Jensen, Jens Christian (Konzeption)Antiquariat.de
355 résultats
1973120429Kiel: Kunsthalle zu Kiel, 1973. 76 S. ; 29,5 x 21 cm ; broschiert.
ART7146M2005, Phaidon. In-4, broché sous jaquette illustrée, 256pp. Riche iconographie couleurs et n&b. Frottements d'usage aux coiffes et coins. Très bon exemplaire
1981LFA-126736199Un ouvrage de 96 pages, format 130 x 195 mm, illustré, broché couverture couleurs, publié en 1981, Flammarion, collection "La Peinture"
Mm 240x280 Catalogo della mostra di Stra, Museo Nazionale di Villa Pisani., 28 maggio - 30 ottobre 2011. Brossura originale, 168 pagine profusamente illustrate in nero e a colori. Libro in condizioni di nuovo.
201143635Dresden : Sandstein, 2011. 144 S. : zahlr. Ill., graph. Darst., Kt. ; 27 cm broschiert
200878585Michel Sandstein Verlag. New. 2008. Paperback. 3940319287 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in German. 100 pp. With 138 ills. 124 col. . 27 x 24 cm. -- with a bonus offer-- . Michel Sandstein Verlag paperback
28679London , Spring Books, 1974 Bound in blue cloth with gilt lettering, orig. pict. dustjacket, 232pp. plus 48 plates, 24x27cm., num. col. ills., good cond. . ISBN 9780600339762.
1930178940-1Wien, Schroll 1930. 4°. 46 S. Mit 72 Tafn. Original-Leinenband
Folio, Second Edition, 12 lithographed plates plus 2 sheets (title and index); housed in card portfolio with illustration mounted on upper wrapper, silk ties, a very good, clean copy. First issued as a collection of eighteen collotype plates in 1969. The engravings are: View of London with the Bridge (after Canaletto); View of the Monument (after Canaletto); NW View of St. Paul's (Muller); View of London Bridge (Scott); Guild Hall (anon); Mansion House (Bowles); Royal Exchange (Maurer); St. Mary le Bow in Cheapside (Bowles); St. Brides (Donowell); Custom House (Maurer); NW View of the Tower (Maurer); N View of London (anon).
2012105686Mercatorfonds; Et Al. New. 2012. Hardcover. 906153822X . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French. 208 pages; many illustrations most in color. -- with a bonus offer-- . Mercatorfonds; Et Al hardcover
In 8vo (cm 21x16) brossura editoriale pag. 108 + 120 tav. in b/n. -- Catalogo della mostra Palazzo Grassi. Opere provenienti dalla Polonia.
11733Très belle épreuve. en feuille Bon 11,2 x 15,9 cm. Marges 17,4 x 27,8 cm.
7590Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 18th century c. 1745. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
7591Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 18th century c. 1745. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
7589Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 18th century c. 1745. Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
7588Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 18th century c. 1745. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
191457768Editions D'Art E. Celanza / Librairie G. Van Oest & Cie. As New. 1914. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French with 26 b/w plates. -- with a bonus offer-- . Editions D'Art E. Celanza / Librairie G. Van Oest & Cie. hardcover
13437London: Published by John Thomas Smith 1809. Engraving by Fellows after a drawing of 1749 in the collection of George Hibbert by the renowned Italian topographical painter etcher and draughtsman Canaletto. Very good condition apart from some minor foxing a light waterstain in the top margin and a skillfully repaired 2 1/8" tear in the top left margin. Barely visible mild crease extending through the center of the image. A beautifully rendered view of the Horse Guards as seen from Whitehall from Smith's "Antiquities of Westminster." Constructed in 1745 to accommodate the old palace guards the Horse Guards Parade was and remains today one of London's largest open public spaces. Visible at the end of the parade ground are the distinctive Horse Guard buildings which were designed by William Kent and erected in 1755.