949 résultats
1984D11HS1071Galerie Greub Basel 1984. 1st Edition. HARDCOVER. Folio size in colour printed glossy boards. Unpaginated approx. 46pp text in English and German and 46 lavishly printed full page colour plates __CONDITION : An extremely well preserved AS NEW unread and unmarked copy merest hint of tanning to leaves. . __We always ship in PROTECTIVE CARD PARCELS Galerie Greub, Basel hardcover
1959001180Paris Fernand Nathan 1959 In-4 Cartonnage illustré d'éditeur Ed. originale
19467341Genève, Skira, 1946. In-8 broché de XXIV pages suivies des planches puis 120-[2] pages, couverture illustrée à rabats.
1963B-2022-1121Derrière le Miroir n.135-136 "Pierre Reverdy Georges Braque" Maeght Editeur 1962. With 1 original lithograph in cover and 5 color lithographs of which one in double page. One picture of Braque by Mariette Lachaud. Includes "Chroniques". Loose as issued. Maeght Editeur
194136186Paris: Les Éditions Braun Et Cie 1941. Softcover. Very Good in Wrappers. ; 24mo 5" - 6" tall. Les Éditions Braun Et Cie unknown
Hardcover in-8°, 577 pages, cartonnage avec jaquette illustree (portrait). Tres bel exemplaire. [MI-14]
1937510540Verve 1937. First Edition. Paperback. FINE. Complete run of the first four issues of Teriade's legendary art magazine. Beginning with a stunning cover produced by Matisse for the first issue Verve would incorporate fresh artwork into its cover designed newly commissioned by artists such as Miro Picasso Chagall and other leading lights of the French art world. Each issue offered spectacular color lithographs printed by the Paris lithographers Mourlot. Early issues came in litho-printed card wrappers in boxes later volumes would be in paper-over board with litho covers. This choce allowed Teriade to feature the fresh lithographic artwork in the cover design but left the books themselves extremely fragile and succeptible to wear. Additionally the full-page lithographs have been continuous targets for art dealers looking to excise the plates. So condition seen here is quite rare with each volume preserved COMPLETE FINE with no signs of the wear and toning so commonly seen. 'The cover of Verve No. 1 is by Henri Matisse; it consists of three unmodulated colors--red blue and black--that the master cut directly from printers' ink specimen books. . Mattisse's cover for the first issue lithographed by Fernand Mourlot printers was an original work of art created expressly for the magazine--as would be practically all of the Verve's covers. . The painter took great pains to make sure that the cover would turn out exactly as he wished. . THe care Matisse lavished on what others might consider a minor undertaking was one of the hallmarks of Teriade's publications. How did he induce the greatest artists of this century to give the very best of themelves . Matisse and Teriade shared a common ideal. For both of them painting was life itself.' Michel Antonioz VERVE: The Ultimate Review of Art and Literature 35-36. Verve paperback
16-3705Paris: Editions de la revue Verve 1952. 4to. Original pictorial boards. 26.5 x 35.5 cm. 10½ x 14". French edition.153 1 p. With 27 lithographs many in color 5 of them double-page; plus numerous reproductions of drawings paintings photographs miniatures etc.;boards with color illustration by Georges Braque on front cover.Major double-issue of Verve 27 lithographs by or after Georges Braque 1; Henri Matisse 3 1 of them double-page; Henri Laurens 2; Alberto Giacometti 2; André Masson 3 1 of them double-page; Fernand Léger 3 1 of them double-page; Joan Miro 3 1 of them double-page; Borès 2; Gromaire 1; and Marc Chagall 7 1 of them double-page. The lithographs printed by Mourlot. Paris: Editions de la revue Verve, 1952 hardcover
1940212337Paris: Verve 1940. First edition. Softcover. Volume Two Number Eight. Text in English with contributions by Julian Cain Paul Valery Pierre Reverdy Adrienne Monnier and others. Includes illustrations of works by Georges Rouault Henri Matisse Georges Braque Andre Derain Pablo Picasso. Includes a color lithograph of "Sunset Over the Mediterranean" by Pierre Bonnard. An about very good copy in wrappers with an illustration by Henri Matisse and with a chip to the top of the spine and front cover copy and some other light wear. Internally a clean copy. Internally a clean copy. Verve unknown
1940510631Editions de la Revue Verve 1940. First Edition. Hardcover. FINE/NEAR FINE. First American Edition with tipped in 'Occupation of Paris' notice. Tall 4to 35.5cm. sewn binding in Henri Matisse-designed lighograph printed cover on black paper over cards often mistaken for the DJ itself with original brown kraft paper lithographed dust jacket. The dust jacket was often treated as a throwaway especially since it was taped over making it impossible to see the beautiful Matisse covers without tearing it; they are quite uncommonly seen. We have not attempted removing the dust jacket here though we have supplied a photograph from another copy showing the design. This is a unique opportunity to for a collector to have not only a copy of the book as issued with the jacket but a uniquely clean and fresh copy of the cover itself entombed within the protection of the jacket. The book itself is exceedingly clean and sharp. Illustrated throughout in color and black and white with contributions from Verve's usual suspects: Matisse Miro Picasso Rouault Braque and a spectacular center-fold lithograph by Pierre Bonnard. In spite of the statement in the 'Occupation notice that half the American edition was lost this is not a terribly scarce book -- perhaps because subscribers immediately recognized the significance of what it represented namely the destruction of the thriving modern art movement in France at the hands of the neo-classical obsessed Nazis. But the jacket and condition make this an uncommon survival. Editions de la Revue Verve hardcover
19711753GLM, Paris 1971. Petit in-8 (195 x 140 mm) en feuilles, 46 pages sous couverture blanche à rabats imprimée en noir, étui de l'éditeur. Édition originale. Tirage : 103 exemplaires numérotés sur vélin d'Arches dont XV H.C. illustrés en frontispice d'UNE LITHOGRAPHIE ORIGINALE EN COULEUR DE JOAN MIRÓ signée au crayon. La lithographie a été tirée sur double feuillet (190 x 280 mm) par l'Imprimerie Arte à Paris. Exemplaire numéroté sur Arches. Parfait état dans son étui d'origine.
