphiques 1984. Fine. Bussière Arts Graphiques vers 1984 17.70 x 12.70 cm 25 films-contacts dans une boîte en carton 25 color shots of Claude Monet's Water Lilies in the form of transparent contact films individually preserved in a plastic sleeve. Each photograph is captioned in the margins with white marker. The entire set is stored in the original box of 'Typon graphic arts film' transparent supports bearing a label from the Bussière Arts Graphiques company with the inscription 'Nymphéas de Monet / Jeu de Paume / Avant Restauration'. The contact films were used to produce high-quality offset prints a specialty of the Bussière company which notably collaborated with Gallimard for its prestigious art publications. A true 'condition report' of exceptional rarity of the Water Lilies before restoration these contact films are an extraordinary documentary and aesthetic addition to the modern history of Claude Monet's masterpiece. Bussière Arts Graphiques unknown
2010LFA00241Un ouvrage de 49 pages, format 160 x 210 mm, broché spirale, illustré, publié en 2010, bon état
1940LFA0085aRevue n° 5096 du 9 novembre 1940, 24 pages, format 380 x 285 mm, illustrée
1981LFA-126737204Une revue de 80 pages, format 210 x 270 mm, brochée, illustrée, bon état
35270Paris : L'Art et les Artistes, revue d'art des Deux-Mondes, 1920 - grand format (20,5x30,5 cm) broché sous couverture imprimée de (42) pages - Numéo spécial consacré essentiellement à Claude Monet : 30 pages illustrées de 36 reproductions en noir - bon état -
62273Köln Taschen Verlag 1986. 4to. 479 359 1060 pp. Orig. full cloth in slipcase. A nice set. . hardcover
grand in-8°, 126 pp., portrait, abondamment illustre en noir et en couleurs, in- et h.t., broche, couverture illustree. Bel exemplaire. [GD8-8]
1985stela1483Lausanne-Paris: La Bibliothèque Des Arts 1974-1985. 1985. 4 volumes. folio. pp. 461; 305; 312; 443. French text. over 1983 illus. in b/w & colour. illus. endleaves. bio. index. cloth. dw. minor edge wear light stain to back cover of volume 4. Catalogue Raisonné. Freitag 6687. Hardcover. Very Good/Dust Jacket Included. Lausanne-Paris: La Bibliothèque Des Arts, 1974-1985. Hardcover
1933517821New York: Durand-Ruel Galleries 1933. Softcover. Very Good. First edition. Octavo. 7pp. Cord-tied stiff tan printed wrappers illustrated reproducing a frontispiece portrait of Claude Monet and with two plates reproducing paintings by Monet. The exhibition included fourteen paintings by Monet. Also prints a brief History of the House of Durand-Ruel 1803-1933. Owner's contemporary embossed stamp on front cover of art scholars "Sheldon & Caroline Keck" Sheldon Keck was a pioneer in the field of art conservation. He and his wife Caroline were consultant conservators for the Museum of Modern Art the Solomon R. Guggenheim Museum etc. Covers are lightly dust soiled else a very good copy with text fresh and clean. An uncommon exhibition catalogue. OCLC locates four copies MOMA Metropolitan Museum of Art Frick Art Reference Library and Sterling & Francis Clark Art Institute. Durand-Ruel Galleries unknown
1996319454Cologne: Wildenstein Institute/ Taschen K ln 1996. Revised Edition. Illustrated. Folio. Original blue cloth. Fine in slipcase. Revised Edition. Illustrated. Folio. Catalogue in English French and German. Wildenstein Institute/ Taschen,, K ln unknown
187018464Partitions sur l'Eglise et Religions 1870 approx.
2006T203231Reunion Des Musees Nationaux Paris 2006. 3rd Edition Revised. SOFTCOVER. Large 4to. in colour printed stiff card covers 133pp on glossy art paper colour plates etc. Text in English throughout __CONDITION : A well preserved NEW unread and unmarked copy. . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Reunion Des Musees Nationaux, Paris paperback
202300576Neufchatel, Ides et calendes, 1978 ; in-4, 236 pp., cartonnage de l'éditeur. Très bon état avec sa jaquette.
