273 résultats
EEZZ3607Paris Verve 1955. 36 x 268 cm. 156 S. Mit mit 120 s/w Tafelabb. in Heliogravüre und 20 Farbtaf. davon 11 Farblithographien u. 9 in Mischtechnik Farblithos u. Heliogr. gedruckt bei Mourlot bzw. Draeger. Illustr. Orig.-Pappband Ecken bestoßen Rücken restauriert Einband gering fleckig. Ausgabe für Großbritannien der als Vol. VIII Nr. 31/32 der Zeitschrift »Verve« erschienenen »Carnets intimes«. Paris, Verve 1955. unknown
1955mon0000575107Verve 1955T. hardcover. Acceptable. in x in x in. Ex-library REFERENCE book usual marking. Clean copy in good condition. Some fading and staining of cover. Some marking due to age on pages but overall book remains in good condition considering age. Verve hardcover
1955310934New York: Harcourt Brace 1955. First American Edition of a double number 31-32 of Verve in the French edition. Produced under the direction of Teriade by the Master Printers Draeger Frères as for the heliogravures in black and in colours and by Mourlot Frères for the lithography in colours. Folio. Illustrated boards. Fine in chipped illustrated orange dust jacket. Bookplate. First American Edition of a double number 31-32 of Verve in the French edition. Produced under the direction of Teriade by the Master Printers Draeger Frères as for the heliogravures in black and in colours and by Mourlot Frères for the lithography in colours. Folio. Harcourt Brace unknown
195527299New York - Paris: Harcourt Brace and Company - Verve 1955. Rilegato sovracoperta hard cover dust jacket. Molto buono Very Good. Testi di Will Grohmann e Antoine Tudal. Con un apprezzamento di Rebecca West. Questo libro la cui copertina è"; stata appositamente disegnata dallo stesso Braque costituisce un numero doppio 31-32 di Verve nell'edizione francese. È stato riprodotto sotto la direzione di Teriade dai Maestri Stampatori Draeger per quanto riguarda le eliografie in bianco e nero e a colori e da Mourlot per la litografia a colori. Cm 36x27. pp. 156. Molto buono Very Good. Sovracoperta leggermente sciupata ai margini con strappetti e una mancanza in corrispondenza del dorso Some chipping and nicks around top and bottom of dust jacket. Prima edizione First Edition. Verve Anthonioz 1988 Anthonioz Michel Verve. The Ultimate Review of Art and Literature 1937-1960. New York Harry N. Abrams 1988. <em>Le illustrazioni del volume eliotipie e litografie realizzate dai maestri stampatori Draeger e Mourlot costituiscono una scelta curata direttamente dall'Artista di <strong>pagine dai carnets de travail</strong> che Braque aveva in precedenza sempre rifiutato di pubblicare.</em> <em>Per quasi 50 anni gli<strong> album di schizzi </strong>di Georges Braque sono stati il suo bene più prezioso. Le tele che gli hanno valso il primato tra i pittori viventi sono state da lui volentieri cedute a musei e collezioni private di tutto il mondo. Non così gli <strong>schizzi i guazzi e gli acquerelli </strong>da cui molti di questi dipinti sono stati tratti. Fino ad ora pochissime persone li hanno visti. E quando Braque ha finalmente acconsentito alla loro pubblicazione sotto la supervisione della grande casa editrice Verve non ha comunque permesso che gli album di schizzi fossero portati via dal suo studio; sono stati fotografati lì". La loro riproduzione in questo volume mette in luce i suoi metodi e rivela la reazione primaria dell'artista alla bellezza e al mistero del mondo esterno.</em> Harcourt, Brace and Company - Verve, hardcover
19-8637Paris: Braun et Cie ca. 1960s. Large format color reproduction print poster 24†x 19â€. Very Good. Printed in France. Copyright Braun et Cie. Paris: Braun et Cie, [ca. 1960s?]. unknown
3734072<p>The Hague: Servire Press February 1935. 15pp. Octavo 8¾ x 5½ inches. Printed self-wrappers. Overall toning and some light foxing to wraps and margins of some pages; very good.</p> <p>“In later years Braque Eugene Jolas Matisse Andre Salmon and Tristan Tzara published jointly a Testimony against Gertrude Stein 1935 in which they denied her understanding of their work of Cubism and of painting in general. According to Braque ‘Miss Stein understood nothing of what went on around her’; and Salmon echoed this condemnation: ‘I had thought along with all our friends that she had really understood things. It is evident that she understood nothing except in a superficial way.’†NAW Published as “Transition Pamphlet no. 1. This is a supplement to Transition 1934–1935 no. 23 Not for sale separately.â€</p> unknown
193577652The Hague:: The Servire Press July 1935. First edition. publisher's self wrappers. Wrappers slightly tanned at edges; text much less so. 8vo. Transition Pamphlet no. 1. The Servire Press, unknown
1935614517The Hague: Servire Press 1935. Transition Pamphlet No. 1. Staplebound paperback 15 pages in acceptable condition. Both covers have detached from the spine however remain present. Covers are marked tanned and scuffed. Edges are creased and nicked including small tears. Previous owner's name penned to front cover and inside front cover. Pages within remain tightly bound and are clear. LW. Paperback. Acceptable. Used. Servire Press Paperback
9065380329.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
SONG9065380329Brand: Univ of Pennsylvania Pr 0000-00-00. hardcover. Used: Good. 9.00x1.25x9.75. Buy with confidence. Excellent Customer Service & Return policy. Brand: Univ of Pennsylvania Pr hardcover
