71 résultats
Exhibition catalogue for the show at the Barbican Art Gallery with the title of the same name. Book is in excellent condition in black cloth with gilt print at spine, large oblong format. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Dust jacket shows the slightest signs of shelf wear only, no tears. 191 pages with large prints in color, some b&w throughout. From the preface: "Over the centuries London has been visited by many artists from abroad and this exhibition is an attempt to illustrate how each visitor has in turn found inspiration from the city. The exhibition interprets this 'image' of London, reveals how the city has changed through four hundred years, and explores the idea of the city in the mind of the visitors and their response to it. Wyngaerde was the earlist artist to attempt to represent the city with relative accuracy. He conceived London as a great Gothic city with many towers and spires. Thomas Wyek may have witnessed the Great Fire, and he certainly painted several views of it. After the Fire, London was rapidly rebuilt and expanded. The subsequent completion of the new cathedral and the City's increasing commercial success attracted many traveller-artists. With its bustling market, Covent Garden was a favourite subject of the 18th-century artists such as Van Aken and Angillis. By contrast the serene Thames views of Canaletto and Joli recall Venice, and their interpretation of London as a city of grace and enlightenment seem more in keeping with the neo-classical order that fashioned the second half of the 18th Century. In the 19th Century artists began to depict the darker side of London. Focusing upon scenes of labour, poverty and suffering in an oppressive industrial environment, G?ricault and Dor? portrayed the Babylonian image of London. Nevertheless, Victorian London was also shown as a city of success and wealth. The river scenes of Whistler, and the busy, yet fashionable Street scenes of Bianche, Tissot and De Nittis represent it as essentially a hive of activity, business and busy-ness. Wistler and Monet were also inspired by the atmosphere of London, the foggy and nocturnal views ...
In folio, piena tela edit. ill. a col., pp.18. Con 65 tavv. in maggior parte in monocolore, alcune delle quali ripiegate, note alle tavole su 16 pp. non numerate
Mm. 340x450, astuccio, cofanetto in similpelle edit. contenente: un album di 40 pp. (Indice e descriz. delle tavv.), 15 belle tavv. a colori riprodotte su tela (e applicate su carta di sostegno), sotto passepartout. Di queste: 13 riguardano Venezia e 2 Londra, dove il pittore soggiornò. Bella ediz. d’arte, in ottimo stato.
pp. 104 + 136 n.n. con più di 170 ill. in b/n e alcune a col. Ricco e dettagliato catalogo della mostra veneziana tenutasi alla Fondazione Giorgio Cini, dedicata all'opera grafica cel celebre vedutista, Canaletto. Con ampie schede illustrate, interessanti testi critici e ottima bibliografia.Presentazione di Bruno Visentini. Testi di A. Bettagno, R. Bromberg, J. Byamshaw, A. Corboz, J. Daniels, F. Haskell, J.G. Links, O. Millar, C. Miller, G. Nepi Scirè, R. Pallucchini, T. Pignatti, L. Puppi, E. Schleier, F. Valcanover, P. Zampetti.
Book is in excellent condition. Binding is solid and square, oversize format in bright orange heavy cloth with gilt letting at cover and spine. Covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Dust jacket shows moderate wear with chipping at top spine, two very small tears and one 1" closed tear near spine. 244 illustrations, including 190 full page plates in full color, with descriptions/commentary at end of book. Plates are impressively large and from the collection of Italian paintings in the Leningrad Hermitage. Artists include Simone Martini, Campigli, Morandi, Guttuso, Leonardo da Vinci, Raphael, Giorgione, Tintoretto, Titian, Veronese, Carracci, Tiepolo, Guardi, Canaletto, 307 pp.