1994LFA00b0cN° 125 - Juillet-août 1994 : Revue de 130 pages, format 285 x 220 mm, illustrée, brochée
2016LFA-126736616Une plaquette de 66 pages, format 220 x 285 mm, illustré, brochée couverture couleurs, publiée en 2016, Beaux Arts Editions, bon état
188988035Paris: Galerie G. Petit 1889. Fine. Galerie G. Petit Paris 1889 16 x 24.50 cm broché First edition of the exceptionally rare catalog of Claude Monet and Auguste Rodin's dual exhibition at the Georges Petit gallery in Paris. With introductory essays by Octave Mirbeau for Monet and Gustave Geffroy for Rodin. The catalog features 145 paintings by Monet and 36 sculptures by Rodin in chronological order including the famous Impression soleil levant Impression Sunrise as well as Le Penseur The Thinker still described as a part of the Gates of Hell for which it was originally created. Small restoration to head of spine title and dates penned on spine traces of stamp on front pastedown scattered foxing thoughout. Rare copy of the exhibition catalog of Claude Monet and Auguste Rodin: the greatest of the Impressionists and the most famous sculptor of his time united by their love of nature and their tireless quest towards artistic ideal. ""Rodin and Monet were bound by a lifelong friendship and reciprocal admiration. While they were true contemporaries born within two days of one another in November 1840 it is hard to pinpoint when they actually met. They were almost certainly introduced by mutual friends like writers and critics Octave Mirbeau and Gustave Geoffroy or the art dealer Paul Durand-Ruel. On his return from Belle-Île in 1886 Monet is known to have started attending dinners held by the ""Bons Cosaques"" a group of artists and men of letters gathered together by Octave Mirbeau. Rodin also frequented these literary and artistic dinners that contributed to the intellectual effervescence of the period and challenged Academicism. By the time of the exhibition held at the Galerie Georges Petit in 1889 the four protagonists Rodin Monet Mirbeau and Geffroy definitely knew and already respected each other. On a visit to the Mirbeau family near Auray Brittany in 1887 Rodin saw the ocean for the first time and is said to have exclaimed: ""It's a Monet!"" To Mirbeau's way of thinking Rodin and Monet had embarked on the same artistic adventure and were destined to be equally successful. In November 1886 he wrote to Rodin about the paintings that Monet was going to exhibit at Petit's gallery the following year: ""He works hard and in my opinion he has done great things: it will be a new facet of his talent; a formidable awe-inspiring Monet of whom we were unaware. Our friend Monet is a heroic man of courage and if anyone deserves to succeed alongside you it's him. . the dual exhibition was a great success with the public and critics. According to Mirbeau Monet and Rodin embodied ""most gloriously and most definitively the two arts of painting and sculpture"" Rodin Museum. Galerie G. Petit unknown
2023LFA-126743586Un bulletin de 32 pages, format 210 x 295 mm, illustré, broché couverture couleurs, publié en 2023, bon état
LFA-126712960N° 217 : 54 pages, format 285 x 215 mm, illustrée, brochée, s.d., bon état
3730Paris, Albin Michel, (mai) 1953. In-8, cartonné, 320 pages, jaquette, 217 illustrations.
1994108994éric Koehler pour la Société des Artistes Indépendants 1994 In-4 broché 30 cm sur 24. 119 pages, couverture illustrée. Ouvrage illustré. Très bon état d’occasion.
19933164BB1993. New York Alfred A. Knopf 1993. 25 x 29 cm. XVII 318 pages. Original Softcover. Very good condition with minor signs of external wear. The Barnes Foundation is an American educational art and horticultural institution with locations in Merion Pennsylvania a suburb of Philadelphia; and Logan Square Philadelphia. It was founded in 1922 by Albert C. Barnes a chemist who collected art after making a fortune by co-developing an early anti-gonorrhea drug marketed as Argyrol and selling his company at the right time before antibiotics came into use. Today the foundation owns more than 2500 objects including 800 paintings estimated to be worth about $25 billion. These are primarily works by Impressionist and Modernist masters but the collection includes many other paintings by leading European and American artists as well as ancient works from other cultures. In the 1990s the foundation's declining finances led its leaders to various controversial moves including sending artworks on world tours and proposing to move the collection to Philadelphia. A 2009 documentary The Art of the Steal argued that the foundation had been taken over by other non-profit institutions. After numerous court challenges the new Barnes building opened on Benjamin Franklin Parkway on May 19 2012. The foundation's current president and executive director Thomas Thom Collins was appointed on January 7 2015. Wikipedia paperback
12013Neuchâtel, Ides et Calendes, 1978. In-4, reliure toilé, illustrations, jaquette, étui.