355 résultats
1924319151924 Paris, Nilsson, 1924, In huit, 136 pp, broché,
190118-0-78Pirna, Verein für Geschichte Pirna, 1901. Querfolio (34,5x50cm), 11 Ansichten in Lichtdruck, Halbleinen-Flügelmappe
86937Venice c.1790. . Engraving by Visentini after Canaletto 40.5 x 55.5 cm. Plate VIII from Urbis Venetiarum Prospectus Celebriores.<br /> The most widely known and the best of the many engravings after Canalatto's views of Venice. They were originally commissioned by Consul Smith and based on paintings by Canaletto.<br /><br />"Self-styled as painter architect and engraver Visentini enjoyed a long career in Venice where he was connected to the Academia and to the artistic and publishing circle centred around Consul Joseph Smith. Visentini's etchings are distinguished in the confidence and authority of their perspectival projection and etched line. Visentini's buildings seldom sag and never "sink" under their own weight into the water of the canals as they occasionally might in the work of Carlevaris and Mariechi. Canaletto's compositions are quite various and are refreshingly dramatic in the contrast between the large foreground buildings and the smaller ones in the receding perspective.<br /><br />These views were crucial to forming the image of Venice in the mind of its visitors" Millard.<br /> Venice, c.1790. unknown
86935Venice <br /><br /> c. 1790 . Engraving by Visentini after Canaletto 40.5 x 55.5 cm. Plate VII from Urbis Venetiarum Prospectus Celebriores.<br /> The most widely known and the best of the many engravings after Canalatto's views of Venice. They were originally commissioned by Consul Smith and based on paintings by Canaletto.<br /><br />"Self-styled as painter architect and engraver Visentini enjoyed a long career in Venice where he was connected to the Academia and to the artistic and publishing circle centred around Consul Joseph Smith. Visentini's etchings are distinguished in the confidence and authority of their perspectival projection and etched line. Visentini's buildings seldom sag and never "sink" under their own weight into the water of the canals as they occasionally might in the work of Carlevaris and Mariechi. Canaletto's compositions are quite various and are refreshingly dramatic in the contrast between the large foreground buildings and the smaller ones in the receding perspective.<br /><br />These views were crucial to forming the image of Venice in the mind of its visitors" Millard.<br /><br /><br /> Venice <br /><br /> c. 1790 unknown
7590Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 18th century c. 1745. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
7591Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 18th century c. 1745. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
7589Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 18th century c. 1745. Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
7588Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 18th century c. 1745. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
LCS-17633Première édition et premier état de cette somptueuse et magnifique suite de vues sur Venise. Venice, Ludovico Furlanetto, 1763. In-folio oblong de (1) f. de titre et 21 planches à pleine page. Demi-vélin à coins, dos lisse avec titre manuscrit en long, non rogné. Reliure de l’époque. 715 x 512 mm.
1742P5456Venice Italy 1742. Very Good. Notes: Rare 18th-century view of Venice depicting the Grand Canal from the Palazzo Michiel dalle Colonne to the Palazzo Civran. Plate 7. It is beautifully framed. <br>This is from the work Urbis Venetiarum Prospectus Celebriores Famous Views of Venice. Image Size : 252x414 mm 9.92x16.30 Inches Platemark Size : Paper Size : Coloring: Hand Colored Medium: Copper Engraving Categories: Views Europe Italy; unknown
11733Très belle épreuve. en feuille Bon 11,2 x 15,9 cm. Marges 17,4 x 27,8 cm.
0243-26Wien Kaeser o. J. ca. 1880. Radierung. 21 5 x 42 cm. Bildgr.; 47 x 62 cm. Blattgr. im weißen Rand rissig. Nach einem Gemälde von Canaletto radiert von V. Fischer. Wien, Kaeser o. J. [ca. 1880]. unknown
Mm 215x275 Brossura editoriale di pp. 111, con disegni in bianco e nero, leggere fioriture alla copertina, buono stato complessivo. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
13437London: Published by John Thomas Smith 1809. Engraving by Fellows after a drawing of 1749 in the collection of George Hibbert by the renowned Italian topographical painter etcher and draughtsman Canaletto. Very good condition apart from some minor foxing a light waterstain in the top margin and a skillfully repaired 2 1/8" tear in the top left margin. Barely visible mild crease extending through the center of the image. A beautifully rendered view of the Horse Guards as seen from Whitehall from Smith's "Antiquities of Westminster." Constructed in 1745 to accommodate the old palace guards the Horse Guards Parade was and remains today one of London's largest open public spaces. Visible at the end of the parade ground are the distinctive Horse Guard buildings which were designed by William Kent and erected in 1755.<br/> <br/> The series from which this plate comes was originally begun with the intention of documenting the fourteenth-century murals sculptures and stained glass discovered during the expansion of the House of Commons. It evolved however into an ambitious and detailed survey involving several artists and engravers of the various buildings of the Palace of Westminster. Comprised of numerous plates several supplementary plates were later published in 1809 accompanied by the descriptive text of John Sidney Hawkins and Smith Antiquities of Westminster constitutes an invaluable visual record of the appearance of the Westminster before it succumbed to the fire of 1834. John Thomas Smith an antiquarian of high repute was also a talented etcher. His published work focuses almost entirely on London and its environs and he was unusual for his time in that he recorded all strata of society. A pupil of the Royal Academician Joseph Nollekens and the mezzotint engraver John Keyse Sherwin Smith began his career as engraver and topographical draughtsman. His first publication Antiquities of London and its Environs 1800 was followed by his magnum opus Antiquities of Westminster 1807. In 1816 Smith became the keeper of prints and drawings at the British Museum a position he held for the duration of his life. He completed The Ancient Topography of London in 1815 and continued to publish various literary and illustrated works throughout his life including a well-received biography of Nollekens in 1828 and Cries of London 1839.<br/> <br/> Cf. Adams London Illustrated 1604-1851 98; cf. Lowndes III p. 2427; cf. Abbey Scenery of Great Britain and Ireland 210; cf.Dictionary of National Biography. Published by John Thomas Smith unknown
