273 résultats
EEZZ3607Paris Verve 1955. 36 x 268 cm. 156 S. Mit mit 120 s/w Tafelabb. in Heliogravüre und 20 Farbtaf. davon 11 Farblithographien u. 9 in Mischtechnik Farblithos u. Heliogr. gedruckt bei Mourlot bzw. Draeger. Illustr. Orig.-Pappband Ecken bestoßen Rücken restauriert Einband gering fleckig. Ausgabe für Großbritannien der als Vol. VIII Nr. 31/32 der Zeitschrift »Verve« erschienenen »Carnets intimes«. Paris, Verve 1955. unknown
1955002703<p>Harcourt Brace and Company 1955. 1st Edition. Hardcover. Very Good/Good. Braque Georges. This is the American edition of the French version which constituted a double number of Verve magazine #31-32. Tan decorated paper-covered boards under orange dust jacket folio 157 pp. Wear to bottom of spine edgewear and small chips to jacket 1/2" chip at tail of spine panel. 20 color lithographic plates and the rest in heliogravure. Extra postage required for international shipping--6 pounds package weight.</p> Harcourt, Brace and Company hardcover
1948118486Paris : Maeght Editeur 1948. 385x280mm. planches en n/b lithographie en couleurs ˆ la couverture supÂŽrieure en feuille non paginÂŽ 54 feuillets non chiffrÂŽs dont 5 blancs sous couverture rempliÂŽe. Haut et bas du dos et coins et charniÂres de la couverture trÂs lÂŽgÂrement frottÂŽs. IntÂŽrieur propre. Edition originale sur papier vÂŽlin du Marais un des 750 exemplaires non numÂŽrotÂŽs. AchevÂŽ dÕimprimer le 29 Janvier 1948 ˆ Paris par Mourlot frÂres cet ouvrage contient 94 compositions de Georges Braque. Bel exemplaire. 1323 Maeght Editeur unknown
19551401481New York: Harcourt Brace and Company 1955. First American Edition. Hardcover. Quarto 156 pages. In Very Good condition with a Good dust jacket. Spine orange with black lettering. Dust jacket protected with a mylar covering price uncut: "$25.00." Rubbing with mild tearing along most of edges of dust jacket. Large tear to dust jacket at top edge of rear cover. Some material loss to dust jacket at top corner of rear board and at head of spine. Mild scuffing to dust jacket. Rubbing to head and tail of book spine and to edges and corners of boards. Textblock clean. Shelved in Case 11. 1401481. Shelved Dupont Bookstore. Harcourt, Brace and Company hardcover
51-6778Berlin : Galerie Alfred Flechtheim 1922. 8vo. 16 x 24cm. Original boards. and linen spine.One of 400 numbered copies.OCLC Number / Unique Identifier:1166045:xii 250 pages 4 unnumbered leaves of plates : illustrations portraits .Der Querschnitt 1921–31The magazine ‘Der Querschnitt’ was launched by Alfred Flechtheim. It captured the zeitgeist and combined contemporary art literature sport and more. Initially it was published by the Verlag der Galerie Flechtheim and from 1923 by the Querschnitt-Verlag. In 1924 it switched to Propyläen-Verlag. The number of issues varied from year to year. During the first four years a year book was also published in addition. After the April issue 1931 the editor and publisher Hermann von Wedderkop left ‘Der Querschnitt’. The issues that followed had no connection whatsoever with Alfred Flechtheim. Berlin : Galerie Alfred Flechtheim, 1922 hardcover
1961062121-03Maeght Editeur 1961. First Edition. Hardcover. Very Good. 4to ring binder in decorated cloth. 108 pp. plus color plates; unpaginated table and index at rear. VG. Minimal wear in a clear protective archival sleeve. Interior is pristine. No writing or markings of any kind. Ships wrapped in bubble wrap and packed securely in a box. Maeght Editeur hardcover
16-3713Paris: Editions de la revue Verve 1955. 4to. Original pictorial boards designed by the artist. .26.5 x 35.5 cm. 10½ x 14". 160pp. 20 color plates and 128 gravures. Color lithographs title page printed by Mourlot. Slight cracks along spine edges.French edition. Very good. Paris: Editions de la revue Verve, 1955 hardcover
16-5295New York: Reynal and Company 1959. Small folio. 26 x 36cm. Front and back covers designed by Georges Braque. Most pages of text and the gravures are present. Lacking the lithographs. Published as Verve 27 & 28 in French in 1952. Cover in fine condition. New York: Reynal and Company, 1959 unknown
1955109479Paris : Editions de la Revue Verve 1955. 365x265mm. Bon tat. Cet ouvrage contient un ensembre de dessins provenant des carnets de travait de Georges Braque la couverture a t spcialement excute par lÕartiste et contient une lithographie en couleurs tire par Mourlot. 1854 Editions de la Revue Verve unknown
