MONET Philibert:Livre Rare Book
1 179 résultats
163021071Lyon, Louis Muguet, 1630. In-4 de [8]-1036 pages chiffrées par erreur 1046 et 422-[2] pages, pleine peau retournée. [+4; A-Xxxx4; Aaaaa-Qqqqqq4; R2; A-Ggg4].
89519Malines (Belgique), Aux Editions du C.E.L.F., 1951. 16 x 20, 115 pp., broché, bon état (signature d'ex-propriétaire sur la page de faux-titre).
7520C E L F Malines Belgique 1958
1958R240087545C.E.L.F.. 1958. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 64 pages - envoi de l'auteur sur la page de garde - 2 photos disponibles .. . . . Classification Dewey : 97.2-Dédicace, envoi
89517Bruxelles/Paris, Georges-Marie Dutilleul, s.d. (ca 1950). 14 x 18, sans pagination, broché, très bon état (sauf 1 signature d'ex-propriétaire sur la page de garde).
1962R240089020C.E.L.F.. 1962. In-8. Broché. Bon état, Tâchée, Dos satisfaisant, Intérieur frais. 90 pages - quelques tâches brunes sur les plats.. . . . Classification Dewey : 904-Recueils de récits d'événements
2024BN202561Antigonos Verlag 2024. 2024. Softcover. Le conducteur de machines typographiques guide pratique <br/><br/>Le conducteur de machines typographiques guide pratique Monet A. L. Antigonos Verlag paperback
1362863971.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2003026507Infinity Point Press 2003. First edition. Hardcover without dust jacket. 4to with 91 pages. Signed by artist on dedication page "To Sharon So lovely to meet you. More soon! Akim Monet." The book is in very good condition slight shelf wear. Interior clean and tight. The spine is purple with light purple text. 1st Edition. Boards. Very Good/No DJ. 4to. Hardcover. Infinity Point Press Hardcover
193937152Antwerp: Koninklijke Vlaamsche Opera 1939. POOR. Very worn. Front cover nearly detached. Rear cover missing. Careful packing and fast efficient shipping including delivery confirmation. Please note: International and Domestic Priority orders for this item are available. Paperback. Poor. Koninklijke Vlaamsche Opera Paperback
1994101345ABKöln, Könemann, 1994. 30,5 x 41,5 cm. Mit zahlr., meist farb. Abb. auf (teils klappbaren) mitpag. Tafeln 132 S. OPbd. m. illustr. OU. - Sehr gutes Ex.
John House, Arnaud dHauIn Pristine Condition. unknown
190013587JLondon: 3 pages octavo February 28 1900. A remarkable historic letter quoted and discussed in Daniel Wildenstein’s definitive Claude Monet biography Monet or the Triumph of Impressionism page 348. Written in French on the printed stationery of the Savoy Hotel in London during one of Monet’s most important periods while he was painting his classic series of the bridges over the Thames river and the Houses of Parliament attempting to capture the unusual and often spooky effects of light and fog while looking out his window at the Savoy Hotel. Monet has dated the letter at 10 a.m. and literarily stops in the middle of painting to quickly write to his wife. “.A few words in haste between two strokes so that you get news before you leave for Rouen.†Monet’s son is ill with the measles and is staying with English friends who were taking care of him while he recovers. “.I could not see Michel yesterday because Mr. Darby was not expected to come back here unless Michel felt worse and he did not show up which is a good sign. I will go immediately to see him tonight because he must be truly bored but as the days grow longer I am more and more busy. I think I will take care of him for the revision but without letting him now.†Monet’s great friends French politician Georges Clemenceau and art critic and Monet supporter Gustave Geffroy visited Monet during his London sojourn. “.Clémenceau and Geffroy left a while ago we dined together yesterday at the restaurant at the Savoy after we saw the Minstrels at St. James. Both of them were very nice and did not prevent me at all from working.†Monet then remarks on his artist friend the great American painter John Singer Sargent who had worked in France becoming good friends with Monet and after the public scandal of Sargent’s daring Portrait of Madame X had relocated to London. “.I just received a note from Sargent who apologizes for not having come by to see me because he has people sitting for him morning and afternoon. He invited me for dinner this coming Monday so that I may meet a couple of young artists who love my work.†Often waiting hours for just the right effect of light to take place while painting a scene Wildenstein writes in his biography “Like a sentinel on the city wall the painter would lie in wait for the returning effect. When it came Monet rushed to his canvas abandoning everything else.†In this letter Monet finds that the light has reached the right effect and time has come to return to his painting. “.But here comes my effect. I must leave you for today. I send you tender hugs and all of my thoughts. Love to Germaine. Regards to Miss Jeans. Your old man who loves you Claude.