Links, J. G.Livre Rare Book
355 résultats
3979Paul Elek Ltd, London, 1977. In-4, reliure pleine toile éditeur sous jaquette illustrée en couleur, 112 pp. List of plates - Author's note - Chapter 1. Townscape painting - 2. Rome - 3. Stefano Conti's commission - 4. Pictures for palaces - 5. The first English patrons - 6. The end of the beginning - 7. The ...
Mm 230x305 Collana "Maestri dell'incisione" - Legatura editoriale in tela marrone, sovraccoperta originale, xxxiii pagine di testo + 34 splendide tavole illustrate con incisioni in bianco e nero, molte delle quali ripiegate. Minime abrasioni e usure ai margini della sovraccoperta, peraltro opera in ottime condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
2012ABE-1719433021791OUVRAGE PUBLIE A L'OCCASION DE L'EXPOSITION AU MUSEE JACQUEMART-ANDRE DU 14 SEPTEMBRE 2012 AU 14 JANVIER 2013-208 PAGES-24 CM X 27,8 CM-(EM624)
2008126053New York, Parkstone Press 2008. * Mit sehr zahlreichen, meist farbigen Abbildungen. 255 Seiten. 32,5 x 27 cm. Farbig illustrierter Original-Pappband mit farbig illustriertem Original-Umschlag.
In 4', t.ed. con tit.in oro al piatto e al dorso, pp. 45+ 72 tav. in n. g.t., lievi segni d'uso alla cop., interno in ottimo stato, ordinari segni del tempoLuogo di pubblicazione WienEditore SchrollAnno pubblicazione 1930Materia/Argomento Arte, Disegno, Canaletto
1981054055Puppi, Lionello: L'Opera Completa del Canaletto. Milan: Rizzoli, 1981. Series: Classici dell'Arte. 128pp with 64 colour plates and over 360 monochrome illustrations. Cloth. 31.5x24cms. Text in Italian.
1981054055Puppi, Lionello: L'Opera Completa del Canaletto. Milan: Rizzoli, 1981. Series: Classici dell'Arte. 128pp with 64 colour plates and over 360 monochrome illustrations. Cloth. 31.5x24cms. Text in Italian.
ART7146M2005, Phaidon. In-4, broché sous jaquette illustrée, 256pp. Riche iconographie couleurs et n&b. Frottements d'usage aux coiffes et coins. Très bon exemplaire
In-4 (cm. 28.50), brossura illustrata, con alette, pp. 192, con illustrazioni in bianco e nero e a colori nel testo. Con un testo di Amanda Bradley. Catalogo della Mostra: Londra, The National Gallery, 13 Ottobre 2010 - 16 Gennaio 2011. Washington, National Gallery of Art, 20 Febbraio - 30 Maggio 2011. Traduzioni di Isabella Lodi-Fè Chapman e Viviana Tonon. Allo stato di nuovo (brand new copy).
Folio, Second Edition, 12 lithographed plates plus 2 sheets (title and index); housed in card portfolio with illustration mounted on upper wrapper, silk ties, a very good, clean copy. First issued as a collection of eighteen collotype plates in 1969. The engravings are: View of London with the Bridge (after Canaletto); View of the Monument (after Canaletto); NW View of St. Paul's (Muller); View of London Bridge (Scott); Guild Hall (anon); Mansion House (Bowles); Royal Exchange (Maurer); St. Mary le Bow in Cheapside (Bowles); St. Brides (Donowell); Custom House (Maurer); NW View of the Tower (Maurer); N View of London (anon).