A large book is in excellent condition: 13" H x 11 1/4" W with flawless tan cloth HB covers with black print at front and spine. As new, appears unread. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Dust jacket shows the slightest signs of shelf wear only, no tears. 107 pages on heavy, glossy paper with fold-out page at p.34 in excellent shape also. Contents include 50 drawings, studies, and sketches from the hand of Renaissance master Andrea Palladio, including archways, basilicas, temples, baths, capitals, columns. Lionello Puppi is author of The complete works of Canaletto and Andrea Palladio and is an authority on visual arts of the Veneto region.
Mm 235x302 Volume rilegato in tela, titolo oro su riquadro al dorso, custodia originale, 660 pagine profusamente illustrate in nero e a colori. Libro pari al nuovo (mai consultato); spedizione in 24 ore dalla conferma dell'ordine.
Mit dem Werkverzeichnis der sicheren und zugeschriebenen Werke. Mit ausführlicher Bio- u. Bibliographie.
Links, J.G.: Canaletto. A Supplement to the Catalogue Raisonné. London: Pallas Athene, 1998. 55 pages with a frontispiece plus 148 black and white illustrations. New condition. Hardback. 25.3 x 19.5cms. New research and material, since the revised and updated catalogue raisonné [1989] is published in this supplement: lost and hitherto unknown paintings which have resurfaced, other documentary material and essays by the author, newly discovered associations with Sir Robert Walpole and Marshal Schulenburg; new attributions to and from Bellotto, Visentini and Marieschi, plus some previously unknown early paintings of the Piazza. New research and material, since the revised and updated catalogue raisonné [1989] is published in this supplement: lost and hitherto unknown paintings which have resurfaced, other documentary material and essays by the author, newly discovered associations with Sir Robert Walpole and Marshal Schulenburg; new attributions to and from Bellotto, Visentini and Marieschi, plus some previously unknown early paintings of the Piazza. Text in English
Mm 250x280 Volume rilegato in tela, sovraccoperta originale con piccoli restauri ai margini, custodia editoriale, 647 pagine con 947 figure in nero e a colori nel testo. Copia in buone-ottime condizioni, solo un timbro perforante alla quarta di copertina. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
Terisio Pignatti Il quaderno di desgni del Canaletto alle Gallerie di Venezia. , Daria Guarnati 1958, Opera comprensiva di 2 volumi. Ottime condizioni: rilegatura rigida, copertina integra, con cofanetto, tagli e pagine in ottimo stato e perfettamente fruibili, misure in cm 25x17x3 Ottimo (Fine) . <br> in ottavo <br> <br> ca 140<br>
This is a very good softcover copy in the original illustrated wrappers with just light wear. Almost completely clean inside (1 page has a few faint marks or notes, now inscrutable), light toning outside. Text in Italian. This catalog was prepared to accompany the large exhibition at the Palazzo delle Esposizioni at Rome in the spring of 1959. Text by Emilio Lavagnino and Antonio Santangelo. 2656 works in the exhibition. Checklist. Bibliography. Chronology (1700-1959). 9" high X 6" wide, 566 text pages + 80 black & white plates. Fold-out brochure from the exhibition, with the plan of the exhibition, which artists in which rooms, etc, laid in. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
Bd. 1: Life and work - The plates. Bd. 2: The catalogue raisonné.
Milano, Alfieri Electa, 1985, volumi 2, in-4, tela editoriale con sovraccoperta e cofanetto rigido illustrati a colori (in astuccio di cartone), pp. 775, (3). Con 531 fra tavole ed illustrazioni in b.n. e a colori + numerose illustrazioni in b.n. nel repertorio iconografico a cura di A. Torterolo (dipinti, attività grafica e incisoria ordinati in sequenza cronologica); bibliografia, indice dei nomi e tavole comparative. Collezione "profili e Saggi di Arte Veneta" diretta da R. Pallucchini. Stato di nuovo.
Formato album cm. 43 X 57 pp. 43 con 18 tav. f.t. Legatura edit. in tessuto fiorato furtunicon tassello al piatto. Tiratuta di 1000 esemplari numerati e altri 67 su carta speciale di cui 50 a numerazione romana (XL) firmato dal Pallucchini.