19253783Paris, Editions de la Galerie Simon, 1925. 1 vol. in-8 (19,6 x 12,9 cm), broché sous couverture rempliée illustrée d'une gravure sur le premier plat. Édition originale illustrée de 9 EAUX-FORTES ORIGINALES DE JUAN GRIS dont 1 en couverture, 4 hors texte et 4 in texte, imprimées en sépia par Charlot Frères. - Tirage : 112 exemplaires. Celui-ci, l'un des 90 sur vergé d'Arches signé à l'encre par le poète et le peintre (n° 94). - Édité par Daniel-Henry Kahnweiler l'ouvrage contient les seules gravures sur cuivre de Juan Gris (1887-1927). Kahnweiler notera par ailleurs : « On ne peut que regretter que Gris n'ai débuté que peu de temps avant sa mort dans la gravure à l'eau-forte dans laquelle il aurait excellé ». Depuis longtemps Tzara désirait travailler avec Juan Gris et "Mouchoir de Nuages" sera la seule collaboration entre l'écrivain et le peintre. Skira 144 ; Kahnweiler p. 294 ; Rauch 99 ; Hugues 19 ; Hofer 126 ; Pompidou p. 184; Chapon p. 285 ; Galland p. 918 ; Hugues 19.
198212577Catalogue raisonné Cartonnage d'éditeur Très bon Paris Flammarion 1982 1 volume in-4°
14417, New York/ London, Alpine Fine Art Collection, 1988.**, Bound, editors' cloth, with illustrated dust-jacket in colour, 33,5x25cm, 318pp, index, bibliography. ISBN 9780831709952.
198531862Galerie Adrien Maeght, 1985. EDITION ORIGINALE.- Catalogue au format 33 x 24 cm), 46 pages, reproductions en couleurs et photographies de l'artiste.- Plaquette éditée à l'occasion de l'exposition de Georges Braque à la Galerie Adrien Maeght.- 390g.- Quelques traces d'usure, sans gravité. On joint deux articles anciens de journaux dont l'un avec plusieurs feuillets : "Georges Braque : l'oeil et la mouche" par Georges Hilaire.
Mm 120x185 Brossura editoriale con bandelle, pagine 109. Opera in buonissime condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE. WORLDWIDE DELIVERY
198882918Gallery Books; Et Al. 1988. Hardcover. 9999158862 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - -- Corresponds to ISBN: 9999158862 and ASIN: B000KVEOM4. 318 pages 528 illus. 31 in color 81 supplementary folio. -- with a bonus offer-- . Gallery Books; Et Al hardcover
1968213503BBBasel, Ed. Beyeler, (1968). 4°. Mit 55 mont. Farbtaf. (112 S.). OLwd. m. farb. ill. OU. - Gr. Name a. Vors., sonst gutes Ex.
1988271197New York: Alpine Fine Art Collection 1988. 319 S., 630 z.T. farb. Abb. teilw. auf Taf., Lit.verz., Werkverzeichnis. 4° Ln.mS. *neuwertig*
198222303New York, Gallery Books, 1982. 318 S., 590 illustrations, 40 in full color. 4°. Orig.-Leinen mit Orig.-Umschlag (Umschlag minimal angerändert, kleine Fehlstelle).
198225977Stuttgart : Klett-Cotta, 1982. 319 S.; zahlr. Ill. (z.T. farb.) ; 34 cm Pb.
33719Galerie Maeght, Paris : Éditions Pierre à feu: Derrière Le Miroir n°1, deuxième édition - Le Noir est une Couleur - Premier numéro de la revue qui accompagne l'exposition à la Galerie Maeght en 1946, au format 38 x 27,5 cm. Textes originaux en français de KOBER, MATISSE, ROUAULT et MARCHAND. 8 pages incluant 6 illustrations de Geer van Velde. Très bon état
199868952Verlag Gerd Hatje. New. 1998. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in German. 320 pp. With 315 ills. 110 col. . 29 x 24 cm. -- with a bonus offer-- . Verlag Gerd Hatje hardcover
199969022Benedikt Taschen Verlag. New. 1999. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 240 pp. With 282 ills. 121 col. . 31 x 25 cm. -- with a bonus offer--; 1.25 x 12.5 x 9.75 Inches . Benedikt Taschen Verlag hardcover
195546401633Paris, Verve vol. III n°31 et 32, [1955] ; album, grand in-4, cartonnage d’éditeur, orné d’une lithographie en couleurs. 2 ff., 157 pp.PREMIER TIRAGE. Introduction de Will Grohmann, suivie d’un texte d’Antoine Tudal et d’une étude par Rebecca West.12 lithographies en couleurs dont 1 à double page (titre compris) par Mourlot 8 héliogravures en couleurs et 132 illustrations en noir par Draeger.Très bel exemplaire, très frais.