201143635Dresden : Sandstein, 2011. 144 S. : zahlr. Ill., graph. Darst., Kt. ; 27 cm broschiert
20258649Mercatorfonds 2025 160 pages 25 2x2 2x29 2cm. 2025. cartonnage éditeur avec jaquette. 160 pages. Cet ouvrage lié à une exposition à la National Gallery de Londres en 2010-2011 explore le védutisme vénitien du XVIIIe siècle. Il se concentre sur Canaletto l'artiste le plus emblématique des vues de Venise mais met également en lumière ses nombreux rivaux et contemporains qui se disputaient les commandes de mécènes locaux et étrangers révélant ainsi les rapports stylistiques complexes entre ces artistes
25805BE, Mercatorfonds / Fonds Mercator, 2010 Hardback, 285x245mm, 160p, French edition. etaf neuf ! . ISBN 978906153971113.
28052, Silvana, 2011 Paperback flaps, 280x230mm, 220p, 120 colour illustrations, Dutch (NL) edition . ISBN 978883661861313.
32463italy, Silvana , 2011 Paperback with flaps, 280x230mm, 220p, 120 colour illustrations. ISBN 9788836618606.
pp. 44 + 14 belle tav. a col. applicate e 33 ill. in b/n. Ottima monografia in inglese sul celebre paesaggista veneziano.
19916722München, Hirmer, (1991). 165 S. mit zahlr. teils farb., teils ganzseit. Textabb. 4°. OLwd. mit OU im Schuber.
194834706London&Oxford, The Phaidon Press, 1948. origi.Pappband, 4°, 63 Seiten und 89 Tafeln.
1991V15514München (Hirmer) 1991 (= Erste deutsche Ausgabe). 4°, Orignalleinen mit illustriertem Originalumschlag (Hardcover), 166 S., zahlreiche Farbtafeln, Bildband,
24383Paris, Flammarion (coll. "Les classiques de l'art"), (1975). In-4°, 128p. Reliure cartonnée d'éditeur, sous jaquette illustrée.
38302Paris, Flammarion (coll. "Les classiques de l'art"), 1975. In-4°, 128p. Reliure pleine toile d'éditeur, sous jaquette illustrée.
Puppi, Lionello: L'Opera Completa del Canaletto. Milan: Rizzoli, Series: Classici dell'Arte. 128pp with 64 colour plates and over 360 monochrome illustrations. Cloth, 31.5x24cms. Text in Italian. Text in Italian
198255672Neri Pozza 1982 In-4 broché 30,8 cm sur 24,2. Très bon état d’occasion.
Exhibition catalogue for the show at the Barbican Art Gallery with the title of the same name. Book is in excellent condition in black cloth with gilt print at spine, large oblong format. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Dust jacket shows the slightest signs of shelf wear only, no tears. 191 pages with large prints in color, some b&w throughout. From the preface: "Over the centuries London has been visited by many artists from abroad and this exhibition is an attempt to illustrate how each visitor has in turn found inspiration from the city. The exhibition interprets this 'image' of London, reveals how the city has changed through four hundred years, and explores the idea of the city in the mind of the visitors and their response to it. Wyngaerde was the earlist artist to attempt to represent the city with relative accuracy. He conceived London as a great Gothic city with many towers and spires. Thomas Wyek may have witnessed the Great Fire, and he certainly painted several views of it. After the Fire, London was rapidly rebuilt and expanded. The subsequent completion of the new cathedral and the City's increasing commercial success attracted many traveller-artists. With its bustling market, Covent Garden was a favourite subject of the 18th-century artists such as Van Aken and Angillis. By contrast the serene Thames views of Canaletto and Joli recall Venice, and their interpretation of London as a city of grace and enlightenment seem more in keeping with the neo-classical order that fashioned the second half of the 18th Century. In the 19th Century artists began to depict the darker side of London. Focusing upon scenes of labour, poverty and suffering in an oppressive industrial environment, G?ricault and Dor? portrayed the Babylonian image of London. Nevertheless, Victorian London was also shown as a city of success and wealth. The river scenes of Whistler, and the busy, yet fashionable Street scenes of Bianche, Tissot and De Nittis represent it as essentially a hive of activity, business and busy-ness. Wistler and Monet were also inspired by the atmosphere of London, the foggy and nocturnal views ...