13437London: Published by John Thomas Smith 1809. Engraving by Fellows after a drawing of 1749 in the collection of George Hibbert by the renowned Italian topographical painter etcher and draughtsman Canaletto. Very good condition apart from some minor foxing a light waterstain in the top margin and a skillfully repaired 2 1/8" tear in the top left margin. Barely visible mild crease extending through the center of the image. A beautifully rendered view of the Horse Guards as seen from Whitehall from Smith's "Antiquities of Westminster." Constructed in 1745 to accommodate the old palace guards the Horse Guards Parade was and remains today one of London's largest open public spaces. Visible at the end of the parade ground are the distinctive Horse Guard buildings which were designed by William Kent and erected in 1755.<br/> <br/>The series from which this plate comes was originally begun with the intention of documenting the fourteenth-century murals sculptures and stained glass discovered during the expansion of the House of Commons. It evolved however into an ambitious and detailed survey involving several artists and engravers of the various buildings of the Palace of Westminster. Comprised of numerous plates several supplementary plates were later published in 1809 accompanied by the descriptive text of John Sidney Hawkins and Smith Antiquities of Westminster constitutes an invaluable visual record of the appearance of the Westminster before it succumbed to the fire of 1834. John Thomas Smith an antiquarian of high repute was also a talented etcher. His published work focuses almost entirely on London and its environs and he was unusual for his time in that he recorded all strata of society. A pupil of the Royal Academician Joseph Nollekens and the mezzotint engraver John Keyse Sherwin Smith began his career as engraver and topographical draughtsman. His first publication Antiquities of London and its Environs 1800 was followed by his magnum opus Antiquities of Westminster 1807. In 1816 Smith became the keeper of prints and drawings at the British Museum a position he held for the duration of his life. He completed The Ancient Topography of London in 1815 and continued to publish various literary and illustrated works throughout his life including a well-received biography of Nollekens in 1828 and Cries of London 1839.<br/> <br/>Cf. Adams London Illustrated 1604-1851 98; cf. Lowndes III p. 2427; cf. Abbey Scenery of Great Britain and Ireland 210; cf.Dictionary of National Biography. Published by John Thomas Smith unknown books
422601Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 18th century ca. 1754. Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
422603Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 18th century ca. 1754. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
422602Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 18th century ca. 1754. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
422600Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 18th century ca. 1754. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Two volumes (one of text, one of plates), complete. First and only edition of the standard catalogue raisonnÈ of Della Bella's prints. De Vesme's catalogue initially appeared in 1906 (as pp. 66-332 of his "Peintre-Graveur Italien") but that edition is less than ideal, both because it is unillustrated and because of its many errors and omissions. In the late 1960s Phyllis Dearborn Massar performed the Herculean task of assembling photographs of the over 1,300 prints described, correcting De Vesme's mistakes, and supplying new information regarding unknown states and proofs. This two-volume edition is the result of her outstanding scholarship. Folio, bound in publisher's cloth. Tiny traces of wear to extremities of bindings, otherwise as new. The essential reference for anyone interested in Della Bella's prints.
1981712AB1981. Nördlingen Uhl 1981. 2° Large Folio. 2 nn. Blatt 30 Reproduktionen von Radierungen auf 19 Tafeln / 30 Reproductions in original size. Alle Blatt lose in Originalmappe. / All 30 Reoriductions loosely inserted in original Folder. 2 nn. Blatt 30 Reproduktionen von Radierungen auf 19 Tafeln. Alle Blatt lose in Originalmappe. Sehr guter Zustand. Großfolio. Included are for example the following reproductions / "Die Reproduktion der vorliegenden Ausgabe erfolgte in der Größe der Originale nach dem makellosen Exemplar der Hofbibliothek Aschaffenburg." - Uhl Enthalten u.a.: Ale Porte del Dolo Al Dolo La Torre di Malghera Frei gestaltete Ansicht von Padua Proticus mit Laterne Die Terasse Markt in Dolo Landschaft mit einem betenden Pilger Landschaft mit antiken Ruinen etc. etc. unknown
2001833522001 Ed. Scala - 2001 - In-8 broché - nombreuses illustrations couleur - texte en anglais - 638 pages
3600233Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1707. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
3600231Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1707. Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
3600230Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1707. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
