949 résultats
9065380329.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
SONG9065380329Brand: Univ of Pennsylvania Pr 0000-00-00. hardcover. Used: Good. 9.00x1.25x9.75. Buy with confidence. Excellent Customer Service & Return policy. Brand: Univ of Pennsylvania Pr hardcover
199267972Univ of Pennsylvania Pr. New. 1992. Hardcover. 9065380329 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Corresponds to ISBN: 9065380329. Text in Dutch French English and German with portions in French only. 220 pp. With 99 ills. 80 col. . 25 x 23 cm. Description: "Illuminates diverse explorations of ceramics by six major European artists through a chiefly pictorial survey of 80 painted vessels tiles plates and sculptural objects dating mainly from the 1950s and 60s." -- with a bonus offer--; 1.25 x 9.75 x 9 Inches . Univ of Pennsylvania Pr hardcover
3734072<p>The Hague: Servire Press February 1935. 15pp. Octavo 8¾ x 5½ inches. Printed self-wrappers. Overall toning and some light foxing to wraps and margins of some pages; very good.</p> <p>“In later years Braque Eugene Jolas Matisse Andre Salmon and Tristan Tzara published jointly a Testimony against Gertrude Stein 1935 in which they denied her understanding of their work of Cubism and of painting in general. According to Braque ‘Miss Stein understood nothing of what went on around her’; and Salmon echoed this condemnation: ‘I had thought along with all our friends that she had really understood things. It is evident that she understood nothing except in a superficial way.’†NAW Published as “Transition Pamphlet no. 1. This is a supplement to Transition 1934–1935 no. 23 Not for sale separately.â€</p> unknown
193577652The Hague:: The Servire Press July 1935. First edition. publisher's self wrappers. Wrappers slightly tanned at edges; text much less so. 8vo. Transition Pamphlet no. 1. The Servire Press, unknown
1935614517The Hague: Servire Press 1935. Transition Pamphlet No. 1. Staplebound paperback 15 pages in acceptable condition. Both covers have detached from the spine however remain present. Covers are marked tanned and scuffed. Edges are creased and nicked including small tears. Previous owner's name penned to front cover and inside front cover. Pages within remain tightly bound and are clear. LW. Paperback. Acceptable. Used. Servire Press Paperback
19-8637Paris: Braun et Cie ca. 1960s. Large format color reproduction print poster 24†x 19â€. Very Good. Printed in France. Copyright Braun et Cie. Paris: Braun et Cie, [ca. 1960s?]. unknown
Z07OS-069Harcourt Brace and Company. Collectible - Acceptable. NY: Harcourt Brace and Company 1955. 1st American edition. Folio Hardcover. 157pp. B/W and color plates. Reading Copy and no dust jacket. Lacking front board. Most of backstrip chipped away. Rear board edgeworn rubbed and soiled. Pages toned. Slight dampstaining to the fore-edge. Creasing to the bottom corner of front free endpaper and to the fore-edge of rear free endpaper. Penciled notations to the rear pastedown. In polypropylene bag. art artist sketches Inquire if you need further information. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES. Harcourt, Brace and Company hardcover
1955510473Harcourt Brace and Company 1955. First Edition. Hardcover with Dust Jacket. FINE/Very Good. First American Edition printed in Paris. Large 4to sewn binding in Braque's own lithographic paper-over-board covers. Unpaginated with 20 full-page color lithographs many of wich were original creations for the Verve issue. FINE copy exceedingly clean and sharp with crisp clean pages and tight square binding; DJ edges worn with some tears now wrapped in mylar. From the colophon: 'The illustrations in this volume are reproduced from the sketch-books - carnets de travail - which Georges BRAQUE has been keeping up for thirty years and more and which constitute a daily record of fragments of the visible world that have caught his attention and ideas for paintings that have occurred to him. In fact the only difference between these sketch-books and the diaries kept by so many writers is that here the entries are not written but take the form of gouache or watercolor sketches. Hitherto Braque has always refused to make public these albums which be takes with him wherever be goes and which comprise the bulk of his work as a draftsman. Now at long last be has authorized the reproduction of a number of pages of these albums selected by himself with our co-operation. This book whose cover has been specially designed by Braque himself constitutes a double number 31-32 of VERVE in the French edition. The American Edition is published by HARCOURT BRACE and Company New York. It has been reproduced under the direction of Teriade by the Master Printers DRAEGER Frères as for the heliogravures in colors and in black and by MOURLOT Frères for the lithography in colors. Printing was completed in Paris 1955 on the 20th day of September.'. Harcourt, Brace and Company hardcover