†Wildenstein remarks that when Monet came to receive Sargent at the Savoy “.the visitor was ‘a little astonished by some of the canvases but full of admiration for others’. In fact the main impression Sargent took away was of too many pictures in progress simultaneously.he watched Monet struggling surrounded by 80 canvases searching desperately for the right one when the effect he was waiting for occurred and as often as not unable to lay hands on it until the effect had passed.†Wildenstein also notes that in Geffroy’s book Claude Monet he devotes four pages to his visit to Monet at the Savoy quoting Geffroy “.Whenever the fog had completely blotted out the the view Monet would remark: ‘Theres no more sun and stop painting. When a little later he would all of the sudden pick up his palette again saying ‘The sun is back ‘ his guests were often bemused. It took them a good while before they could discern the faint premonitory glow of the emerging sun. Monet alone had been able to detect it.†3 pages, octavo unknown
1623257875.Gmisc_supplies. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
2010048686Gagosian Gallery. Very Good with no dust jacket. 2010. Hardcover. 1935263110 . Hardcocer. Very nice white cloth boards with a color illustration tipped in on front board black and white illustration on rear board. Text/illustration pages are crisp and clean. Always carefully wrapped and shipped in cardboard boxes to protect your purchase. ; Square 4to 9" - 11" tall; 216 pages . Gagosian Gallery hardcover
1969201100London: Lefevre Gallery 1969. 60 pages illustrations some colour; 25 cm. Exhibition held at the Lefevre Gallery London 8th May to 7th June 1969. Good. Firm binding clean inside copy. Moderate edgewear to wraps age toning. Includes a checklist of 21 oil paintings illustrated with scholarly catalogue entries. 1st. Paperback. Good. 8vo. Lefevre Gallery Paperback
1976TN251686Acquavella Galleries New York 1976. 1st Edition. SOFTCOVER. 4to in colour printed stiff glossy card covers 16pp text on thick matt paper plus 68 full page colour plates 8pp catalogue and bibliography at rear __CONDITION : A well preserved FINE very clean and tight copy neat ink name on front fly-leaf covers very slightly tanned. A nice copy. . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Acquavella Galleries, New York paperback
1969mon0000017750Lefevre Gallery 1969. Paperback. Good. Covers show some browning and discoloration from age and edges show some flaring rubbing and separation. Pages show some foxing and brown spots from age. Lefevre Gallery paperback
1910TK252006Otto Beckmann Berlin Paris London c. 1910. 1st Edition. HARDCOVER. Large 4to. in straw coloured buckram covered boards gilt embossed lettering to spine and front cover bevel edges plate to front cover as issued. 80pp with text on thick paper and b/w plates on glossy art paper complete with the usually missing full page gravure by Georg Buxenstein on very thick stiff paper of Monet's 'Promenade'. This book is undated but is one of a small series of art monographs published by Otto Beckmann between 1905 and 1914 __CONDITION : An extremely well preserved FINE very clean and tight unmarked copy slight crease to bottom edge of spine page-block edges slightly tanned. An excellent copy. . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Otto Beckmann, Berlin, Paris, London hardcover
1990BN56492Köln: Taschen 1990. Orig.-Ausgabe. <br/><br/>Ausstellungskataloge Köln: Taschen unknown
1990BN50478Köln: Taschen 1990. Orig.-Ausgabe. <br/><br/>Ausstellungskataloge Köln: Taschen unknown
1996299363Köln : Taschen : Wildenstein Institute 1996. Second Edition. Hardcover. Good set in the original title-blocked pictorial cloth. Slightest suggestion only of dust-dulling to the spine bands and panel edges. Remains well-preserved overall; tight bright clean and strong. Physical description; 2 vols. only; vols. II & III : chiehly col. ill. facsims. maps ports. ; 33 cm. Contents; Vols. 2-3: Catalogue raisonné=Werkverzeichnis. Subjects; Monet Claude 1840-1926. Köln : Taschen : Wildenstein Institute hardcover
2009Q-0870707744The Museum of Modern Art New York 2009-10-31. Paperback. New. In shrink wrap. Looks like an interesting title! The Museum of Modern Art, New York paperback
71-0590New Zealand: Auckland City Art Gallery Education Service 1985. 4to. 23 pp. loose. Folder with color illustrations and text. Very Good. Minor shelf wear. Light rubs on covers. Provenance: From the estate of Gerald Nordland 1927-2019. Nordland was a museum director art critic educator and author.Dean of the Chouinard Art Institute 1960-64 Director of the San Francisco Museum of Art now SFMoMA 1966-73 Milwaukee Art Museum 1977-85 and the UCLA Wight Art Gallery 1973-1977. He is the author of over 60 publications including books on Lachaise Nakian Diebenkorn and Frank Lloyd Wright. New Zealand: Auckland City Art Gallery Education Service, 1985. unknown
201048286New York: Gagosian Gallery 2010. Hardcover - as published. Near Fine. Gagosian Gallery, hardcover