BN107307Allemandi. Hardcover. Georges Braque. Order and emotion. Ediz. illustrata <br/><br/>Georges Braque. Order and emotion. Ediz. illustrata Allemandi hardcover
33932Monte Carlo André Sauret 1963. First edition numbered 3610 of 4125 total copies softcover with original five colour mylar-protected lithograph dustjacket12.5" x 9.5" 32 x 24.5 cm in a red slipcase 183pp. <br /> Edited by Andre Sauret with French preface contributed by Francis Ponge. <br /> Braque's entire lithographic oeuvre is presented and catalogued by date by Fernand Mourlot. Besides the three original lithographs front and back cardboard dustjacket frontispiece and title page this book contains all of his lithographic output 146 in total from 1921 to 1962 in chronological order. Famous for his Cubist collaborations with Picasso and unfortunately often eclipsed by him Braque continued in this style with a freer application of fragmentation and an intensification of colour creating some wonderful prints along the way.<br /> <br /> Printed at Mourlot Frères this lovely copy of LITHOGRAPHE is in fine condition with only some very slight wear showing on the slipcase. Monte Carlo, André Sauret, 1963 unknown
51-6007Paris: Galerie Maeght 1967. Folio. Original wraps. 28 x 28cm.Cover partially detached. DLM édité en 1967 pour l’exposition de 33 peintures de 1941 à 1963 de BRAQUE à la Galerie Maeght. Texte de Jean Grenier « Braque dans son atelier ». 34 pages non reliées. 4 reproductions en impression lithographique en couleurs d’après des gouaches dont 1 en double page. 8 portraits photographiques de Braque en 1963 par Mariette Lachaud. Tirage origina Paris: Galerie Maeght, 1967. paperback
1955310934New York: Harcourt Brace 1955. First American Edition of a double number 31-32 of Verve in the French edition. Produced under the direction of Teriade by the Master Printers Draeger Frères as for the heliogravures in black and in colours and by Mourlot Frères for the lithography in colours. Folio. Illustrated boards. Fine in chipped illustrated orange dust jacket. Bookplate. First American Edition of a double number 31-32 of Verve in the French edition. Produced under the direction of Teriade by the Master Printers Draeger Frères as for the heliogravures in black and in colours and by Mourlot Frères for the lithography in colours. Folio. Harcourt Brace unknown
196343686Monte Carlo: Andre Sauret 1963. Limited first edition. Softcover. vg- to near fine. 1/4125. Small folio. 12.5x9.5". 183pp. 5. Tan paper-covered slipcase housing a softcover binding with a lithographically illustrated dust jacket over stiff white cardstock wrappers. Dj protected by mylar. This is #3838 from a total limited edition of 4125 copies. The publication is a complete catalogue raisonné of George Braque's lithographs containing 3 original lithographs covers frontispiece and title page and 146 lithographic reproductions in color and b/w. The lithograph's are arranged chronologically and date from 1921-1962. Each of the reproductions is protected by a coated waxpaper guard and contains physical and historical information about the work on the opposite page. Detailed list of works at the back of the book. Text in French. Slipcase with with some light rubbing to extremities and some light stains scratches and smudges. Dj with very minor foxing. Mylar with some small chips at corners. Interior with minor sporadic foxing to a few pages with images almost entirely unaffected clean and bright. Slipcase in very good- covers and interior in overall very good to near fine. Andre Sauret unknown
16-5294New York: Reynal and Company 1959. Small folio. 26 x 36cm. Front and back covers designed by Georges Braque. Most pages of text and the gravures. are present. Lacking most of the lithographs. With the dust-jacket with marginal losses. Published as Verve 27 & 28 in French in 1952. Lithograph by Giacometti present. New York: Reynal and Company, 1959 unknown
104452Paris Maeght 1959. 2° 38 x 28 cm 18 S. 9 farb. Orig.-Lithogr. davon eine doppelblattgross u. 2 auf dem Umschlag Lose Bogen in Umschlag. Kleiner Einriss auf hinterem Deckel Frontumschlag a . Kopf min. stockfl. sonst schönes Ex. Der Text von Charbonnier Georges. 010 Paris, Maeght, 1959 unknown