1955002703<p>Harcourt Brace and Company 1955. 1st Edition. Hardcover. Very Good/Good. Braque Georges. This is the American edition of the French version which constituted a double number of Verve magazine #31-32. Tan decorated paper-covered boards under orange dust jacket folio 157 pp. Wear to bottom of spine edgewear and small chips to jacket 1/2" chip at tail of spine panel. 20 color lithographic plates and the rest in heliogravure. Extra postage required for international shipping--6 pounds package weight.</p> Harcourt, Brace and Company hardcover
19551401481New York: Harcourt Brace and Company 1955. First American Edition. Hardcover. Quarto 156 pages. In Very Good condition with a Good dust jacket. Spine orange with black lettering. Dust jacket protected with a mylar covering price uncut: "$25.00." Rubbing with mild tearing along most of edges of dust jacket. Large tear to dust jacket at top edge of rear cover. Some material loss to dust jacket at top corner of rear board and at head of spine. Mild scuffing to dust jacket. Rubbing to head and tail of book spine and to edges and corners of boards. Textblock clean. Shelved in Case 11. 1401481. Shelved Dupont Bookstore. Harcourt, Brace and Company hardcover
EEZZ3607Paris Verve 1955. 36 x 268 cm. 156 S. Mit mit 120 s/w Tafelabb. in Heliogravüre und 20 Farbtaf. davon 11 Farblithographien u. 9 in Mischtechnik Farblithos u. Heliogr. gedruckt bei Mourlot bzw. Draeger. Illustr. Orig.-Pappband Ecken bestoßen Rücken restauriert Einband gering fleckig. Ausgabe für Großbritannien der als Vol. VIII Nr. 31/32 der Zeitschrift »Verve« erschienenen »Carnets intimes«. Paris, Verve 1955. unknown
1955mon0000575107Verve 1955T. hardcover. Acceptable. in x in x in. Ex-library REFERENCE book usual marking. Clean copy in good condition. Some fading and staining of cover. Some marking due to age on pages but overall book remains in good condition considering age. Verve hardcover
1955310934New York: Harcourt Brace 1955. First American Edition of a double number 31-32 of Verve in the French edition. Produced under the direction of Teriade by the Master Printers Draeger Frères as for the heliogravures in black and in colours and by Mourlot Frères for the lithography in colours. Folio. Illustrated boards. Fine in chipped illustrated orange dust jacket. Bookplate. First American Edition of a double number 31-32 of Verve in the French edition. Produced under the direction of Teriade by the Master Printers Draeger Frères as for the heliogravures in black and in colours and by Mourlot Frères for the lithography in colours. Folio. Harcourt Brace unknown
195527299New York - Paris: Harcourt Brace and Company - Verve 1955. Rilegato sovracoperta hard cover dust jacket. Molto buono Very Good. Testi di Will Grohmann e Antoine Tudal. Con un apprezzamento di Rebecca West. Questo libro la cui copertina è"; stata appositamente disegnata dallo stesso Braque costituisce un numero doppio 31-32 di Verve nell'edizione francese. È stato riprodotto sotto la direzione di Teriade dai Maestri Stampatori Draeger per quanto riguarda le eliografie in bianco e nero e a colori e da Mourlot per la litografia a colori. Cm 36x27. pp. 156. Molto buono Very Good. Sovracoperta leggermente sciupata ai margini con strappetti e una mancanza in corrispondenza del dorso Some chipping and nicks around top and bottom of dust jacket. Prima edizione First Edition. Verve Anthonioz 1988 Anthonioz Michel Verve. The Ultimate Review of Art and Literature 1937-1960. New York Harry N. Abrams 1988. <em>Le illustrazioni del volume eliotipie e litografie realizzate dai maestri stampatori Draeger e Mourlot costituiscono una scelta curata direttamente dall'Artista di <strong>pagine dai carnets de travail</strong> che Braque aveva in precedenza sempre rifiutato di pubblicare.</em> <em>Per quasi 50 anni gli<strong> album di schizzi </strong>di Georges Braque sono stati il suo bene più prezioso. Le tele che gli hanno valso il primato tra i pittori viventi sono state da lui volentieri cedute a musei e collezioni private di tutto il mondo. Non così gli <strong>schizzi i guazzi e gli acquerelli </strong>da cui molti di questi dipinti sono stati tratti. Fino ad ora pochissime persone li hanno visti. E quando Braque ha finalmente acconsentito alla loro pubblicazione sotto la supervisione della grande casa editrice Verve non ha comunque permesso che gli album di schizzi fossero portati via dal suo studio; sono stati fotografati lì". La loro riproduzione in questo volume mette in luce i suoi metodi e rivela la reazione primaria dell'artista alla bellezza e al mistero del mondo esterno.</em> Harcourt, Brace and Company - Verve, hardcover