In 4° grande; pagg. 70, con 26 ill. a colori e 278 in nero. Legatura editoriale con sovracoperta a colori. Bella e rara monografia dedicata alla vita e all'opera di Antonio Canaletto detto il Canaletto. Esemplare perfetto.
Mm 250x280 Opera realizzata tra il 1995 e il 1996. Due tomi rilegati in uniforme tela bianca, sovraccoperta editoriale illustrata con piccoli restauri allla testa e al piede del dorso, custodie editoriali per ciascun libro; 616 e 647 pagine con, rispettivamente, 959 figure in nero e a colori nel primo tomo e 947 nel secondo. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
Two volumes (one of text, one of plates), complete. First and only edition of the standard catalogue raisonnÈ of Della Bella's prints. De Vesme's catalogue initially appeared in 1906 (as pp. 66-332 of his "Peintre-Graveur Italien") but that edition is less than ideal, both because it is unillustrated and because of its many errors and omissions. In the late 1960s Phyllis Dearborn Massar performed the Herculean task of assembling photographs of the over 1,300 prints described, correcting De Vesme's mistakes, and supplying new information regarding unknown states and proofs. This two-volume edition is the result of her outstanding scholarship. Folio, bound in publisher's cloth. Tiny traces of wear to extremities of bindings, otherwise as new. The essential reference for anyone interested in Della Bella's prints.
Incisione all'acquaforte (mm. 272x430), sotto passe-partout. In basso al centro "Nauticum Certamen cum Prospectu ab Aedibus Balborum, ad Pontem Rivoalti” ("La regata sul Canal Grande") e sulla destra "XIII" in numero romano. Esemplare in II stato, tratto dalla prima edizione completa del celebre album inciso da Antonio Visentini sui dipinti di Canaletto, "Prospectus Celebriores, ex Antonii Canal Tabulis XXXVIII, aere expressi ab Antonio Visentini. In partes tres distributi". Cfr. Cat. "I rami di Visentini per le vedute di Venezia del Canaletto", (Venezia, Museo Correr, 1990), paragr. 15. Esemplare molto ben conservato.
Constable, W. G.: Canaletto. Giovanni Antonio Canal, 1697-1768. 3 volumes. Oxford University Press, 1989. The 2 volume Oxford University Press, 1989 edition is a revision of the 1976 edition, reprinted with a supplement, revised by J. G. Links. Together ci, 746 pages plus 240 pages of black and white illustrations. Hardback. 25 x1 9.5cms. with: Canaletto. A Supplement to the Catalogue Raisonné. London: Pallas Athene, 1998 (55 pages with a frontispiece plus 148 monochrome illustrations. Hardback. 25 x1 9.5cms. The combination of the 1989 edition with the 1998 supplement represents the most complete and up-to date catalogue raisonné of the works of Canaletto. The 1989 revision has new illustrations and amendments to the biography and catalogue raisonné of the previous editions which renders them redundant. The supplement includes new research and material, since the revised and updated catalogue raisonné [1989 edition] and publishes lost and hitherto unknown paintings which have resurfaced, other documentary material and essays by the author, newly discovered associations with Sir Robert Walpole and Marshal Schulenburg; new attributions to and from Bellotto, Visentini and Marieschi, plus some previously unknown early paintings of the Piazza. The combination of the 1989 edition with the 1998 supplement represents the most complete and up-to date catalogue raisonné of the works of Canaletto. The 1989 revision has new illustrations and amendments to the biography and catalogue raisonné of the previous editions which renders them redundant. The supplement includes new research and material, since the revised and updated catalogue raisonné [1989 edition] and publishes lost and hitherto unknown paintings which have resurfaced, other documentary material and essays by the author, newly discovered associations with Sir Robert Walpole and Marshal Schulenburg; new attributions to and from Bellotto, Visentini and Marieschi, plus some previously unknown early paintings of the Piazza