194714643Paris: Maeght 1947. First. Good/Good. Unbound portfolio of images from 30 years of sketchbooks. 94 offset lithographs by Moulot Freres. Paper covered card board wraps are chipped and nicked all along the edges. Some ghosting of images has taken place. Free of any notes or writing. I found some of his thoughts rather inspirational. Maeght unknown
1955122608Paris: Éditions de la revue 'Verve' 1955. First Edition. Hardcover. Very Good. Paris Éditions de la revue 'Verve' 1955. Large quarto iv 158 pages first and last pages blank extensively illustrated with artwork by Braque complete with all 20 full-page colour plates including original lithographs. Colour-pictorial papered boards designed by the artist; spine a little sunned and lightly rubbed and bumped at the head and foot; edges lightly foxed and marked; minimal signs of handling; an excellent copy. 'Cet ouvrage contient un ensemble de dessins provenant des carnets de travail de Georges Braque' verso of the title page. Éditions de la revue 'Verve' hardcover
1964320146Paris: Maeght Derriere le Miroir 1964. First Edition Derriere Le Miroir. Nr. 144-145-146. With 5 original lithographs by Pablo Picasso double-page in b/w/ M 1847 Joan Mirò Pierre Tal-Coat Raoul Ubac & Pierre Pallut. Folio 28 x 38 cm. Wrappers. About fine loose as issued. First Edition Derriere Le Miroir. Nr. 144-145-146. With 5 original lithographs by Pablo Picasso double-page in b/w/ M 1847 Joan Mirò Pierre Tal-Coat Raoul Ubac & Pierre Pallut. Folio 28 x 38 cm. Maeght, Derriere le Miroir unknown
1955510473Harcourt Brace and Company 1955. First Edition. Hardcover with Dust Jacket. FINE/Very Good. First American Edition printed in Paris. Large 4to sewn binding in Braque's own lithographic paper-over-board covers. Unpaginated with 20 full-page color lithographs many of wich were original creations for the Verve issue. FINE copy exceedingly clean and sharp with crisp clean pages and tight square binding; DJ edges worn with some tears now wrapped in mylar. From the colophon: 'The illustrations in this volume are reproduced from the sketch-books - carnets de travail - which Georges BRAQUE has been keeping up for thirty years and more and which constitute a daily record of fragments of the visible world that have caught his attention and ideas for paintings that have occurred to him. In fact the only difference between these sketch-books and the diaries kept by so many writers is that here the entries are not written but take the form of gouache or watercolor sketches. Hitherto Braque has always refused to make public these albums which be takes with him wherever be goes and which comprise the bulk of his work as a draftsman. Now at long last be has authorized the reproduction of a number of pages of these albums selected by himself with our co-operation. This book whose cover has been specially designed by Braque himself constitutes a double number 31-32 of VERVE in the French edition. The American Edition is published by HARCOURT BRACE and Company New York. It has been reproduced under the direction of Teriade by the Master Printers DRAEGER Frères as for the heliogravures in colors and in black and by MOURLOT Frères for the lithography in colors. Printing was completed in Paris 1955 on the 20th day of September.'. Harcourt, Brace and Company hardcover
16-5296New York: Reynal and Company 1959. Small folio. 26 x 36cm. Front and back covers desgined by Georges Braque. Most pages of text and the gravures. asre present. Lacking most of the lithographs. Published as Verve 27 & 28 in French in 1952. Cover soiled with defective back-strip. Lithographs by Laurens Masson Gromaire Borès Giacometti are present. New York: Reynal and Company, 1959 unknown
1955003098Paris: Editions de la Revue Verve 1955. Book. Very Good. Hardcover. 1st Edition. Pictorial boards. Front cover designed by Braque. With an original lithograph in colors printed by Mourlot freres and numerous heliogravures in color amd black & white printed by Dreager Freres. Introduction in French by Will Grohmann. The binding is firm and square with light wear to joint. 157 pp. 36 x 27 cm. A very good copy with the lithograph and heliogravures in fine condition. . Editions de la Revue Verve Hardcover