1955310934New York: Harcourt Brace 1955. First American Edition of a double number 31-32 of Verve in the French edition. Produced under the direction of Teriade by the Master Printers Draeger Frères as for the heliogravures in black and in colours and by Mourlot Frères for the lithography in colours. Folio. Illustrated boards. Fine in chipped illustrated orange dust jacket. Bookplate. First American Edition of a double number 31-32 of Verve in the French edition. Produced under the direction of Teriade by the Master Printers Draeger Frères as for the heliogravures in black and in colours and by Mourlot Frères for the lithography in colours. Folio. Harcourt Brace unknown books
201153248Köln : DuMont / Kunsthaus Zürich, 2011. Katalog zur Ausstellung im Kunsthaus Zürich, 21. Oktober 2011 - 15. Januar 2012 (Mit Beiträgen von Robert Brown, Faith Chisholm, Lukas Gloor und William Paton) 231 S. (30 cm) Großformat, illustrierter Pappband / gebundene Ausgabe
1963164782New York: Wally Findlay Galleries 1963. Paperback. G. Some wear soiling to covers. Contents are generally clean and mostly tight. Aqua paper wraps with black/blue illustration. 24 pp. BW frontispiece 12 color/1 BW plates. Text in English and French with an hommage to Braque by Herve Alphand Ambassador of France and short text by Andre Verdet. Wally Findlay Galleries paperback books
200852888San Francisco CA: Wittenborn Art Books. New. 2008. Hardcover. 0815001002 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED - Revision of the original edition first published by Wittenborn Schultz in New York in 1949. 36 pages with new color illustrations. Bound in decorative boards. -- with a bonus offer-- . Wittenborn Art Books hardcover
1924198218Paris: Editions des Quartre Chemins 1924. Both volumes #96 on Arches Vellum. Paperback. Good Wraps are moderately toned/scuffed/smudged/bumped; glassine is moderately chipped at corners and edges; spines are moderately bumped; spine strips are peeling a bit at both ends; pages are unopened; textblock edges are tanned/bumped; some tissue guards are loose and bent; interior is lightly toned with occasional foxing/smudging. White wraps with green and brown illustration with glassine DJ; two volumes; unpaginated; pages are unopened; tissue guards; richly illustrated some color. Text in French. Filled with absolutely gorgeous illustrations and facsimiles throughout. Volume I contains "Un article et un portrait de Georges Auric par Jean Cocteau un article de Louis Laloy une page de la partition de Georges Auric et 23 dessins en couleurs de Georges Braque." Volume II has the subtitle "Realisation Scenique." Editions des Quartre Chemins paperback
51-4637Paris-Monte Carlo: Imprimerie Nationale-André Sauret 1962. . Three original color lithographs on Arches wove sheets loose as issued. Edition of 150. 39 x 30cm. This is a section from the full portfolio. Text by Armand Salacrou. References: Dora Vallier p. 298: a b c.; Fernand Mourlot 105 106 107; Luc Monod Manuel de l'amateur de livres illustrés modernes no. 9522; OCLC Number:10029307. Paris-Monte Carlo: Imprimerie Nationale-André Sauret, 1962. unknown
50-0670Paris: Galerie Maeght ca. 1955. Poster. 73 x 40 cm. Paris: Galerie Maeght, ca. 1955, unknown
29057Paris Maeght 10 janvier 1955. 1 vol. 450 x 540 mm. Maroquin brun orné d'un imposant décor mosaïqué passant sur le dos composé de formes allongées en box ivoire orangé moutarde vieux rose et vert compartimentées en vague et serties d'un sillon de box ivoire titre mosaïqué à la chinoise reprenant les tons du décor tranches dorées sur témoins couverture illustrée conservée chemise et étui bordés reliure signée de Renée Haas 1963. . Tirage à 150 exemplaires sur papier d’Auvergne signé par Georges Braque illustré de 20 eaux-fortes originales de Georges Braque dont 16 gravures hors-texte exécutées en 1932 à la demande d’Ambroise Vollard et 4 autres en 1953 : la couverture en cinq couleurs vernie par l’artiste le frontispice en deux couleurs la tête de chapitre et le cul-de-lampe. . Ambroise Vollard et Georges Braque débutent la réalisation de ce grand livre dans tous les sens du terme en 1931 avec 16 eaux-fortes dans l’atelier Vollard dont le décès