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Mm 230x305 Collana "Maestri dell'incisione" - Legatura editoriale in tela marrone, sovraccoperta originale, xxxiii pagine di testo + 34 splendide tavole illustrate con incisioni in bianco e nero, molte delle quali ripiegate. Minime abrasioni e usure ai margini della sovraccoperta, peraltro opera in ottime condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
Mm 165x240 Brossura editoriale con copertina illustrata a colori, 80 pagine accompagnate da illustrazioni in nero e a colori. Opera in stato di nuovo, sigillata. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
1986043252Succi, Dario: Canaletto & Visentini tra Venezia Londra. Exhibition: Gorizia, Castello di Gorizia, 1986. 394 pages, black and white illustrations throughout. Hardback. 30x22cms. Text in Italian.
1986043252Succi, Dario: Canaletto & Visentini tra Venezia Londra. Exhibition: Gorizia, Castello di Gorizia, 1986. 394 pages, black and white illustrations throughout. Hardback. 30x22cms. Text in Italian.
pp. 121, cm 29x21, brossura, illustrazioni a colori e in nero.
Roma, Curcio, 1979, 4to brossura con copertina illustrata a colori, pp. 16 con una tavola in antiporta, numerosissime illustrazioni in nero nel testo e 27 tavole a colori fuori testo (I classici della pittura, 6) .
Volume rilegato in folio con legatura blu e titolo arancio alla coperta anteriore, presente sovracoperta illustrata con minimi segni del tempo alle estremità. Le pagine sono molto ben conservate, solo le ultime con un' impercettibile e piccola piegatura al margine. Ricco di belle illustrazioni. Numero pagine oltre 209 USATO
Terisio Pignatti Canaletto. , Capitol, Bologna 1982, Copertina flessibile plastificata illustrata, pagine integre volume in perfette condizioni Buono (Good) . <br> <br> Copertina flessibile <br> 95<br>
Terisio Pignatti Il quaderno di desgni del Canaletto alle Gallerie di Venezia. , Daria Guarnati 1958, Opera comprensiva di 2 volumi. Ottime condizioni: rilegatura rigida, copertina integra, con cofanetto, tagli e pagine in ottimo stato e perfettamente fruibili, misure in cm 25x17x3 Ottimo (Fine) . <br> in ottavo <br> <br> ca 140<br>
194778751Wien: Kunstverlag Wolfrum, 1947. 21,5 cm ; Pp.
4550Editions Nilsson, "Maîtres anciens et modernes", Paris, 1925. In-12,broché sous couverture illustrée en noir et blanc, 132 pp. Chapitre I. Les Canaletto, portraitistes de Venise. - II. La vie d'Antonio da Canal. - III. Le Canaletto se rend à Londres. - IV. La vie de Bernardo Bellotto, Canaletto II. - Tables.
1924319151924 Paris, Nilsson, 1924, In huit, 136 pp, broché,
192555636Paris France: Editions Nilsson. As New. 1925. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. 132 pages many lovely b/w illustrations. -- with a bonus offer-- . Editions Nilsson paperback
2008126053New York, Parkstone Press 2008. * Mit sehr zahlreichen, meist farbigen Abbildungen. 255 Seiten. 32,5 x 27 cm. Farbig illustrierter Original-Pappband mit farbig illustriertem Original-Umschlag.
cm.17, brossura con ritratto applicatoalla copertina; pp. 132, con 24 tavole in nero fuori testo
195555671Inconnu 1955 In-4 relié. Très bon état d’occasion.
1850133484Dresden und Leipzig: A H Payne. Ohne Jahr. Um 1850. Kartongröße ca. 19x27 cm. Bildgröße ca. 11,5 x 17 cm. In sehr guter Erhaltung.
Incisione all'acquaforte (mm. 272x430), sotto passe-partout. In basso al centro "Nauticum Certamen cum Prospectu ab Aedibus Balborum, ad Pontem Rivoalti” ("La regata sul Canal Grande") e sulla destra "XIII" in numero romano. Esemplare in II stato, tratto dalla prima edizione completa del celebre album inciso da Antonio Visentini sui dipinti di Canaletto, "Prospectus Celebriores, ex Antonii Canal Tabulis XXXVIII, aere expressi ab Antonio Visentini. In partes tres distributi". Cfr. Cat. "I rami di Visentini per le vedute di Venezia del Canaletto", (Venezia, Museo Correr, 1990), paragr. 15. Esemplare molto ben conservato.
1978ART1886M1978 / Non paginé. Broché. Editions Giunti - Martello.
Book is in excellent condition. Binding is solid and square, oversize format in bright orange heavy cloth with gilt letting at cover and spine. Covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Dust jacket shows moderate wear with chipping at top spine, two very small tears and one 1" closed tear near spine. 244 illustrations, including 190 full page plates in full color, with descriptions/commentary at end of book. Plates are impressively large and from the collection of Italian paintings in the Leningrad Hermitage. Artists include Simone Martini, Campigli, Morandi, Guttuso, Leonardo da Vinci, Raphael, Giorgione, Tintoretto, Titian, Veronese, Carracci, Tiepolo, Guardi, Canaletto, 307 pp.
IN FRANCESE ILL BN E COL
Canaletto's views of Warsaw, many of which were used as reference in the rebuilding of Warsaw after the Second World War. 37 pages. 118 black and white plates, 4 colour plates. Heavy browning to pastedowns and free endpapers. Light wear to cover extremities. Dust jacket has small loss at lower edge of front, some tears to edges and light wear to edges
Mm 195x240 Catalogo della mostra di Venezia, Isola di San Giorgio Maggiore, 4 settembre - 9 novembre 1986. Brossura originale a stampa, sovraccoperta editoriale, 106 pagine con 8 tavole a colori e 104 in nero non comprese nel testo. Copia in perfette condizioni. Spedizione in 24 ore dalla conferma dell'ordine.
Exhibition catalogue for the show at the Barbican Art Gallery with the title of the same name. Book is in excellent condition in black cloth with gilt print at spine, large oblong format. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Dust jacket shows the slightest signs of shelf wear only, no tears. 191 pages with large prints in color, some b&w throughout. From the preface: "Over the centuries London has been visited by many artists from abroad and this exhibition is an attempt to illustrate how each visitor has in turn found inspiration from the city. The exhibition interprets this 'image' of London, reveals how the city has changed through four hundred years, and explores the idea of the city in the mind of the visitors and their response to it. Wyngaerde was the earlist artist to attempt to represent the city with relative accuracy. He conceived London as a great Gothic city with many towers and spires. Thomas Wyek may have witnessed the Great Fire, and he certainly painted several views of it. After the Fire, London was rapidly rebuilt and expanded. The subsequent completion of the new cathedral and the City's increasing commercial success attracted many traveller-artists. With its bustling market, Covent Garden was a favourite subject of the 18th-century artists such as Van Aken and Angillis. By contrast the serene Thames views of Canaletto and Joli recall Venice, and their interpretation of London as a city of grace and enlightenment seem more in keeping with the neo-classical order that fashioned the second half of the 18th Century. In the 19th Century artists began to depict the darker side of London. Focusing upon scenes of labour, poverty and suffering in an oppressive industrial environment, G?ricault and Dor? portrayed the Babylonian image of London. Nevertheless, Victorian London was also shown as a city of success and wealth. The river scenes of Whistler, and the busy, yet fashionable Street scenes of Bianche, Tissot and De Nittis represent it as essentially a hive of activity, business and busy-ness. Wistler and Monet were also inspired by the atmosphere of London, the foggy and nocturnal views ...