195527299New York - Paris: Harcourt Brace and Company - Verve 1955. Rilegato sovracoperta hard cover dust jacket. Molto buono Very Good. Testi di Will Grohmann e Antoine Tudal. Con un apprezzamento di Rebecca West. Questo libro la cui copertina è"; stata appositamente disegnata dallo stesso Braque costituisce un numero doppio 31-32 di Verve nell'edizione francese. È stato riprodotto sotto la direzione di Teriade dai Maestri Stampatori Draeger per quanto riguarda le eliografie in bianco e nero e a colori e da Mourlot per la litografia a colori. Cm 36x27. pp. 156. Molto buono Very Good. Sovracoperta leggermente sciupata ai margini con strappetti e una mancanza in corrispondenza del dorso Some chipping and nicks around top and bottom of dust jacket. Prima edizione First Edition. Verve Anthonioz 1988 Anthonioz Michel Verve. The Ultimate Review of Art and Literature 1937-1960. New York Harry N. Abrams 1988. <em>Le illustrazioni del volume eliotipie e litografie realizzate dai maestri stampatori Draeger e Mourlot costituiscono una scelta curata direttamente dall'Artista di <strong>pagine dai carnets de travail</strong> che Braque aveva in precedenza sempre rifiutato di pubblicare.</em> <em>Per quasi 50 anni gli<strong> album di schizzi </strong>di Georges Braque sono stati il suo bene più prezioso. Le tele che gli hanno valso il primato tra i pittori viventi sono state da lui volentieri cedute a musei e collezioni private di tutto il mondo. Non così gli <strong>schizzi i guazzi e gli acquerelli </strong>da cui molti di questi dipinti sono stati tratti. Fino ad ora pochissime persone li hanno visti. E quando Braque ha finalmente acconsentito alla loro pubblicazione sotto la supervisione della grande casa editrice Verve non ha comunque permesso che gli album di schizzi fossero portati via dal suo studio; sono stati fotografati lì". La loro riproduzione in questo volume mette in luce i suoi metodi e rivela la reazione primaria dell'artista alla bellezza e al mistero del mondo esterno.</em> Harcourt, Brace and Company - Verve, hardcover
19621299323Paris: Sauret 1962. First Edition. Hardcover. Large quarto; VG; Numbered 2201 of a limited edition of 4125; Off white spine with black lettering; Book is in original glassine cover which has some small tears and a chip missing;; Wraps are toned interior clean; 146 plates on 183 pages; Shelved in Case 11. Features three original color lithographs Cover frontispiece and design on title page. Text in French. 1299323. Shelved Dupont Bookstore. Sauret hardcover
196338629Paris: Maeght 1963. Browning of former passepartout visible. Else in very good condition. 60 x 435 cm 23.5 x 1725 inches. Original lithograph. Printed by ARTE in 1963 on behalf of the Galerie Maeght in Paris. Color lithograph after Georges Braque for an exhibition at Galerie Maeght in 1967 here the special edition on Velin BFK Rives without the text of the poster. "Oiseau et Lotus" Bird and Lotus is a work by Georges Braque one of the leading figures of the Cubist movement alongside Pablo Picasso. Braque's contribution to modern art particularly through Cubism emphasized abstraction the breaking up of objects into fragmented shapes and the exploration of multiple perspectives simultaneously.Though I can't provide specific details about a single artwork titled "Oiseau et Lotus" without more context it's likely that this work would reflect Braque's characteristic use of geometric forms and muted color palettes to depict natural subjects in an abstract way.In the context of his later works Braque moved away from the strict geometric forms of early Cubism and started incorporating more organic shapes and elements of nature. Birds Oiseaux and plants Lotus were recurring motifs in his post-Cubist period when he focused on the lyrical still-life approach that is often seen in his paintings from the 1930s and 1940s. Georges Braque was a major 20th-century French painter collagist draughtsman printmaker and sculptor. His most notable contributions were in his alliance with Fauvism from 1905 and the role he played in the development of Cubism. Braque's work between 1908 and 1912 is closely associated with that of his colleague Pablo Picasso. Their respective Cubist works were indistinguishable for many years yet the quiet nature of Braque was partially eclipsed by the fame and notoriety of Picasso. Maeght unknown