199267972Univ of Pennsylvania Pr. New. 1992. Hardcover. 9065380329 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Corresponds to ISBN: 9065380329. Text in Dutch French English and German with portions in French only. 220 pp. With 99 ills. 80 col. . 25 x 23 cm. Description: "Illuminates diverse explorations of ceramics by six major European artists through a chiefly pictorial survey of 80 painted vessels tiles plates and sculptural objects dating mainly from the 1950s and 60s." -- with a bonus offer--; 1.25 x 9.75 x 9 Inches . Univ of Pennsylvania Pr hardcover
50-1129New York Graphic Society. Silkscreen print. 18 x 28 inches. Mounted on board. New York Graphic Society. unknown
1955B-23-030012BENOIT Pierre-André. Salut à René Char. Alès PAB March 1955. First edition. Total edition of 99 numbered copies from 1 to 95 on Velin de Rives five in Roman numbers from I to IV on China paper with an added engraving. This copy is n 60 of 95 on velin de Rives signed and numbered by PAB Pierre Andre Benoit in pencil with a reproduction of Braque drawing in the title page and a poem in homage to René Char. In-12th 175 x 115 mm. PAB (Pierre Andre Benoit)
1984D11HS1071Galerie Greub Basel 1984. 1st Edition. HARDCOVER. Folio size in colour printed glossy boards. Unpaginated approx. 46pp text in English and German and 46 lavishly printed full page colour plates __CONDITION : An extremely well preserved AS NEW unread and unmarked copy merest hint of tanning to leaves. . __We always ship in PROTECTIVE CARD PARCELS Galerie Greub, Basel hardcover
15-8094New York: Perls Gallery 1959. 8vo. Oblong French Fold Sheets Deckled Laid Paper Very Good. Illustrated Cover. Scarce. 4 pp.The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of ParisArtists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York: Perls Gallery, 1959. unknown
196558646Paris France: RMN. As New. 1965. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. 40 pp. With 23 ills. 4 col. . 32 x 24 cm. -- with a bonus offer-- . RMN paperback
194371093Villeneuve-lès-Avignon: Pierre Seghers 1943. Fine. Pierre Seghers Villeneuve-lès-Avignon Mars-Avril 1943 13.50 x 21.50 cm broché First edition. Contributions by Jean Paulhan ""Braque le patron"" Georges Ribemont-Dessaignes ""Le grand désert"" and ""D'une figure de cire"" André Frénaud ""Nöel 39"" Robert Ganzo and Eugène Guillevic ""Poèmes"". Spine slightly sunned one gathering poorly cut with marginal lacks on one leaf. Illustrations by Georges Braque. Pierre Seghers unknown
194382920Paris: Seghers 1943. Fine. Seghers Paris 1943 17 x 21.50 cm broché First edition of this illustrated issue with 5 reproductions of works by Georges Braque. Spine slightly warped with a small tear at foot. Contributions by Jean Paulhan: ""Braque le patron"" André Frénaud: ""Noël 39"" Robert Ganzo: ""Poèmes"" Georges Ribemont-Dessaignes ""Le grand désert"" Gabriel Audisio: ""Paris la poésie"". Seghers unknown
1963310001Paris: Maeght 1963. Limited edition "de tête" #72 of 150 copies on vélin de Rives. With 5 original lithographs by Braque including wrappers one double-page. Folio. Loose as issued in original lithographic wrappers. In chemise and paper-over-board slipcase. Fine. Limited edition "de tête" #72 of 150 copies on vélin de Rives. With 5 original lithographs by Braque including wrappers one double-page. Folio. Maeght unknown
1963186882Paris: Maeght Éditeur 1963. First edition limited issue number 104 of 150 numbered copies printed on velin de Rives paper. This issue of Derrière le miroir No 135-136 reproduces text and artwork from two previous collaborations Aventure Méthodique and La Liberté des mers in which Braque provides illustrations for Reverdy's poetry. Folio. With 4 colour lithographs in three sizes: covers 38 x 57 cm full-page 38 x 28.5 cm or double-page 38 x 55.5 cm. Illustrations in the text throughout. Original lithographed wrappers lettering to front cover in black sheets loosely inserted as issued. All housed in the publisher's grey boards with lettering to spine in black with matching slipcase paper label to front lettered in black. Slipcase a little rubbed. A fine copy. hardcover
18-7964Minneapolis: The Minneapolis Institute of Arts 1975. 4to. 83 pp. Very Good. Soft Cover. Illustrated paper wraps. Minor shelf wear and some creasing on corners. Pages fine. Color and B&W plates throughout.From the Collection of the Art Historian Peter Selz. Minneapolis: The Minneapolis Institute of Arts, 1975. paperback
200772943Gallery. New. 2007. Hardcover. 1930743734 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 188 pp. With 228 ills. 117 col. . 30 x 28 cm. -- with a bonus offer-- . Gallery hardcover
201195803Museum; Et Al. New. 2011. Hardcover. 030016971X . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 136 pp. ; well-illustrated mostly in color. -- with a bonus offer-- . Museum; Et Al hardcover
2007SGB102<p>New York: The Museum of Modern Art 2007. 1st edition. Hardcover. Fine/Fine. Near Fine in Near Fine dw. Warmly INSCRIBED by William Rubin on the title page. 4to 464pp grey cloth with spine stamped in gold printed dustwrapper. Original exhibition brochure laid in. Clean unmarked copy not a remainder just about as new minor wear.</p> New York: The Museum of Modern Art hardcover
0870706764New. New. Satisfaction Guaranteed or your money back. unknown