<br/> <br/> The series from which this plate comes was originally begun with the intention of documenting the fourteenth-century murals sculptures and stained glass discovered during the expansion of the House of Commons. It evolved however into an ambitious and detailed survey involving several artists and engravers of the various buildings of the Palace of Westminster. Comprised of numerous plates several supplementary plates were later published in 1809 accompanied by the descriptive text of John Sidney Hawkins and Smith Antiquities of Westminster constitutes an invaluable visual record of the appearance of the Westminster before it succumbed to the fire of 1834. John Thomas Smith an antiquarian of high repute was also a talented etcher. His published work focuses almost entirely on London and its environs and he was unusual for his time in that he recorded all strata of society. A pupil of the Royal Academician Joseph Nollekens and the mezzotint engraver John Keyse Sherwin Smith began his career as engraver and topographical draughtsman. His first publication Antiquities of London and its Environs 1800 was followed by his magnum opus Antiquities of Westminster 1807. In 1816 Smith became the keeper of prints and drawings at the British Museum a position he held for the duration of his life. He completed The Ancient Topography of London in 1815 and continued to publish various literary and illustrated works throughout his life including a well-received biography of Nollekens in 1828 and Cries of London 1839.<br/> <br/> Cf. Adams London Illustrated 1604-1851 98; cf. Lowndes III p. 2427; cf. Abbey Scenery of Great Britain and Ireland 210; cf.Dictionary of National Biography. Published by John Thomas Smith unknown
13435London: Published by John Thomas Smith 1809. Engraving by Fellows after a painting of 1746 in the collection of the Honorable Percy Wyndham by the renowned Italian topographical painter etcher and draughtsman Canaletto. Very good condition apart from some minor foxing a few mild creases in the bottom margin and slight discolouration of the paper due to age. A beautifully rendered panoramic view of the borough of Westminster during the construction of Westminster Bridge from Smith's "Antiquities of Westminster." Built by the engineer Charles Labelye based on a design by Colon Campbell Westminster Bridge was erected between 1738 and 1750. During its construction ships could still pass underneath the bridges' arches the undersides of which were reinforced by supportive wooden structures erected by James King.<br/> <br/> The series from which this plate comes was originally begun with the intention of documenting the fourteenth-century murals sculptures and stained glass discovered during the expansion of the House of Commons. It evolved however into an ambitious and detailed survey involving several artists and engravers of the various buildings of the Palace of Westminster. Comprised of numerous plates several supplementary plates were later published in 1809 accompanied by the descriptive text of John Sidney Hawkins and Smith Antiquities of Westminster constitutes an invaluable visual record of the appearance of the Westminster before it succumbed to the fire of 1834. John Thomas Smith an antiquarian of high repute was also a talented etcher. His published work focuses almost entirely on London and its environs and he was unusual for his time in that he recorded all strata of society. A pupil of the Royal Academician Joseph Nollekens and the mezzotint engraver John Keyse Sherwin Smith began his career as engraver and topographical draughtsman. His first publication Antiquities of London and its Environs 1800 was followed by his magnum opus Antiquities of Westminster 1807. In 1816 Smith became the keeper of prints and drawings at the British Museum a position he held for the duration of his life. He completed The Ancient Topography of London in 1815 and continued to publish various literary and illustrated works throughout his life including a well-received biography of Nollekens in 1828 and Cries of London 1839.<br/> <br/> Cf. Adams London Illustrated 1604-1851 98; cf. Lowndes III p. 2427; cf. Abbey Scenery of Great Britain and Ireland 210; cf.Dictionary of National Biography. Published by John Thomas Smith unknown
13437London: Published by John Thomas Smith 1809. Engraving by Fellows after a drawing of 1749 in the collection of George Hibbert by the renowned Italian topographical painter etcher and draughtsman Canaletto. Very good condition apart from some minor foxing a light waterstain in the top margin and a skillfully repaired 2 1/8" tear in the top left margin. Barely visible mild crease extending through the center of the image. A beautifully rendered view of the Horse Guards as seen from Whitehall from Smith's "Antiquities of Westminster." Constructed in 1745 to accommodate the old palace guards the Horse Guards Parade was and remains today one of London's largest open public spaces. Visible at the end of the parade ground are the distinctive Horse Guard buildings which were designed by William Kent and erected in 1755.