CanalettoBiblio.com
176 résultats
665650Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 18th century 1748 to 1749. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
457260Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 1th century undated. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
553065Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 18th century ca. 1750. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
664233Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 18th century 1747. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
332513Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 18th century . Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
332477Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 18th century 1730s. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
332501Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 18th century 1730s. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
353887Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 18th century early 1740s. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
317285Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 18th century late 1720s. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
332489Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 18th century 1730s. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
332465Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 18th century 1730s. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
332525Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 18th century 1748. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
7591Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 18th century c. 1745. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
227122Contentum Ltd. Loose sheet. New. Contentum Ltd. unknown
0810955040.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1970502332UK: Weidenfeld & Nicolson 1970. Book. Very Good. Hardcover. Folio - over 12 - 15" tall. includes Good dustjacket. price clipped. parts of back cover faded. 5cm x 3cm loss to jacket on back cover. jacket edges frayed in places at corners and top edge with several small tears. spine top bumped. Weidenfeld & Nicolson Hardcover
1971175339Milano: Salamon e Agustoni 1971. Hardcover. Good/Good foxing to upper block edges and some pages throughout dust jacket overall shelfwear and tears. Tan cloth boards with brown lettering on spine brown dust jacket with black lettering and black and white illustration xxxiiip 34 black and white plates. Written in Italian. Includes bibliographical references page xxxiii. Salamon e Agustoni hardcover
1970049359University Park and London: Pennsylvania State University Press 1970. Translated from the Italian by Stella Rudolph. 19 21p. plus 65 b/w full-page plates with facing blanks some colored and several foldout original 3/4 brown cloth with stiff decorative board near fine. Pennsylvania State University Press unknown
19833087London UK: Johnson Reprint Company Limited/Harcourt Brace Jovanovich 1983. First edition thus limited. Hardcover. Near Fine/Near Fine. Elephant folio in Solander box. 44pp. 50 free facsimile drawings on heavy rag paper. Brown cloth covered boards with giltstamped title to inner book. Drawings wrapped in brown paper sheath with unstuck sticker seal present with sticker ghost not attached. Solander box 1/4 leather & brown cloth covered boards with giltstamped title & five raised bands to spine: large darkened area to spine from water damage. Limited edition of 520 sets of which 500 are for sale hand-numbered 91/500. Very light shelfwear. 1/2" crack to joint of box's upper spine extreme does not bisect the edge see picture. Johnson Reprint Company Limited/Harcourt Brace Jovanovich hardcover
13437London: Published by John Thomas Smith 1809. Engraving by Fellows after a drawing of 1749 in the collection of George Hibbert by the renowned Italian topographical painter etcher and draughtsman Canaletto. Very good condition apart from some minor foxing a light waterstain in the top margin and a skillfully repaired 2 1/8" tear in the top left margin. Barely visible mild crease extending through the center of the image. A beautifully rendered view of the Horse Guards as seen from Whitehall from Smith's "Antiquities of Westminster." Constructed in 1745 to accommodate the old palace guards the Horse Guards Parade was and remains today one of London's largest open public spaces. Visible at the end of the parade ground are the distinctive Horse Guard buildings which were designed by William Kent and erected in 1755.