l’année suivante stoppe l’impression et le projet. Aimé Maeght vingt ans plus tard en reprend l’édition avec Braque qui réalise là ce qui est considéré depuis comme son plus beau livre illustré. Deux ans de travail seront nécessaires pour achever l’impression des 150 exemplaires sur Auvergne. À l’exception de la page de titre et de la justification l’ensemble du texte est rédigé en grec. Chaque couverture a été vernie par Braque lui-même avec une magnifique et particulière couleur ocre. François Chapon qualifie ainsi le travail de l’artiste : « La rigueur du métal ne fait qu’accentuer la grâce mouvante de la ligne. Du matériau mordu par l’acide Braque tire les tailles croisées ou parallèles qui situent cet empire universel ». Roger Vieillard dans son ouvrage traitant des livres du peintre l’a définie ainsi : « Une étonnante invention de formes se révèle dans la gravure. Le tracé d’eau-forte souple mais rigoureux définitif sans perdre les vertus vivantes de l’improvisation construit un espace cohérent comme un bas-relief tandis que la coloration de surfaces n’est pas moins présente que dans ses peintures. » Grande reliure de Renée Haas qui réserva ses talents à quelques heureux collectionneurs expliquant la rareté de ses reliures sur le marché. Ce fut le marchand Alexandre Loewy qui lui confia ses premières commandes au début des années 1960 : des livres illustrés parmi les plus importants soit ceux de Picasso Braque Miro et Matisse dont au moins quatre exemplaires de Jazz. Paris, Maeght, (10 janvier) 1955. 1 vol. (450 x 540 mm). Maroquin brun orné d'un imposant décor mosaïqué passant sur le dos, unknown
195529057Le plus grand livre de Braque. Spectaculaire reliure de Renée Haas Paris, Maeght, (10 janvier) 1955. 1 vol. (450 x 540 mm). Maroquin brun orné d'un imposant décor mosaïqué passant sur le dos, composé de formes allongées en box ivoire, orangé, moutarde, vieux rose et vert compartimentées en vague et serties d'un sillon de box ivoire, titre mosaïqué à la chinoise reprenant les tons du décor, tranches dorées sur témoins, couverture illustrée conservée, chemise et étui bordés (reliure signée de Renée Haas, 1963). Tirage à 150 exemplaires sur papier d’Auvergne, signé par Georges Braque, illustré de 20 eaux-fortes originales de Georges Braque, dont 16 gravures hors-texte exécutées en 1932 à la demande d’Ambroise Vollard, et 4 autres en 1953 : la couverture en cinq couleurs, vernie par l’artiste, le frontispice en deux couleurs, la tête de chapitre et le cul-de-lampe.
19551911Paris, Maeght, 1955. Un volume in-folio en feuilles, couverture illustrée d'une gravure en couleurs à l'aquatinte et carborundum, vernie par l'artiste lui-même, étui-chemise éditeur décoré de collages de papiers de couleur. - 20 EAUX-FORTES ORIGINALES DE GEORGES BRAQUE : 16 gravures hors-texte exécutées en 1932 pour Ambroise Vollard, et 4 gravures réalisées en 1953 : la couverture en 5 couleurs vernie au pinceau par l'artiste, le frontispice en 2 couleurs, la tête de chapitre et le cul-de-lampe. - Tirage à 150 exemplaires numérotés sur Auvergne et signés par l'artiste. Celui-ci le n° 23 signé par Braque. Tirage unique - Conservé en parfait état. - Note historique : En 1931, Braque illustre la Théogonie du poète grec Hésiode (VIIe siècle av. J.-C) pour le marchand, éditeur et passionné de gravure, Ambroise Vollard. Le récit, consacré à la naissance de l’univers et à l’origine des dieux, est considéré comme l’un des grands textes de la mythologie grecque. Entre 1932 et 1935, l’artiste exécute une série de seize eaux-fortes qui seront publiées par Maeght en 1955 : ligne noire imprimée sur fond blanc pour les gravures et, en négatif, ligne blanche découpée sur fond noir pour les plâtres peints et gravés que Braque crée en parallèle. Comme les figures mythologiques et les natures mortes de l’époque, ces œuvres possèdent un style curvilinéaire et propice à la métamorphose. (The Artist and the Book 38). --- ENGLISH DESCRIPTION: GEORGES BRAQUE (1882-1963). THEOGONIA - the complete set of twenty (20) etchings, title paper, text in Greek by Hesiod, justification, and index of plates on Auvergne paper, watermark Montval, 1932-1955, one of the 150 (n. 23), signed in pencil on the the justification, published by Maeght Editeur, Paris, 1955, in mint good condition, loose (as issued), with paper wrappers, within black paper-covered boards and slipcase, with collage design on front and back, title, artist's and author's name on spine. Overall: 18 x 13 7/8 in. (457 x 352 mm.) Condition : near mint, a beautiful copy with the editor decorated slipcase in near mint condition too.