<br/> <br/>The series from which this plate comes was originally begun with the intention of documenting the fourteenth-century murals sculptures and stained glass discovered during the expansion of the House of Commons. It evolved however into an ambitious and detailed survey involving several artists and engravers of the various buildings of the Palace of Westminster. Comprised of numerous plates several supplementary plates were later published in 1809 accompanied by the descriptive text of John Sidney Hawkins and Smith Antiquities of Westminster constitutes an invaluable visual record of the appearance of the Westminster before it succumbed to the fire of 1834. John Thomas Smith an antiquarian of high repute was also a talented etcher. His published work focuses almost entirely on London and its environs and he was unusual for his time in that he recorded all strata of society. A pupil of the Royal Academician Joseph Nollekens and the mezzotint engraver John Keyse Sherwin Smith began his career as engraver and topographical draughtsman. His first publication Antiquities of London and its Environs 1800 was followed by his magnum opus Antiquities of Westminster 1807. In 1816 Smith became the keeper of prints and drawings at the British Museum a position he held for the duration of his life. He completed The Ancient Topography of London in 1815 and continued to publish various literary and illustrated works throughout his life including a well-received biography of Nollekens in 1828 and Cries of London 1839.<br/> <br/>Cf. Adams London Illustrated 1604-1851 98; cf. Lowndes III p. 2427; cf. Abbey Scenery of Great Britain and Ireland 210; cf.Dictionary of National Biography. Published by John Thomas Smith unknown books
13435London: Published by John Thomas Smith 1809. Engraving by Fellows after a painting of 1746 in the collection of the Honorable Percy Wyndham by the renowned Italian topographical painter etcher and draughtsman Canaletto. Very good condition apart from some minor foxing a few mild creases in the bottom margin and slight discolouration of the paper due to age. A beautifully rendered panoramic view of the borough of Westminster during the construction of Westminster Bridge from Smith's "Antiquities of Westminster." Built by the engineer Charles Labelye based on a design by Colon Campbell Westminster Bridge was erected between 1738 and 1750. During its construction ships could still pass underneath the bridges' arches the undersides of which were reinforced by supportive wooden structures erected by James King.<br/> <br/>The series from which this plate comes was originally begun with the intention of documenting the fourteenth-century murals sculptures and stained glass discovered during the expansion of the House of Commons. It evolved however into an ambitious and detailed survey involving several artists and engravers of the various buildings of the Palace of Westminster. Comprised of numerous plates several supplementary plates were later published in 1809 accompanied by the descriptive text of John Sidney Hawkins and Smith Antiquities of Westminster constitutes an invaluable visual record of the appearance of the Westminster before it succumbed to the fire of 1834. John Thomas Smith an antiquarian of high repute was also a talented etcher. His published work focuses almost entirely on London and its environs and he was unusual for his time in that he recorded all strata of society. A pupil of the Royal Academician Joseph Nollekens and the mezzotint engraver John Keyse Sherwin Smith began his career as engraver and topographical draughtsman. His first publication Antiquities of London and its Environs 1800 was followed by his magnum opus Antiquities of Westminster 1807. In 1816 Smith became the keeper of prints and drawings at the British Museum a position he held for the duration of his life. He completed The Ancient Topography of London in 1815 and continued to publish various literary and illustrated works throughout his life including a well-received biography of Nollekens in 1828 and Cries of London 1839.<br/> <br/>Cf. Adams London Illustrated 1604-1851 98; cf. Lowndes III p. 2427; cf. Abbey Scenery of Great Britain and Ireland 210; cf.Dictionary of National Biography. Published by John Thomas Smith unknown books
pp. 16 +20 tavole Num. ill. a col. e b/n , alcune doppia pag. Volume della collana "I classici della pittura" di A.Curcio. N. 6. Testi di E. Tamarelli :L'artista e il suo tempo. Le opere. Bibliografia.
LFA-126729248Un ouvrage de 399 pages, format 300 x 315 mm, illustré, relié cartonnage sous jaquette couleurs, s.d., Gründ, bon état
19864948BBHerrsching, Color Collection, 1986. Lizenzausg. 4° 35 S. 49 Farbtaf. O.Kart. Kl.Vorbesitzerunterschrift a. d. Vors. , gut. Zust.In Englische Sprache Color Collection Kunst.