<br/> <br/> The series from which this plate comes was originally begun with the intention of documenting the fourteenth-century murals sculptures and stained glass discovered during the expansion of the House of Commons. It evolved however into an ambitious and detailed survey involving several artists and engravers of the various buildings of the Palace of Westminster. Comprised of numerous plates several supplementary plates were later published in 1809 accompanied by the descriptive text of John Sidney Hawkins and Smith Antiquities of Westminster constitutes an invaluable visual record of the appearance of the Westminster before it succumbed to the fire of 1834. John Thomas Smith an antiquarian of high repute was also a talented etcher. His published work focuses almost entirely on London and its environs and he was unusual for his time in that he recorded all strata of society. A pupil of the Royal Academician Joseph Nollekens and the mezzotint engraver John Keyse Sherwin Smith began his career as engraver and topographical draughtsman. His first publication Antiquities of London and its Environs 1800 was followed by his magnum opus Antiquities of Westminster 1807. In 1816 Smith became the keeper of prints and drawings at the British Museum a position he held for the duration of his life. He completed The Ancient Topography of London in 1815 and continued to publish various literary and illustrated works throughout his life including a well-received biography of Nollekens in 1828 and Cries of London 1839.<br/> <br/> Cf. Adams London Illustrated 1604-1851 98; cf. Lowndes III p. 2427; cf. Abbey Scenery of Great Britain and Ireland 210; cf.Dictionary of National Biography. Published by John Thomas Smith unknown
13435London: Published by John Thomas Smith 1809. Engraving by Fellows after a painting of 1746 in the collection of the Honorable Percy Wyndham by the renowned Italian topographical painter etcher and draughtsman Canaletto. Very good condition apart from some minor foxing a few mild creases in the bottom margin and slight discolouration of the paper due to age. A beautifully rendered panoramic view of the borough of Westminster during the construction of Westminster Bridge from Smith's "Antiquities of Westminster." Built by the engineer Charles Labelye based on a design by Colon Campbell Westminster Bridge was erected between 1738 and 1750. During its construction ships could still pass underneath the bridges' arches the undersides of which were reinforced by supportive wooden structures erected by James King.<br/> <br/> The series from which this plate comes was originally begun with the intention of documenting the fourteenth-century murals sculptures and stained glass discovered during the expansion of the House of Commons. It evolved however into an ambitious and detailed survey involving several artists and engravers of the various buildings of the Palace of Westminster. Comprised of numerous plates several supplementary plates were later published in 1809 accompanied by the descriptive text of John Sidney Hawkins and Smith Antiquities of Westminster constitutes an invaluable visual record of the appearance of the Westminster before it succumbed to the fire of 1834. John Thomas Smith an antiquarian of high repute was also a talented etcher. His published work focuses almost entirely on London and its environs and he was unusual for his time in that he recorded all strata of society. A pupil of the Royal Academician Joseph Nollekens and the mezzotint engraver John Keyse Sherwin Smith began his career as engraver and topographical draughtsman. His first publication Antiquities of London and its Environs 1800 was followed by his magnum opus Antiquities of Westminster 1807. In 1816 Smith became the keeper of prints and drawings at the British Museum a position he held for the duration of his life. He completed The Ancient Topography of London in 1815 and continued to publish various literary and illustrated works throughout his life including a well-received biography of Nollekens in 1828 and Cries of London 1839.<br/> <br/> Cf. Adams London Illustrated 1604-1851 98; cf. Lowndes III p. 2427; cf. Abbey Scenery of Great Britain and Ireland 210; cf.Dictionary of National Biography. Published by John Thomas Smith unknown
1982BN150526Stuttgart : Klett-Cotta 1982. 1982. Canaletto. J. G. Links. Aus d. Engl. von Grete u. Karl-Eberhardt Felten <br/><br/>Canaletto. J. G. Links. Aus d. Engl. von Grete u. Karl-Eberhardt Felten Links Joseph G. und Antonio Canal Canaletto Stuttgart : Klett-Cotta unknown
0243-26Wien Kaeser o. J. ca. 1880. Radierung. 21 5 x 42 cm. Bildgr.; 47 x 62 cm. Blattgr. im weißen Rand rissig. Nach einem Gemälde von Canaletto radiert von V. Fischer. Wien, Kaeser o. J. [ca. 1880]. unknown
BN67101Canaletto: Ansichten vom Canal Grande in Venedig: Katalog zur Kabinettausstellung anlässlich der Restaurierung zweier Gemälde von Giovanni Antonio . Gemäldegalerie Alter Meister Dresden 2008 Staatliche Kunstsammlungen Dresden Galerie Alte Meister; Henning Andreas; Börner Axel and Dehmer Andreas <br/><br/> unknown
8755Parr Remi. Canaletto Remi Parr After Canaletto. AN INSIDE VIEW OF THE ROTUNDO IN RANELAGH GARDENS. Engraving with hand-coloring 1751. Robert Sayer London 1751. 10 1/8 x 15 3/4 inches image; 14 x 19 1/2 inches sheet. Engraved by Parr 1723- an English artist known for engraved views of London after the well-known painting of this subject by Canaletto. Canaletto spent many years in England and painted many architectual views. The Ranelagh Gardens was a park in the Chelsea area that served along with Vauxhall as a "pleasure garden" for Londoners in the 18th Century. The Rotunda was used for entertainments including a performance there by Mozart in 1764. A repaired tear in the lower left margin extending only about 1/8 inch into the image; residue from removal of tape around the edges verso else in very good condition. unknown
