273 résultats
51-6419Paris: Galerie Maeght 1960. Folio. Original wraps. 28 x 37.7cm.pp. 101--112. Lists and illustrates print editions Affiches & DLM. Paris: Galerie Maeght, 1960 paperback
2001Q-0961373016Nevada Academic Press 2001-06-01. Paperback. New. In shrink wrap. Looks like an interesting title! Nevada Academic Press paperback
1972TH220186Marlborough Galerry London 1972. 1st Edition. SOFTCOVER. Large heavy 4to. in colour printed stiff glossy card covers with printed transparent plastic dust jacket 196pp on various types of paper colour plates etc __CONDITION : A well preserved FINE very clean and tight unmarked copy page-block edges slightly tanned in a torn but tape repaired VERY GOOD Dust Jacket. . __We always ship in PROTECTIVE CARD PARCELS Marlborough Galerry, London paperback
199969022Benedikt Taschen Verlag. New. 1999. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 240 pp. With 282 ills. 121 col. . 31 x 25 cm. -- with a bonus offer--; 1.25 x 12.5 x 9.75 Inches . Benedikt Taschen Verlag hardcover
15-8124New York: Perls Gallery 1950. 8vo. 4 pp. Printed Wraps Very Good. Illustrated cover. Scarce.The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills. He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York: Perls Gallery, 1950. paperback
1013803337.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0365563412.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
16-5295New York: Reynal and Company 1959. Small folio. 26 x 36cm. Front and back covers designed by Georges Braque. Most pages of text and the gravures are present. Lacking the lithographs. Published as Verve 27 & 28 in French in 1952. Cover in fine condition. New York: Reynal and Company, 1959 unknown
16-5294New York: Reynal and Company 1959. Small folio. 26 x 36cm. Front and back covers designed by Georges Braque. Most pages of text and the gravures. are present. Lacking most of the lithographs. With the dust-jacket with marginal losses. Published as Verve 27 & 28 in French in 1952. Lithograph by Giacometti present. New York: Reynal and Company, 1959 unknown
16-5296New York: Reynal and Company 1959. Small folio. 26 x 36cm. Front and back covers desgined by Georges Braque. Most pages of text and the gravures. asre present. Lacking most of the lithographs. Published as Verve 27 & 28 in French in 1952. Cover soiled with defective back-strip. Lithographs by Laurens Masson Gromaire Borès Giacometti are present. New York: Reynal and Company, 1959 unknown
1989108051Paris : Editions France Art Center - Editions de LÕAmateur 1989. 340x250mm. photos couleurs et n/b reliure d'diteur sous jaquette. Petites dchirures sur les bors des couvertures de la jaquette autrement bel exemplaire. 1548 Editions France Art Center - Editions de LÕAmateur unknown
191771952Paris: Nord-Sud 1917. Fine. Nord-Sud Paris Décembre 1917 20 x 28 cm agrafé First edition. Literary contributions by Georges Braque Pensées et réflexions sur la peinture Guillaume Apollinaire Chant d'amour Léonard Pieux Clameurs Vincent Huidobro Poème Paul Dermée Poème Roch Grey Ténare J. Frantz Simon Chanteuse and Pierre Reverdy Galeries. A small mark at the foot of the page featuring Clameurs by Léonard Pieux first leaves slightly turned down at the foot. Rare copy of this significant Dada magazine. Nord-Sud unknown
194855693New York: Curt Valentin 1948. First American edition. Quarto. 93 1pp. Original pictorial dustjacket with full page b/w photograph of Braque at rear over illustrated brown cloth with decorative brown lettering to front and spine. 16-page booklet translated by Frechtman laid in. Delightful illustrated ideas 92 pen and ink drawings about art and life by the renowned French master. Dj browned with wear and some discoloration along edges. Moderate chips at top of spine and lower front left corner creasing and sporadic chipping along edges. Binding with light wear along edges a one inch closed tear at upper front and back joint and a two inch closed tear to lower front joint. Dj in overall fair binding in good interior in good condition. Curt Valentin unknown
196022039Paris: Albert Morance 1960. First edition. Hardcover. Orig. loose as issued text laid-in brown cloth portfolio front cover lettered in gilt. Near fine. Braque Georges. Text pages unopened. 38.5 x 29 cm. Limited edition copy 24 of 50 with a colored aquatint numbered and signed by Braque in pencil -- "Tete en profil et l'etoile" printed on Rives. VALLIER 152. Title page printed in red and black with additional 32 full page plates of which eight are in color. The plates reflect the influence of classic Greek art and sculpture on Braque emanating from his work during World War II when he produced a collection of small generally flat decorative pieces of sculpture in a style recalling again ancient Greece and centering on vaguely mythological themes. Front cover of portfolio toward the spine slightly toned. Albert Morance hardcover
25698Paris 1930. . Large 8vo. pp.112 printed paper wrappers 4 colour plates numerous b/w plates; light toning to page margins foxing to wrappers otherwise an unusually fine copy. Paris, 1930. unknown
2002Q-087070110XThe Museum of Modern Art New York 2002-07-15. Hardcover. New. In shrink wrap. Looks like an interesting title! The Museum of Modern Art, New York hardcover
1973170098Paris: Galerie Berggruen 1973. First Edition. First Edition. Catalog for the May 1973 exhibition at Galerie Berggruen Paris. Text in French.<br /> <br /> Near Fine and unread in Near Fine perfect-bound illustrated card wrappers. Galerie Berggruen unknown
42171Paris Centre Georges Pompidou 1982. 4° 223 S. teilw. farb. Abb. Brosch. Tadell. 010 Paris, Centre Georges Pompidou, 1982 unknown
196338629Paris: Maeght 1963. Browning of former passepartout visible. Else in very good condition. 60 x 435 cm 23.5 x 1725 inches. Original lithograph. Printed by ARTE in 1963 on behalf of the Galerie Maeght in Paris. Color lithograph after Georges Braque for an exhibition at Galerie Maeght in 1967 here the special edition on Velin BFK Rives without the text of the poster. "Oiseau et Lotus" Bird and Lotus is a work by Georges Braque one of the leading figures of the Cubist movement alongside Pablo Picasso. Braque's contribution to modern art particularly through Cubism emphasized abstraction the breaking up of objects into fragmented shapes and the exploration of multiple perspectives simultaneously.Though I can't provide specific details about a single artwork titled "Oiseau et Lotus" without more context it's likely that this work would reflect Braque's characteristic use of geometric forms and muted color palettes to depict natural subjects in an abstract way.In the context of his later works Braque moved away from the strict geometric forms of early Cubism and started incorporating more organic shapes and elements of nature. Birds Oiseaux and plants Lotus were recurring motifs in his post-Cubist period when he focused on the lyrical still-life approach that is often seen in his paintings from the 1930s and 1940s. Georges Braque was a major 20th-century French painter collagist draughtsman printmaker and sculptor. His most notable contributions were in his alliance with Fauvism from 1905 and the role he played in the development of Cubism. Braque's work between 1908 and 1912 is closely associated with that of his colleague Pablo Picasso. Their respective Cubist works were indistinguishable for many years yet the quiet nature of Braque was partially eclipsed by the fame and notoriety of Picasso. Maeght unknown
196239526Paris: Au Vent d'Arles 1962. FIRST EDITION of this important collection of poetic reflections on Braque's birds. 37 pp. A SPECIAL COPY PRINTED ESPECIALLY FOR SAINT-JOHN PERSE aside from the 150 numbered copies. Printed on extremely fine thick Richard de Bas laid paper. 4to. Original printed wraps. UNCUT AND UNOPENED WITH NO DEFECTS. ABSOLUTELY PRISTINE AND PERFECT AND EXTREMELY RARE AS SUCH. <br/><br/> Au Vent d'Arles paperback
1958B1624Illustrated with tipped-in photo frontis and black and white plates. 4to original pochoir wraps chips and loss to lower spine and a larger loss to glassine wrap lower left first signature detached otherwise very good. Limited to 1500 numbered copies. Inscribed to the publisher E. Engelberts on the frontis photograph. Exhibition catalogue of Braque's work. Charles Pezzotti,
1965186884Paris: Maeght Éditeur 1965. First edition number 81 of 150 copies printed on velin de Rives. This issue of Derrière le miroir No. 138 was published to coincide with an exhibition of Braque's works at Galerie Maeght. Most of the artworks exhibited are reproduced at the rear. Folio. With 5 lithographs 4 in colour in three sizes: covers 38 x 57 full-page 38 x 28.5 cm or double-page 38 x 55.5 cm. 8 pages of monochrome photographic illustrations. Original lithographed wrappers lettering to front cover in grey sheets loosely inserted as issued. All housed in the publisher's beige boards with lettering to spine in black with matching slipcase paper label to front lettered in black. A little rubbing to slipcase. A fine copy. hardcover
51-2111Paris: Editions O. Lazar-Vernet 1962. . Folio. 385 x 288 mm. 15-1/8 x 11-3/8 inches. Sheets loose as issued in original cloth chemise and slipcase. One of 150 numbered portfolios on Johannot paper. With 14 original color etchings by Chagall "Granada" Cramer 51; Kornfeld 121; Braque "Oiseaux" Vallier 183; Max Ernst Spies/Leppien 85 Magnelli Zadkine Gilioli Ubac Bissière Jacobsen Fiorini Bona Dufour Lepâtre Vieillard Paris: Editions O. Lazar-Vernet, 1962. hardcover
201195803Museum; Et Al. New. 2011. Hardcover. 030016971X . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 136 pp. ; well-illustrated mostly in color. -- with a bonus offer-- . Museum; Et Al hardcover
2007SGB102<p>New York: The Museum of Modern Art 2007. 1st edition. Hardcover. Fine/Fine. Near Fine in Near Fine dw. Warmly INSCRIBED by William Rubin on the title page. 4to 464pp grey cloth with spine stamped in gold printed dustwrapper. Original exhibition brochure laid in. Clean unmarked copy not a remainder just about as new minor wear.</p> New York: The Museum of Modern Art hardcover
